Lake Tyers Beach won Heritage Preservation Award in recent Tidy Town presentationBlack and white photograph of members of Lake Tyers Beach Progress Association Doug Coole, Geoff Morgan, Herbert Weinzerl, Mark Pearson and John Wilson taken at the Oil Bore site near Lake Bunga Victoriaeducation, environment, groups

Souvenired by Tony Cornelius. Refer Cat No 1874.2 for his service history.For SLR 7.62 Rifle. .1) Combination tool - metal. .2) Oil Bottle - plastic. .3) Brush - Plastic handle. .4) Pull through - metal, cord and cloth. .5.) CanvasPouch Khaki colour fabric tie.On printed label “7.62 SLR/ T Cornelius RAASC”slr, cleaning kit, accessory

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The HMAS Sydney in Korean waters launching Hawker Sea Fury fighters. The HMAS Sydney is flanked on either sides by her destroyer escorts HMAS Tobruk, and HMCS Sioux. A rescue helicopter is hovering above the Sydney.HMAS Sydney joined United Nations forces in Korean waters in October 1951. The Sydneys' role consisted predominantly of direct attacks on ground targets and assistance to ground operations. Sydney can be seen here launching Hawker Sea Fury fighters from the Nos. 805 and 808 Squadrons with Fairey Firefly on deck.Mounted print of H.M.A.S.Sydney in Korean watersRay Honisett H.M.A.S.Sydney in Korean waters.1951_52 1975 oil on canvas 121.9 x 182.9cm Australian War Memorial (28077) Telegraphist E.LOGAN R.A.N. R51533 1957/58korean war, h.m.a.s.. sydney, navy, lara r.s.l.

2007 - All metal parts treated for rust; wood carefully cleaned to preserve printing then treated with museum mixture.Hand operated two roller - spring pressure clothes wringer for mounting ( with two clamps) on the divider between the clothes trough.Anchor Brand No. 672 on top bar.|Anchor Brand Insignia on four uprights with LM Co. Erie P.A .|'oil here'(followed by an arrow) on four places near cogs.domestic items, laundering

Photo shows Victorian Railways tramcar No. 42 and 33 at Elwood depot. Bogies or trucks are of the Brill 77E type. Note the oil lamp on the driver's dash panel - all VR trams carried them.Yields information about the Victorian Railways bogie trams.Photograph - Black and White - VR 42 and 33 at Elwoodtramways, trams, victorian railways, vr trams, elwood depot, brill 77e, tram 42, tram 33

Arthur William Glass known as Peter was born August 28, 1917. During the 1930s, Peter Glass and a young Graeme Bell were studying painting under Max Meldrum. Graeme Bell at that time was undecided whether to devote his life to music or painting. In 1938, inspired by what they had seen at 'Montsalvat', Peter Glass along with Graeme and Roger Bell (whose names were to become internationally known as the leaders of Australia's most famous jazz band) agreed to purchase land at Eltham to build themselves a mud brick house. For some time, Eltham had been their chosen place for painting and sketching, but it was not until they visited the 'Jorgensen Colony', as it was then known, and saw the possibilities of building in earth, that they decided to establish a permanent base in Eltham. In July, the three of them bought a few acres of land at the top of John Street and started making mud bricks for a proposed sixty square sized house. Following the Second World War, Peter Glass returned in 1946 to live permanently in Eltham. He resumed work on building of the adobe house which he had commenced before the war. During some years spent in England and France he married a French girl and on returning to Eltham he built another adobe house in which he lived with his wife, Cecile Madeleine, and two children, Julian and Marie-Luce on land adjoining the original house. Peter Glass died in December 1997 aged 80, his wife Cecile in 2006, aged 79. They are memorialised in Eltham Cemetery. Much of the inspiration for his landscape painting comes from the Eltham bush and the Yarra flowing through it.oil on chipboard 33 x 40.5 x 1.0 cm Signed 'Peter Glass in red paint lower right of centre Evidence of some paint rub-off at edges from previous frame mounting (frame removed).Reverse side painted in pale yellow cream and inscribed: 'Summer Landscape - 1968 Kangaroo Ground' in black paint1968, arthur william glass, artwork, kangaroo ground, paintings, peter glass

Painting by C. Lillie Brown (Caroline) of house at 25 Beaconsfield Road, Briar Hill, formnerly owned by Miss Humphries who ran a lolly shop in the left hand sode of the building. Frequented by children from the Briar Hill school which was opposite. House now demolished.29.2 x 39.1 cm Oil on (Fredrix USA) linen mounted paper board 12" x 16 " (30.5 x 40.6 cm) in standard frame Signed in brown paint lower left C Lillie Brown25 beaconsfield road, briar hill, miss humphries, lolly shop, briar hill school

The Launch Master Frederick Heather was licensed to be Master of Launches within the Port of Launceston. Amongst the vessels that he captained was the S.S. ROWITTA. Fredrick’s son is one of the volunteers at the Low Head Pilot Station Museum, Frederick Heather is also related to a Harry Heather from Tasmania and was also a ship master, one of his ships being the "Alma Doepel", a sailing schooner built in 1903 and sailed by Harry for about 21 years until his death in 1937. Flagstaff Hill’s collection includes a painting of the Alma Doepel. SS ROWITTA: - The 1909 steam ferry, SS Rowitta, was installed as an exhibit at Flagstaff Hill in 1975 and was enjoyed by many visitors for 40 years. Rowitta was a timber steam ferry built in Hobart in 1909 using planks of Huon and Karri wood. It was a favourite of sightseeing passengers along Tasmania’s Tamar and Derwent rivers for 30 years. Rowitta was also known as Tarkarri and Sorrento and had worked as a coastal trading vessel between Devonport and Melbourne, and Melbourne Queenscliff and Sorrento. In 1974 Rowitta was purchased by Flagstaff Hilt to convert into a representation of the Speculant, a historic and locally significant sailing ship listed on the Victorian Heritage Database. (The Speculant was built in Scotland in 1895 and traded timber between the United Kingdom and Russia. Warrnambool’s P J McGennan & Co. then bought the vessel to trade pine timber from New Zealand to Victorian ports and cargo to Melbourne. It was the largest ship registered with Warrnambool as her home port, playing a key role in the early 1900s in the Port of Warrnambool. In 1911, on her way to Melbourne, it was wrecked near Cape Otway. None of the nine crew lost their lives.) The promised funds for converting Rowitta into the Speculant were no longer available, so it was restored back to its original configuration. The vessel represented the importance of coastal traders to transport, trade and communication in Australia times before rail and motor vehicles. Sadly, in 2015 the time had come to demolish the Rowitta due to her excessive deterioration and the high cost of ongoing repairs. The vessel had given over 100 years of service and pleasure to those who knew her. The licence is significant for its association with the Tasmanian early to mid-1900s passenger ferry, the S.S. Rowitta. It is connected to the history of the Rowitta, which was a large exhibit on display at Flagstaff Hill Maritime Village from the museum’s early beginnings until the vessel’s end of life 40 years later. The display was used as an aid to maritime education. The Rowitta represents the importance of coastal traders to transport, trade and communication along the coast of Victoria, between states, and in Australia before rail and motor vehicles. The vessel was an example of a ferry built in the early 20th century that served many different roles over its lifetime of over 100 years. Launch Master's License No 8 issued to Fredrick Heather to act as Master of a steam, oil or electric launch trading within the Port of Launceston. Date issued 13th February 1920. The license is printed with hand written details added.Handwritten on License "Master's" "Frederick Heather" "Master" "13th February 1920" Also two signatures (indecipherable) of Master Warden and Secretary.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, launch master's licence, rowitta, frederick heather, port of launceston, launch master's license, marine board of launceston, tarkarri, speculant, purdon & featherstone of hobart, passenger ferry 1909, vessel, charles street wharf launceston, sorrento

Newspaper articles re depression era, including articles on household hawking, includes information re selling Harcourt apples, Goanna oil, Rawleighs; drought and depression; quartz crushing; schooling in the depression; 8.10.99 - 25.11.99. Bendigo Weekly.person, individual, jack perry, depression, hawking, goanna oil, rawleighs

One of four B&W photographs showing views of the Port Melbourne railway yards: Railway loopline to Princes Pier with train of Oil tankers leaving C.O.R. yard. Electrical overhead still evident in picture (prior to 1952)transport - railways

Vincenzo Galea was an Italian POW in Camp 13 Murchison. This portrait of Valma Paterson was painted from a photograph supplied by her father George Paterson, a Hygiene Officer with the Australian Army. Oil Portrait on canvas. Olive green background. A young lady with short dark brown hair. Gold highlights near centre part. Dark brown eyes and red lips. Wearing a light pink top with pleats on shoulders.V Galea 23/11/45camp 13, paterson, valma, george, murchison, vincenzo, galea, portrait

Painting of Yarran Dheren Reserve, Mitcham by Whitehorse Historical Society member, Barbara Rogalski. One of a set of 4 paintings.Small oil painting of bushland with bush of pink & white blossom in foreground. Mounted in beige cotton fabric with inner beige plastic frame. Outer frame of brown wood with gold trim. Yarran Dheren Reserve is located in Mitcham.Yarran Dheren '88 Barbara Rogalski.painting, yarran dheren, barbara rogalski

Framed oil painting by Jack White. The painting features three draught horses pulling a harvester. Cream textured vinyl window mount with gold trim. Green and gold wood frame. Artist's signature lower right corner.

Digital image of a Melbourne and Metropolitan Tramways Board MMTB No. 15 truck or bogie photographed at Preston Workshops. Note the motor suspension bearing oil caps are opened. Marked for possible use under No. 1 end of tram 747.trams, tramways, bogies, trucks, mmtb, preston workshops

Associate Professor Neville J Davis, was appointed President of ANZCA in 1995 until 1996. Professor Davis was a member of both the last Board of the Faculty and the first Council of the newly formed Australian and New Zealand College of Anaesthetists. Further information about Professor Davis can be found on Lives of the Fellows,http://anzca.online-exhibition.net/fellows/fellows-1992/neville-james-davis/ The artist Ben Joel is a Western Australian artist, well known for his commissioned portraits and contemporary pieces in most media. Joel's artworks are represented in private and public art collections. Oil painting on canvas of Associate Professor Neville J Davis, seated at an angle, wearing the Presidential gown and badge. The backdrop is plain with a mock outline of a window. Mounted in a plain gold frame with a brass plaque affixed to center of frame[plaque] ASSOCIATE PROFESSOR / NEVILLE J DAVIS / PRESIDENT 1995-1996painting, anzca president, davis, neville, joel, ben

An oil painting on board depicting a scene of snow-capped mountains around Lake Ohau, New Zealand. The painting is set in a fabric mount with a gold and bronze frame. There is a brass plaque affixed to the front of the frame detailing donor information.Plaque on front of frame. "LAKE OHAU, NEW ZEALAND / Presented By C. McK HOLMES / June, 1990"lake ohau, painting, oil paint, oil painting, scenery, landscape, landscape painting

An oil painting of Professor Douglas Joseph seated in a contemporary setting with a large open book on his lap, surrounded by objects of art on the walls behind him and on coffee tables. The work is set in a simple gold coloured frame with no mount.oil painting, oil paint, portrait, reproduction

A photographic record of War memorials throughout Victoria. Includes 30 oil paintings of War memorials by Dacre Smith. Researched by Harold Bradley [et al]; compiled and designed by Max Parsons and Syd Trigellis-Smith.A record of over 1100 war memorials in Victoria; some photographs forwarded by RSL sub-branches.240 pages, illustrations (some colour).Stamps: Yarra Plenty Regional Library Service. Withdrawn [from collection]war memorials victoria, returned services league, syd trigellis smith, max parsons, dacre smith, harold bradley