Pencil drawing of end plates for S.B. for Bendigo Electronic Coy, F. A. Stevenson, 62 Honeysuckle St., Bendigo. Reference 23 Birdwood Ave, Dandenong.Detailed drawing of plan and side.elevation of S. B.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, s b bronze h/? end plates, bendigo electronic coy, f a stevenson, p r stevenson

8610.1 - Wooden box 8610.2 - Metal ruler 8610.3 - Brittle paper 8610.4 - Broken wood piece 8610.5 - Directions manual 8610.6 - Small pencil 8610.7 to 8610.38 - Eye testing lenses.(Direction manual in lid).

Postcard,WW1, sepia photo of what could have been a battle field with a forest in the background. Smoke is seen rising above the trees. Location not known. Handwritten in pencil on the back - G37 and GSpostcard, ww1, france, battlefield

Postcard, WW1, sepia image of a canal, location not identified. Four figures walking along the left bank in front of ruined buildings. Marsh looking landscape. Handwritten in pencil on the reverse, "G44" and "GS''postcard, postcard, ww1, canal

Postcard, WW1, sepia image of some ruined buildings, bricks and timber rubble. Some buildings facade at left seem relatively undamaged. Location not identified. Written in pencil on the back is G8 and GS.postcard, postcard, ww1, france, ruins

Tetragraptus acclinans, Lancefieldian Pale brown coloured rock, pencil circle drawn around graptolite fossil specimen. Fossil collection formerly held in the School of Mines Museum, Pall Mall, Bendigo.

Photo, WW1, B&W image of some trenches called 'the terrace'. Location not known. A periscope (?) protruding at rear right. Handwritten in pencil on the back - M.Ds dug out on the Terraces S985 34postcard, photo, ww1, trenches, france

Photograph, WW1, B&W photo of a desolate battleground showing gun positions and a township in the far left distance. Handwritten in pencil on the back Gun positions from the duckboards S985 114 114photo, photo, ww1, france, battleground

Black and white photograph of a class at Collingwood Technical School in the 1920s showing a class of students and a teacher at the blackboard. On the blackboard there is the heading 'Lecturettes'. On the reverse of the photo there is a pencil handwritten note ' English Department Lecturettes'collingwood technical school, students, nmit

Rev. Farquhar Chisholm (1878 - 1953), Presbyterian minister, was born in Inverness, Scotland and ordained in 1908 in Kerang. He was a minister in country Victoria and Ballarat and was chaplain of Scotch College from 1919 - 1926. Farquhar Chisholm organised the building funds for Morongo Presbyterian Ladies' College Geelong and the Freemasons' Hospital and was a past grand chaplain of the Masonic Grand Lodge.Matte, black and white studio head and shoulders portrait of Rev. Farquhar Chisholm who is looking to his right and wearing his clerical collar. There is pencil and ink hand writing on the back of the photograph.rev farquhar chisholm, south melbourne presbyterian church, masonic lodge, morongo presbyterian ladies' college geelong, scotch college melbourne

Black hardcover, 294 pages. Worn spine and right cover edge. Appears to be well used. Contains black and white illustrations. Name written in pencil first page "T Hanrahan, Yarrawonga" 39th Edition, Published 1928, 1st Edition entitled "Aids for cases of Injuries or Sudden Illness, 1878 Ther authorised textbook of the "St John Ambulancer"

Black and white photograph. White edges. Vintage cars. Numbers. Very faint Herald and weekly times copyright stamp on back. Pencil writing on rear 'reduce to 11cm height 08 162.photo, group, vintage cars

Set of 'Tennis Whist Score Cards'. Contains eleven unused cardboard scoring booklets and five miniature pencils attched to booklets with thread. Materials: Cardboard, Ink, Natural fibre, Wood, Metaltennis

Decorative embroidered Photo Frame. Covered in Beige/Fawn colour. Soft cotton embroidered in shades of green, scrolls and leaves. Pink rose and petal. Mrs Hopkins in pencil on back. Image of infant.stawell

Black and white photo of tram showing signage for Tramways 75th anniversary, 1965. Basil Miller and another man standing to the right of the tram. '7B' written on back in pencil. There are two copies of this photo.basil miller, bendigo trams

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and white photograph showing a dilapidated barn and a field with a line of trees leading to the water.Catalogue number written in pencil on reverse. '4' written in pencil on reversechurchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.Black and white photograph showing a herd of cattle in a field along Churchill IslandCatalogue number written in pencil on reverse. '31' written in pencil on reversechurchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.Black and white photograph showing a herd of cattle in a field along Churchill IslandCatalogue number written in pencil on reverse. '2' written in pencil on reversechurchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.Black and white photograph showing a field and bushland in the background.Catalogue number written in pencil on reverse. '81' written in pencil on reversechurchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.Black and white photograph depicting the land-side of a jetty with a simple square boatshed against a field.Catalogue number written in pencil on reverse. '51' written in pencil on reversechurchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. Black and White photograph of farmland with pastures, and fallen tree overlooking a narrow body of water.Catalogue number written on reverse in pencil. '1' written in pencil on reversechurchill island, farmland

Yields information about tram operations in the city area of Ballarat.Set of 4 colour slides - Kodachrome white cardboard mounts - slide mounts dated August to September 1971. .1 - Photo of No. 37 at the intersection of Sturt and Lydiard Streets with the Town Hall in the background and the tramway shelter. Has detailed street signs - Government Tourist Bureau, Art Gallery and street name and a sign "Danger Cross Streets at Right Angles" .2 - No. 30 with the destination of City, westbound in Sturt St with the Town Hall, Fletcher Jones and Coles stores in the background. .3 - Nos. 30 and 21 parked in the City Loop. .4 - view of the south side of Sturt St just to west of Grenville St with the Family Footwear, Spot Cafe, Bill Valpied Fruit, Union Hotel and Thomas Jewellers buildings in the view. Photo from the collection of Lilian Butler. .2 and .3 have in pencil "Photo to America" written on them in pencil.ballarat, tramways, trams, sturt st, city loop, lydiard st north, city, signs, tram 30, tram 21

William FRATER (1890-1974) Born 31 January 1890 at Ochiltree Castle, near Linlithgow, Scotland Arrived Melbourne, Australia in September 1910 In a lecture on modern art in 1925, Frater stated the basic position from which the rest of his oeuvre stems: 'Copying nature is not an art; … to copy effects of light tends to destroy form and colour'. Frater gave aggressive leadership to the small group of modernists in the 1920s. His example, teaching, lecturing and crusty style of polemic did much to disrupt the academic style as the arbiter of pictorial values and to pioneer a change of taste in the community.His approach in the 1930s was markedly indebted to Cézanne, especially in the portraits which predominated until his retirement from stained-glass designing in 1940. (L. J. Course, 'Frater, William (1890–1974)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/frater-william-6239/text10739, published first in hard copy 1981, accessed online 3 May 2016.) Jock Frater was on of the first modern painters who opposed the fashionable and academic schools of painting. During the 1930s he exhibited with the Contemporary Art Group along with Arnold Shore and George Bell. During a very conservative period in Australian Art John Frater advanced the cause of innovation and modernism. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed seated nude study in oil on paper. Lower centre in pencil "W. Frater". In lighter pencil "painted 1932"art, artwork, frater, william frater, life drawing, nude, oil on paper, portrait, jock frater, william jock frater, available

Port of Portland Authority archivesFront: (no inscriptions) Back: 70% (blue pencil, upper right) 8 (pencil, centre) 24 CMS WIDE (pencil, upper centre) pencil crop marks on outer edgeport of portland archives, crane, cranes, harbour

Port of Portland Authority archivesFront: (no inscriptions) Back: 85% (blue pencil, upper right) 11 (pencil, centre) 40 CMS WIDE (pencil, upper centre) pencil crop marks on outer edgeport of portland archives, maritime industry, portland harbour, truck

The National Wool Museum accepted a donation from Brian Licence in 2022 of several mementoes relating to his career in the wool industry. This Wool Classing Exercise Book was written by Brian in his time at the Gordon Technical College from 1960-62. Brian studied Wool Classing and worked for a decade in this profession before moving to Melbourne which required him to change careers.This Wool Classing Exercise book begins with a grey cover and a blue and silver metal binder. It has the number “240” handwritten in white pencil at the centre of the cover and “Brian Licence Animal Husbandry” written in blue ink on the top right corner. Internally, the book is handwritten with occasional hand drawn images. This work is completed on yellowed pages with faint blue lines, for assistance in clarity of handwriting. The pages are surrounded by a margin of red pen. The exercise book’s content is about basic animal husbandry for sheep that a Wool Classer may need to know while in a shearing shed. It is handwritten. A selection of pages have been photographed to give an impression of the information taught in classes 60 years ago. This includes information about: - Dentistry - Skeletal - Blood Circulation - Breathing - Internal parasites The book has 50 completed pages of handwriting on both front and back. Handwritten, white pencil. Centre of cover. “240” Handwritten, blue ink. Top right corner of cover. “Brian Licence. / Animal Husbandry” gordon institute geelong, 1960s sheep farming, wool classing, sheep dentistry, sheep skeletal, sheep blood circulation, sheep breathing, sheep internal parasites

The original is stated to have been framed in oak and presented to the Choirmaster, Fred Frewin, (depicted in front row) 27 February 1917. The copy held at the Chelsea and District Historical Society is B&W and includes in pencil the names of those depicted. There is also an original postcard in sepia tones.NoneBlack and white photocopy of a larger print framed in Oak, Chelsea Choral Society 1917. Also an original postcard.Original presented 27 February 1917 to choir master, Fred Frewin, (depicted seated in front) as a mark of esteemfred frewin, chelsea choral society, chelsea