During the 1890s the Ballarat School of Mines started teaching photography.Handwritten invoice on printed letterhead. The invoice was for chemicals and apparatus for the Ballarat School of Mines, including items for the Chemical Laboratory, Photography Laboratory, Electrical Laboratory and Cyanide.walter cornell, ballarat school of mines, laboratory, chemist, pharmacy, photography electricity, photographic equipment

The following were office bearers of the Kiata Progress Association in 1958: K. Jordon (President) G. Osborne (Secretary) Ivan Cole & S. Clark (Vice_Presidents Alison Jordan (Assistant Secretary) It is a assumed that the Kiata Progress Association Wildflower Exhibition was the predecessor of the Little Desert Wildflower Exhibition is held each year in September-October. Kiata is a town in the Wimmera region between Nhill and Dimboola, western Victoria, Australia.Correspondence from Kiata State School to the Ballarat School of Mines concerning an Exhibition of Wildflowers, 1958 .1-2) Two page hand written letter dates 20 August 1958 and signed by G.B. Osborne, Honorary Secretary of the Kiata Progress Association. .3) one page typed letter (carbon copy) dated 28 August 1958 in reply to above .4) Printed flyer advertising the Kiata Progress Association Exhibition of Wildflowers and Museum of Natural History to be held in Kiata Hall on 25 September to 05 October 1958. The flyer includes photographic depictions of Kakea Petiolaris, Hakea multilineata and Mallee Hens.mallee hens, kiata progress association, wildflower exhibition, kiata hall, little desert, lowan sanctuary, k. jordan, ivan cole, s. clarke, g. osborne, alison jordan

Ballarat from the Ballarat School of Mines. 9 x silver gelatin prints depicting panoramic view of Ballarat mounted onto board, split into two sections 14073.1 and 14073.2ballarat, ballarat panoramic view

Deakin University Museum Studies students of 1994-1997 at the Old Castlemaine Gaol to celebrate 20 years of Museum Studies, 1979-1998. Most attendees arrived at Castlemaine on board a Steam train. In the back row is Clare Gervasoni who was the curator of the Federation University Art and Historical Collection.Coloured photograph mounted in a presentation folder showing students of 1994-1997 attendees at the Deakin University Museum Studies. Names of people printed under the photographmuseum studies, deakin university museum studies, margaret birtley, anne kewshaw, chris keeler, clare gervasoni, castlemaine gaol, rachel faggoter

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Students would have attended Ballarat College of Advanced Education. Names to correspond with photograph 19975 1. Roger Smith 2. Ronald Barnes 3. Max Brooke (Instructor) 4. Raymond Epthorpe 5. Geoff Chappel 6. Athol Wilson 7. Mike Boyd 8. Geoff Knight 9. Brian Vasey 10. Glen Williams 11. Mark Sonter 12. Vic (?) 13. Barbara Palmer 14. Leo Arthur 15. Jeffrey Smillie A timber framed black and white photograph taken at Sovereign Hill of a group of thirteen people dressed in period costume with a name plate at the bottom. Sepia photograph mounted on cardboard. Photographer's information.Typed name plate with names Card printed with - Red Hill Photographic Rooms, Sovereign Hill, Victoria.viosh, viosh australia, graduate diploma in occupational hazard management, leo arthur, ronald barnes, michael boyd, andrew chappell, ray epthorp, jeffrey knight, barbara palmer, jeffrey smillie, roger smith, mark sonter, brian vasey, owen glyn williams, athol wilson

Early 1900's. "Boiling the billy". The term billy or billycan is particularly associated with Australian usage, but is also used in the UK and Ireland. It is widely accepted that the term "billycan" is derived from the large cans used for transporting bouilli or bully beef on Australia-bound ships or during exploration of the outback, which after use were modified for boiling water over a camp fire. Postcards developed out of the complex tradition of nineteenth-century printed calling cards, beginning with the advent of the Cartes-de-Visite in France. In the 1850s, Parisian photographer Andre Adolphe Eugene Disderi invented a photographic process involving egg white, albumen, and silver nitrate to create inexpensive portraits on paper cards. These photographic Cartes-de-Visites were 2 1/2 (75mm) by 4 inches (98mm) and became a popular, collectable form of "visiting cards" world-wide. Photographers would reprint portraits of famous individuals they had taken at their studios or during travel and sell them as collectable cards. Postcards as we know them now first began in 1861 as cards mailed by private post. In the 1870s picture postcards grew in popularity throughout the United States, Britain, Europe, and Japan. Cards were first permitted to have a "Divided Back," with text written on the left half of a dividing line and the address on the right half, beginning in England in 1902. Around 1900 the first postcards made of "Real Photos" rather than artwork began to circulate, aided in by advances in amateur photography equipment by companies such as Kodak. Kodak also introduced postcard paper for photographic development and photography studios began to offer portraits printed as postcards Many local town, countryside, and architectural images were captured during this period by local photographers, then printed and sold as postcards . Advances in amateur photography all contributed to a postcard craze that lasted from 1900 to the First World War. Postcards were the preferred means to send a quick note, whether across town or across a continent.Postcard with a black and white Photograph on the front and a 'Divided Back ' for the message and address. There are seven men surrounding the billy suspended over a camp fire. The ground has a lot of dead branches around. One man is bending down towards the billy. Two men on either side of the camp fire are carrying either a white bag across their shoulders or the fish in their hands. You can see, that there is some steam also coming out of the billy, which means that its hot. Court Post Card. / this space may be used for correspondence. / The address only to be written here.1900's, boiling the billy , postcards, photographers, england, hungary, america, cartes-de-visite, visiting cards, moorabbin, cheltenham, bentleigh, market gardeners, early settlers, pioneers,

Hanro Photo Proofs:- Brown envelope with red print. Print on top left hand is *The Bendigo Advertiser Photographic Service. A Division of The Bendigo Advertiser Newspapers. Diagonally across the page is a red strip with *Your Photographs* At the bottom left is *If not delivered within 14days, return 'The Bendigo Advertiser,' Bendigo. On the front, hand written in blue ink is 'Proofs (Hanro)* Inside in a small wax paper pouch is 5 x photos 5.2x7.8cm of Hanro's factory floor showing the equipment and manufacture of fabric. Box 116AThe Bendigo Advertiser Photographic Service.hanro, clothing, photo proofs, the bendigo advertiser. hanro.

Photographic Album - 19th Century Portraits. This album is in a handsome leather tooled cover with brass ring clasp - pages have gold edging to match the gold tooling on front cover.This album comes from ''Old Box 94'' which generally contains ephemera from Merle Bush. However, this album has no identifying inscriptions (but see the following notes). There are approx 44 portraits of children, males, females, mixed groups taken by a range of studio photographers (Sandhurst, Melbourne, Stuttgart and possibly from other cities?) There appear to be no inscriptions on the reverse of these photos - but not all have been removed for checking. One photograph (R Dermer Smith, Sandhurst has a photograph Number #753 on reverse and show a man/boy?, woman and child on the front verandah of a house. There are 6 loose cards within the book which may give some indication as to the family connection; 1. Mr W Tainsh - Echuca; 2. Frau Pastor Leypoldt - Lutheran Parsonage, Bendigo; 3. Miss H Janie Schleiger; 4. Citizens' Life Assurance Co Ltd - Represented by A A Brooker(?); 5. Card with inscription in German below print of ? Luther) and handwritten text in German on reverse (difficult to read), date 11/11/83; 6. black bordered card ''In Memoriam'' (no name).cottage, miners

A small soft covered book titled, ' Twelve Photographic Postcards of Durban (in monotone.) Series A.' A.R., P.O. Box 382, Durban. Printed in Great Britain. Early 1900's ?Printed in Great Britain, A.R. P.O. Box 382photograph, landscape, south africa, lydia chancellor, collection, durban, photograph photography, travel, postcards, tourism, south africa

Golden Bendigo the Forest City, panoramic view of Pall Mall Bendigo and other photographic reproductions of views of the city. Printed and published by the Cambridge Press Bendigo Vic. Name on cover, Mr. A.S.Chambers Happy Valley Ravensthorpe WA Wide format booklet; paper with black and white panoramic photos of Bendigo.books, collections, photographs, bendigo

Black and white photographic of derelict tram. Inscriptions on reverse: Printed in ink Number (12). Number 6 written in pencil. Stamped in blue: L. B. Manny Collection Photo.person, individual, basil miller

Black and white photograph taken from the City Family Hotel Tower, looking along Pall Mall towards White Hills, Showing Alexandra fountain, toast rack tram, 1903 tram, Hustler's Royal Reserve Mine, Post Office, Law Courts behind, tram track, School of Mines tower, Shamrock Hotel and other businesses, The Beehive, Pikes Building and verandah of building in foreground. Inscriptions: 'Bendigo, looking East' in TLH corner. History: photographic copy in black and white of a colour tinted postcard, printed c1915. Copied c1970place, streetscape, pall mall, photograph, photography, bendigo, alexandra fountain, toast rack tram, bendigo law courts, bendigo post office, bendigo school of mines, beehive building, hustler's royal reserve mine

Photo wallet - 'snapshots from Norman J. Oliver, photographic service, Hargreaves Street Bendigo, Phone 3-5233'. Green and blue print on cream coloured card.Reverse side of wallet has provision for name, developing, films, printing, prints, total, order, and Oliver's snapshot service 288 Hargreaves Street Tel. 3-5233, Bendigo.person, individual, basil miller

Sepia photograph. View looking north along High Street, Eaglehawk towards the Eaglehawk Town Hall and Virginia Hill behind. On either side of the street are double and single storied businesses. Wooden slatted tree guards, triangular configuration are close to the road gutter. Some horse-drawn vehicles are on the right side of the street. On Virginia Hill a mine and crushing battery building and chimney along with a few eucalypts can be seen. Inscriptions: Views of Bendigo No. 49', 'Township of Eaglehawk', 'NJ Caire photo Sandhurst', 'Casey & Wenborn's print', Forbes & Holmes Agents'. In grey lead on back of mount 'Mrs Brown, Barnard Street, Bendigo', Stamped 'Royal Historical Society of Victoria, Bendigo Branch'. In image 'Victoria Hotel, Sam Watson?', 'Saddler', 'Exchange Hotel'. History: in grey lead pencil, Mrs Brown, Barnard Street, Bendigo. Three col. Stamped 'Royal Historical Society of Victoria, Bendigo Branch', in ballpoint pen 1959, 71. (Two copies) Nicholas CaireNicholas J Caireplace, streetscape, high street, eaglehawk, the photographic mount

Souvenir Booklet - 'My Second Tour of the World -1924' (G A Pethard). Printed by the Cambridge Press, 1925. Reprinted from the 'Bendigo Advertiser' Photographic illustrations. Approx 75 pages. 'With the Author's Compliments'person, individual, pethard family

Head & shoulder portrait of bearded male collar length hair. Printed on Front. Cabinet Portrait, Edward Hoskins 448 New Cross Rd . On reverse. From the photographic studio of Edward Hoskins 448 New Cross Rd London.Edward Hoskin london.photograph, person, male

Studio black & white photograph of standing young male. Albert chain. Dark suit. Strong resemblance to Peter Temby or James Temby per Neville Davies. Printed on front, Foster & Martin, Melbourne. Printed on Reverse. 29 & 31 Collins St East Melbourne. Foster & Martin , Artists & Photographers. Fine print Haake & Albers Frankfurt [ photographic paper manufacturer ?]Foster & Martinphotograph, person, male

Four sepia Victorian period photocopy photographs of McVey family members. Located within Grenfell folder cat No 8433 . 1. Photocopy carte-de-visite photograph exposed by 'The Peoples Photographic Company' Jarrow. Group wearing Victorian period dress showing standing male beside two seated females plus one standing. Reverse biro caption reads Mr & Mrs Robert McVey. Jeanie 16y. Annie 12y. 2. Shoulder length sepia image of bearded male. Reverse biro caption reads, John McVey, lived in Bendigo. Mrs Fyfe's mother. 3. Seated full length sepia photocopy of woman in Victorian period dress. Small print below reads Bent, Photo, Sandhurst. Reverse biro caption reads, John McVey's wife-Barbara. 4. Sepia image of woman within cut-out oval clothed in Victorian period dress. Reverse biro caption reads, John & Barbara McVey's daughter Annie. - married James Fyfe of Bendigo.bendigo, history, mcvey family

Eight colour photographic views of Bendigo dating in the 1950's period. Enclosed within envelope printed heading reading. Valentine 's Snapshots. Eight real photographs hand coloured, Bendigo, Vic No 2 published by the Valentine Publishing Co, Melbourne and Sydney. Photos are of; Lake Weeroona Bendigo, The Mall. Pall Mall Bendigo, The Conservatory Gardens Bendigo, Rosalind park Gardens Bendigo, Conservatory Gardens Bendigo, Rosalind Park and Deborah Gold Mine looking towards Bendigo.Valentine's Snapshots, Bendigo, Vic. No2. Published by the Valentine Publishing Co., Pty. Ltd Melbourne and Sydneybendigo, streetscape, general street views

Bid or Buy website https://www.bidorbuy.co.za/item/338985636/Antique_wooden_glass_photo_print_frame_Jaynay_non_slipping_patent_frame_as_per_photo.html Antique wooden glass photo print frame - Jaynay non-slipping patent frame - as per photo Another item described as 'vintage wooden photos print frame for glass negatives - as per photo Six vintage wooden photo print frames for glass negatives, three small, 2 average and one larger. System of wedges and sprung brackets to hold glass, velvet / felt covered wooden backs into frames. Some possibly made from recycled wood.One stamped on back ' THE JAYNAY NON-SLIPPING PATENT FRAME'. Another with 'PRIMUS BRITISH MADE' on back. Another with written in pencil on front of frame 'NONA TURTON' .photographic equipment, negative frame

From a box of photographs in Nancy U'REN's papers used during research for her thesis, The Early Growth and Development of Sandridge (1976) and/or her book with Noel TURNBULL, A History of Port Melbourne (1983). The print was probably made by her son, Andrew U'REN, and he may have also taken the photograph.Black and white photograph of the blocks of Housing Commission flats at the corner of Ingles and Crockford Streets viewed from Ingles Street. Large white border at the bottom.A star in blue ink at the bottom left corner and details of photographic paper type and exposure details on the reverse.built environment - public housing, ingles street, crockford street, built environment - domestic, raglan street housing commission of victoria flats, nancy u'ren nee morris

From a box of photographs in Nancy U'REN's papers used during research for her thesis, The Early Growth and Development of Sandridge (1976) and/or her book with Noel TURNBULL, A History of Port Melbourne (1983). The print was probably made by her son, Andrew U'REN, and he may have also taken the photograph. The photograph includes two people on the median strip. It is unclear what they are doing or what has happened just before the photograph was taken. One person is kneeling closely over the other who appears to be lying on their back.Black and white photograph of the Raglan Street Housing Commission flats at the corner of Ingles and Crockford Streets viewed from Crockford Street. Large white border at the bottom.Details of photographic paper type and exposure details in blue ink on the reverse.built environment - public housing, ingles street, crockford street, raglan street housing commission of victoria flats, built environment - domestic, nancy u'ren nee morris

From a box of photographs in Nancy U'REN's papers used during research for her thesis, The Early Growth and Development of Sandridge (1976) and/or her book with Noel TURNBULL, A History of Port Melbourne (1983). The print was probably made by her son, Andrew U'REN, and he may have also taken the photograph.Black and white photograph of houses in Williamstown Road, Garden City. There is a large white border at the bottom and the top part of another image."OK" and "Williamstown rd" in blue ink on the front and type of photographic paper and exposure details on the reverse.built environment - domestic, williamstown road, garden city, nancy u'ren nee morris

From a box of photographs in Nancy U'REN's papers used during research for her thesis, The Early Growth and Development of Sandridge (1976) and/or her book with Noel TURNBULL, A History of Port Melbourne (1983). The print was probably made by her son, Andrew U'REN, and he may have also taken the photograph.Black and white photograph of The Quartets in Williamstown Road. There is a large white border at the bottom."OK" and "Williamstown rd elderly citizens flats" in blue ink on the front. Type of photographic paper and exposure details on the reverse.built environment - domestic, williamstown road, the quartets, nancy u'ren nee morris

Adjustable metal 8"x 8" masking board for cropping and photographic printing Imperial scale, excellent condition Adjustable frame for variable cropping of prints; maaximum printing 240mm x 190mm (8.5"x 6.5") An Elande product manufactured by Lee & Diverell, Mitcham, Victoria, AustraliaELanDE product manufactured by Lee & Diverell, Mitcham, Victoria, Australia

Photographic postcard of Robbs Monument CAirns Railwya Queensland. Image of railway line curving around a hill with two men standing either side of the railway line looking up at a rocky monolith. Image is sepia with a pale blue sky.The words Robbs Munument Cairns Ry Queensland are printed in white along the bottom of the image.The reverse is addressed to Miss Dean Post Office Golden Square Victoria. A one penny Australian stamp postmarked Rockhampton Queensland is affixed to the top right hand corner.postcard