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Federation University Historical Collection
Book, Emily Martin, Music Book, 1881, c1885
One of the first women to study telegraphy at the Ballarat School of Mines.Soft covered music book with brown paper covering. Cotton stitching keeping brown paper cover in place.Handwritten inscription Emily Martin inside front cover. Handwriting in pencil on back inside cover.emily martin, music, music theory -
Federation University Historical Collection
Book - Ledger, Ballarat Technical Arts School Student Fees Ledger, 1907-1914
The Ballarat Technical Art School opened in 1907 as a division of the Ballarat School of Mines.Ledger with brown and blue marbled paper cover and brown tape spine. Some names are listed under keywords.ballarat technical art school, h.w. malin, lilliam moyle, queens college, .doris walker, emily turnbull, viola jackson, c.w. sergeant, hilda wardell, hettie gilbert, alice benoit, ella morrow, d.g. johnston, p. brokenshire, edna tweedie, millicent white, dorisn walker, isla gray, mollie brophy, annie speak, c.v. clegg, agnes w. reid, nin z. woinarski, bessie yates, bessie landles, jean mcdonald, harold herbert, harold h. herbert, lizzie develin, florrie sides, fletcher j. crane, catherine ronald, gertrude owen, m.d. hamilton, clara v. clegg, leslie sim, ida barker, charlotte turner, florrie barnes, james n. boyce, leo coburn, carrie peters, mabel chapman, fred mcintyre, elsie rich, henry c. hart, g. bannerman, jack meadows, preston white, lyn hamilton, a. murray, lillian moyle, nina davies, maggie kittelty, m. snell, samuel mee, agnes carley, ida delina, katherine dillon, nellie mccubbin, lila lynch, e. owen, g. owen, d. owen, alice m. coltman, ruby bawden, elsie joy, ellen j. norton, herbert rich, g. medwell, maria loader, agnes gibb, quennie young, a.e. kennedy, o. geddes, ruby l. smith, roy proctor, elsie naples, w.b.g. mcdonald, cecil brittain, elsie fawcett, g. calvert, albert coates, catherine hogan, may vercoe, daisy saunders, dora furness, matilda johnson, gordon steele, c.w. sargeant, e. cornell, irene hewitt, wilie finn, clare clegg, jessie mccallum, c.f. white, e. kilsall, kate morris, ella garrett, winnie trompf, ellie mckissock, oswald gedded, doris walker, elsie tipping, rose smith, daisy lewellin, eliza frank, una e. fitts, may wasley, grace medwell, mollie laffey, a. duck, pearl sergent, e. penny, r. bieske, f. pattendon, e.g. bailymay booth, nelliw evans, gertie evans, e. baker, c. brittain, ralph leyland, e. tipping, mary sheehan, may chenery, j. bickart, e. perry, m. bessemeres, george richardson, f. mcintyre, h. fern, d. little, o. tolputt, arthur toop, p. lakeland, charles j. rawlings, jack hooly, thomas pattenden, elsie finch, ernest murfett, gordone steele, frank power, n.j. coote, william ewart, patrick ryan, david walker, john perry, vera lindsay, robert cooper, violet leadbeater, maggie skelton, clara mann, laura ritchie, james m. johnston, ida brown, ethel butcher, michael glenane, f.j. branigan, keith booth, henry elliot, reg cutter, stan westcott, frank king, lottie finch, ladies art association, pauline lakeland, cyril thermeyer, albert berryman, stanley lindsay, joseph bickart, alf berryman, leo hewitt, hilda tweedie, vera carroll, lionel davies, isabel kiel, alex dickens, henry elliott, mollie buley, meg moore, harrie fern, eileen conway, minnie buchanan, thomas price, edward stewart, joy lugg, olive grainger, m. heinz, d. gooch, p. moon, g. bailey, charles bray, daisy dickman, george calvert, florence sides, tom hannah, eileen blake, ethel benoit, ruby oaff, chrissie ware, harrie wilson, muriel cornel, phoebe wilkinson, fanny kay, john norcott, stewart o'loughlan, m. featherstone, f. tweedie, a. corbould, d. allanby, f. buchanan, l. cody, v. fisher, r. murphy, hilda jamieson, bessie eason, phyllis palmer, lila hall, vera hall, anie walton, ruby stevens, dorotthy davison, ethel hancock, anas ross, lizzie williams, lional davies, leslie page, frank page, lilian bell, may henry, doreen mclean, dorothy dobson, helen mcintosh, charles fraser, murial cornell, j.b. sutcliffe, dorothy dawson, emma mavin, agnes lumsden, virginia kerr, emily figgis, beryl craddock, winnie treloar, gladstone procter, f.w. procter, effie baker -
Federation University Historical Collection
Booklet, Anthea Hyslop, The Aim in View: A Pictorial Guide to the History of Ballarat Base Hospital, 1984
The Ballarat Base Hospital opened in 1956. Since that time it became a 'vast, complex, modern establishment. 24 page booklet with brown and white cover illustrating the Cogne drawing of the Hospital. Text and pictures is in brown ink.Inside front cover: 'Sue Turale BCAE'hospital, freemason, henry cuthbert, ballarat college of advanced education, nursing, nurse, ambulance, bcae, thomas hillas, william whitcombe, walter lindsay richardson, william eyres, daniel brophy, ann neilson, sarah bishop, robert pinnock, saa zichy woinarski, george morrison, chinese morrison, thomas treloar, x-ray, jj fitzgerald, james coglan, william acheson, jessie vale, fj martell, rosa quarterman, influenza epidemic, mrs eagleton, john ross, victor stone, margaret mcgrath, george oakes, bill sorrell, jm little, charles molloy, jm langham -
Bendigo Military Museum
Uniform - BRACES, C.1960’s
Part of kit issued to Wayne Forbes 3176337 1 Field Sqd RAE. Refer Cat No 754 for service history also 2586. Set of cotton elastic braces with leather button attachments for pants. Colours are brown to light brown and white stripes."Police"uniforms, braces -
Cheese World Museum
Jar, mustard ointment
This jar of ointment belonged to Doris Orr, mother of the donor. Families used these patent medicines which were often purchased from a door to door salesman, the 'Rawleigh's man', on his regular round to country homes.Rawleigh's patent medicines were in common use in homes and this is a typical example.A brown jar of Rawleigh's ointment with a green and white label and brown metal lid with the brand name in raised lettering.Rawleigh's [on lid]; Rawleigh's Compound Mustard ointment/Will not blister/Preferable to Mustard plaster/The W.T. Rawleigh Co Ltd Melbourne/Registered under The Health (Patent Medicines) Act 1942 [label]allansford, w.t. rawleigh & co, mustard ointment, pharmaceuticals -
Bendigo Military Museum
Badge - BADGES, 1915 - 1920
WW1 1. Badge - metal, brown, imprinted insignia and lettering. 2. Badge - metal, dark brown, Rising Sun.1. Issued by Dept of Defence - Returned from Active service AIF> 2. Australian Commonwealth Military Forces.passchendaele barracks trust collection, ww1, badges -
Coal Creek Community Park & Museum
Leather bag
8668.1 - Brown leather bag with two brown leather handles that are fastened to the bag via metal circular links. -
Wodonga & District Historical Society Inc
Tool - Large Spanner, North East Region Water Authority, Wodonga
The large wrench was used by the Wodonga Waterworks Trust and Sewerage Authority, which were established in 1897, and had the responsibility for providing Wodonga's drinking water and managing the wastewater. In 1923 a Wodonga Waterworks Trust referendum to provide funding for new infrastructure to supply more water of better quality to Wodonga was passed. This included building the Wodonga Water Tower and it was completed in 1924. It supplied water to Wodonga until 1959, when it was drained and decommissioned after the No 1 Basin on Huon Hill was completed in 1958. In 1983 the Wodonga Waterworks Trust and the Wodonga Sewerage Authority became part of the Wodonga Council. And by 1989 a filtration plant at Huon Hill was completed, which provided filtered water of improved quality to Wodonga, in accordance with the World Health Organisation’s guidelines. In 1994 the Kiewa Murray Region Water Authority took over the Wodonga Council’s water and wastewater operations, and then in 1999 the Kiewa Murray Region Water Authority combined with the Ovens Region Water Authority and became the North East Region Water Authority or NERWA. NERWA then became known as North East Water. The large spanner has local significance due to its use by the Wodonga Waterworks Trust and Sewerage Authority, and donation from the North East Region Water Authority. It also has wider historical significance as an example of the equipment used in the management of water in Victoria and Australia.Large cast iron spanner with some red/brown rust corrosion and light brown ingrained surface dirt.north east region water authority, nerwa, wodonga sewerage authority, north east water, n.e. water, wodonga, large spanners, spanner, wodonga waterworks trust -
Mont De Lancey
Razor, T.R. Cadman and Sons
Metal Bengal Razor blade with brown handle. Blade folds back into the handle. Has brown leather case.cut-throat razors, shaving equipment -
Whitehorse Historical Society Inc.
Accessory - Leather Motorcycle Gloves
A pair of dark brown leather gloves, motorcycle, metal loop across the wrist with a brown press stud closure.A. G. Thomsona g thomson, motorcycle -
Bendigo Military Museum
Equipment - SCABBARDS, CEREMONIAL, Post WW1
1. Scabbard - leather, brown, metal studs and buckles. 2. Scabbard - leather, brown, metal studs and buckles.passchendaele barracks trust, leather scabbards -
National Vietnam Veterans Museum (NVVM)
Headwear, Wig
Brown men's wig. Made from acrylic hair with mesh and lace (brown) insert with two clips - elasticised100% modacrylic fibre Japan Origin. Hair goods Made in Koreawig -
Bendigo Historical Society Inc.
Document - MCCOLL, RANKIN AND STANISTREET COLLECTION: NELL GWYNNE REEF N/L - WAGES BOOK, 6/10/1948 - 30/11/1949
Document. Light brown book with dark brown binding. Only 1/3 of the book has been used.McColl, Rankin & Stanistreetorganization, business, nell gwynne reef mine, mccoll, rankin & stanistreet, nell gwynne reef n/l, gold mining, wages book -
Greensborough Historical Society
Card, Mendate, Mendate mending lisle, 1950s
This card contains 7 shades of brown thread for mending lisle stockings.Card with selection of different coloured mercerised threads for mending lisle stockings and "all hosiery".thread, lisle stockings, stockings -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, Working on Chaff Cutter, 1920's
Photograph possibly of Jim Browns chaff cutter working around Tatura.Black and white photograph of 3 men working on chaff cutter c 1920's. 2 copies. L0413on back: Post Card; Alice Youngchaff cutting tatura -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, Working on Chaff Cutter, 1920's
Photograph possibly of Jim Browns chaff cutter working around Tatura.Black and white photograph of 3 men working on chaff cutter c 1920's. 2 copies. L0412on back: Post Card; Alice Youngchaff cutting tatura -
Ballarat Base Hospital Trained Nurses League
Matron, Miss A M Brown, 1929-1933, Ballarat Base Hospital
Matron, Miss A M Brown, 1929-1933, Ballarat Base HospitalMatron, Miss A M Brown, 1929-1933, Ballarat Base HospitalPhoto - black & whitematron, brown, ballarat, 1933 -
Ballarat Base Hospital Trained Nurses League
Nurse Annie M Brown, 1920-1923, Ballarat Base Hospital
Nurse Annie M Brown, 1920-1923, Ballarat Base HospitalNurse Annie M Brown, 1920-1923, Ballarat Base Hospital and then became Matron of hospital 1929 to 1933Photo - black & whitebrown, nurse, matron, ballarat, 1920 -
Clunes Museum
Photograph
PHOTOGRAPH DONATED BY MR.&MRS. CRICK 36 BROWNS PARADE WENDOUREEVAL PHOTOGRAPH ON RECTANGULAR BACKING. DATED 6 - 6 - 1914local history, photography, photograph, early citizens -
Glenelg Shire Council Cultural Collection
Painting, Portland Town Hall, c. 1955
Portland Town CouncilPainting of a bluestone building with four columns mounted decoratively on the front of the building. A footpath is in front of the building, with a man and woman walking. A dirt road curves from foreground centre towards and past the building to the left. Two tall pines are behind the building on right. Building bears sign reading "Town Hall 1869". Framed under stippled glass in wooden frame.Front: Town Hall Portland '55 (brown paint, lower let). Travis Webber (brown paint, lower right). Back: Geelong Picture Framers, 211 Moorabool Street, GEELONG. Ph. 97805 (blue ink stamp, lower centre). -
Port Melbourne Historical & Preservation Society
Photograph - Workers in main drain excavation, Princes Street, Port Melbourne, 1933
Given to member Jan MacDonald by Beryl nee BROWN , whose father is one of the workers in the photo. Appears to be an original photo but an enlargement reveals it's a half- tone , so could have been copied from a publication. 'Gus' BROWN appears in third row from front 1933 photograph of construction workers in the excavation for the main drain in Princes Street. Sepia, mounted on cardboard 'frame'. Appears to be an original but is actually a halftone.Top left on back, in ink 'Kelly'engineering - board of works, engineering - canals and drainage, hotels, built environment, sydney 'gus' brown, swallow & ariell ltd -
Benalla Art Gallery
Watercolour, H. L. VAN DEN HOUTEN, Settler's hut, Not dated
Born: The Hague, Netherlands 1801; Arrived: Melbourne, Victoria, Australia 1853; Died: Melbourne, Victoria, Australia 1879ColonialGift of Mrs E.E. Ledger, 1987Watercolour depicting a rural landscape with a settler's hut and figures standing in a cleared paddock. Gold and grey brushed timber frame with off white window mountRecto: Signed "H L Van den Houten" in brown watercolour in l.r.c of composition; Not dated; Not titledwatercolour, landscape, house, figures, path, fence, building, hills -
Queenscliffe Maritime Museum
Instrument - Ship's Binnacle
Ship's binnacle mounted on wooden stand possibly ornamentalTrade Mark 'Sistral', Henry Brown & Son Ltd, Station Works, Barking, Essex, Type SJbinnacle, compass -
Dandenong/Cranbourne RSL Sub Branch
Linked cartridge cases, Circa June 1962
Linked cartridge cases. 50 calibre brass cases with metal links joining them together. Each cartridge is stamped L11 A2 K 69. DS B2. 50 calibre ammunition Browning. -
Glenelg Shire Council Cultural Collection
Painting - Painting - Edward Henty Arrival Portland Bay, 2009
Winner of the 175th Anniversary of Edward Henty landing at Portland, Acquisitive Art Prize.Gouache on paper depiction of Edward Henty's arrival at Portland Bay. Cream coloured mat board. Light coloured wooden frame. Wire hanging cord.Front: Back - 'Jennifer McCarthy Edward Henty - Arrival 2009' - Brown texta Also framers sticker -
Stawell Historical Society Inc
Equipment - Realia - Glassware, Aunde / Norwellan
North Western Woolen Mills became Norwellan Textiles then AUNDEGlass graduated Pipette1/001 Silberbrand eternal I m I 0 to 0.9 markings in brown yellow band -
Kiewa Valley Historical Society
Black and white photograph of shop interior, c1940/50
Interior of shop in the Kiewa area. Possibly Bogong Village. Bogong was constructed in the 1940's and this would be typical of the type of merchandise sold in that era.Photograph shows a typical interior of a small store in the 1940's and 50's. The merchandise on sale includes a wide range of goods from eiderdowns to shoes, fabric and clothing.Black and white photo of interior of a shop showing various merchandise. Has section of photo torn from upper right upper corner approx. 35mm x 40 mm.In pencil on back of photo is ? store at Bogong Village There are large brown stains in each corner. (Back of photograph)bogong, merchandise, shop interior -
The Beechworth Burke Museum
Animal specimen - Red Necked Avocat, Trustees of the Australian Museum, 1860-1880
This particular species is native to Australia and can be located throughout the mainland, preferably in the south-western interior. It is known for its distinctively upturned bill, the males of this species have a slightly more upturn to their bill than the female. This style of bill is unusual among birds and is used to assist them forage in the water of shallow wetlands. These birds feed on aquatic insects, crustaceans and seeds. The name of this species is derived from the distinctive chestnut brown/red colouring of the head and neck. Interestingly, the call of this bird has been described as a "yapping" sound which is similar to the sound of dogs barking when performed by a flock in flight. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Red Necked Avocat specimen is stylized in a standing position upon a wooden platform. There is a pale brown identification tag tied around its left leg. The bird has long pale grey coloured legs and a characteristic long, thin and black upturned bill. The plumage of this species is largely white. It has a chestnut brown/red coloured head which is where this species gets its name. The wings are white with black tips.25c. / Avocet / Catalogue, page, 36. / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, large bird, red necked avocat, avocat -
The Beechworth Burke Museum
Animal specimen - Red-Necked Avocat, Trustees of the Australian Museum, 1860-1880
This particular species is native to Australia and can be located throughout the mainland, preferably in the south-western interior. It is known for its distinctively upturned bill, the males of this species have a slightly more upturn to their bill than the female. This style of bill is unusual among birds and is used to assist them forage in the water of shallow wetlands. These birds feed on aquatic insects, crustaceans and seeds. The name of this species is derived from the distinctive chestnut brown/red colouring of the head and neck. Interestingly, the call of this bird has been described as a "yapping" sound which is similar to the sound of dogs barking when performed by a flock in flight. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Red Necked Avocat specimen is stylized in a standing position upon a wooden platform. There is a pale brown identification tag tied around its left leg. The bird has long pale grey coloured legs and a characteristic long, thin and black upturned bill. The plumage of this species is largely white. It has a chestnut brown/red coloured head which is where this species gets its name. The wings are white with black tips.24c. / Avocat / Catalogue, page, 36. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, large bird, red necked avocat, avocat -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS
Light brown card withcream insert. Sepia coloured village scene with a man and his rwo horses at the water trough outside a thatched roof house. A wagon and two horses are coming along the road to the trough. The scene has a brown border. It is inside an irregular area with a brown border, then a gold area with two brown narrow line borders. 'Remembrance' is printed in brown under the scene.person, greeting cards, malone collection, malone collection, greeting cards