Boxed ceramic bell-shaped port decanter commemorating 'Naval Vietnam Veterans' reunion Coff's Harbour October, 1994'Royal Australian Navy' 'Naval Vietnam Veterans Reunion Coff's Harbour October 1994'decanter, naval

Women’s Auxiliaries were formed by mothers, wives, widows, sisters, daughters and aunts of men who served in the First World War. In May1918 a small band of women from the "Friendly Union" organised themselves,under the leadership of Mrs F C Purbrick, into a Women's Auxiliary of the Wangaratta Returned Soldiers Association (RSA). Their first task was to furnish club rooms for the RSA and this was achieved by seeking donations and raising money by selling jams, jellies and posies of violets by selected girls wearing special badges in the street. Over the years funds have been raised through raffles, competitions, street stalls and catering at numerous events to assist the aims of the Returned Services League. In 2018 the Wangaratta RSL Women's Auxiliary celebrated its centenary. Women have played a central role in sustaining the activities of ex-service organisations. Women's auxiliaries are dedicated to fundraising, supporting the activities of their local RSL, and caring for veterans in their wider community. Today, there are more than 1200 auxiliary members in Victoria.Red timber shield mounted on brown laminated base of particle board in a larger shield shape with metal emblem. Women's Auxillary RSL on metal logo with Crown and Australian Flag mounted on red shieldwomen's auxiliary, wangaratta rsl

Tray made by unknown internee in Camp 3.Wooden tray. Two trays donated. Second registration number C8032.Scroll carving at either end. Map of Australia and Aboriginal man carved on body of tray.

Colour slide in a mount. Sarasota High School (1958-1960), Sarasota, Florida. (Architect: Paul Rudolph.)Made in Australia / Encircled 12 (Handwritten) / Sarasota High School (Handwritten) / P.Rudolph (Handwritten)slide, robin boyd

The Uniting Church Synod of Victoria and Tasmania sold all its residential camps operated by UC Camping in June 2023. They were Grantville, Westernport Bay; Norval, Grampions/Gariwerd; Merricks Lodge, Mornington Peninsula and Adekate Camp, Creswick.White magnetic sign with the UCA symbol at the top, taupe coloured text and yellow and green images."Uniting Church in Australia SYNOD OF VICTORIA AND TASMANIA" "UC CAMMPING creating opportunities www.uccamping.org.au"uc camping

This folder contained some documentsRed soft plastic, clear coverMrs Patricia Davies The Australian Opera Board of Directors Meeting 21/2/86

HardcoverIndigenous colonial history, cattle station life, white-aboriginal relations, Australian fictiongardening, walsh st library

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Street scene, RussiaMade in Australia / 2 / AUG 64M / 16 (Handwritten) / Minsk (?) Gorki St (Handwritten)russia, slide

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Chandigarh High Court (1955), Chandigarh, India . (Architect: Le Corbusier.)Made in Australia / 3 / AUG 64M / Encircled 2 (Handwritten) / 3 Underlined (Handwritten)india, slide

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. The Economist Buildings (1964), London, England. (Architect: Alison and Peter Smithson.)Made in Australia / 2 / AUG 64M / London (Handwritten) / SLB 7/1 (Handwritten)london, robin boyd, slide

Colour slide in a mount. Norwood', Brighton, Victoria, 1892 (now demolished). (Architect: Phillip Treeby.)Made in Australia / 20 (Handwritten) / 34 (Handwritten but cancelled) / END in Brackets (Handwritten but cancelled)melbourne, slide

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Leningradskaya Hotel Moscow, Moscow, RussiaMade in Australia / 12 / AUG 64M / 6 (Handwritten) / USSR (Handwritten) / 9 (Handwritten)russia, slide

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. VDNH, Moscow, Russia. Worker and Kolkhoz Woman sculpture, the symbol of the VDNH, designed by Vera Mukhina - first exhibited at the Paris World’s Fair in 1937Made in Australia / 9 / AUG 64M / 5 (Handwritten) / USSR (Handwritten) / 5 (Handwritten)russia, slide

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Summer Palace of Peter 1, St.Petersburg, RussiaMade in Australia / 9 / AUG 64M / Encircled 1 (Handwritten) / Encircled 1 (Handwritten)russia, slide

This hat was worn by members of the Country Fire Authority on ceremonial occasions.A peaked black woollen gaberdine fireman's hat with a black petersham band edged with silver binding. There is a silver badge with the letters CFA- Lieutenant in the middle of the band. On each side there are two silver buttons with 'cfa' stamped on them. Attached to these two buttons is a black plastic band. There is green plastic under the peak. The bowl of the hat is lined with red woven cotton and manufacturing details are stamped in gold. There is a brown plastic band around the headband.(On the inside of the hat) Melbourne 36 1218 / EMERCO / This is your guarantee for quality./ Made in Australia./country fire authority, emerco hats - melbourne, hats, clothing, george evans collection

"CAPSTAN" CIGARETTE TIN GREEN & GOLD BACKGROUND NAVY BLUE INSERT."CAPSTAN" W.D.& H.O.WILLS NAVY CUT (AUSTRALIA) LTD. SYDNEY TRADE MARK CIGARETTES.local history, personal effects, smoking accessories

PORT PHILLIP GOLD MINE CLUNES. GOLD WAS DISCOVERED IN 1851 - CLAIMED TO BE FIRST DISCOVERY IN VICTORIA.COPY OF PHOTOGRAPH OF OLD PORT PHILLIP GOLD MINE TAKEN FROM MR. BLANDS PROPERTY - OAK AND ELM TREES IN THE FOREGROUND.OLD PORT PHILLIP GOLD MINE WHERE GOLD FIRST DISCOVERED IN QUARTZ IN AUSTRALIAlocal history, document, postcard, mining

A sales sample book for the Brintons' carpet design range 'Double Century III', acquired when Brintons' Geelong factory closed.W7188 W7188_2 Page 1 of a history of Brintons Carpets. Page 2 of a history of Brintons Carpets. A list of catalogues/items in the Brintons Collection donated after closure of Fellmongers Road factory in July 2008.Brintons carpets Finest Australian Woven Carpet Brintons Carpets Double Century IIIfurnishing, brintons australia pty ltd brintons pty ltd (geelong), sales, samples

Associated letter from Mr R Lloyd provides information about the cover photograph of the owner of San Michele stationSOUVENIR EDITION /Of Australia's famous game/ with a letter from the inventor NWM 99/119sheep stations - management wool growing squatters, lloyd, mr robert, australia, sheep stations - management, wool growing, squatters

Son of Antonio & Lucia GnataPortrait of a Gentleman in a suit & tie Plus 2 Colour photographs of a grave April 1999Antonio Gnata aged About 18 Years. Photgraphed Before leaving Italy for Australia

Collector says: Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen sized checked blanket in purple, pink and cream"Invicta"/Gold Medal Mill/Made in Australia/Woolmark Emblem/Pure New Woolwool, blanket, blanket fever, invicta gold medal mills

Collector says: "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Plaid travel rug, double-sided , fringed , brown and orangeThe Seal of Quality/"Onkaparinga" /Pure Wool/Manufactured in Australia by Onkaparinga Woollen Co.Ltd/Owner___wool, blanket, blanket fever, travel rug, onkaparinga

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. Stitchcraft was a monthly craft publication containing knitting and embroidery patterns and was controlled by Patons and Baldwins (UK).STITCHCRAFT / No. 274 / PRICE IN / AUSTRALIA / 1'3 / Free / inside / SPECIAL / SUPPLEMENT / OF / Italian / quicknitsknitting handicrafts - history embroidery, stitchcraft ltd, knitting, handicrafts - history, embroidery

Judging from the copying method used, this copy would have been made in the 1960s. It was probably reproduced from a microfilm copy of the Journal held by the State Library of VictoriaYellowed copy of a page from a journal, featuring Mt Ophir winery.At top of page: "228 The Australian Vigneron and Fruit-Growers Journal April 4, 1904"mt ophir, mount ophir, wine industry, viticulture