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Federation University Art Collection
Work on paper - Artwork - Bookplate, Kathy Quinn Ex Libris
... artists ...artwork, artists, bookplate, kathy quin, gippsland campus -
Federation University Art Collection
Artwork - Bookplate, D. Rogers Ex Libris
... Artists ...artists, artwork, bookplate, rogers, gippsland campus -
Federation University Art Collection
Artwork - Bookplate, Yvette Coulson Ex Libris
... Artists ...artwork, artists, bookplate, yvette coulson, gippsland campus -
Federation University Art Collection
Painting - Oil on Composition Board, [Woman] by David Alexander, 1983, 1983
... artists ...An oil painting of a woman leaning against a mop. The painting is in the style of Roualt.art, artists, david alexander, portrait, available -
Mont De Lancey
Book, Odhams Press Ltd, The World's Greatest Paintings - Volumes 1,2,3, c. 1934
... Artists ...This work is published in three volumes containing one hundred fine colour plates of well-known pictures from many lands for the general public to enjoy. In addition to the plates there is a brief account of the life and times of each master represented avoiding all discussion of technical matter as far as possible.Three Volumes of The World's Greatest Paintings - Selected Masterpieces of Famous Art Galleries. Large format blue hardcovers with a decorative embossed front cover with an ancient Greek or Roman head bust at the top. The spine has two sets of gold bands at the top and bottom with the title in gold lettering. The work has one hundred fine colour plates of well know pictures with information about each master. Each book has a brown paper dustjacket with the title at the top in black lettering.non-fictionThis work is published in three volumes containing one hundred fine colour plates of well-known pictures from many lands for the general public to enjoy. In addition to the plates there is a brief account of the life and times of each master represented avoiding all discussion of technical matter as far as possible.art books, art, painters, artists, artworks -
Federation University Art Collection
Photograph - Artwork, 'Coal Creek Series' by Sue Jarvis, 2004
... artists ...School of Business Art Collection.1) Coal Railway Carriage .2) Surgery .3) Devlin's Cottage .4) Beecroft Cottage .5) Typeset Printers .6) Timber Wheel, Loggnig Cartartists, artwork, coal creek, photography, sue jarvis -
Glen Eira Historical Society
Document - Hall, Hugh Percival
... Artists ...Typed biography on the life and times of Hugh Percival Hall, by his daughter Felicitie E. Campbell dated March 2006. He was a solicitor, artist and photographer and his grand-father built Glenmoore in St. George’s Road, Elsternwick.artists, hall hugh percival, caulfield grammar school, glenmoore, mansions, house names, ballet in australia from pavlova to rambert, photography, statues, watkin joyce leslie, moore hugh, hall felicitie elizabeth, campbell felicitie elizabeth, campbell andrew john egan, campbell carol, meares diugan and hall, ballet and dance, campbell alistair, campbell ross, campbell robyn, campbell lynette, glen eira road, steadman cameron meares and hall, tennis courts -
Federation University Historical Collection
Newsletter, Ballarat C.A.E. News, 1978
Federation University Australia was established on 1 January 2014. Formerly known as the University of Ballarat, its enabling legislation was the University of Ballarat Amendment (Federation University Australia) Act 2013. Although formally created as a University in 1994, the University of Ballarat has a lineage back to 1870 with the establishment of the School of Mines Ballarat, making it the third institution of higher learning to be established in Australia and the first to be established in regional Australia. On 1 January 1994, Ballarat University College became the University of Ballarat and in 1998 the University merged with three TAFE Institutes to become a dual sector institution with multiple campuses. On 1 January 2014, the University of Ballarat amalgamated with the Monash University Gippsland Campus to form Federation University Australia. The Gippsland Campus also had a long lineage dating back to 1928 with the establishment of the Yallourn Technical School which became a predecessor institution to the Gippsland College of Advanced Education formed in 1968. In 1990, it was renamed the Monash University College and in 1993 became the Gippsland Campus of Monash University. In 2016, Federation University Australia announced plans to take possession, over a two-year period, of Monash’s Berwick Campus in the south-east corridor of Melbourne. Federation University Australia, or FedUni, is headquartered in Ballarat and offers programs in Higher Education and Vocational Education and Training to regional Victoria and beyond. The University’s commitment to educational and social equity, teaching excellence, research distinction, environmental sustainability and regional capacity building has enabled it to develop in a way that draws on its proud heritage to inform its future. Its regional character sets a framework for the University’s priorities but does not constrain it from serving wider community interests, nationally and internationally. The name Federation University Australia was chosen to convey the scope and capacity of an expanded regional university with a federated network of campuses.Four pages stapled newsletter for the Ballarat College of Advanced Education. Articles include: * Oriental art (Sumi-e) arwork display and demonstattion by Malaysian artist Yop Teow Khoon at the invitation of Ballarat Asian Studies Resource Group. ballarat asian studies resource group, sumi-e, yop teow khoon, almos maksay, neil crouch, ron kemp, trevor sweatman, max brooke, zig plavina, ballarat & district accident prevention group, walter robson, \sue smith, bob allan, peter sargeant, tudor waights, marj sergeant, cam vincent, helen ffairhall, don fairhall, new carpark near pool, board of studies minutes, martin westbrooke, peter beckman, brian sunter, hewlett-packard 300 -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: WORK OF ART
Bendigo Advertiser ''The way we were'' from 2002. Work of art: prominent Bendigo artists Frank Monaghan and J. K. Walker. Picture taken from the South Bendigo Football Club's 1921 premiership souvenir program.newspaper, bendigo advertiser, the way we were -
Bendigo Historical Society Inc.
Book - THE WAY WE WERE - KANGAROO FLAT PRIMARY SCHOOL, 1993
70 page soft cover booklet 'The Way We Were, Kangaroo Flat Primary School' Published 1993 under the Artists in Schools Program. Illustrated with B&W photos and sketches by the pupils. Printed by Sloan's Printery, BendigoKangaroo Flat PS -
Coal Creek Community Park & Museum
Phonograph Record, Gaîté Parisienne - Ballet Music
Phonograph record, black shellac with a grey Columbia "Magic Notes" label. A side: Part 3, Gaîté Parisienne - Ballet Music. B side: Part 4, Gaîté Parisienne - Ballet Music. Artist: The London Philharmonic Orchestra.Reference number DOX - 590 -
Victorian Aboriginal Corporation for Languages
Book, Australia : William Blandowski's illustrated encyclopaedia of Aboriginal Australia, 2010
William Blandowski was an explorer, natural scientist and artist who led a Victorian government expedition to the junction of the Murray and Darling Rivers from 1856 to 1857. This is the first publication in English of his nineteenth century illustrated encyclopaedia of Aboriginal life.Maps, b&w illustrationsaboriginal australian history, pictorial histories, william blandowski -
Victorian Aboriginal Corporation for Languages
Book, Australia : William Blandowski's illustrated encyclopaedia of Aboriginal Australia, 2010
William Blandowski was an explorer, natural scientist and artist who led a Victorian government expedition to the junction of the Murray and Darling Rivers from 1856 to 1857. This is the first publication in English of his nineteenth century illustrated encyclopaedia of Aboriginal life.b&w illustrations, mapswilliam blandowski, pictorial works -
Numurkah & District Historical Society
Map - Print in frame - Numurkah Township 1888, Supplement to the "Numurkah Standard" January 1888 View of Numurkah Victoria Australia
The late Hilda Morieson (very active in early Historical Society) owned the print. It was then passed on to Mary Morieson, then to Rosemary Kennet. It has been passed onto the Historical Society with permission from Ben Morieson, Hilda's grandsonLarge coloured print of supplement to Numurkah Standard 1888. Artist's view/impression of Numurkah streets (map) surrounded by artwork of a number of Numurkah businesses in the town and local district. The print is under glass in a faux-wood-grained framesee photo abovenumurkah standard, numurkah township map, numurkah businesses, 1888, print -
South Gippsland Shire Council
Painting, Framed, Draught Horses
Framed oil painting by Jack White. The painting features three draught horses pulling a harvester. Cream textured vinyl window mount with gold trim. Green and gold wood frame. Artist's signature lower right corner. -
Bendigo Historical Society Inc.
Document - MERLE HALL COLLECTION: BENDIGO PERFORMANCE OF ''THE DANCERS COMPANY''
Bendigo Performance of ''The Dancers Company'' - Double sided coloured flyer with summary of three ballets on tour - with special guest artist David Ashmole. Listing of their 1991 tour dates and locations (Bendigo Capital Theatre August 13/14). -
Bendigo Historical Society Inc.
Photograph - MERLE HALL COLLECTION: PHOTOGRAPH OF TOM BAKER & THE SWING STREET ORCHESTRA
B&W photograph of Tom Baker & The Swing Street Orchestra. Signed on reverse by the seven artists (instruments noted) and Manager. Handwritten annotation ''Oct '82 (1st)''. Photo shows the standing orchestra in front of three orchestra banners. -
Bendigo Historical Society Inc.
Document - MERLE HALL COLLECTION: ROSALIND PARK CREATIVE VILLAGE BENDIGO MOSAIC NEWS ISSUE 3 APRIL 1995, 1993
MERLE HALL COLLECTION: ROSALIND PARK CREATIVE VILLAGE BENDIGO Mosaic News Issue Number 3 April 1995 3858.15.pdf contains six pages, feature article on the artist Maery Hall and notice of general meeting. -
Tennis Australia
Print, Circa 1995
Limited edition (133/850) print of pastel work by Luis Morris of male tennis player about to deliver forehand shot. Signed by artist in lower left corner. Materials: Ink, Wood, Paper, Glass, Metal, Graphitetennis -
Tennis Australia
Print, 1890
Colour lithograph 'The Lawn Tennis Championship Match at Wimbledon'. Signed by artist lower left. Caption text gives title and also: 'PUBLISHED BY THE MUNSON GALLERY, NEW HAVEN. CONN'. Materials: Ink, Paper, Metal, Wood, Glasstennis -
Clunes Museum
Poster, Clunes Ceramic Award 2015, August 2015
Rankine, Drew, Eller, Lafferty, O'Sulivan, Mossman, Pilven, Spronk, Winkler, O'Loughlin, Winter, Robey, Dermer, Fleming, Puls, Stewart, Delaney, Kerr-Grant, Venables, Curtis, Hanna, Bowkett, Secombe, Shatrov, Vachon, Austin, Bish, DeMaine, Franzi, Gill, Guerin, Jagger, McClure, McLean, Poulton, Rye, Santilla, Saunders, Standen, Varian, OzawaA4 size, 2 sided colour printed poster. Front shows photos of finalists ceramic pieces. Back shows artist name, title of piece and price and sponsors names. Front also lists exhibition dates and locationNilceramics, award -
Bendigo Military Museum
Painting - KANGAROO FLAT RSL
The building is the 3rd in a series of 3 water colours by Stan Thomas. The building is the HQ of the Kangaroo Flat RSL Sub Branch. The Sub Branch was formed on December 18th 1951. Refer Cat No 8231 for the series.Painting, water colour, gold timber frame, painting set in two white card insets showing a brick building with white double doors and a flag out the front with 4 large pot plants, by artist Stan Thomas.On top of the building, "Kangaroo Flat RSL", hand painted on "Stan Thomas"brsl, smirsl, painting, water colour, kangaroo flat -
Bendigo Historical Society Inc.
Photograph - PORTRAIT - SHIRLOW AND HUDSPETH
Negative Photograph of John SHIRLOW and John HUDSPETH, both drawing, sitting on the bank of a creek/water way, behind the men high up on the bank, a brick building and looks like a timber shed. On computer check SHIRLOW was a artist.Bartlett Bros. Bendigo.photograph, portrait, john shirlow. john hudspeth. -
Warrnambool and District Historical Society Inc.
Document - Postcard, Wading Birds of Warrnambool, Tapestry commenced February 2012. Postcard printed on its completion
This postcard is a photograph of a section of a large tapestry , 1.8m x 1.9m, which hangs in the foyer of the South West Health Care. This tapestry was funded by the Geoff and Helen Handbury Foundation. It was woven at the Australian Tapestry Workshop, South Melbourne. The postcard “Concerning the Wading Birds of Warrnambool Wetlands” brings to a wider audience, the work of John Wolesley as well as the craftsmanship of the weavers in presenting his original watercolor in a different medium. The tapestry itself was commissioned by Warrnambool Base Hospital.Background is in muted shades of blue and browns with larger birds in foreground and smaller ones in the background. The texture of the tapestry is clearly visible. The back of the postcard has South West Healthcare logo in top left corner and credits in bottom section.South West Healthcare logo, Artist John Wolseley, Weavers, Chris Cochius, Pamela Joyce, Milena Paplinka, Photo credit, Jeremy Weihrauch. warrnambool, warrnambool base hospital, tapestry, john wolesley, south west health care, geoff and helen handbury foundation, australian tapestry workshop, weavers. -
Stawell Historical Society Inc
Photograph, Stawell Football Team 1925
Stawell Football Club 1925 premiers. Back Row: Joe Middleton (Trainer), Albert (Oliver)? Geo Gilbert, Ralph Dalkin, Jack Richards (lke's father), W.J. Earle (Pres), Jack Neylan? Bert Newton, A.E. Smith (ANZ Bank), Stan Freeland. Middle Row: Les Hutton, Rocky Davidson, Bill Northeast, Frank Spurrell? Mick Dalziel, Jack Gray, Ray Rowe, H. Hunt, XXX? Sam Ross (Boundry), Bill Lewis. Front Row Les Gram, Joe Brown, lke Richards, B. Hall, W. Twomey (V.C.), W. Walton (Chinga) (Capt. Coach) Dick Holliday, Wingie Ross, lke Cooper (Glenorchy), jack Sullivan, Len Clearson. Sitting in front Nat Powell (Masseur). Also, a list of people Hovie? Hunt, lke Cooper C. Hall, A. (Bert) Newton (Committee) eight on back row, lke Richards Junior, H. (Wingy) Ross, Dick Holladay, L. Clearson, Bill Twomey, W. (Chinga) Walton (Coach), Bill Earle (President), John Richards Senior, Sweeny, F. Spurrell (Policemen), Ralph Dalkin (Committee), jack Gray, L. Clearson, George Gilbert, Phillips, Blatchford, W. Lewis (Auditor) J. Sullivan, Nat Powell. Came from Bert Newton then to Isaac newton then to Hartley Newton (son). Black and white team photograph taken in front of No 1 Grandstand.Premiers 1925 Stawell Football Club W.J. Chapman Photo Artist Stawell. (see context for list of players names and Stawell Football Club)stawell sport -
Latrobe Regional Gallery
Print, Mythology by the Lake, Not dated
Colour serigraphSigned 'Hodaka Yoshida' in lower right corner under printed image. Edition E.A (Artist's Proof) lower left under printed image. -
Ringwood and District Historical Society
Photograph, Warrandyte Historical Society Newsletters nos. 68-75
Digitised WHS newsletters from August 1989 (no. 68) to October 1990 (no. 75). Sent to Secretary of the Ringwood Historical Research Group, Jack Lindsay.Noteable articles:- Warrandyte Primary School Artists (Clara Southern, Jo Sweatman) Potter's Cottage Architects Frank Crozier (artist) Warrandyte State Park Harris Gully Road Warrandyte Royal Women's Hospital Auxiliary Warrandyte Trade Directories 1899-1908 Gold nuggets in Warrandyte Gold mining in Warrandyte 1859-60 -
Federation University Art Collection
Work on paper, Patrice Mahoney, 'Jobs, Policy and LOST' (tryptich) by Patrice Mahoney, 2014
These works are a display of my frustration of hour our family were lucky we were not beheaded, scalped, taken away and impaled as a warning to others not to enter farming lands, which had been traditional lands of the Nganyaywana country. The word 'Policy' represents the White Australia Policy, the word "Lost' stands for those lost including hundreds of family members, 'Jobs' asks why Aboriginal people can only find employment if through Aboriginal positions and policies. The number 3 symbolises myself and my siblings, red is for bloodshed, blue is for secrets and black the family history. Patrice MUTHAYMILES MAHONEY OAM Anewan/Nganyaywan/Dunghutti country. Patrice Mahoney is a printmaker, sculptor, weaver, drawer and painter. Her work challenges mainstream and Aboriginal Australians and is profoundly influenced by space, place and country, taking inspiration from nature, environment and looking forward to a time when she can return to her family's traditional country to make work. In 2012 the artist completed a Bachelor of Visual and Media Arts at Monash University’s Churchill campus (from 2014 Federation University's Churchill Campus). The Victorian Indigenous Art Awards 2014 were exhibited and judged at the Art Gallery of Ballarat.This unique edition triptych involves the techniques of intaglio copper plate, pigment, soft ground, open bite, aquatint, spit-bite, stamping, relief, drawing and burnishing on paper. It was awarded the 2014 Victorian Indigenous Art Awards Federation University Acquisitive Award for for work by a Victorian regional artist. Text, colour, metaphor and Aboriginal symbolism are important components of her work. This work expresses the artist's frustration with unjust situations experienced by traditional owners of Nganyaywana country. The word 'Policy' refers to White Australia Policy, 'Lost' the hundreds of lost family members, and 'Jobs' highlights the difficulty of Aboriginal peple obtaining work, especially outside Aboriginal positions and policy. The number 3 symbolises Patrice Mahoney's siblings, with black used to denote family history. The violently splattered red represents bloodshed, with the blue washing across the work obscuring details and representing secrets. The Selection Panel of the 2014 Victorian Indigenous Art Awards made the following comments on the work: 'The selection panel for the Federation University Acquisitive Award for 2014 were highly impressed by this work and applauded the vigorous use of symbolism and metaphor in a well scripted visual composition. The poignancy of connectedness to the past, memory, place and country is palpable and enhanced by the suggestive employment of text and minimal colour. A provocative and evocative work of art!artist, artwork, patrice mahoney, aboriginal, victorian indigenous awards, jobs, culture, printmaking, drawing, policies, lost, victorian indigenous art awards, available, alumni -
Federation University Historical Collection
Book, John Mawurndjul: I am the Old and the New, 2018, 2018
Hardcovered book with an image of a crocodile with rarrk design. The book is a catalogue for an exhibition developed and co-presented by the MCA and the Art Gallery of South Australia (AGSA), in association with Maningrida Arts & Culture, this exhibition presents the work of one of Australia’s leading contemporary artists – master bark painter John Mawurndjul. Bringing forth a tradition shared by generations of Kuninjku artists, Mawurndjul is celebrated for his mastery of rarrk (cross-hatching) and his depiction of djang (sacred sites). Bark paintings and sculptures made over a thirty five year period, from private and public collections, and chosen by the artist, will introduce audiences to the concepts that shape Kuninjku culture and the significant ancestral locations in Central Arnhem Land. Born in 1952, Mawurndjul is a Kuninjku elder and artist. He lives and works in Milmilngkan and Maningrida in Central Arnhem Land. Since his first exhibition in 1982, he has become one of Australia’s most widely recognised artists. In 1989 he was included in the landmark exhibition Magiciens de la Terre at the Centre Pompidou and Grande Halle de la Villette in Paris, and his works have been included in numerous solo and group exhibitions in Sydney, New York, Paris and Japan. Following the presentation of this exhibition at the MCA, it will be presented at AGSA from 26 October 2018 until 28 January 2019 as part of TARNANTHI Festival of Contemporary Aboriginal and Torres Strait Islander Art.(https://maningrida.com/exhibition/john-mawurndjul-old-new/, accessed 05 November 2018) non-fictionjohn mawurndjul, bark painting, exhibition catalogue, rarrk -
Federation University Art Collection
Work on paper - Artwork, 'Ubiquitous' by Deborah Williams, 2015
Deborah WILLIAMS (1967 - ) Printmaker Deborah Williams completed a Masters by Research at the National Art School, Sydney in 2011. She later worked at RMIT in the Visual Arts TAFE program teaching Printmaking and is the Advanced Diploma Coordinator, and sessional lecturer in the Drawing and Printmedia department at the Victorian College of the Arts, School of Art. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed etching exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection.Edition 2/36deborah williams, parallel prints, artist, artwork, printmaking etching, dog, animal, shadow