The budgie is a very social bird, found in large groups in the wild. They primarily live across mainland Australia. They are often found near water. Budgies are very popular pets globally (called parakeets in other countries). They eat grasses and seeds. They nest in hollowed trees. Budgies in the wild are often right green with a yellow face. This specimen is a good example because it has the common colouring of wild budgies and has not got signs of wear/use. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This male budgie is perched with its wings partially opened and looking to the left. It has a yellow head with black stripes on the back, indicating the specimen was quite aged before it was killed. It has a blue nose, indicating it is male. Its body is light green. Its wings are green-yellow with black lines. Its tail is a blue-green. It has some minor pest damage around its eyes.no markings or identification tags

A programme written by the Church to celebrate the Centenary of Worship on the 18 - 20 July 1980.Pale green soft covered programme with green print and green drawing of church.all saints anglican church tatura, centenary of worship 1980, church

Stable Belts 4 Cav Arm. Regt. ""Green, Yellow, S. Green, S. Blue, S. Green, Yellow, Green."equipment, army

CEMA Art Collection Previously located in History HouseThe painting depicts a small building surrounded by trees and shrubs. The building is completed in shades of white and grey with green window frames and door, and a pink/orange roof. Behind this is a partial view of another small building depicted in shades of pink. Surrounding the buildings are shrubs and trees of various shapes and sizes. The shrubs in the foreground are completed in various shades of green, yellow and pink. The work is unframed and glued to a piece of faded blue cardboard.Front: I. Watson '67 (yellow paint, bottom right corner) Back: Green label: Artist: Ina Watson 3 Palmer Street Portland Vic 3305 Title: Miss Beauvaise's Cottage (where Darby & Joan flat's now stand) Yellow Sticker: 3021 Yellow Sticker: 8 1999 written in pencilcema, female artists, female, women

Knitting Books provided by The Red Cross for women to contribute to the war effort by knitting garments for soldiers to stay warm. Second booklet also contains a list of donations accepted such as tinned food.Green Folder containing three knitting books. Knitting pattern for wounded soldiers or soldiers currently serving eg air pilots neck muff, airmens wollen gloves and bed socks. Newspaper clipping about knitting.On outside green folder " L.A Anderson, Sutherland's Creek." First Booklet. " Australian Red Cross Society Knitting Book" Second Booklet. " Australian Comforts Fund Victorian Division Guide to Knitting" Index of knitting patterns. Third Booklet. "Red Cross Society Australian Branch"wwi, wwii, australian red cross, red cross society, australian comforts fund, knitting, knitting patterns, victoria

Belong to Mary Cruickshank, Peter Simmenauer's mother-in-law.Victa motor mower UTILITY series 70. Four rubber wheels, front smaller than rear. All wheel adjustable for height. Two stroke motor with a cord pull start. Petrol tank is mounted on top of motor with transfer advising the use of BP Zoom Green petrol mix. Plastic tube connects tank with top of carburetter on motor. Long handles which can be collapsed for storage. Breather tube and air filter mounted on handle together with controls for starting and running.VICTA - cast into housing|Series 70 - transfer|UTILITY - orange and white transfer on front of motor.|BP Zoom Green - transfer on tank|CAUTION Transfer on back of tankmachinery, engines - internal combustion, domestic items, gardening

Rotunda supported by seven white coloums, roof is of slate with green trim, plinth on raised red floor lower section is green with white above, outer wall is greenRotunda on Big Hill(unclear in Photograph)monuments

Primary historicalWhite, green sleeves, green shamrockbendigo, bhrc, trotting, pacing, race colours, phonse hickey, payload, hunter cup 1959, bendigo pacing cup

The idea for a Bowling Club was started by Mr. Bert Cocks, the Manager of the State Savings Bank when he arrived in Ringwood in 1929 but it took two years before a suitable site and was found and in 1931 the club as formed. Ther were 57 foundation members. The President was Councillor Arthur Blood and W. Cox, Secretary. Ten months later the first Annual Report stated that " the green was ready for sowing, a Club House with a billiard table , donations of light fittings and furnishings by members and committee and a balance sheet showing assets over liabilities of £446,3,8." The book continues until 1961.It was compiled by Members Jack Knox and Wilfred Bamford.Plain green hard-covered book (untitled) with 25 typed pages. Letter to members inviting them to read the story and pass the book onto other members. Foreword by the President in 1961

ballarat, armstrong st sth, green, delivery, 1960s

Negative No. 265 and colour print made by colour laser printer (stored in folder ) of a head on shot of No. 39 in front of the Geelong depot, by Geoff Grant on 2/4/1955 while on an Australian Electric Traction Association tour. Other trams in view are 1 and 17. .1 - Copy large format print from Lloyd Rogers collection via Robert Green 2/2014. Added 4-4-2019 - 2 copies added. Original negative scanned at hi res 18/5/2020 and image updated.On small copy ex Robert Green in ink "Geelong car shed, 2-4-1955, ARHS Neg" On large print in pencil "Geelong 2-4-1955"trams, tramways, geelong, aeta, depot, tram 39 tram 1 tram 17

Replica medal with pale lime green with red centre ribbon, mounted on promotion card with notes.Promotional card reads: The Governor-General awards the Civilian Service Medal 1939-1945 on the recommendation of the Prime Minister or delegate. / The Civilian Service Medal 1939-1945 is bronze and portrays the Southern Cross surrounded by golden wattle , Australia's floral emblem. / The Southern Cross represents Australia and the golden wattle represents the civilian population joining in defence of the country. / The medal ribbon has three vertical bands. The central band is ochre to represent the soil of Australia. / The two outer bands are green for the land and food production. The two white stripes on the ribbon represent communication and construction. civilian, 1939-45, australian

The co-operative was registered in 1919 as the Graziers Co-op Shearing Company Limited. It changed its name in September 1948 to Grazcos Co-operative Ltd. In 1981 the co-operative merged with Farmers & Graziers Co-op Ltd to form Farmers Grazcos Co-op Ltd. This item is part of a collection of Annual Reports from Grazcos dated from 1949 - 1980.Booklet featuring green cover and green text. front: GRAZCOS / 1972 / FIFTY-THIRD ANNUAL REPORTagricultural co-operative, agricultural wholesaling, annual reports, rural life, rural industry, business, corporate body

One of a collection of seven photographs of Amygdales polished by Dr G Baker CSIRO 1950. A fully coloured plate of the originals was to have appeared in the book "Phillip Island in Picture & Story".Black & White photograph of Amygdale Stone"Yellow, also some green & red. Magnified about 3 diam."phillip island, amygdale stone, dr g baker, joshua w gliddon

Black and white PostcardInscribed on back with letter to Miss Ethel Green- Image 10266(b)

112 Page soft cover book titled 'The Victorian Readers Second Book' dark orange in colour with a cloth strip at the spine. On the front cover is a female child sitting on a wooden chair reading a book. The book consists of 102 pages of stories and poems plus 9 pages of language list. The back page has three children in various poses looking at a monkey on a swing hanging from two trees. Below the monkey written in script is 'The End' Inside the front cover hand written in blue ink is the name 'John M. Merifield' Registered by the Postmaster General for transmission through the post as a book.Education Department of Victoria. H.J. Green, Government Printer, Melbourne 1930.education, primary, victoria, the victorian readers second book

Long wooden table. Four identical Huon pine boards make up the table top. Cedar base and legs. Solid table with circular carved legs.32 cm strip of 'weathered' green paint at end of top of table.

REV. ELDER GRAY WAS A LONG SERVING MINISTER OF THE CLUNES PRESBYTERIAN CHURCH.SEPIA PHOTOGRAPH OF REV. ELDER GRAY, WEARING MASONIC REGALIAOn reverse; written in green biro, "Elder Gray Presbyterian Minister Clunes"local history, photograph, churches

Black and White photograph of Rutherglen Bowling Club and Croquet and Tennis LawnsOn back of photo: "Bowling Green and Croquet Lawn in the Park" "approx. 1938"rutherglen bowling club, sporting club, rutherglen park

Photo of 'City of Ballarat' no. 671 turning from Nicholson St. into Victoria Parade while running the City Circle route on 5-3-1996. City circle tram No. 842 in background.On rear, stamped on 'William F.Scott, 5.3.1996, 9' and a green label with '2'671, city circle, melbourne, victoria parade, nicholson st, tram 671, tram 842

Photo of BTM trams 33, 38 and 661 at Gardens Loop on the afternoon of the 11.3.1996, while running the Begonia Festival service. Show road closure barriers etc.On rear, stamped on 'William F.Scott, 5.3.1996, 14' and a green label with '5'ballarat, begonia festival, tram 33, tram 38, tram 661

‘Reno’, stood on the east side of St John’s Parade. Its earliest recorded owner was the architect Samuel Cocking who lived there from c.1865 until his death in 1888. The original landholding was bordered by Cotham Road, Glenferrie Road, Wellington Street, and Charles Street. The garden including rare plants supplied by Baron Von Mueller, surrounds the cottage in a tangled frenzy. Despite a ‘local significance’ classification by the National Trust, the house was demolished in 1977.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original monochrome photograph of Reno, St John's Parade, Kew. Pictured are the garage in the distance at left, the weatherboard house with its simple verandah, and the overgrown front garden.Annotation verso: "Reno. St Johns Parade. Reno. Miss Green".dorothy rogers, reno.-- st john's parade (kew)

Sample of wallpaper from the "west wall" of Horticultural Hall.Sample section of wallpaper from Horticultural Hall. Intricate design, possibly for a frieze or cornice. Green and red colours visible. wallpaper, horticultural hall

Hand painted faience pedestal depicting flowers Floral markings painted with green, olive, white, blue and yellow glaze. historic object, former royal mint

One page, lemon coloured paper, letter with 'The Shamrock Hotel' letterhead, dated on Tuesday 14th April 1981. On top of letter: 'Opening Programme', letter content describes format for the official opening ceremony for the Shamrock Hotel, Bendigo, on 30th March 1981. No addressee on letter, although date stamped City of Bendigo. Letter signed by S.J. Stoddart, Managing Director. Date stamped in green: City of Bendigo, Received 30 Mar, 1981. shamrock hotel, invitation

Testimonial dinner given by the Citizens of Ringwood under the auspices of the Ringwood Jaycees. They convened a public testimonial dinner recognising the public service rendered by Mr James W. Manson who held the seat of Ringwood in the Victorian State Parliament from 1958 until 1973. Held at Dorset Gardens Hotel, Croydon.Menu and programme for a Testimonial Dinner. Cream coloured folded light cardboard with blue printing. For Manson, James W.WEG (William Ernest Green) drew a caricature of Jim Manson in the programme.

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Green jacket with Olympic emblem on left breast pocketLabel 1 - Barcelona 1992 Official Uniform Supplied by Australian Wool Corporation Label 2 - Fletcher Jones Australia Label 3 - Warm iron dry clean only On jacket breast - Australia Barcelona 19921992 barcelona olympics, uniform, tie, australian wool corporation

This fairly substantial wooden desk with vinyl top was issued to Wilson’s Promontory Lightstation by the Department of Public Works in the 1960’s. Primarily the desk was used for correspondence purposes, and now has the Bureau of Meteorology computer stationed on it. Although the design and make of this desk is common to many lightstations across Victoria, it is a good example of the kind of furniture that was provided to Victorian lightstations in the 1960’s. The solidly constructed desk was used in the lightstation office. It is made of honeycoloured hardwood and has a green vinyl top and three drawers on the left side. The style suggests that it may date to the 1960s. Gabo Island Lightstation has two identical desks, and all were probably standard issue from the Commonwealth Lighthouse Service or Public Works Office. Another twentieth century vinyl topped desk at Gabo is manufactured with a steel frame. Cape Nelson, Cape Schanck, Point Hicks and Gabo Island retain nineteenth century cedar desks. The desk at Wilsons Promontory has second level significance as a good example of the style of office furnishing provided to lightstations in the 1960s.Wooden desk with square legs and green vinyl top. It has three drawers with wooden handles on the left . The top drawer has a keyhole.