Administration Building,. View of the entrance.administration building, entrance

View adjacent to the Croquet Lawn.garden view, croquet lawn

Garden View. Pavilion in background.pavilion, j.l. provan, garden view

Views of construction of Quad Classroomsquad, classrooms, construction

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a view of a railway crossing signed (verso): DAVID MELLOWS 11/17

Signal Peak The Grampians Victoria.Coloured photograph of a mountain view.Signal Peak, The Grampians, Victoria. The Valentine & Sons' Publishing Co., Ltd., Melbournehalls gap grampians

Oval photo, landscape view. Mountjoy on hill. Side view of the Post Office with residence showing the fence and a sign. Two children on Ridge Road and two girls outside the Methodist Church, which is not in view.post office, pretty corner, mountjoy, ridge road, fiveways

HUMBLE BEGINNINGS The Mission to Seafarers, which was originally known as the ‘Bethel Union’, was established in London in 1835, a recognition of the spiritual needs of seafarers who live a lonely life at sea. In 1857, the Bethel Union began a mission in Victoria aboard the Emily, a large hulk vessel donated by the government, with the object of establishing a floating church for sailors moored in Hobson’s Bay. The first chaplain, his wife and their eight children, three servants and livestock called the Emily home for two and a half years. Each week, sailors were taken to the Emily via a longboat to join in the Sunday services. Today following the same custom, seafarers are transported by bus to and from the docks by a volunteer bus service run from the Mission building at 717 Flinders Street. This window, named ‘On the Seas’, was installed in 1980 and represents the origins and history of the Mission to Seafarers through the symbols of a cross, maritime and Masonic imagery.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the window by Greg Cummins with a photograph of seamen in front of a van and a view of Port Melbourne.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: View of the Princes Pier from the Port Melbourne Mission windows in 1928. BELOW: A group of visiting seafarers standing in front of the Mission bus during an outing to the beach, circa 1950s.reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, greg cummins, flinders street, catherine mclay, arthouse

At an altitude of 340m, the picturesque village of Exogh in northern Ithaca, lies on the Homeric mountain of Neion. The village overlooks Aphales Bay and across the water the neighbouring island of Lefkada. During the Middle Ages and at the beginning of the Venetian rule, it was one of the most populated villages of the island, offering safety from the pirates, and an excellent view of the channel, the sea and the bays around the northern Ithaca.Some of the earliest Ithacan settlers in Melbourne were from the mountain village of Exoghi, including the founding president AJ.J. Lekatsas (Lucas). The village now has very few permanent residents with most having migrated or moved to the cities of Greece. A coloured photograph of a view overlooking the village of Exoghi and Aphales Bay on the island of Ithaca. The photograph was taken from the bell tower of the church of Panagias (the Virgin/Our Lady) sta Pernarakia located at the top of the mountain. The mountains which are visible across the skyline are the neighbouring island of Lefkada. mountain villages, ithaca

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of No. 24 leaving Charing Cross in View St with the destination of Eaglehawk, photo by Wal Jack 10-4-1950. Has the Beehive in the background, a single trucker at Charing Cross, and other buildings. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 6/6/2020. On the rear in blue ink "SEC Bendigo No 24 bogie in View St Bendigo 10-4-50" with Wal Jack copyright stamp in the top right hand corner and the number "T216" written in.trams, tramways, bendigo, charing cross, view st, tram 24

Stawell Shire Hall built 1866 Hewitt Photo. A professional photograph of the Shire Hall showing the road and footpath in front of the building. The view shows three side windows and two at the front opf the building with four urn shaped decorations on top of the building. A flag post can be seen behind the central building decoration on the roof above the entrance doorway. The landscape around the building is well manicured with tall to medium sized shrubs. Stawell Shire Hall built 1866. Black & white photograph showing a front and side view of the building. This photo shows three side windows compared to an earlier photo, 84.2 where only one side window can be seen.Stawell Photographic Co. Close Railway Station C. HEWITT, Managerstawell

Black and white photograph showing view towards The Gap (Jeeves Saddle), (Five Ways) taken c1905. Detailed inscription on back handwritten by John Lundy-Clarke in 1973.1905 (c ) view from Barber’s home on Olinda Creek, towards the Gap, then known as Jeeves Saddle. Barber’s stable in foreground. “Shiloah” Complex centre right. Tait’s house in gully just left of centre. Logan’s house can just be seen under magnifier at top of same gully near line of Barber’s Road. “Kalorama” just below lowest portion of Gap skyline with Barnes (Paynters) house “Iona” to its left. Photo copied 1973. JLC. george barber, shiloah, kalorama, iona, olinda creek, the gap, jeeves saddle, tait, paynter, barber

From Jessie Smith's collection.View of Sail boat at left of very crowded pier at Cowes with back view of three young people at left foreground. local history, photographs, foreshore & pier cowes phillip island, black & white photograph, foreshore cowes phillip island, recreation on foreshore facilities, jessie smith collection, stan mcfee

Slide. Bendigo Views. View showing the top half of a steel poppet head. Peppercorn tree in the bottom right corner.slide, bendigo, bendigo views, bendigo views

Slide. Bendigo Views. View of the Law Courts, former Police Station and Conservatory Gardens, taken from Rosalind Park.slide, bendigo, bendigo views, bendigo views

Slide. Bendigo Views. Rear view of the former Bendigo Post Office with the Shamrock Hotel in the background. Trees and shrubs in the foreground.slide, bendigo, bendigo views, bendigo views

Slide. Bendigo Views. View of a dark blue Volkswagon Beetle. It is parked in the corner of a house yard. There is a paling fence behind it.slide, bendigo, bendigo views, bendigo views

Slide. Bendigo Views. View of a band on the Queen Elizabeth Oval and a group of men in navy blue uniforms marching past.slide, bendigo, bendigo views, bendigo views