Newspaper clipping from the Ballarat Courier of 7/1/2000 featuring two photographs taken on 26/12/1999 during the 25th anniversary celebrations of the operations of the tramway by the BTM. Item within the People and places section. The first photo - Gavin Young standing in the doorway of tramcar No. 40. The second - Mr. Matthew Hutchison holding his son Henry inside a tram - possibly No. 13 - see also item 1290. "7 Jan 1999 Courier" in black ink, top right hand corner - date was actually 2000.trams, tramways, btm, visitors, 25th anniversary

Shows the decorations applied to the tram. Photographed on the Bendigo tram depot access track with a crewman standing inside the drivers door. Black and White prints contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details.Yields information of a decorated tram for the 1954 Queens visit.Photograph of No. 22 decorated for the Queen's visit (Royal visit) at the depot 7-3-1954. Printed on Ilford paper. See Reg Item 5779 for a photo of the same tram on the depot access track. See image i2 for rear of photograph. On the rear in blue ink "SEC Bendigo No 22 decorated for Queen's visit, outside depot 7-3-54" with Wal Jack copyright stamp in the top right hand corner.trams, tramways, bendigo, royal visit, decorated trams, depot, tram 22

Photo of 10 trams in Lydiard St., with No. 20 at north end for Australian Railway Historical Society visit on 7-4-1962. Taken from west side of Lydiard St. looking south. Photo includes Vauxhall and Morris built cars. No. 20 fitted with dash canopy lights, small white strip, and has an ad for 'The Age' on front panel. Destination shown is 'Special'. Photo is over exposed.'SEC Ballarat ARHS Specials, 10 trams in Lydiard St. Nth. 7/4/62.' in blue ink.tramways, trams, lydiard st., specials, arhs, tram 20

Coloured Postcard Murray Views No. 7. Cato Park Stawell Victoria. The three black and white photos are missing the larger palm tree on the right in the foreground. The view is of the lake surrounded by trees and bench seating. One colour post card Murray View No 7 Cato Park Stawell Victoria plus two similar black & white photos one smaller the other an enlargement. Also a small B&W photograph in Album 14, p28. The post card is a view of a section of the lake surrounded by willows, 2 tall pine trees and one large palm tree on the right. The lake is also surrounded by 3 concrete & wood bench seats with maybe a 4th in the distance. Murray View No 7 Cato Park Stawell Vic. On the back "Post Card Real Photograph produced in Australia by Murray View, Gympie, Q".stawell

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.This photographic is part of a series that is historically and aesthetically significant, in that they record the appearance of an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a Melbourne artist who lived in Kew.D'Estaville, Barry Street, Kew. The facade facing Barry Street. The original front of the property faced Studley Park Road where the front door is still located. This is a newspaper photograph, part of a series on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this. Annotation on reverse: "View showing side of mansion there is a wing running from left hand side. / Owner with her sister Silvia and "the Head".alice figuerola, australian artists, d'estaville, 7 barry street -- kew (vic.)

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola in her drawing room at D'Estaville, Barry Street, Kew, holding her pet dog while gazing into the fireplace. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this. Stamp of The Age on reverse.australian artists, d'estaville -- 7 barry street -- kew (vic.), alma figuerola, melbourne artists -- twentieth century

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola painting in her garden at D'Estaville, Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Interior, D'Estaville. A chiffonaire owned by the artist Alma Figuerola and located in her house, D'Estaville in Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola. A posed portrait of the artist Alma Figuerola. Figuerola lived in D'Estaville, Barry Street, Kew. This is a magazine photograph and may still be covered by copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in December 1970, so the photograph predates this. A stamp on the back identifies the publisher as Woman's Day No. 570.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Interior, D'Estaville, Barry Street, Kew, the home of the artist Alma Figuerola. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola

-1 Waterfall Grampians Stawell with writing on back. -2 Stony Creek Grampians Stawell - writing on back -3 Venus Bath Grampians Stawell -4 Town Hall Stawell -5 Central Park Stawell -6 Main Street Stawell -7 Glenorchy Bridge Stawell 7 coloured by hand postcardstourism

Hill's Dairy, Canterbury Road, Ringwood 1989-The Barn (exterior view). The roof support posts on the left are those in picture 7 (6502-005)The Barn / The roof support posts on the left are those in picture 7 (6502-005)

G E Carter Soldier in Uniform Rollingstone England June 7 1917G.E. Carter. 7/6/1917 Rollestone Englandstawell ww1

7 Field Squadron, Royal Australian Engineers Conflict Indonesian Confrontation, 1962-1966 Category Unit Conflict Indonesian Confrontation, 1962-1966 Unit hierarchy Australian Army 7 Field Squadron, Royal Australian EngineersWooden crest with badge in centre, red with gold trim.Below a large numeral 7, are the letters: FD SQN RAE

Colour print of SW2 in St Kilda Road on a Gardiner Road service at the junction for the South Melbourne lines, Nolan St. Dated 7-11-1983. Printed on Fujicolor paper. Tram has advertisements for RESI building society on the front of the tram, Peter Jack cigarettes and National Australia Bank on the side panels.On rear in ink "W2 388 cnr. St Kilda Rd and Nolan St. 7-11-83. To Perth 1985 (Windsor Hotel, South Perth)trams, tramways, st kilda rd, nolan st, w2 class, tram 388

'Baang Yarnda' formerly Public Works Department bucket dredge 'Wombat'. Photo taken 7 August 1913 at relaunching as floating hotel 'Baang Yarnda'.Black and white photograph showing Baang Yarnda on Paynesville slip at launch on 7 August 1913. Vessel painted dark colour, Union Jack flag hanging on bow, number of men on deck, large crowd of adults with children in front, trees right hand background. Paynesville Victoriashipping, slips, celebration, people

35mm Kodak white cardboard colour slide by Keith Kings of W3 664 at Essendon Depot, shortly after withdrawal from service. Taken 7/4/1969. Has adverts for Courage beer, Alitalia and White cough mixture?Keith Kings stamp and number "52-31", with details of exposure. "MMTB W3 664 with weather blinds down, shortly after this class relegated to spare only?" "Essendon Depot 7/4/1969".trams, tramways, w3 class, stored trams, essendon depot, tram 664

Kodachrome Colour slide, cardboard, by Keith Caldwell dated 22-7-1982 of Transport Art tram by Mirka Mora W2 243 passing Flinders St Station, en route to Coburg, route 1.In ink "Melbourne Tram 243 (22-7-82)"trams, tramways, w2 class, route 1, east coburg, transporting art, tram 243, swantson st

Has a strong association with a BTM/BTPS volunteer - 1990'sSet of two Colour photographs of work on ESCo No.12 showing the side framing on the tram. One of the two photos used in July 1997 issue of Fares Please! Photo taken on 12/7/1997 by Warren Doubleday. Printed on Kodak Paper. See July 1997 Fares Please!On ink on rear "12/7/97"btm, esco, reconstruction, tram 12

Awarded to Penny Harris 1982 - 83. Donated by Helen Harris on behalf of daughter Penny Harris.Plastic statue of an athlete on wooden base with engraving as follows: F.H.L.A.C. U/7 1982 -83 1st Penny HarrisF.H.L.A.C. U/7 1982 -83 1st Penny Harris Anthony's Trophies Engraving 546 8733penny harris, forest hill little athlete club, trophy, sport.

Date based on other images from negative roll of similar display panels visible in images of the Shire of Eltham display at the Eltham Community Festival, 7 November 1987.Roll of 35mm colour negative film, 3 of 7 stripsKodak GA 100 5095shire of eltham, infrastructure, road construction, roadworks

Date based on other images from negative roll of similar display panels visible in images of the Shire of Eltham display at the Eltham Community Festival, 7 November 1987.Roll of 35mm colour negative film, 3 of 7 stripsKodak GA 100 5095shire of eltham, infrastructure, road construction, roadworks

Date based on other images from negative roll of similar display panels visible in images of the Shire of Eltham display at the Eltham Community Festival, 7 November 1987.Roll of 35mm colour negative film, 3 of 7 stripsKodak GA 100 5095shire of eltham, infrastructure, road construction, roadworks

Date based on other images from negative roll of similar display panels visible in images of the Shire of Eltham display at the Eltham Community Festival, 7 November 1987.Roll of 35mm colour negative film, 3 of 7 stripsKodak GA 100 5095shire of eltham, infrastructure, road construction, roadworks

Date based on other images from negative roll of similar display panels visible in images of the Shire of Eltham display at the Eltham Community Festival, 7 November 1987.Roll of 35mm colour negative film, 3 of 7 stripsKodak GA 100 5095shire of eltham, infrastructure, display panel, eltham festival, equipment, parks and environment

Clipping from the Melbourne Observer, Sun 23/7/1972 titled "Appeal to save trams for tourist appeal", regarding the retention of Bendigo tram tracks between the Joss House and the Central Deborah Mine and their discussions with the Premier - "gimmickry". In ink "Melb-Observer Sun 23-7/72"bendigo, reopening, closure