Showing 12306 items matching "art-deco"
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Queenscliffe Maritime MuseumPainting - SS Australis, Dacre Smyth, Australis
The Australis retains a significant place in Australian immigration history as the last ship to carry government assisted immigrants to Australian shores in 1977. She had the largest passenger capacity of any post World War II immigrant ship to regularly visit Australia and many passengers fondly remember her grandeur and remnants of Art Deco style.Mrs B SmythA framed oil painting of the migrant ship SS AustralisAustralisss australis, migrant ships -
Federation University Historical CollectionPosters, Architectural History, not dated
These posters were used at the Ballarat Technical Art School.Five printed teaching posters illustrating architectural design from the Ballarat Technical Art School Library: .1) English 15C Perpendicular Architecture .2) English late 17C Architecture .3) English mid 17C .4) English late 15C posters, architectural history, architectural design, ballarat techincal art school, art education, tudor, palladian, mediaeval, architecture, teaching aids -
Bendigo Historical Society Inc.Book - POST OFFICE GALLERY - ART FOR THE PEOPLE - BENDIGO ART GALLERY 1887-2013, 2013
28 page soft cover booklet for the Post Office Gallery exhibition Aug 2013 to Jan 2014. 'Art for the people: Bendigo Art Gallery 1887-2013'. A brief history of the Bendigo Art Gallery with colour and B&W photos. Published 2013 by the Bendigo Art Gallery.Simone Bloomfield -
Federation University Historical Collection
Magazine - Booklet, Baxter & Stubbs, Print, Ballarat School of Mines Students' Magazine, 1923, 1923
Editorial, In Memoriam: Robert James Dowling, Fumes from the Lab, A trip to America, Arts & Crafts Gossip, Echoes of the Past, Sport, The Junior Techs. Under Arts & Crafts Gossip the writer gives on overview on 'modern books on fine art'. "... In making this decision as to whether his tone values are correct or not the artist always studies his canvas from a distance of several yards. An excellent system of painting is being practised and taught by Max Meldrum. This consists of painting in the orders of the impressions. This method is fully explained in his book, and will be found invaluable by the student desiring to work on sound lines. ...Brown soft covered magazine..1) Stamped "Ballarat Technical Art School" .2) Written on front cover "Hessie Darby"ballarat school of mines, magazine, hessie darby, ballarat technical art school, e. kift, ethel kift, r. t. crosthwaite, c. mcilvena, h. finlayson, e. mckissock, f. russell, c. s. hunt, j. r. pound, a. leask, m. timmings, professor alfred mica smith, robert james dowling, e. j. mcconnon, r. g. cox, edwin a. brophy, raymond fricke, nancy humphries, r. sage, max meldrum -
Whitehorse Historical Society Inc.
Article, In the name of beauty, 15/04/1992 12:00:00 AM
Heatherdale Primary School pupils art decorate Heatherdale Station under the supervision of their art teacher Dot Brown.Heatherdale Primary School pupils art decorate Heatherdale Station under the supervision of their art teacher Dot Brown.Heatherdale Primary School pupils art decorate Heatherdale Station under the supervision of their art teacher Dot Brown.railways, heatherdale primary school, heatherdale railway station, browne, dot, reynolds, andrew, middleton, owen -
Federation University Art CollectionPainting - Artwork - Painting, Duncan Lannan, 'Self Portrait at Home' by Duncan Lannan, c2006
‘Self portrait at home’ This artwork was conceived after a series of paintings depicting the interior of my home in Ballarat. Those paintings began as glimpses around the house, mostly captured at night, of hallways, darkened corners, and ominous entrances into bedrooms. Later on I began to fill these spaces with a figure, that of my girlfriend (now wife), and conducted portraits of her placed amongst the shadows in a deliberate attempt to conjure up associations of Baroque painting as well as still images from horror films. I wanted to see what was sinister in this house, to imagine it, as well as observing it directly. ‘Self portrait at home’ is an attempt at summarising the combination of imagination and observation, of wandering through interior spaces as well as being absorbed in it: that what we see is then also taken into our consciousness, or in the case of this painting what we see is about to be swallowed. This concept of combining what is observed with what is imagined and using references to the physical body as a kind of mediator of this process is expressed in Kenneth Slessor’s poem ‘South Country’, a poem that partly inspired my approach to this painting. The following verses provide an example: And over the flat earth of empty farms The monstrous continent of air floats back Coloured with rotting sunlight and the black, Bruised flesh of thunderstorms: Air arched, enormous, pounding the bony ridge, Ditches and hutches, with a drench of light, So huge, from such infinities of height, You walk on the sky’s beach ‘Self portrait at home’ may not express itself as seriously as Slessor’s poem does but I hope it shows the impact as well as the texture and flavour that houses of the Ballarat landscape, and those of the imagination, can have. Duncan LannanDuncan LANNAN (1972- ) Duncan Lannan undertook a Diploma of Arts (Visual Arts) at RMIT between 1995 and 1996. A further two years study at the University of Ballarat (now Federation University Australia) saw Duncan Lannan awarded a Bachelor of Arts (Visual Arts) in 2000. He completed a Graduate Diploma of Education at the University of Melbourne in 2001. Duncan Lannan's exhibition 'Young, Dumb and Full of Ambition!' was held at the Art Gallery of Ballarat from 13 July to 11 September 2014.ContemporarySelf portrait of the artist with mouth open, and a house on the tongue. This piece was exhibited at the Art Gallery of Ballarat in 2007 in the "Eye to I" exhibition which was curated by former Federation University Art theory lecturer Geoff Wallis. The exhibition was a survey of self portraits by Australian contemporary artists. Gift of Geoff and Nola Wallis, 2017duncan lannan, painting, portrait, alumni, available -
Federation University Art CollectionPainting - poster, R.W. Warnock, 'Mobil Oil', c1935
Reginald (Reg) WARNOCK (1915-1991) Reginald William Warnock undertook the Commercial Art course during the 1930s. On completion, he worked as a designer at Paton’s Advertising Service, Melbourne. Commercial art subjects between 1915 and 1939 reflected changing practises and industry requirements, with Ballarat graduates in demand. In the 1936 Ballarat School of Mines Annual Report it was stated: "It is my pleasure to report a most successful year in the Technical Art School. I the Annual Poster Competition for Technical Schools, organised by Wiltshires Pty Limited, 16 prized valued at 33 pounds 8 shillings - out of 23 prizes valued at 56 pounds - were won by our students. R.W. Warnock moved from Ballarat to Moonee Ponds towards the end of March, 1937. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Commercial art Framed original poster completed at the Ballarat Technical Art School by R.W. Warnock. It shows Oil pouring from a bottle in front of a steam engine. Please use the comment link below if you can assist with information about R.W. Warnock."For power and efficiency" "Mobil Oil"art, artwork, warnock, mobil, oil, poster, r.w. warnock, available, alumni, locomotive, steam engine, motor oil, advertisement, reginald warnock -
Lakes Entrance Historical SocietyPhotograph - Charles Sicura at Art and Craft Show showing Lucy Stanbury a Kiwi Fruit sparrow he made during demonstration at Bairnsdale Fruit Mart Stall Bruthen Victoria, Lakes Post Newspaper, 2/10/1994 12:00:00 AM
Charles Sicura at Art and Craft Show showing Lucy Stanbury a Kiwi Fruit sparrow he made during demonstration at Bairnsdale Fruit Mart Stall Bruthen VictoriaBlack and white photograph of Charles Sicura at Art and Craft Show showing Lucy Stanbury a Kiwi Fruit sparrow he made during demonstration at Bairnsdale Fruit Mart Stall Bruthen Victoriaarts, exhibition, arts and crafts -
Federation University Art Collection
Artwork, Celia Rosser, Banksia caleyi by Celia Rosser, 1986
Celia Rosser (1930- ) Born Melbourne, Victoria Celia Elizabeth Rosser is a renowned Australian botanical artist, best known for having published The Banksias, a three-volume series of monographs containing watercolour paintings of every Banksia species. She trained in Art at the Melbourne Institute of Technology In 1970, Celia was appointed Science Faculty Artist at Monash University. Four years later she was appointed University Botanical Artist, and began the project of painting every Banksia species. The project took over 25 years to complete, and resulted in the publication of a three volume monograph entitled The Banksias, with accompanying text by Alex George. Publication of the final volume in 2000 represented the first time that such a large genus has been entirely painted. In 1977 Celia Rosser was awarded the Linnaean Society of London's Jill Smythies Award for botanical illustration, and in 1995 was awarded a Medal of the Order of Australia. Monash University awarded her an honorary Master of Science degree in 1981, and an honorary PhD in 1999. Banksia Rosserae is the last banksia species discovered and was named after the artist. Since 2002, the Friends of the Royal Botanic Gardens Melbourne have awarded the "Celia Rosser Medal for Botanical Art" to outstanding exhibitors at their "The Art of Botanical Illustration" exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Celia Rosser (1930- ) Born Melbourne, Victoria Celia Elizabeth Rosser is a renowned Australian botanical artist, best known for having published The Banksias, a three-volume series of monographs containing watercolour paintings of every Banksia species. She trained in Art at the Melbourne Institute of Technology In 1970, Celia was appointed Science Faculty Artist at Monash University. Four years later she was appointed University Botanical Artist, and began the project of painting every Banksia species. The project took over 25 years to complete, and resulted in the publication of a three volume monograph entitled The Banksias, with accompanying text by Alex George. Publication of the final volume in 2000 represented the first time that such a large genus has been entirely painted. In 1977 Celia Rosser was awarded the Linnaean Society of London's Jill Smythies Award for botanical illustration, and in 1995 was awarded a Medal of the Order of Australia. Monash University awarded her an honorary Master of Science degree in 1981, and an honorary PhD in 1999. Banksia Rosserae is the last banksia species discovered and was named after the artist. Since 2002, the Friends of the Royal Botanic Gardens Melbourne have awarded the "Celia Rosser Medal for Botanical Art" to outstanding exhibitors at their "The Art of Botanical Illustration" exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.celia rosser, gippsland campus, botanical, banksia -
Vision AustraliaPainting - Artwork, Portrait of Elsie Henderson, 1977
Framed portrait of Elsie Henderson who was a tireless worker for the Association for the Blind. From 1934 until the 1960s Elsie Henderson worked at the Association for the Blind as a home visitor for women who were blind or vision impaired. Blind herself, Ms Henderson had 300 women on her visitation list and would visit three to four women daily. She wears a mid-blue jacket with a floral shirt, pearl necklace and her MBE attached to her jacket. This painting hung in the former Kooyong Day Centre until it was demolished in 1999.1 art original in frameelsie henderson, association for the blind -
Vision AustraliaPainting - Artwork, Tamlyn Teow, The Dancers by Tamlyn Teow, 2015
Donated by artist Tamlyn Teow in 2015, the multi-textured picture portrays two figures dancing together. From the artist: "The Dancers" was an inspiration that came to me when I closed my eyes to listen to a musical track and wondered what it would be like to be blind. Then I recalled a conversation I once had with a man who was born blind and he described the city to look like "a big lake flowing in between buildings of all different shapes and colours. And bridges for people to cross just to see sunsets glisten against the water".1 art original on canvasvision australia, artwork -
Federation University Historical CollectionDrawing - Artwork -Drawing, Alice Watson, Lettering Exercises by Alice Watson, c1930
Alice Watson completed a course of work at the Ballarat Technical Art School, a division of the Ballarat School of Mines. Her complete folio is held by Federation University Australia. A collection of works undertaken at the Ballarat Technical Art School by Edith Alice (Alice) Watson. .1 .3 .4 may be by another person with the initials BM (possibly Robert Montgomery); .3 dated 1928 ballarat technical art school, ballarat technical art school number 10, ballarat school of mines, alice watson, edith alice watson, artwork, alumni, drawing -
Wangaratta Art GalleryPainting, Ken Knight, Coastal Vista, c. 1992
Knight’s art style is heavily influenced by the Australian Impressionist movement of the late 19th century and he paints his work in outdoor settings, which is known as plein-air painting. Rural City of Wangaratta Collection, Wangaratta Art Prize Grand Winner 1992.An aerial landscape of a costal view painted in oil using a tonal colour palette of browns, blues, greens, oranges, and whites.Obverse: KEN KNIGHT/ (bottom right corner) WANGARATTA ART SHOW/ GRAND WINNER 1992/ 'COASTAL VISTA'/ By KEN KNIGHT/ (plaque mounted on frame)wangaratta art gallery, ken knight, landscape, painting, costal, plein-air, plein air -
Federation University Historical Collection
Photograph, Ballarat School of Mines Buildings
.1) Exterior sign of the Ballarat Technical Art School .2) & .3) Stained Glass windows in the Ballarat Technical Art School .4) Interior staircase of the Ballarat Technical Art School ingterior staircaseballarat technical art school, ballarat school of mines, buildings -
Bendigo Historical Society Inc.Document - Lydia Chancellor (Pethard)
Lydia Chancellor (1889-Dec 1979) Her parents were George Pethard and Miriam Peatling. George founded Tarax soft drinks in Numurkah in 1898 before moving to Bendigo in 1902 and establishing a brewing factory there. He also built the home "Taraxville" in Panton St. The factory ceased operation in Bendigo during WW1. After the war, the firm was re-established by George jnr, brewing in Melbourne. Lydia married Norman George Chancellor in 1924 but he died 2 yrs later. Lydia returned to Bendigo to care for her mother and began an extensive collection of Toby jugs. She donated 100 jugs to the Bendigo Art Gallery in 1973. She broadcast weekly on 3BO under the name "Chance" and in this capacity, she delivered tennis results and notesA paper detailing the life of Lydia Pethard, Tarax Cola and her contributions to the Bendigo Art Gallery and Tennis/tarax, bendigo art gallery, lydia chancellor -
Port Melbourne Historical & Preservation Society
Book, margins, memories and markers - neighbourhood stories, May 2003
'margins, memories and markers'(mmm) is a public art project that has drawn on stories from the local community to crewate six public artworks and 28 bronze plaques in the City of Port Phillip.'margins, memories and markers - neighbourhood stories', a publication containing stories gathered by writer/artist Julie SHIELS, May 2003, for a public art project funded by the city of Port Phillip and VicHealth. 56pp.arts and entertainment - community arts, memorials, julie shiels, anne callaghan, margins memories and markers -
Mission to Seafarers VictoriaPhotograph - Photograph, Colour, 1988
The photograph taken in 1988 before it was demolished shows the Art Deco style building also known as the King George V memorial Building, commissioned by merchant and philanthropist, Alfred Michael Nicholas (1881-1937) and designed by prolific Melbourne-based architect Harry A. Norris (1888-1966) in 1937 best known for his commercial work in Melbourne city centre. Architect Harry A Norris, one of Melbourne's early designers in the Moderne style had a strong relationship with the wealthy Nicholas family who made their fortune on the production of Aspro, a replacement for the German Aspirin when it was made unavailable during WWI. After the Nicholas Building on Swanson Street (1926), the Nicholas Factory in South Melbourne, and the mansion 'Burnham Beeches' in the Dandenongs (1931), the former Missions to Seamen building in Port Melbourne (1937) was a gift from Alfred Nicholas to the Church of England. “The new Institute will be a modern two story building in brick, with a high clock-tower, a memorial chapel, a hall for talking pictures, lounges, and billiard-rooms. It will stand in about an acre of ground between the two piers at Port Melbourne. The building of the mission has been made possible by a bequest of about£15,000 by the late Mr. A. M. Nicholas.” – The Argus 19th May, 1937. The building had a cruciform floor plan which contains a chapel, a large hall, other recreation rooms, sleeping accommodation on the first floor and a sundeck and living quarters for the chaplain and the caretaker. After being left derelict for years, it was demolished in 1994 to Colour photograph of Port Melbourne Missions to Seamen demolished in 1995.harry a. norris, alfred m. nicholas, art deco, 1937, missions to seamen, brick, king george v memorial building, 1988, zeitgeist, arts centre -
Bendigo Historical Society Inc.Document - MASONIC SOCIETY EVENTS (VARIOUS): JUBILEE SOUVENIR ZENITH LODGE 1866 - 1916
Cream booklet titled Jubilee Souvenir Zenith Lodge Ancient Free and Accepted Masons of Victoria. 1866 - 1916. No 1133 - No 52. Title is inside an embossed oval rope tied at each side. Various embossed symbols surround the oval rope. A blue cord is sewn to hold the pages together with a staple. A Roll of Honour is printed inside the front cover under two flags, a Union Jack and another one like the Australian flag but the blue behind the Southern Cross is red. Jubilee of the Zenith Lodge, No 52, Officers of the Lodge at Consecration, May 1866 is listed, a sepia photo of the Officers 1915 - 16. they are: Wor Bro Dunstan, Wor Bro T L Sargeant, Bro J Langdon, Wor Bro H J Martins, Bro J Leaney,R W W J Parry, R W G W Lansell,Bro G W Bruhn Bro T Cambridge, Wor Bro W Trevena, Wor Bro C E Welch,Bro W G Bowden, Bro T J Banner, Bro A Glen, Bro A G Hamilton, Bro F T Bishop and Bro J Stephens. Golden Lodge, Corinthian Lodge, Masonic Hall. Also listed are Members 1916 and Principal Officers of the Zenith Lodge for the Past 50 years. On the back cover is a sepia photo of the Freemasons' Hall View Street, Bendigo.Cambridge Press Art Printers, Bendigo.clubs, social, jubilee souvenir, masonic society events (various) - jubilee souvenir zenith lodge 1866 - 1916, bro attwood h, bro blair sgt t a, bro crookston rev j, bro dimsey lieut l s, bro harrison sgt h j, bro midgley f s, bro rodger, r h, bro stutt w j, bro wagstaff capt p w, bro ward f h, bro edward garsed, bro samuel peach hogg, bro richard harry andrews, bro wiliam webb, bro john davies, bro g w chaassand, bro thos h o'neill, bro j c duncan, bro john hamlet taylor, cambridge press -
![Print, [Landscape]](/media/collectors/530576742162ef0fa09a2288/items/66d54e8bdc4e56deaf9470de/item-media/66d55bd3dc4e56deaf961fbc/item-fit-380x285.jpg)
Federation University Art CollectionPrint, [Landscape]
This work was undertaken by a student at Horsham Campus.Light blue background with a black outline followed by a thicker pinkish brown outline with black details, artwork contains part of a tree outlined and detailed in black and coloured with the same pinkish brown colour, it has some green leaves, the tree resembles a gum tree.DER or DLR is written below the arthorsham student collection, printmaking, alumni, available, tree, gum tree, landscape -
Clunes Museum
Programme - EXHIBITION PROGRAM, CLUNES & TALBOT GUARDIAN, 1896
PROGRAMME, AND LIST OF ARTICLES FOR COMPETION AND EXHIBITION. THURSDAY, AUGUST 20TH 1896. OPENED BY THE HON DAVID HAM M.L.C.PHOTOCOPY OF PAMPHLET FOR EXHIBITION AND COMPETION OF SALE OF GIFTS.WESLEY HALL CLUNES ART AND INDUSTRIALlocal history, document, programme, churches - wesley hall-document-program -
Kew Historical Society IncPhotograph, Kew Arts Festival Exhibition, 1944-1951
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between1944-51.arists - kew (vic), art exhibitions - kew (vic), alma figuerola -
Warrnambool and District Historical Society Inc.Book, The Inimitable Mr Meek, 2015
This is a catalogue with a reinforced plastic-covered cover. It has 87 pages with illustrations and photographs. The sepia-coloured cover features a portion of a James Meek work of calligraphy.james meek, the inimitable mr meek, james meek artist -
Port Melbourne Historical & Preservation Society
Book - Exhibition Catalogue, Gillian Upton, "Splash - St Kilda beach and Baths
Instigated by COPP Manager of Urban Design, Jim HOLDSWORTH. Produced by the Art and heritage Unit. The exhibit was a project involving the memories and photos from the community."Splash - St Kilda beach and Baths" exhibition catalogue 200. Curated by City of Port Phillip Art and Heritage Unit and guest Curator Gillian UPTON to mark the rebuilding of the St Kilda Sea Baths. 40 pagessouth pacific st kilda pty ltd, celebrations fetes and exhibitions, gillian upton, jim holdsworth -
Surrey Hills Historical Society CollectionBook, More than just gumtrees: a personal, social and artistic history of the Melbourne Society of Women Painters and Sculptors, 1993
Joan Richard was a speaker at the Surrey Hills Historical Society meeting in November 2013. A watercolourist, she has been a long standing member of MSWPS, Past and Recent President in 2017 and a Life Member. The Melbourne Society of Women Painters and Sculptors was founded in 1902 by women who had been students at the Art School of the National Gallery of Victoria, to provide a forum for artistic discussion and an opportunity to view and comment on each other's work. Originally named the Students' Art Club, it became "Woomballana" (meaning either 'everlasting beauty' or 'search for beauty') Art Club, The Women's Art Club, the Melbourne Society of Women Painters and finally, in 1954, the present title was adopted. The history of the MSWPS and its members’ achievements, issues of the workplace, family and art commitments, the economic survival of artists, migrant artists and prejudice against women are also explored. Much of the information in “More Than Just Gumtrees” has not been available in previous publications; it includes hitherto unpublished sources - oral history interviews, minute books, reviews, letters, early photographs. There are includes biographies of over 300 artists, with individual exhibition lists, representation in public collections etc REF: MSWPS website. Artist Mabel Pye, who lived in Surrey Hills, is one of the featured artists.A history of the Melbourne Society of Women Painters and Sculptors and of the women who have belonged since 1902. Some of these women have become well-known to the art world, other have slipped by un-noticed. Incl. index, bibliography.To the Surrey Hills/Historical Society/Presented by/Joan Richard/19th November/2013melbourne society of women painters and sculptors, women painters, women sculptors, mabel pye, joan richard -
Federation University Historical CollectionPhotograph, Ballarat School of Mines Magazine Committee, 1934, 1934
The Ballarat School of Mines was a predecessor institition of Federation University Australia.Fifteen members of the Ballarat School of Mines Magazine Committee are photographed. Back left to right: J. Graham Hopwood (Art), H. Mortimer (Junior Tech), J. Mole (Science). Centre left to right: J. Skelton (art), D. Shore (Science), A. Collins (Science), A. Loughton (Art), R. Warnock (Art), Lorna Bailey (Art). Front left to right: J. Graham (G. Prep), M. Wilson (Science), Dr James Pound (President), G. Netherway (Editor), Nornie Gude (Art). ballarat school of mines, nornie gude, gude, hopwood, graham hopwood, mortimer, mole, skelton, shore, collins, loughton, dr pound, james pound, warnock, bailey, lorna bailey, graham, wilson, netherway, george netherway -
Warrnambool and District Historical Society Inc.Souvenir - Tumbler etched glass Warrnambool exhibition 1896-7, 1897
The Warrnambool Industrial and Art Exhibition of 1896-7 was held for three months in the Town Hall/Council Chambers/ Mechanics Institute buildings with additional temporary buildings placed on the Liebig and Timor Streets corner area. It was one of the biggest events ever held in Warrnambool with an estimated 70,000 attending. John Villiers, the owner of a glassware and crockery shop in Liebig Street and a well-known theatrical performer, had a large display stand at the Exhibition. He displayed glassware items from Britain and Europe and sold souvenirs of the Exhibition. Villiers engaged Mr Bartholomew, a Melbourne engraving artist, and he gave engraving exhibitions at Villiers’ stall. Glass etching had not been seen in Warrnambool previous to this. No doubt many of his engraved objects were sold and this glass tumbler would be one of these. This is a valuable and significant item because:- 1. It is an important souvenir from the Warrnambool Industrial and Art Exhibition of 1896-7, the only one we have from Villiers’ stall. 2. It is an example of what is believed to be the first etching on glass to be done in Warrnambool. The identity of ‘M.R.’ is not known. This is an etched glass tumbler from the Warrnambool Industrial and Art Exhibition of 1896-7. It is plain glass with a solid base. A three branched frond of fern is on one side of the glass and a two-branched frond of leaves on the other. ‘Warrnambool Exhibition, M.R. 1897’ warrnambool, warrnambool industrial and art exhibition 1896-7, etched glass tumbler, john villiers 1896, warrnambool souvenirs, villiers -
Kew Historical Society IncPhotograph, Kew Arts Festival Exhibition, 1944-1951
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between 1944-51.arists - kew (vic), art exhibitions - kew (vic), alma figuerola -
Kew Historical Society IncPhotograph, Kew Arts Festival Exhibition, 1944-1951
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between 1944-51.alma figuerola album, arists - kew (vic), art exhibitions - kew (vic) -
Kew Historical Society IncPhotograph, The Age, Kew Arts Festival Exhibition, 1944-1951
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between 1944-51.arists - kew (vic), art exhibitions - kew (vic), alma figuerola -
Kew Historical Society IncPhotograph, The Age, Kew Arts Festival Exhibition, 1944-1951
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between 1944-51.On reverse, handwritten "4583 Alma Figuerola" Photographer stamp" Copy Right This photograph may not be reproduced without permission in writing from the Editor of "The Age", *** Collins Street, Melbourne, and Pitt Street, Sydney"alma figuerola album, arists - kew (vic), art exhibitions - kew (vic)
