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Montmorency/Eltham RSL Sub Branch
Equipment - Lamp, Signalling Daylight, Short Range, Case MK II, PMG, 1942, Stromberg Carlson, 1942
Rectangular olive green metal case. Stored within the case is a round olive green metal lamp. The lamp is attached to the metal case by a two wire copper flex cord. Stored within the case are 3 short metal rods with a spiral thread on one end which screw together to form a stand for the lamp. The interior of the case is divided into 2 sections and is accessed via 2 lids which are hinged on the internal divide, one lid is larger than the other. Mounted to the inside of the larger lid is a Morse key pad. Attached to case is a canvas webbing strap with brass buckles.Mounted on the larger of the lids, is a rectangular brass identification plate with the inscription " LAMP SIGNALLING DAYLIGHT SHORT RANGE CASE MK II, PMG MELB 1942 " and stamped 1176 5. Mounted on the lamp is is an oval brass identification plate with the inscription "LAMP SIGNALLING DAYLIGHT SHORT RANG PROJECTOR MK 11 STROMBERG CARLSON 1942" with stamped serial number 26634. D (up arrow) D is marked on one side of the case. -
Bendigo Historical Society Inc.
Clothing - FRIEDA KAHLAND COLLECTION: MAUVE AND WHITE SILK SHIRT STYLE DRESS
Mauve and white abstract patterned, silk shirt maker styled dress. Extended shoulder to form elbow length sleeves. Triangular gusset at underarm. Large revere collar, which extends into a cross-over type front (no visible fasteners). Self fabric belt with covered buckle and loops. Five knife pleats at front-facing to centre front, on each side of front. Four knife pleats each side of centre back. Zip placket at left hand side. Garments from the Executors of Estate of late Frieda Kahland. See also 11400.122, 11400.363, 11400.365, 11400.366.costume, female, mauve/white silk shirt style dress -
Melbourne Legacy
Photograph - Photo, Junior Legacy Classes, 1953
A class photo of a group of young legatees at a gymnastics class in Malvern. There are 43 boys, of various ages, in gymnastics gear. Legacy clubs ran classes for junior legatees for many years. It was part of providing for the children of their deceased comrades. The skills they learned were show cased in an annual demonstration usually at the Melbourne Town Hall. It appears to be photo taken professionally, as there are several photos of different classes (see 00862 - 00867) perhaps to record Legacy classes for promotion purposes. The photo featured in the September 1953 Newsletter. Backrow: Garry Burns, Merv Nelson, Denys Nelson, Ted Soutar, Peter Grenfell, Don McKneil, Frank Batty, Ross Moloney, Don McKean. 2nd row: John Kerlie, Ian Cameron, Dick Farnback, Norm Brown, John Farnbach, Ian Grainger, Graeme Pocknee, Frank Rutledge, Fred Strong. 3rd row: Graham Thorp, Norm Wright, Brian Scarlett, Ron Wilson, John Wright, George Brown, Alec Addison, Geroge Thorpe, Harold Boyes, 4th Row: Andrew Tonkin, Edward Pocknee, William L Brown, Max Hamilton, Ken Jacka, Don Walker, Clliff McAliece, John Brown, John Buckle. Front row: Geoff Strogeon, Richard Bowman, Dick Payne, David Triff, Ken Dean, John Clarke, Willliam Brown.A record of a way Legacy provided classes for junior legatees.Black and white photo of Legacy boys posing for a class photo.Printed on the back 'Malvern'. Stamped 'R5332/1--' and '531' in blue ink. Handwritten 'P4 Legacy' in blue pen and 'Same size' in pencil.junior legatee, boys' classes, malvern -
Frankston RSL Sub Branch
Pack, Equipment
Standard WW2 era Australian Army issue, pattern 1937 equipment pack made of heavy weight cotton webbing material in the standard khaki colour. This pack was carried on the wearer's back, supported by two straps worn over the shoulder. These packs were used by military personnel to carry personal equipment items whilst in the field. This pack type is square in shape and has additional straps for attaching to webbing. The front of the pack has 'NX 83432 G Siddaway' written in black. The top flap of the pack is secured by two straps which attach to brass buckles secured by canvas loops to the front of the pack.This pack is stamped with the standard Australian Dept of Defence mark and has the serviceman's name "NX 83432 G. Sidaway" -
Frankston RSL Sub Branch
Collection, Badges
United States Army standard issue infantry heavyweight webbing waist belt as worn in World War 1. This is an example of a 'trophy' belt, complete with a souvenir collection of metal insignia, badges and buttons which are attached to the belt. The belt has brass fittings however the original buckle is missing. There are a total of 83 various allied military insignia, badges and uniform buttons from the World War 1 era, 56 metal insignia and badges and 27 metal buttons which are mostly of Australian, New Zealand, Canadian or British origin. Belt manufactured by M W & S Limited of England in 1915.The reverse side of the belt is stamped "M W & S LTD., 1915" and has an "L" stamp and the Defence Department "/|\". The belt reverse also has the following name in black handwriting "A Paxino 9781 2211". Note A Paxino was associated with Frankston RSL Sub Branch for many years. -
Tennis Australia
Oil painting, Circa 1790
Painting: 'John Donnelly at 9 years old, Blackwater Town'. Inscribed on top panel of stretcher: 'JOHN DONNELLY AT 9 YEARS / OLD / BLACKWATER TOWN'. A full length portrait of a male child in dress coat, vest, breeches and buckled shoes holding a shuttlecock and early racquet (probably a battledore). Next to figure is a hat placed on a chair. Oil painting on canvas, stretched on wood frame, and fitted with a velvet mount and bevelled wood hanging frame. Scratched into stretcher: 'ETL79'. Adhesive stickers on stretcher state:'2#' and '407'. Materials: Wood, Metal, Oil paint/Pigment, Canvas/Cotton, Adhesive label, Velvettennis -
Flagstaff Hill Maritime Museum and Village
Spoon, circa 1878
This dessert spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This dessert spoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The generally common range of marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored dessert spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and a shallow rounded bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Bent stem and buckled bowl. Only 5% of original plate remains and base metal exhibits cu, fe, zi, oxidisation in bright spots. Some verdigris and an amount of encrustation on front and back of the spoon. Outlines of five makers marks are visible - Crown, Elipse, Rounded square, Circle, Diamond.flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, william page and co, birmingham brass plating, spoon -
Bendigo Military Museum
Uniform - MESS DRESS, ARMY, 1. 1950. 2. 1951. 3, 4, 5 unknown
Medal bar. War Medal 1939 - 45 Australian Service Medal Korea Medal 1939 - 45 Star Pacific Star Korea UN Medal.1. This is a black woollen jacket. It has 4 front pockets. It has Sgt's stripes on arm (Gold). It has RA Inf buttons. On the collars are another pattern RA Inf button - Kings Crown. Shiled design surrounded with oak leaves. Crossed rifles in centre of shield. It has six ribbons - see below. 2. Trousers - black wool. red stripe on legs. Fly is held shut with buttons, black. Two side pockets - One rear pocket. 3. Shirt - off white - civilian. 4. Belt - black wool, brass buckle. 5. Tie - black, purple liner.Jacket - Inside has written - 3/2729 J.D. Powell. Trousers - Jorgenson R/5.ww2, postwar ww2, uniform, passchendaele barracks trust -
Bendigo Historical Society Inc.
Clothing - MEN'S BLACK WOOLLEN BATHING SUIT, 1939
Clothing. Men's black woollen bathing suit. Rib pattern in woollen fabric. Overskirt at front-to 6cms above gussett. Black and white Vpattern fabric strip on side seams, forms keepers for belt. Woven cream fabric belt with silver plate buckle. Applique emblem of sailing yacht on lower left hand side of skirt. The bathing suit belonged to Flight Sergeant Richard Harry Adams of Brighton. He was reported missing during an operation near Scilly Islands and was presumed killed on 03/10/1943. The bathing suit was amongst the very few items sent home to his mother.Label ''Thistle'' All wool Australian made, London Stores, the Boy's Shop Melbourne.costume, male, bathing suit -
Shepparton RSL Sub Branch
Uniform, Dress Jacket, 1943
This jacket belonged to Dorothy May Mortlock (VF518245) who was part of the Australian Womens Army Service (AWAS). Dorothy Mortlock was born in Swan Hill and enlisted with the 3rd AUST AWS REC DEPOT.Khaki-coloured woollen jacket which fastens along the centre via four metal buttons. Two hip-height pockets with external flap; two chest pockets with pleat in centre fastened via a metal button. Fabric belt around waist held in place by two fabric loops on back and fastened through metal buckle and loop. Collar carries two metal rising sun badges on the left and right side. Two epaulettes on either shoulder are held in place by a button and carries a badge reading "AWAS". Colour patch on both left and right side is square, half green and half black. Interior label on base of neck.Label reads "V 579/1943/SIZE/MADE IN/AUSTRALIA/D. MORTLOCK/VF518245". Rising sun badge reads "AUSTRALIAN COMMONWEALTH/MILITARY FORCES." Buttons read "AUSTRALIAN MILITARY FORCES."world war ii, second world war, wwii, women, australian women's army service -
Shepparton RSL Sub Branch
Uniform, trousers, Conway Bros. PTY. LTD, 1969
These trousers are part of a Royal Australian Army Ordnance Corps uniform. The Royal Australian Army Ordnance Corps (RAAOC) is responsible for various logistics and organisational operations, such as maintenance of parachutes, fuel distribution, personnel administration, exlosive disposal and laundy operations. The trousers were manufactured in 1969 and were worn by an unknown RAAOC serviceman. The patches on the sleeves of the corresponding jacket denote that he had earned qualifications as a parachuter and a marksman and that he was a Warrant Officer 1. Due to the period of manufacture it can be presumed that the serviceman whom this uniform belonged to served in the Vietnam War.As historic military uniform trousers dating to 1968, it is presumed that this item would have been used in service during the Vietnam War. The wearer of the uniform is unknown, however the patches and flashes attached signify that the serviceman worked for the Royal Australian Army Ordnance Corps, earned qualifications as a parachuter and marksman and ranked highly as a Warrant Officer 1. The item is representative of a type of uniform worn by high ranking RAAOC servicemen during the 1960’s. It is also in very good condition for its age.khaki coloured trousers which are composed of a heavy fabric. The trousers button up at the front with 6 plastic buttons. There is an additional strip of fabric attached to the right-hand fly which can be fastened with an extra button on the interior of the left-hand fly. There are an additional 6 buttons along the interior waistband. There are also three buttons on the exterior waistband down the front and a buckle. The buttons are composed of brown plastic. There are two open hip pockets, one on either side, and another button-up pocket on the right-hand side of the back. There is a white label with inscriptions attached to the interior of the back pocket with an extra piece of fabric attached for mending patches.Printed in black inscriptions on the white label: CONWAY BROS. PTY. LTD ADELAIDE 1969 (a broad arrow) Class 8405-66-025-6183 A W M 7 (these characters are stamped in faded black ink) SIZE & WAIST 33R MATCHING JACKET 37-38R in a box are the words: DRY CLEAN ONLY. Re-press on original seams. Creases set by Si-ro-set. Mending patch attached. (end of box containing words) NAME.....DOCKSEY (‘Docksey is in hand-written black ink) ARMY No.....216308 (numbers also hand-written in black ink) (the number 40 is also wrtten in faded black ink in the top right corner of the label)military, army, raaoc, marksman, royal australian army ordnance corps, parachuting, warrant officer, uniform, trousers -
Warrnambool and District Historical Society Inc.
Scout's Hat, Mid 20th century
This hat is one worn by members of the Boy Scouts. Warrnambool today has two Boy Scout groups and Allansford has one. The Warrnambool Tooram group has halls at the corner of Banyan and Timor Streets and in Otway Road and the Warrnambool Norfolk group has its headquarters at the corner of Kepler Street and Raglan Parade. This hat is of interest as an example of the hat worn by scouts in Warrnambool in the 20th century. The same type of hat is still worn by Boy Scouts today. This is a khaki felt hat with a wide brim The crown is folded in 4 sections with four eyelets. There is a brown leather band around the crown and a silver-coloured buckle and two silver studs. The band is adjustable and a piece of string with a knot is used for adjusting the chin strap and for hanging the hat on a peg. The chin strap is made of plaited leather and the inside is slightly stained. The hat is slotted into a wooden frame made of varnished plyboard. The frame is U shaped with two straight sides. A smaller added section of plyboard has been placed on top of the frame and this has an opening at the top to allow the hat brim to slot into the frame. This frame appears to be home-made. scouting in warrnambool, history of warrnambool -
Bendigo Military Museum
Uniform - SERVICE DRESS, ARMY, 2) Pytchley
Part of the Leo Reoch Cohn Collection. Leo Reoch Cohn served in both World War 0ne and World War Two. He enlisted in the 1st AIF on 23.9. on 6.5.1915, initially in the 22nd battalion (No. 1039), aged 18. Shortly after, on 11.9.1915, he transferred to the 8th LHR and embarked for Egypt on 23.9.1915, serving in both Egypt and Palestine. During that period of service, he transferred to the 1st Australian Light Car Patrol on 8.9.1917. This unit later became the 1st Australian Armoured Car Section. Leo began his return journey to Australia on 16.5.1919. Shortly after his RTA, he was discharged. While on active service overseas, he was hospitalized on a number of occasions due to illness. During World War Two, Leo enlisted in the 21st Battalion VDC (No. V360272) on 18.5.1942 at the age of 44. He was appointed Lieutenant on 25.6.1942. Leo's VDC service was terminated on 31.10. 1945 following the end of World War Two. .1) Tailored khaki woollen officer's dress jacket with silk like fabric lining. Two button-down breast pockets and two button down-side pockets. All buttons are military issue. Unit colour patch on each shoulder (8th ALH). Above the left breast pocket is a World War One trio of medal ribbons. An attached fabric belt has a metal buckle. .2) Light brown cotton drill jodhpurs with button fly. Knee reinforcement pad sewn on the inside of each leg. Button down hip pocket and two side pockets. Belt loops and buttons for braces on the waist band..2) On manufacturer's label: 'Pytchley, MADE IN ENGLAND'. Handwritten in black ink on waistband: 'COHN'.uniform, 8th light horse regiment, leo reoch cohn -
Flagstaff Hill Maritime Museum and Village
Functional object - Copper Sheet, circa 1878
In 1984 the Commonwealth Government made available to Flagstaff Hill a collection of lead ingots and copper sheets recovered from the wreck-site of the LOCH ARD. They were presented to the Warrnambool City Council by the Hon. Tom Uren MHR, Minister for Territories and Local Government: “The Commonwealth recognises that shipwrecks like the LOCH ARD are our national heritage with important educational, recreational and tourist applications” (The Standard, Tuesday 8 May 1984). The LOCH ARD was wrecked in 1878. Unsuccessful salvage operations were then undertaken with the 90 ton paddle steamer NAPIER. In sudden bad weather this vessel too was sunk. The precise position of the LOCH ARD in the exposed and dangerous waters off Mutton Bird Island became lost to memory. The underwater location of the LOCH ARD was rediscovered in 1967 by a Warrnambool skindiver, Stan McPhee. In the two years following his find, the vessel was systematically pillaged by unauthorised salvagers. This led to the State and Federal Governments’ intervention in 1969. A roundup and seizure of recovered lead ingots and copper sheets was conducted by Commonwealth and Victorian Police. Offenders were charged and convicted. The “repossessed loot of the Tassie Boys” was placed into secure storage (Jack Loney, 1978, Wrecks & Reputations). The LOCH ARD manifest of cargo lists “Pig lead 50 tons, 994 pig & 37 rolls” and “Copper 33 plates, 53 bolts”. While the lead ingots have been subsequently described as “ballast”, the copper sheets are unlikely to have been associated with the ship’s normal complement in that way. Similar product lines in the cargo manifest are “Bar and rod iron 102 tons”, “Plate iron 3 tons” and “Zinc 12 tons”. These raw materials were used by colonial artisans such as blacksmiths and metal smelters to fashion, and repair, agricultural implements and industrial machinery. Copper was valued for its non-corrosive properties and its malleability, or ease of working. Both these qualities were useful, for example, in laying underground gas pipes that supplied lighting to residences, businesses and streetscapes in the mid-nineteenth century. As the nineteenth century progressed, the metal was also increasingly valued for its conductivity, with copper wiring linking colonial communities to each other, and the wider world, via the Telegraph system. The average weight of the copper sheets is 216 kilograms, calculated by "volume 0.1936m³ X Cu density 8930kgs/m³".The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Large heavy sheets or panels of copper metal raised from the wreck of the LOCH ARD. The 10 sheets are of roughly similar dimensions and rectangular shape. They bear signs of prolonged submersion in seawater, with various degrees of limestone accretion, adhered marine growth, and green oxidisation. Three of the sheets are severely buckled, demonstrating the force of underwater explosives used in their salvage. One sheet appears cut or severed in a diagonal line downwards from its top left hand corner. One sheet has a 10cm X 10cm square cut out of its top right hand corner. All sheets are in sturdy, stable condition. No maker’s marks are visible.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, sailing ship, copper sheet, manutacturing materials, metal imports, muntz -
Montmorency/Eltham RSL Sub Branch
Equipment - Tripod Mount, Lamp, Signalling Daylight, Short Range, MK II, PMG 1942
Wooden tripod mount for lamp, signalling daylight, short range, MK II. The legs are shaped to a point at the bottom and shaped to form a circle when closed. Each leg has a metal fitting attached by metal screws at the top, which supports a circular metal collar fitting for the mounting of the lamp. A khaki coloured stiched canvas webbing with brass buckles is attached at one end to the metal fitting at the top of one leg. The other end has a circular sleeve for using to keep the wooden tripos mount legs closed for storage. One leg has a small brass ring mounted at the top. A metal hook is mounted under the lamp mounting collar.STAND LAMP OR HELIO A MK IItripod, helio, lamp, daylight -
Melbourne Tram Museum
Photograph - Digital Image, Studio Photograph, Oscar Reginald Turner Conductor, c1908
Digital Image of cable tram conductor Oscar Reginald Turner, possibly soon after starting as a conductor with the Melbourne Tramway and Omnibus Co. - see Reg Item 1930, in Feb. 1908. Possibly a studio photograph. Note the badges, pins for holding the tickets, cap, buttons, uniform in detail. i2 - tiff file, i3 - a small jpg file. See images i4 to i7 for a copy of his cable tram service - from VPRS 12737/P2/6 pages 560 and 642 accessed at the Public Records Office of Victoria on 31-3-2017 See Reg Item 2900 for leather buckle and some safety pins.trams, tramways, mto co, conductors, uniforms, cable trams -
Bendigo Historical Society Inc.
Clothing - CALF LENGTH PURPLE DRESS
Calf length, waisted purple dress of synthetic crepe fabric with elbow length sleeves. U shaped neckline at front. High rounded neckline at back with centre 8 cm opening fastened with two hooks and eyes. Decorative beading at centre of bodice. Flower and leaf patterns. Bodice has two small pleats at waistline on each side . Padded shoulders. Side opening at waist on LHS with 20 cm metal zipper. Same fabric belt with 4 cm fabric covered buckle of different purple colour. Front of skirt has eight gored panels from the waistline. Back of skirt has three panels. Dress unlined.costume, female, calf length purple dress -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Accessory - Clothing, bow tie white, 20thC
The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied bow ties are available, in which the distinctive bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable bow tie. Bow ties are worn by magicians, country doctors, lawyers, paediatricians, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A gentleman's white ready -tied bow tie with elastic and metal clips* neckties, bow ties, formal wear, fashion, menswear, moorabbin, bentleigh, cheltenham, early settlers, market gardeners -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Accessory - Clothing, bow tie black, 20thC
The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied Bow ties are available, in which the distinctive Bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable Bow tie. Bow ties are worn by magicians, country doctors, paediatricians, lawyers, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A gentleman’s black Bow tie neckties, bow ties, formal wear, fashion, menswear, moorabbin, bentleigh, cheltenham, early settlers, market gardeners -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Accessory - Clothing, bow tie, black , spring clip, 20thC
The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied Bow ties are available, in which the distinctive Bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable Bow tie. Bow ties are worn by magicians, country doctors, paediatricians, lawyers, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A man's pre-tied black bow tie with a metal spring clip to attach to the shirt collar. The 2 spring clips have 'alligator teeth' to grip the collaron spring clip MADE IN AUSTRALIA SPRINGmenswear, clothing, bow ties, cheltenham, moorabbin, bentleigh, early settlers, pioneers, market gardeners, male neckwear -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, bow tie, white , elastic clip, 20thC
The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied Bow ties are available, in which the distinctive Bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable Bow tie. Bow ties are worn by magicians, country doctors, paediatricians, lawyers, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A pre tied white Bow tie sewn on a neckband with an elastic clip fastenermenswear, clothing, bow ties, cheltenham, moorabbin, bentleigh, early settlers, pioneers, market gardeners, male neckwear -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, bow tie white, fixed length, 20thC
The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied bow ties are available, in which the distinctive bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable bow tie. Bow ties are worn by magicians, country doctors, lawyers, paediatricians, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. This white bow tie is a 'fixed length' type that needs to be tied by the person wearing it. MAKO SIZE 15 1/2 menswear, clothing, shirts, collars, early settlers, fashion, cheltenham, moorabbin, dairy farmers, market gardeners, bow ties, mako pty ltd -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, Bow tie, black, elastic, clip, c1960
The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied bow ties are available, in which the distinctive bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable bow tie. Bow ties are worn by magicians, country doctors, lawyers, paediatricians, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A man's pre-tied black bow tie with neckband and elastic tape with a clip. fastenermenswear, bow ties, fashion, melbourne, moorabbin, bentleigh, cheltenham, polyester, rayon -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Accessory - Clothing, black bow tie, c1960
The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied bow ties are available, in which the distinctive bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable bow tie. Bow ties are worn by magicians, country doctors, lawyers, paediatricians, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A man's pre tied black bow tie with an elastic fastening clipmenswear, neckties, bow ties, cheltenham. moorabbin, bentleigh -
Shepparton RSL Sub Branch
Case, c. 1916
This case may have once attached to the belt of a soldier as a carry case for an artillery sight.Dark leather case constructed of two elongated semi-circle shapes, hand or machine stitched with a gusset. Edges trimmed in leather binding and rectangular lid held in place on one side by stitched leather hinge and fastened with metal buckle on other side. Reverse of the case has a leather loop held in place with stitching and 6 metal studs or rivets; a metal rectangular loop is stitched in place with fine wire twisted and attached to loop. Interior of case appears to be felted wool or fibre, cream in colour with small leather loop on right side, perhaps to hold a small accessory. Front of case is stamped with manufacturer's name; lid has remnants of a circular adhesive label.Manufacturer's stamp reads "FRANZ COBAL/BERLIN/1916"carry case, bag, accessory, acoutrement, world war one, military, uniform, world war i, first world war, the great war, germany, german, berlin, franz cobal, franz cobalt, artillery sight -
Bendigo Military Museum
Uniform - BATTLE DRESS, ARMY, 10 and .2) Keith Courtenay Pty Ltd .3) Herbert Johnson for Chorleys, 1) and .2) 1972-1973
Part of the Kevin John Herdman No. 397661 Collection. See Catalogue No. 5942P for details of his service record..1) Khaki battle dress jacket with button front and attached belt and buckle. Royal Australian Corps of Transport badges on each shoulder. Major's Crown on each epaulette. Red and blue lanyard threaded through left epaulette and secured in left breast pocket. Two button-down breast pockets. Buttons are khaki bakelite. .2) Pair khaki trousers with pleated front and zippered fly. Two side pockets and button-down hip pocket. Fob pocket and six belt loops. Buttons are khaki bakelite. .3) Khaki peaked cap with brown leather band. RACT badge on front of cap. Brown sweat band and clear plastic lining..1) and .2) On manufacturer's label: ' KEITH COURTENAY PTY LTD, VICTORIA, 1972-1973, 9upwards arrow), NAME: CAPT HERDMAN. K.' .3) On label inside cap: 'HERBERT JOHNSON, 13 OLD BURLINGTON ST, LONDON, W1, FOR CHORLEYS, CANBERRA'.royal australian corps of transport, kevin john herdman, uniform -
Bendigo Military Museum
Uniform - UNIFORM, RAAF, 3) Trent Nathan
RAAF uniform worn by Squadron Leader Ian A. 'Joe' Lyons, Operations Officer for No. 77 Squadron. Part of the Ian A. 'Joe' Lyons MBE Collection. See Catalogue No. 5374P for details of his service record..1) RAAF uniform jacket, dark blue in colour. Black fabric inner lining. Gold coloured buttons. Coat has two button down breast pockets and two button-down side pockets. Dark blue fabric belt with metal buckle is threaded through two belt loops. Three rows of service ribbons including an MBE ribbon and pilot officer's wings on left hand breast. Rank insignia on the bottom of each sleeve. .2) Dark blue fabric trousers with two side pockets, belt loops and button fly. Buttons for braces on the inner waist band. .3) Dark blue fabric tie. Manufacturer's label on keeper loop..1) On label sewn into neck: 'M TX'. .2) On label sewn onto inside waist band: ' M TX'. .3) On keeper: Trent Nathan'.uniform, raaf, ian a. 'joe' lyons -
Bendigo Military Museum
Uniform - SHIRT AND TROUSERS, SERVICE DRESS, ARMY, Australian Defence Industries, 1966
"W.J. BERTUCH" for service details Refer Cat No. 1664.2.1. Shirt - Khaki colour cotton/polyester long sleeve with shoulder epaulettes and brown plastic buttons. Two front pockets with button down flaps. Gold colour metal badge "AUSTRALIA" - on right epaulette. Manufacturers white cotton fabric label inside back below collar and bottom of shirt. 2. Trousers - khaki colour wool/polyester fabric. Service dress style with fob pocket, two side pockets, one back pocket with concealed button down flap. Brown plastic buttons and metal fly zip. 3. Belt - light brown colour nylon webbing, service dress style with black colour metal slide buckle. Manufacturers information on labels in black ink print. 1. Top - "CLASS - 8405/ 66-017-2261/ REGIMENTAL NO./ NAME". Handwritten black ink pen "VS38". Bottom "MACHINE WASHABLE/ DO NOT BOIL/ DRIP DRY/ WARM IRON/ SALCO/ VICTORIA/ 1966. Handwritten black ink pen "VS38". 2. Rt side label 'REGIMENTAL NO./ NAME". Left side label "Dry Clean only/ Repress on original crease/ use damp cloth or medium/ TO HOT STEAM IRON/ Mending patch attached." Handwritten - black ink pen "VS38". 3. Black ink stamp - "CGCF D^D 1957? 0108/ 5499". uniform, army, service dress, wj bertuch -
Bendigo Historical Society Inc.
Clothing - Trousers
In about 1888 William George Ashman (1871-11/2/1944) began a tailoring business in High Street, Eaglehawk. In 1890 he admitted his brother Arthur Thomas Ashman to the business and they traded as Ashman Brothers. In 1936 the company of Ashman and sons was registered at 265 Hargreaves Street. They specialised in made to measure, hand tailored suits. William married Clara Hunkin (1871-25/11/1944) in 1894. Their sons, John, Eric, Basil and Charles followed into the family business.Woolen fabric trousers, part of Dress Suit. A decorative strip runs down each leg. The waistband can be adjusted on either side by belt/buckle attachments. Trousers fasten with two buttons and there are four buttons at the fly opening at front. There are two deep lined pockets either side and one top pocket at rear on LHS. There is a maker's label stitched to the lining of the Rear pocket which reads "Ashmans, Hargreaves Street, Bendigo 'The Home of Better Suits'". A name written in ink below the maker's label is 'Mr M. Suurpaa, 28-3-1961 7252." Leather strips have been sewn inside edge of each leg cuff for garment protection.men's clothing, formal wear, trousers -
Dandenong/Cranbourne RSL Sub Branch
Memorabilia - Pack Saddle
Believed to have been made 1939/43. In 1904 the British Army adopted a new General Service (GS) pack saddle with an adjustable tree, known as the Mark V pack saddle. The main innovation was the adjustable tree created by having the front and back steel arches jointed to the wooden sidebars, which allowed them to turn to adjust to the size of the back of whatever animal carried the saddle, from the largest horse to the smallest donkey, and eliminated the need to manufacture saddles in different sizes. The saddle could be adapted, by the addition of hanging bars, or universal slats, to carry a wide variety of stores, tools and equipment, and also wounded men. The GS pack saddle was used in both world wars by both the British and Australian armies. The use of pack saddles was especially important in the campaign in Palestine during the First World War where wheeled transport was often not an option. Each machine gun carried by light horse units was transported on a pack saddle, and was accompanied by a second pack animal carrying spare ammunition. During the Second World War pack animals were routinely used by patrols, and larger units such as Norforce, in remote areas of northern Australia. The saddle shown here has two separate girths, which crossed under the animal's belly. Most later versions of the saddle used a shorter single girth buckled to a 'V' attachment, which was in turn buckled to the sidebars. Use of the 'V' attachment gave greater strength and stability to the saddle, and decreased 'rocking' of the load.