Showing 4189 items
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Greensborough Historical Society
Photograph - Digital image, Charles Marshall et al, Coastal scene, 1917_
This photographs depicts a coastal scene, location unknown.Digital copy of black and white photograph. No caption on this photo.charles marshall, world war 1 -
Greensborough Historical Society
Photograph - Digital image, Charles Marshall et al, Port scene, 1917-1918
This photograph shows a port scene, location unknown.Digital copy of black and white photograph. No caption on this photocharles marshall, world war 1 -
Greensborough Historical Society
Photograph - Digital image, Charles Marshall et al, Street scene, unknown location, 1917_
This photograph shows a street scene in an unknown location.Digital copy of black and white photograph. This photograph has no captioncharles marshall, world war 1 -
Stawell Historical Society Inc
Photograph, Bennett Family Eucalyptus Distillery in Deep Lead
Deep Lead Scene. Bennett’s Eucalyptus Distillerystawell deep lead -
Stawell Historical Society Inc
Photograph, Sheep Shearing at Farrer’s at Deep Lead 1939
Deep Lead Scene Shearing at Farrer’s 1939stawell deep lead -
Stawell Historical Society Inc
Painting, Mining Scene in Commercial (Rd) Street 1857
Commercial (Rd) Street 1857 Mining Scenestawell mining -
Stawell Historical Society Inc
Photograph, Wakeham Street Stawell including the National Hotel
Street Scene - Wakeham Street (National Hotel)stawell -
Stawell Historical Society Inc
Photograph, Bests Winery in Great Western with Vineyard workers
Vineyard Scenes at Bests Winery. Great Westernstawell winery -
Stawell Historical Society Inc
Photograph, Early Street Scene from Seaby Street Stawell
Early Street Scene from Seaby Streetstawell -
Stawell Historical Society Inc
Photograph, Town Scene from Wakeham Street area Stawell
Town Scene from Wakeham Street areastawell -
Stawell Historical Society Inc
Photograph, Reaper and Binder being drawn by horses
Farming scene Horse drawn Reaper and Binder.stawell rural harvesting -
Stawell Historical Society Inc
Photograph, Bennett Family Eucalyptus Distillery in Deep Lead
Deep Lead Scene. Bennett’s Eucalyptus Distillerystawell deep lead -
Stawell Historical Society Inc
Photograph, Sheep Shearing at Farrer’s at Deep Lead 1939
Deep Lead Scene Shearing at Farrer’s 1939stawell deep lead -
Stawell Historical Society Inc
Photograph, "Ashen" Homestead 1848 -- 2 Photos
Two photocopied scenes at Ashen's Sept 1848stawell -
Stawell Historical Society Inc
Photograph, Mr Will Rees' Painting "Cottage in bush scene"
Photo of Will Rees Painting Cottage in bush scenestawell -
Stawell Historical Society Inc
Photograph, North Cross Reef Mine & Mining Scene 1870 -- B/W Photo & Coloured Painting
Mining Scene - North Cross Reef Co.B/W North Cross Reef with buildings, poppet heads, Tailings and wood stack with people. Two colour prints of North cross Reef. One at a different angle to B/W. Second taken further back with wood stacks, tailing dam fenced in beyond poppet heads buildings chimmney's smoking. stawell -
Stawell Historical Society Inc
Photograph, Stawell Cato Park's Willow Trees c1930
Scene Willow Trees at Cato Park c1930stawell -
Stawell Historical Society Inc
Photograph, Hay Carting c1930’s
Rural Scene - Hay Carting c1930’sstawell -
Stawell Historical Society Inc
Photograph, Utility Truck c1930’s
Rural Scene - Utility Truck c1930’sstawell -
Port Fairy Historical Society Museum and Archives
Photograph, Hugh Hanley /Port Fairy Gazette, 1975
Causeway 1975 storm and newspaper describing the sceneBlack and white photograph of High tide and storm flooding the causeway near the south west passagePort Fairy Gazette Phone 14 Printers Publishers stationerscauseway, storm, 1975, newpaper article, southwest passage -
Stawell Historical Society Inc
Photograph, Grampians House's Snow scene in Halls Gap July 1949
Snow Scene Grampians House July 1949stawell -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Craft - Stevengraph, Neyret Freres et Cie, Untitled (Billiards), c. 1890s
This is a silk picture woven by the highly acclaimed French jacquard loom woven tapestry maker Neyret Freres. The scene is derived from a painting by Spanish artist Mariano Alonzo Perez (1853-1930). This style of weaving is referred to as a Stevengraph, named for their original creator, Thomas Stevens (1828-1888), a 19th century weaver from Coventry, England. Neyret Freres began manufacturing textiles in 1823, and are still in operation today. Silk embroidery in a decorative gilt frame. The scene depicts a Victorian era billiards room. An ornate billiard table is at the centre of the image. At the near end of the table, two men are crouching down and leaning over the table, examining billiard balls while holding billiard cues in their left hands. At the far end of the table, a woman is sitting on the corner of the billiard table while holding a billiard cue in her left hand, in an intimate face to face pose with a man standing behind the billiard table. All figures are depicted in Victorian era aristocratic dress. The bottom right corner of the images features the signature 'D'A. PEREZ'. Three small stickers for Gibson's Auctioneers are attached to the back of the artwork, as well as a sticker referencing the framer of the work and a shipping sticker for International Art Services. Two d-rings and a wire fitting are attached to the back of the artwork for hanging. -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Craft - Stevengraph, Neyret Freres et Cie, Untitled (Fencing lesson), c. 1890s
This is a silk picture woven by the highly acclaimed French jacquard loom woven tapestry maker Neyret Freres. The scene is derived from a painting by Spanish artist Mariano Alonzo Perez (1853-1930). This style of weaving is referred to as a Stevengraph, named for their original creator, Thomas Stevens (1828-1888), a 19th century weaver from Coventry, England. Neyret Freres began manufacturing textiles in 1823, and are still in operation today. Silk embroidery in a decorative gilt frame. The scene depicts a group of women taking a fencing lesson, under the guidance of a male teacher. Two women are pictured pointing sabres at each other at the centre of the image, while four other women look on at the right of the image. The teacher is shown on the left hand side of the image, holding a sabre in his right hand which is pointing downwards so that the tip of his sabre is resting against the floor. All figures in the image are wearing Victorian era dress. There is a sticker for Gibson's Auctioneers attached to the bottom right hand corner of the front of the artwork. Two small stickers for Gibson's Auctioneers are attached to the back of the artwork, as well as a sticker referencing the framer of the work and a shipping sticker for International Art Services. Two d-rings and a wire fitting are attached to the back of the artwork for hanging. -
Tatura Irrigation & Wartime Camps Museum
Booklets
1. Finnish Opera. Black cover with 5 pictures of people on the front cover and a picture of a new Opera House in Helsinki on the back cover|2. Christmas in Finland. Navy/black cover with a christmas scene on the front and back cover.|3. Finnish Design - White cover with 4 Finnish designs on the front cover and printed fabrics on the back cover|4. Nature in Finland. Pale grey front cover depicting a cat. Back cover white with a scene in the Nuiuksio National Park, outside Helsinki on the back cover|5. Sauna - A Finnish National Institution. White cover with scenes of Lakeside saunas on the front and back covers.finland, documents, phamplets -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Hanlon Park, Portland, n.d
Black and white photo of a football match at Hanlon Park, Portland, taken from north side of ground, looking south. Spectators can be seen behind white boundary fence, some footballers close to fence on that side.Back: Round purple stamp: 'PRINTED BY M.E. ANDREWS, PORTLAND' 'Scene of Football Match Portland V Casterton Federal' 'Attendance 400' - handwritten in black inkhanlon park, recreation, football, local sport -
Melbourne Legacy
Photograph, Legacy Club. A Century Revue...'This Will Be The Place', 1934
Photos from 'This Will Be the Place' Melbourne Legacy revue held at the Garrick Theatre on Friday 9th November 1934, 28th - 29th November 1934. The revue was conceived, written and composed by Legacy Club and performed by junior legatees. It related five chapters in Victoria's history from the first 100 years following the career of a family of pioneers from 1835 through various generations. These are some of the earliest photos in this archive, the girls names are unknown. See item number 00156 for the programme. The performance on 9 November 1934 was for the delegates of the Legacy Annual Conference that was being held in Melbourne at the time. A record of junior legatees being involved with a gala performance that was for a fundraising event. It was attended by the Governor who was patron of Legacy.Black and white photo x 5 of young performers and an envelope.Handwritten in black pen "Two photos of a possum from the opening scene of "This Will Be the Place". Legacy Club Century Revue 1934, and 3 other photographs from the Revue."performance, annual demonstration, costumes -
Orbost & District Historical Society
black and white photograph, early 20th century
This is a scene of Cape Conran, in Far East East Gippsland .Orbost locals have been camping and picnicking at Cape Conran since at least the early 20th century. This photograph was taken at a time before Cape Conran Coastal Park a 11,700 hectare area was declared a coastal park under the National Parks Act in 1997. A black / white photograph photograph showing the rocks and ocean at Cape Conran in Far East Gippsland. There are three people on a rock with their backs to the camera.Two women are sitting and a man is reclining.cape-conran beach-east-gippsland -
Bendigo Military Museum
Postcard - POSTCARDS, PHOTOGRAPHIC WW1, c.1914 - 1918
Black & white photos of WWI battle scenes in Europe. Seven Daily Mail battle pictures, black & white. Official war photos, Series VIII. No 57 Wounded. Tommy to Photographer: I'm not a German! No 58 Black Watch Pipers Playing to the Captors of Longueval. No 59 The Burial of two British Soldiers on the Battlefield. No 60 A Fag After a Fight. No 62 British Machine Gunners Wearing Gas Helmets. No 63 Tommy at Home in German Dugouts. No 64 A Big Mine Exploding.postcards - photographs, military history, passchendaele barracks trust -
Greensborough Historical Society
Slide - Photograph, John Ramsdale, Bushland: Slide 84, 1990s
Photograph shows a bush scene in the northern suburbs of Melbourne.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.bushland -
Greensborough Historical Society
Photograph - Digital image, Charles Marshall et al, Bridge and path, 1918_
This photograph shows a bridge and path. The location of this scene is not known.. Digital copy of black and white photograph. charles marshall, world war 1