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Canterbury History Group
Ephemera - Go on splash out in style, 1/03/2011 12:00:00 AM
Real estate advertisement from the Melbourne Weekly for the auction on 5 March 2011 of 41 Hopetoun Avenue Canterbury. Includes coloured photographs of the interior and exterior.canterbury, hopetoun avenue, swimming pools -
Canterbury History Group
Ephemera - An Edwardian Classic, 29 Golding Street, Canterbury, 2000
Real Estate Advertisement for auction of 29 Golding Street Canterbury on 11th November 2000. includes coloured photographs of interior and exterior and floor and site planscanterbury, golding street -
Canterbury History Group
Ephemera - "Shewalton" beloved family home, c2000
Real estate advertisement for the sale of "Shewalton" 22 Victoria Avenue Canterbury. Includes coloured photographs of the interior and exterior, a sketch of the house, and floor and site plans.canterbury, victoria avenue, shewalton, victorian style, swimming pools, rigby family -
Canterbury History Group
Ephemera - 203 Canterbury Road Canterbury, 2010
Real estate advertisement for the sale by auction of 203 Canterbury Road, Canterbury on Thursday 22 April 2010. Includes coloured photographs of the interior and exterior of the shop.canterbury, canterbury road, canterbury buildings, victorian style, shops, upholsterers -
Ballarat Tramway Museum
Slide - 35mm slide/s, Peter Moses, Jan. 1966
Yields information about the appearance of the interior of tram 13 during Jan. 1966.Photo of the interior of tram 13 looking through the saloon area with a passenger seated. Kodak cardboard mount slide, taken by Peter Moses January 1966.On back of slide in blue ink "Jan 1966 Inside tram Ballarat"tramways, trams, interiors, ballarat, tram 13 -
Ballarat Tramway Museum
Photograph - Digital image, Chris Phillips, c1970
Yields information about the interior view of a tram when crossing another tram.Digital images of an interior photo within a tram, crossing another tram at a loop. Has two people in summer clothing. Photo by Chris Phillips, c1970.trams, tramways, interiors, ballarat -
National Wool Museum
Photograph - Slide, Stuart Ascough, Gill Boxes, NSC Schlumberger, 1990s
This slide is part of a collection of visual resources used by Stuart Ascough while conducting training, seminars, conferences and lectures in China, Australia, India, Russia and Taiwan. This item is part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.35mm colour transparency mounted in plastic slide mount showing interior of a factory, depicting gill box machinery. Staff are shown standing next to machinery.wool, industry, australia, australian wool board international wool secretariat, topmaking, carding, factory, training, gill box -
National Wool Museum
Photograph - Slide, Stuart Ascough, Combing Machines, NSC Schlumberger, 1990s
This slide is part of a collection of visual resources used by Stuart Ascough while conducting training, seminars, conferences and lectures in China, Australia, India, Russia and Taiwan. This item is part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.35mm colour transparency mounted in plastic slide mount showing a factory interior with combing machines, including red barrels and orange painted building pillars.wool, industry, australia, australian wool board international wool secretariat, topmaking, carding, factory, training, gill box -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Marine Discovery Centre Portland, Victoria, c. 1990
Coloured photo. Interior view of CEMA Arts Centre auditorium, taken from stage. Upright piano on left, orange seats, entrance/exit doorsBack: '21' black texta -
Mission to Seafarers Victoria
Postcard - Postcard, Black and white, kodak, Mission to Seamen, Melbourne, St Peter's, Mariner's Church, 1951
The Chapel attached to the 1917 Mission Building has been known variously over the years as: Memorial Chapel ( WWI Merchant seamen) ; St Peter Mariner's Chapel and St Peter's, Mariner's Church. In current day usage due to modest size it is referred to as Chapel. This postcard provides a sample record of the appreciation of volunteers by committee members at the Mission in the 20th C. and forwarded on their behalf to the donor's Grandfather Mr Arthur Ware countersigned by Padre Oliver ( Chaplain 1930-1960)A black and white photographic postcard of the interior of St Peter's Chapel, Mission to Seafarers, 717 Flinders St Melbourne. Image has a 5cm white border.On the back is a message from Padre Oliver on behalf of the Christmas Committee to Mr Ware and dated 14-12-51. "Thanking Mr Ware for ... all your kindness..."photograph, josephine atkinson, arthur ware, padre oliver, st peter chapel, flinders street, mission to seafarers, mission to seamen, seamen's mission, donors, supporters, frank leslie oliver, 1951 -
Sir Reginald Ansett Transport Museum
Hat, unknown
Unknown at this stageAnsett Hostess hat. Navy blue basket-weave nylon narrow-brimmed sunhat style with rounded crown. 1.5cm interior grosgrain ribbon bandNo inscriptions or identifying marksansett airlines of australia, hostess / stewardess, sunhat, navy -
Glen Eira Historical Society
Album - Album page, Balaclava Road, 45, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. While the page heading says "architect: Walter Burley Griffin", in fact Edward F. Billson designed it.From the Victorian Heritage Register Database - Citation for 45 Balaclava Road https://vhd.heritagecouncil.vic.gov.au/places/35562 (as at 12/10/2020) The house at 45 Balaclava Road, Caulfield North has architectural importance as an early example of the work of Edward F. Billson, whose work demonstrated the influence of the internationally distinguished American architect Frank Lloyd Wright and his one time colleague, Walter Burley Griffin with whom Billson worked in partnership for a period. It is presumed to be the earliest important example Billson's work and attains special importance as an early example of modern architecture in Australia, the earliest work of Griffin preceding it by only five years.Page 29 of Photograph Album with four photographs of close up views of architectural details of a window and doors including three interiors and one exterior view.Hand written: Neg 263 [under top left photo] / Neg 269[under top right photo] / Neg 261 [under bottom left photo] / Neg 267 [under bottom right photo] / 29 [bottom left]trevor hart, caulfield north, balaclava road, edward f. billson, frank lloyd wright, walter burley griffin, modern architecture, 1910's, gables, double storey houses, windows -
Canterbury History Group
Ephemera - A stunning Victorian vision, [2002
Real estate advertisement for the sale of 35 Chatham Road Canterbury on 21 December 2002. Includes coloured photographs of the exterior and interior, and a plan of the layout of the house.canterbury, chatham road, victorian style, architectural features -
Flagstaff Hill Maritime Museum and Village
Vessel, "Sir Fletcher Jones", c. 1989
This whaleboat "Sir Fletcher Jones" is one of a set of three timber whaleboats in the whaleboat collection at Flagstaff Hill Maritime Village. The boats are designed for use in a contemporary environment. Whaleboat "Sir Fletcher Jones" painted white with dark green trim and ellow interior, one of a set of three. Built by Garry Stewart c. 1989.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, vessel, whaleboat -
Bendigo Historical Society Inc.
Photograph - JORDAN COLLECTION: PHOTO OF INTERIOR OF SACRED HEART CATHEDRAL
Black and white photo of interior of the Sacred Heart Cathedral. Shows the altar at the front of the church. Photo taken Easter 2 April 1934 and signed Vin.bendigo, church, sacred heart cathedral -
Bendigo Historical Society Inc.
Postcard - CONSERVATORY INTERIOR, BENDIGO
Postcard, color. Image shows interior of Bendigo Conservatory. Display of Cinnerarias, hanging baskets with ferns. On back' Bendigo Victoria, Floral Display, Bendigo Conservatory'Nu Color Vuebendigo, buildings, conservatory, bendigo, conservatory, pall mall. -
Bendigo Historical Society Inc.
Photograph - WES HARRY COLLECTION: ROYAL PRINCESS THEATRE, 1874\
Photograph of an Engraving depicting the interior of the Royal Princess Theatre, built in 1874. The engraving copy is from the Australian Sketcher, supplied by the Latrobe State Library Victoria.buildings, commercial, royal princess theatre, royal princess theatre, bendigo theatres -
Bendigo Historical Society Inc.
Decorative object - GLASS BALL (GOLD COLOURED) BENDIGO GLASS WORKS 1920 CASSIDY, KOONDROOK, EDNA PEACOCK, 1920
Bowl previously owned by donor's mother and father Mr and Mrs Cassidy of Koondrook. Mr and Mrs Cassidy (aged 25 and 22 respectively) were honeymooning in Bendigo on 18th March 1920 and obtained the bowl from the Bendigo Glassworks. This was passed on to their daughter Edna Peacock. Associated with the bowl is an article written by Jim Evans for the Bendigo Advertiser December 13th 2012 in his 'History Lives' column. The article illustrates the connection between Jannaya McKenzie (work experience student) and the bowl that was obtained by her ancestors. Glass Ball made by Bendigo Glassworks 1920 Approx. 20cm diameter with narrow neck (Broken) Interior is hollow and painted with what is purported to be gold dust. artwork, koondrook. edna peacock. -
Melbourne Tram Museum
Photograph - L class tram interior, Muntz Studios, 1921
Black and white photograph of the interior of an L-class tram showing in detail the saloon with seats, windows, standee windows, and other details. Has a route number poster - route 2 and where to change for other routes. See item 2498 for an exterior and an another interior view.Yields information about the then new L class trams.Black and white print with photographer's detail on the rear."Muntz Studio"tramways, tramcars, l class, interiors, route 2 -
Vision Australia
Photograph - Image, Vision Australia Dandenong office interiors, February 2008
Interior view of Vision Australia's office at 45 Princess Highway, Dandenong.7 digital photographs of VA Dandenong Officevision australia, buildings -
Phillip Island and District Historical Society Inc.
Photograph, 1927
Interior of construction of St Pauls Training School. Builders working in the roof.Inside the construction site showing scaffolding, bricks and ladder.local history, photography, photographs, slides, film, st pauls training school, schools, phillip island, sepia photograph, ken pound -
Melbourne Tram Museum
Poster - The Met "Refunds on Met Tickets" Poster, The Met, c.1980s
Used as posted public information on surfaces. such as the interior of tramcars, buses or trains.An advertising/public information publication that is associated with a now-dissolved corporate body which existed in the 1980s.A yellow adhesive poster that provides information for customers on what types of tickets can be refunded and if so how. The brand of the adhesive (JAC) is printed on the adhesive-covering paper on the reverse side.public transport, the met, posters, tickets, fares -
Villa Alba Museum
Decorative object - Curtain tie backs, 3 pairs, 1850-1900
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Part of a group of curtain furnishings which includes a curtain with original fittings, fringe and braid unpicked from other curtains, and these six curtain tie backs. The six curtain tie backs are identical, though one pair is shorter. The tie backs comprise a length of soft, loose (floss) silk cord, made of two thick strands twisted together (cable cord). An elaborate tassel is attached to the middle of each cord, to weight the tie back in an elegant loop, with the loose ends attached to hooks or pins on the window frame. Each tassel is formed of a turned wooden mould, covered with floss silk thread, and further decorated with knotted netting, applied braid, and glass beads. The end of the mould has a large flattened shape, from which hangs a ring of long, bullion metal fringe. This may be silver-gilt: untarnished parts are still true gold colour, while the majority of the fringing is tarnished black. These curtain decorations are truly luxurious; the original suite of curtains would have been very expensive, an eloquent item of conspicuous consumption of luxury goods.Attached handwritten note : "VA Th 7/6/2012 Ric Freeman (Nat Trust member) & Julie Freeman / re soft furnishings, tassels, trimmings, braid set / Jessie, Terry (and Chris St) to view, collect"decorative arts & design, interior decoration - history, curtain accessories, tassels -
Villa Alba Museum
Decorative object - Wallpaper sample of a Morris & Co design, 1970–1979
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Polychrome, repeat pattern of a flowering tree among meadow flowers with scrolling green and blue acanthus leaves. Sample is a later Morris-style wallpaper block reproduction by Sanderson & Co from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history -
Villa Alba Museum
Decorative object - Wallpaper sample of a Morris & Co design, 'Larkspur', 1970–1979
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample: ‘Larkspur’ pattern, Foliate design with flowers, red on a paler red background. Original design by Morris in 1872; revised by Morris in 1875. Sample is a later Morris-style wallpaper block reproduction from the 1970s. Pattern No. 133400.Stamped on verso: 133400CI / MADE IN ENGLAND. Inscribed in ink on verso: W. MORRIS / LARKSPUR / 133400 / $7.60decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history -
Villa Alba Museum
Decorative object - Wallpaper sample of a dado by Morris & Co, 'Squirrels', 1970–1979
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a dado pattern. Three colour, repeat pattern of facing squirrels in brown on a green ground, bordered top and bottom in a brown on yellow design. Sample is a later Morris-style wallpaper block reproduction from the 1970s. Inscribed verso: No.14decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history, wallpapers -- dados -
Villa Alba Museum
Decorative object - Wallpaper sample of a Morris & Co design, 'Fleur de Lys', 1970–1979
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, repeat pattern of fleur de lys in green on a paler green ground. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history -
Villa Alba Museum
Decorative object - Wallpaper sample of a Morris & Co design, 1970–1979
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, repeat pattern of a front facing bird contained in a roundel in pale grey on a darker grey ground, regularly interspersed on a geometric design. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history -
Villa Alba Museum
Decorative object - Wallpaper sample of a Morris & Co design, 1970–1979
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, repeat pattern of birds and flowers in brown on a paler pink ground. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history -
Villa Alba Museum
Decorative object - Wallpaper sample of a Morris & Co design, 1970–1979
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, repeat pattern of inward and outward storks surrounding a Celtic knot in dark blue on a paler blue ground. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history