Showing 7590 items matching "paint"
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National Vietnam Veterans Museum (NVVM)
Model, F-111 Bomber
F-111 Bomber camouflage paint. Wings in swept back configuration.A8-136. Lighning bolt decal and Australian flagmodel, aircraft, f-111 -
Coal Creek Community Park & Museum
Dictaphone
8701.1 - Large cast iron Dictaphone that has been painted black.8701.1 - Dictaphone - Reg U.S - PAT ON - MODEL 812 - 0, 5, 10, 15, 20, 25, 30, 35, 40, 45, 50, 55. -
Coal Creek Community Park & Museum
Equipment - Lamp, Kerosene
Slightly rusty oil lamp. No painted areas, all bare metal.- LANORA - LANORA AUSTRALIAlantern, flat-wick lamp, hurricane lamp, lighting device, kerosene lamp -
National Vietnam Veterans Museum (NVVM)
Ceremorial Object, Peter .E. Clements
Grey painted Wooden Cross with name and description of Service of deceased soldierPeter E. Clements. Joined April 1962 aged 17. Became Crew Commander with 3 Troop IAPC Squadron on August 18 1966 whilst relieving troops at Battle of Long Tan. Corporal Clements was fatally wounded - He died 9 days laterwooden cross, peter e clements, long tan -
National Vietnam Veterans Museum (NVVM)
Ceremorial Object, Douglas J Salveron
Grey painted Wooden Cross with name, photograph and story of deceased soldierConscript Salveron enlisted 1965 - sailed from Brisbane May 1966 and died 18th August 1966 in Battle of Long Tanwooden cross, cpl douglas j salveron, long tan, killed in action -
Royal Australasian College of Surgeons Museum and Archives
Diplomatic gift, St Mark's Mallet
The mallet was given to the College by the staff of St Mark’s Hospital, London to celebrate the inauguration of the Proctological (later Colonic and Rectal) Section, on 28 May 1963. It was presented by J.C. Stewart to Alan Lendon, then Vice-President and Chairman of the Court of Examiners. Although it is usually described as a gavel, the form of the piece is in fact that of an ancient stonemason’s mallet. The action required to use it is a straight up-and-down motion, unlike that of a normal gavel, which is handled like a hammer. Made of black bean, 22.5cm high and 12cm in diameter, the mallet rests in a wooden stand made of Queensland walnut, with a square base of English oak. The mallet and stand are housed in a travelling case covered in red leather and lined in red velvet and white satin. On the front of the stand are four crests, those of St Mark’s Hospital, the Royal College of Surgeons of England, the Royal Society of Medicine, and the Royal Australasian College of Surgeons. St Mark’s was founded in 1835 as a specialist hospital for the treatment of fistula in ano, a common condition in the days of travelling on horseback, and other anorectal disorders. Over the years the hospital developed into a centre for gastroenterology, colonic and rectal surgery, and many Australians went to further their training there. Some noted Fellows of the College, including Robert Officer, James Guest, Reg Magee, Brian Collopy and Adrian Polglase, and three Presidents, Mervyn Smith, Sir Edward Hughes and Russell Stitz, are alumni of St Mark’s. This mallet is a reminder of the establishment of a significant surgical section within the College, and is a fitting gift from an institution with which so many eminent Australian surgeons formed close ties.GAVEL ON STAND WITH PAINTED COATS-OF-ARMS IN RED LEATHER PRESENTATION BOXPLAQUE ON GAVEL: "PRESENTED BY THE STAFF OF ST. MARK'S HOSPITAL TO COMMEMORATE THE FOUNDING OF THE PATHOLOGICAL SECTION OF THE RACS 28TH MAY 1963" -
Benalla Art Gallery
Painting, Ethel CARRICK, In the Luxembourg Gardens (Champs Elysee), c. 1910
Born: Uxbridge, Middlesex, England 1872; Active Australia from 1908; Died: Melbourne, Victoria, Australia 1952ImpressionismGift of Mrs Erma Ledger, 1981Garden setting with figures and chairs. Carved gold painted timber frame.Recto: Not signed; Not dated; Not titledgarden, figures, chairs, australian art -
Puffing Billy Railway
Steam Engine - Tangye single cylinder vertical, Circa 1920
Used by the Malvern city council until 1969 to drive a rock crushing plant. While large horizontal steam engines predominated in major factories, small vertical steam engines like this were the workhorses of industries that had modest power requirements. This reliable little engine, made by leading UK manufacturer Tangye Bros of Birmingham Steam engines had the advantage that any fuel could be used to fire their boilers, but they were less convenient and efficient than internal combustion engines, required operators with higher skill levels, and had lower power to weight ratios. Tangye Limited was founded in 1857 in Birmingham by businessman Richard Tangye (1833-1906) and his mechanic brothers James and Joseph; brothers Edward and George joined them later. Richard was born near Redruth in Cornwall and educated at the Friends School at Sidcot, Somerset, where he became a pupil-teacher. From there he moved to Birmingham to work as a clerk for an engineering firm. In 1856 he started a hardware factor and commission agent business in Birmingham whose customers were mainly Cornish mine-owners in the Redruth district. From 1858 Tangyes concentrated on the manufacture of machinery and secured the sole right to manufacture Weston's differential pulley block (object 2003/45/1). They established their Cornwall Works in the Birmingham suburb of Smethwick in 1864 and soon developed a huge range of products. It was stated that 'there are perhaps no other works in the kingdom so largely employed upon so great a variety of specialities as the Cornwall Works of Messrs Tangye Bros.' The Tangyes attracted creative people to work for them. They wrote: 'We are in a position to offer unusual facilities to Inventors for carrying out their patents.' Info about Tangye Bros of Birmingham from Powerhouse Museum https://ma.as/207954 Donated by Malvern City Council in 1969 Of Interest : The Vertical and Horizontal Tangye engines on display are of the design that won a Gold Medallion at the Paris Industrial Exhibition of 1878.Historic - Industrial Steam Engine Equipmentsingle cylinder vertical Steam Engine made of Cast Iron, (Painted)Tangye Birmingham Builder's number 2462tangye, vertical steam engine, steam engine, puffing billy, stone crushing, george and george, malvern -
Puffing Billy Railway
Carriage Sign - Milk Advertising, 1970s
Advertising fitted to NBH carriages.Historic - Puffing Billy Railway - Carriage Sign - Milk Advertising fitted to NBH carriages.Carriage Sign - Milk Advertising Hand painted masonite carriage sign.Hey Kids ! milk's a marvellous drink Drink plenty eveyday puffing billy, nbh, milk, advertising -
Puffing Billy Railway
Sign - Advertising - Coxhead Tools Pullers
Coxhead Tools Pullers Historic - Industrial - Advertising Sign - Coxhead toolsSign - Advertising - Coxhead Tools Pullers made of paint on sheet metalTools Coxhead Pullers The Head of Qualitycoxhead tools pullers, puffing billy, sign - advertising - coxhead tools pullers -
Tatura Irrigation & Wartime Camps Museum
Cradle, January 1940
Creator Walter Kiessling was interned in September 1939, leaving his pregnant wife, Rosa, alone in Melbourne. After visiting Walter in Dhurringile Interment Camp and then Camp 1, wife Rosa then appealed to Camp 1 Commandant Major Schrader for permission to have Walter visit her and the baby in hospital under guard escort. Soon after, permission was given to take the baby to Camp 1 for a christening with a Lutheran Pastor. While inside Camp 1, Walter and his internee friend Rudolf Schultz crafted the cradle for the baby.Wooden cradle with painted floral decorations and heart shaped holes in the ends.INTERNMENT CAMP TATURA AUSTRALIA JANUARY, 1940kiessling, cradle, woodwork, internment camp woodwork, major schrader, walter kiessling, rudolf schultz -
Tatura Irrigation & Wartime Camps Museum
Autograph Book, 1940's
Autographed/ contributions on pages by internees.Child's Handmade autograph book with wooden block- hand-painted on cover.Kurt Kazenwadeltatura camp, book - autograph, kurt kazenwadel -
Tatura Irrigation & Wartime Camps Museum
Bell
Used for card parties in Tatura Mechanics Hall by George Dowell to indicate commencement and end of playBrass bell with wooden handle, painted black. Donor card attached.bell, card parties, greenwood l, timing, recreation, metalcraft, brassware -
Numurkah & District Historical Society
Journal - Art Journal
Art Journal, green cover with black floral design and gold paint -
City of Ballarat
Artwork, other - Public Artwork, Play and Fair by Valislav Georgiev and Victoria Roxburgh, 2005
These sculptures represent peace and harmony for the collaboration between two artists commissioned by the City of Ballarat during the refurbishment of the park. The artwork is of aesthetic significance to the people of BallaratA pair of circular sculptures featuring painted metal structures with brick details -
Wangaratta Art Gallery
Painting, Con Carter, Falls Creek, c. 1974
Rural City of Wangaratta Collection, Wangaratta Art Prize 1974.A snowscape painted in oil using tones of white, brown, blue, and yellow.Obverse: Con Carter/ (bottom left corner)wangaratta art gallery, con carter, landscape, snow, painting -
Wangaratta Art Gallery
Painting, Shirley Colby, Roadside Snow, c.1978
Rural City of Wangaratta Collection, Wangaratta Art Prize 1978.A snowscape painted in oil using shades of brown, white, blue, and green. Obverse: colby/ (bottom right corner)wangaratta art gallery, shirley colby, painting, landscape -
Wangaratta Art Gallery
Painting, Herman Pekel, As the Evening Sets, 1988
Rural City of Wangaratta Collection, Wangaratta Art Prize 1988.A coastal landscape painted in watercolour using shades of blue, green, and brown.Obverse: HERMAN/ REKEL/ (bottom left corner) WANGARATTA ART SHOW - 1988/ 150th CELEBRATION SPECIAL AWARD/ GRAND WINNER - WATERCOLOUR/ (plaque mounted on frame)wangaratta art gallery, herman pekel, coastal, landscape, painting -
Wangaratta Art Gallery
Painting, Mary Watson, The Buckland River, 1988
Rural City of Wangaratta Collection. Gift of the Wangaratta Y's Men's Club.A river landscape painted with oils in shades of green, blue, brown, and grey.Obverse: MARY WATSON/ (bottom right corner) WINNER - PAIR SMALL PAINTINGS/ 1988 WANGARATTA ART SHOW/ Presented By WANGARATTA Y'S MEN'S CLUB/ (plaque mounted on frame)wangaratta art gallery, mary watson, painting, landscape, buckland river -
Wangaratta Art Gallery
Painting, Mary Watson, The Ovens River, 1988
Rural City of Wangaratta Collection. Gift of the Wangaratta Y's Men's Club.A river landscape painted with oils in shades of green, blue, brown, and grey.Obverse: MARY WATSON/ (bottom right corner) WINNER - PAIR SMALL PAINTINGS/ 1988 WANGARATTA ART SHOW/ Presented By WANGARATTA Y'S MEN'S CLUB/ (plaque mounted on frame)wangaratta art gallery, mary watson, landscape, painting, ovens river -
Yarrawonga and Mulwala Pioneer Museum
Hand Pump
Spray paint hand pump with plastic hose and steel nozzle attached"D" on one side. "Rega" on opposite side. -
Stawell Historical Society Inc
Slide, Ian McCann, Concongella School Parade - Carnival Ride
Float done as roller coatser cars painted blue carrying peopleconcongella school parade -
National Wool Museum
Machine - Loom, George Hattersley and Sons Ltd, 1920 - 1935
Weaving is the interlacing of two yarns, one at right angles to the other. Yarns that run the length of the fabric are called the warp. Yarns that run across the fabric are called the weft. Most woven fabrics are produced on a loom. The warp yarns are raised to form an opening - the shed. The weft carrier, usually the shuttle, shoots through the shed. Then the warp yarns change position up and down. Finally, the weft is pushed tight against the previous yarns, gradually building up the fabric. Hattersley dobby loom. In working order, black painted cast iron.weaving, george hattersley and sons ltd, weaving machinery, loom, wool processing, textile industry -
National Wool Museum
Machine - Loom, George Hattersley and Sons Ltd, 1920 - 1925
Weaving is the interlacing of two yarns, one at right angles to the other. Yarns that run the length of the fabric are called the warp. Yarns that run across the fabric are called the weft. Most woven fabrics are produced on a loom. The warp yarns are raised to form an opening - the shed. The weft carrier, usually the shuttle, shoots through the shed. Then the warp yarns change position up and down. Finally, the weft is pushed tight against the previous yarns, gradually building up the fabric. Hattersley treadle loom (revolving box hand loom). Beam of loom was removed and sent to Foster Valley Mill in 1989 to be returned via Tom Crocker. The National Wool Museum gratefully acknowledges the contribution of Mr Fred Murgatroyd & Mr Bernard Tolan in making this Hattersley Loom Operational. Green painted Hattersley treadle loom (revolving box hand loom).weaving, george hattersley and sons ltd, weaving machinery, wool processing, loom, restoration -
Whitehorse Historical Society Inc.
Accessory - Shaving Mug
Cream mug with handle and lip for shaving brush. Scene painted on front.Trade Mark: 'Made in Japan'ceramics, porcelain, personal effects-toilet requisites, shaving -
Whitehorse Historical Society Inc.
Leisure object - Toy Horse
Toy wooden pull along horse on wheels. Features painted on sides.toys, general -
Whitehorse Historical Society Inc.
Domestic object - Apron, 1873
Black satin apron with hand painted border. Two buttons at waist.costume, female working -
Whitehorse Historical Society Inc.
Leisure object - Toy - Sheep
Metal cream painted sheep with black feet, black horns and nose.toys, general -
Whitehorse Historical Society Inc.
Leisure object - Toy Soldier
Metal brown painted soldier. Kneeling with gun. Soft plasticine base.toys, general -
Whitehorse Historical Society Inc.
Leisure object - Toy Soldier
Toy soldier painted blue with red tie.Blue cap and pink face.toys, general