Showing 5197 items
matching pattern-roller
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Bendigo Historical Society Inc.
Domestic Object - GREEN GLASS DISH
Small fluted cut glass green dish with four feet and dotted pattern.domestic equipment, table setting, dish -
Kew Historical Society Inc
Headwear - Brocade Turban, 1960s
The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Woman’s hat made of stiffened patterned fabric in shades of blue, gold and white.Nilhats, australian fashion, women's clothing -
Friends of Westgarthtown
Mat, table
Decorative rectangular embroidered centerpiece, solid cotton in middle with looping ribbon pattern.handcrafts, needlework, mat, cotton, embroidery -
Stawell Historical Society Inc
Memorabilia - Realia, c1880's
Women's Metal Belt Clip with Raised Flower Pattern from Armstrong's Area stawell -
Stawell Historical Society Inc
Memorabilia - Realia, 1920-1930
Beaten Copper Crumb Tray & Brush. Leaf & Vine stamped embossed pattern.stawell -
National Wool Museum
Clothing - Men's Tie, Australian Wool Corporation, c.1980s
Part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.Navy blue neck tie with golden rams and white stripe pattern repeated.front: AWC back; [label] WOVEN & MANUFACTURED / IN AUSTRALIA BY / "Tee-Dee" / EXCLUSIVELY FOR THE / AUSTRALIAN / WOOL CORPORATION back: AUSTRALIAN / WOOL / CORPORATIONstuart ascough, international wool secretariat, victoria wool processors, port phillip mills pty ltd, topmaking, career, wool industry, training, technical advice, mills, clothing -
Beechworth RSL Sub-Branch
Helmet
Helmet with Disruptive Pattern Camouflage Uniform (DPCU) cover, with leather chin strap.Interior - White print: GAT. NO. 8415-50-753-5792 / Marker: DUFF / Marker: 5 /helmet, disruptive pattern camouflage uniform -
Mont De Lancey
Functional object - Knitting Pattern, Carter and Parker Ltd
Wendy Guernsey 5 ply knitting pattern. 1 double-sided sheet.patterns, knitting patterns -
Mont De Lancey
Doily, 1934
Made to commemorate the centenary of Victoria 1834 - 1934.White cotton, hexagonal, commemorative doily with pulled thread and embroidery pattern and inscription."Centenary of Victoria 1834 - 1934"table ware., commemorative objects, doilies -
Mont De Lancey
Doily, Late 19th century
Cream star patterned doily, with pointed edges and star in centre.In shuttle netting.doilies, table linen. -
Queen's College
Mummified human hand, Date unknown
This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Remains of linen bandaging in crossover pattern. The distal phalanges of the fingers and thumb are missing.james dodgson, aquila dodgson, flinders petrie, mummified human hand -
Mont De Lancey
Domestic object - Table runner
White, linen table runner with hand embroidery with floral patterns in various styles.table linen, table ware, table runners, embroidery -
Mont De Lancey
Glove button hook
Two silver button hooks. One with patterned handle, one with bone handle.buttonhooks -
Mont De Lancey
Cloisonne - bowl
Purchased by Mr. & Mrs. H. N. Lord in 1970. Purchased by Mr. & Mrs. H. N. Lord in 1970. Cloisonné, a French word meaning "enclosed", is a metal-working technique. It is an ancient technique for decorating metalwork objects. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments or cells to the metal object. This is done by soldering or sticking silver or gold wires or thin strips placed on edge. These are visible in the finished piece, separating the different compartments. Coloured enamel is the usual filling for the cells. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then is fired in a kiln. In older times inlays of cut gemstones were often used. They were decorated with geometric or schematic designs, with thick cloison walls. IBlue and gold patterned Chinese Cloisonne bowl with lid, with gold lion on top.bowls -
Mont De Lancey
Wash jug and bowl, J & G Meakin
White jug and wash bowl with decorative pattern. Part of 1909 bedroom set.jugs, water pitcher -
Mont De Lancey
Plate
Grey Decorative Plate with embossed pattern of tree. Has twisted edging (chipped)plates -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with white glazed finish and a raised design with a gold floral patternfloral design in goldpottery, ceramic, archaeology -
Kyneton Fire Brigade
Memorabilia - Trophy
Awarded for 2nd Fours at Creswick Demo 1935Part of Kyneton Fire Brigade trophy collection Straight sided spun base plant pot decorated with pressed pattern of trees. Creswick Demo 1935 2nd Fours Leaves pressed on sidekyneton fire brigade, trophy, fire brigade demonstrations, country fire authority -
Whitehorse Historical Society Inc.
Clothing - Lace collar, 1800-1900
Donated by Rob Innes- belonged to his mother, Miriam Effie Ines nee Drury.(B 1895) Could also have belonged to her mother. B 1856.Square lace collar made of cream torchon lace with flowerlike patterns. Handmade.costume accessories, collar accessories -
National Wool Museum
Book, Knitting, Patons Knitting Book no. R.31
One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This book was produced by Coats Patons and contains a compilation of knitting patterns for male garments. The patterns have been reprinted from earlier Patons books.Patons / R.31 / FAVOURITE DESIGNS FOR MEN / REPRINTED / TOTEM . JET . BLUEBELL / 30chandicrafts - history knitting, coats patons (australia) limited, handicrafts - history, knitting -
National Wool Museum
Folder, Pattern
Folder containing pattern and samples of three woollen upholstery designs: "WOOLLEN UPHOLSTERY" pattern sheet with 3 cloth samples (yellow/brown, green/blue, pink/blue).GEOFF ROBINSON (pencil) WOOLLEN UPHOLSTERY (ink)textile production weaving, textile production, weaving -
National Wool Museum
Book, Knitting, Villawool Knitting Book no. 88
This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for childrens knitted garments. The photographs have been taken at Taronga Park Zoo.Villawool / Book 88 / DESIGNS for / CHILDREN / FEATURING 5 PLY STARLITE AND GLEAM CREPE / 8 PLY SPEEDIKNIT, ARGYLL, CELESTE / AND NYLO TWEED / 2'9knitting handicrafts - history, villawood textile company, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Junior Knits by Villawool
This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for childrens knitted garments. They have been photographed at Taronga Park Zoo in Sydney.Junior Knits / BY / Villawool / 3'6knitting handicrafts - history, villawood textile company, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 226
This knitting pattern leaflet was published by Patons and Baldwins and contains knitting patterns for womens garments. The garments are modelled using a sporting theme - hockey, skiing, tennis, yachting, golf.Patons / KNITTING BOOK / NO. 226 / "OLYMPIC" / See page 12 / 6d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history -
Bendigo Military Museum
Equipment - WEBBING SET, C.1960’s
.1 Pattern 56 army pack jungle green canvas. Has straps, buckles. Shoulder straps with quick release catches. .2 Belt pattern 56 army. slides and buckle clips, jungle green. .3 Carrier with bottle pattern 56 - jungle green cotton canvas with clips. .4 Carrier water bottle pattern 56 - jungle green cotton canvas with clips. .5 Water bottle plastic 1 litre green. .6 Water bottle plastic 1 litre green.Pack has written on front ? The word "home" written on name tag patch. .3 Back has O'HAIRE. Front has 69 .5 Has HALL. F. 2309252 written on it. .6 Has a cardboard tag with PETER BARKER written on it.webbing, back packs, equipment -
Geoffrey Kaye Museum of Anaesthetic History
Weapon - Blow pipe, Mah Meri, c. 1936
Used by the Mah Meri people, Kuala Langat, Selangor (Malaysia), 1936. While Malaysian, this blow-gun is analogous to that used by Indigenous groups from South America with curare. The gun is of bamboo, with a highly polished inner tube of the same. The darts are reeds, made directional by knobs of a tudor wood, with poison made from the ipoh tree and the Strychnos vine The blowpipe examined in this report consists of a long bamboo tube with engraved floral motifs on the outside and a second bamboo tube inside. The mouthpiece is attached to the inner tube and the whole piece can be removed from the outer casing. There is a quiver, filled with darts, a small poisons receptacle, and a single dart and hollow bamboo tube, stored outside the quiver. The objects were donated as a whole to the museum in 1948 by Dr Thomas Edward Marshall. The engravings on the outer case originate from the Mah Meri community in Kuala Langat, Selangor, Malaysia. The floral ‘motif is of a vine with small incisions to reflect the properties/identity of the plant (poisonous/harmful)’. These motifs are generally handed down through the generations and can be used for kinship identification. They are also believed to enhance the performance of the blowpipe. The outer casing is made up of several pieces of bamboo fused together. Broken or damaged blowpipes were not discarded. Broken sections of a pipe could be removed and replaced as required, and the observably different bamboo sections suggest this has taken place at some point. Sap from the perah tree is used to seal or glue the pieces together and the glue is reversible by heating. The Mah Meri created a poison from the ipoh tree for use in hunting. The poison acted swiftly to kill the animal and did not result in secondary poisoning. The way in which the Mah Meri hunted is analogous with other blowpipe hunting practices elsewhere in the world. Blowpipe hunting practices represent a starting point for the introduction of standardised muscle relaxants into surgery during the 20th Century. In parts of South America, plant poisons were used to tip the darts and kill prey. These poisons are known as curare. The crucial ingredient in curare was Chondrodendron tomentosum root. Raw curare formed the basis for Intocostrin, the first standardised, mass produced muscle relaxant. The introduction of muscle relaxants dramatically changed surgery, allowing for more precise surgery and better patient outcomes. Bamboo blowpipes can be found in many museum and heritage collections, particularly those with strong colonial origins or influence. Blowpipes from Borneo seem to be well represented, along with those from Guyana. Blowpipes from Malaysia appear to be less common. More research is required to establish the rarity or representativeness of the blowpipe. Ownership of the blowpipe can be traced back from the museum to Dr Thomas Marshall. It has also been established the blowpipe’s point of origin is among the Mah Meri people of Kuala Langat, near Kuala Lumpur. There is no information regarding the way in which Marshall came into possession of the blowpipe. Provenance cannot be fully established. Despite these difficulties, the blowpipe represents a full set of hunting implements. It is accompanied by a quiver, also decorated with a floral motif, a set of bamboo darts, and a poison receptacle. The quiver also has a waist strap which enabled the owner to strap it to themselves, preventing its loss while hunting. Each object within the set is in good condition, although the inner tubing is beginning to split lengthwise and should not be removed from its outer casing. While the blowpipe and accompanying objects are not of South American origin, the techniques and poisons used are analogous and this object has high interpretative capacity. Hollow bamboo blowpipe with mouthpiece at one end. Two different types of organic fibre have been used at difference points along the shaft to secure different segments of the blowpipe. The item consists of two tubes a thin and unpolished inner tube that has degraded and can no longer be removed, and a polished and decorated outer casing. The outer casing is made up of different sections of polished bamboo, some pieces have developed a deep red hue which is likely the result of prolonged polishing and regular heating over many years, other sections are a lighter yellow indicating that they are newer pieces of bamboo. The entire outer tube is covered in a varied sequence of genomic patterns. The exact meaning of these patterns is unknown however they are passed down through family lineage, the exact family of origin is unknown. Connected to the mouthpiece if it is removed from the inner casing is a piece of cloth with the numbers 2241 written in black ink, their purpose is unknown.curare, malaysia, bamboo -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS
Document. Greting Cards. Very ornate white card with lacy pattern embossed on it and cut outs. Edges pattern cut and flowers extend over the edges. Blue & white flowers and green leaves. Pale blue background.Raphael Tuck & Sonsperson, greeting cards, malone collection, malone collection, greeting cards -
Whitehorse Historical Society Inc.
Textile - Tray Cloth
Large white cotton tray cloth. Machine made. Torchon lace border with hand embroidered button holing stitch. Leaf and flower pattern in four corners and cut out button holing pattern in centre and sides.manchester, table linen -
Numurkah & District Historical Society
Candlestick holder
Brass candle stick holder. Decorative patterns on the base and stem. Base has three legs/supports. On top of the base is a circular cut-out pattern, then on top of the that is the cylindrical shape where you would insert the candle. candlestick holder, candles, light -
Friends of Westgarthtown
Salt shaker
China salt shaker with willow pattern, a truncated ovoid shape. Scene extending from base, with geometric pattern around top. Slight raising at top with two holes and blue 'S'. Small cork on bottom for filling.S' in blue on top, small oval sticker on base 'made in Japan'domestic items, food storage and preservation, salt, condiments, willow, china, blue and white, pattern, food