The photograph is of Phillipos Varvarigos (Regos), taken in the 1920s. He arrived in Australia from Ithaca during the early decades of the twentieth century. He was married to Olympia and they had two sons, Nick and Nonda Regos. Many of the early Greek immigrants anglicized their surnames after settling Australia. 'Varvarigos' was often changed to 'Regos', 'Rigos' or 'Varigos'. A sepia studio photograph of a head and shoulders view of well-dressed man wearing a tweed suit and bows tie. The photograph is in post card format.rigos, varvarigos

Black officers dress mess jacket. 4 pockets on jacket - all with flaps. Peter Pan collar - epaulettes on shoulders, white detachable collarCard in top right hand pocket which says" Mastertailers Minh Chau" 43 Tran Hung Dao Hue. South Vietnamjacket, clothing

William Bousted was organist and choir master of the St. Andtrew's Presbyterian Church Ballarat 1887 - 1938.B & W matte head and shoulders studio portrait of Mr William Bousted, organist and choir master of St. Andrew's Presbyterian Church Ballarat.william boustead, st. andrew's presbyterian church ballarat, organ, organist., choir master

Rev. W. A. Quick (1820-1915) was a significant figure in Victorian Methodism. President of the Queen's College Council 1888-1908. Chairman of the Tasmanian District 1861-71. President of the Australian Conference, 1866.Carte de Visite. Sepia toned head and shoulders studio portrait of the Rev. William Abraham Quick. The Rev Quick is looking to his left.Printed on the front: "J.W.LINDT MELBOURNE" Handwritten in ink on the back "Rev. W.A.Quick"methodist, wesleyan, president queen's college council, chairman tasmanian district, william abraham quick, president wesleyan conference victoria

Rev. James Jones (1889 - 1971) was born in Edinburgh, ordained in Merbein and served in New Hebrides in 1926.Semi gloss, black and white, head and shoulders photograph of Rev. James Jones who is wearing his clerical robe. This is an enlargement and the image is not crisp.rev james jones presbyterian minister, st andrew's presbyterian church oakleigh

This photograph is part of a collection of World War II returned soldiers from Sunbury. The collection was collated by Jeff Cossum, curator of the George Evans Museum from 1989-1995.A head and shoulders photograph of William McGregor, who is wearing an army uniform. The badges and colours indicatiing rank are seen on the collars, epaulette and top sleeve.world war 2, armed forces, portraits, uniforms, clothing and dress, badges, mcgregor, william, cossum, jeff, george evans collection

ORIGINAL BLACK & WHITE PHOTOGRAPH OF R. HULL. FEATURED ARE THE ARMY CAP, AUSTRALIA BADGE ON CAP AND COAT LAPELS AND POCKETS, ALSO SHOULDER RIBBONS.HORNBY POSTCARD. TO UNCLE JIM & AUNTIE ELLEN MARCH 4TH. 1916.local history, photography, photographs, military

ON BACK OF PHOTOGRAPH "CLARA" MRS CROSS & CHILD HUSBAND A..... OLIVER.OVAL PHOTOGRAPH OF LADY WITH A YOUNG BOY LEANING ON HER LEFT SHOULDER. SHE IS WEARING A HIGH NECKED DARK CAPE. THE BOY A WHITE SUIT.THE COMPLIMENTS OF THE SEASON . IN GOLD WRITING.local history, photography, photographs, early citizens

Huttley - Martin FamilyB/W. 3 Suited Men 2 in hats, 2 Woman, i on left 1 behind man on right over left shoulderon reverse Lorna Cleland ( Nee Huttley) & Alfred Huttley, behind on right Harry Martin ( Lorna's Unclehuttley, martin

Cream silk camisole with square neckline. Shoulder straps and bodice made of cream lace. Scalloped hem and pin tucking and triangle shaped lacecostume, female underwear

'Doctor' flannelette infant petticoat buttoned on each shoulder. Silk embroidery around all edges. A label formerly NA1918 is filed in an Supplementary Envelope.costume, infants'

Polyester jacket complete with shirt and tie. RAE buttons with yellow corps lanyard with ribbons indicating service in Vietnam war. Australian shoulder badges.Sgt Bartos 43598

Black and white photograph of Frederick Henning in AIF tunic without hat, Lanyard over right shoulder attached to contents of right breast pocketarmed forces, genealogy

Navy blue, waist length jacket with 4 buttons down centre front, 2 shoulder buttons. Two embroidered patches on each arm.Corporal rank patch and Air Force manufacturer's label on interior.air force, royal australian air force, uniform, military, short jacket

The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Framed fabric backed display board with 8/13 Victorian Mounted Rifles hat badge, metal epaulet titles and fabric shoulder title.vmr, badge, title

Following service with 8/13 Victorian Mounted Rifles, Lieutena t Colonel served as Staff Officer Grade 1 (Armour) (SOI Armd) on Headquarters 3rd Divisional Field Force Group until retirement. The 'R' insignia denote an officer on the retired list.Khaki battle dress jacket with Royal Australian Armoured Corps (RAAC) shoulder flashes, lieutenant colonel badges of rank and silver 'R' on epaulettes.hunter, raac, retired, uniform

Colour photo of Peter Ellis in fancy dress. He has a silver painted face and shoulder bag. A lady and a man sitting behind him.photo, individual, peter ellis, peter ellis collection

Black & white photograph, Bert Graham Collection, Bert Graham is surrounded by six children, one of whom has her arm on his shoulder.bendigo, clubs, bendigo east swimming club

Typical equipment issued to Bombadier command.Webbing belt and shoulder straps which cross at back, with 3 pouches on the belt, two large and one small. There is descriptive information displayed with the item. Bdr Wilson is written on the belt of the webbing.ww2 issue

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This lingerie dress is one of a number of items donated to the Fashion Collection by Rosemary-Vaughan Smith.While lingerie dresses were produced for and worn by women between 1900 and 1920, the main period in which they were worn was between 1900 and 1910. This elaborately detailed example is believed to date from the first years of the 20th century.Long white cotton muslin lingerie dress with inserted panels of white lace and additional white and black embroidery applied to the shoulders, waist and hem. australian fashion - 1900s, women's clothing, white muslin dresses, embroidery, tea dresses, lingerie dresses, rosemary vaughan-smith

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Lace collar attached to the neckline of a garment. It is narrow over the back , widens at the shoulders and tapers down in a triangular shape to a point on either side at the front. lace, women's clothing, collars

Spalding wood racquet with red and white whipping on shoulders and grooved wood handle. Leather cuff on butt. Materials: Wood, String, Gut, Leathertennis

Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Emerald green jumper with wide rib detailing, triangular detail at cuffs and hem and curved v neck. Shoulder seams are reinforced with woven tape.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community

The district of Strathfieldsaye was proclaimed in 1861 and named a Shire on the 17th September in 1866. It remained a shire until amalgamation in 1994 when it became part of the City of Greater Bendigo. The shire was located 8 km to the south- east of Bendigo and covered an area of 601 square kilometres and extended from the Calder Highway to the Coliban and Campaspe Rivers. The shire's administration centre was in Strathfieldsaye until 1972 when new offices were opened in Kennington.Framed black and white head and shoulder portrait of Councillor Long. Profile to left with walrus moustache and mutton chops. Cut olive retangle mount. Verso; Long. On under board which has photograph attached; Talma & Co. / 119 Swanston St., / Melbournestrathfieldsaye shire council, councillor long

Military multi division bag used by soldiers during WW2.Made and supplied by GMH WW 2Canvas multi division bag to be worn on strap over shoulder. Five seperate compartments with press studded lids. Belt has brass clips GMH 1941 on bag. GMH 1941. GMH 1941 on strapmilitary, pouch

From Abbott Family album (Box 892). Richard.Hartley Smith Abbott was the stepson of J.H. Abbott and son of Ann Smith and Richard Hartley Smith (Record 5847) A Bartlett Bros Bendigo sepia head and shoulders photo of Richard H.S. Abbott dated 1899 wearing a checked vest and jacket- two copies.In ink on reverse 'Richard H.S. Abbott 1899'r h s abbott, bartlett bros.

From Abbott Family album (Box 892). Kenneth Cyril Abbott was the 5th child and fourth son of Mary Hannah Gibbs and Richard Hartley Smith Abbott.A Bartlett Bros Sandhurst sepia sitting studio photo of Kenneth Cyril Abbott in a striped frilled smock with bows at shoulders. aged 9 months.In gold on reverse is written ' born August 90, taken May 91, aged 9 months.bartlett bros., k.c abbott

This small green bottle has been handmade by a glassblower and is the typical shape of a carbonated soda or mineral water bottle. It was made from 1840s-1870s. The bottle was found in the coastal waters of Victoria about 100 years from when it was made. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe and into molten glass at the end of it. The shape of the glass would be blown out to fit into the shape of the cylindrical dip mould. Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another ponty tool to push up and form the base. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be wrapped around the top of the neck and shaped to finish the lip of the bottle. The seal was usually a cork, held in place with a ball-wire fitting attached between the upper and lower parts of the neck finish. This style of handmade bottles usually had thick glass so that it could be heat-sterilised, then re-filled. The bottles would often have horizontal bubbles in the applied finish, caused by twisting the glass, and vertical bubbles and diagonal lines in the body from it being blown, and a pontil mark in the base where the ponty tool had been attached. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle; green glass, soda or mineral water style, handmade. Applied finish, blob double ring collar; upper is wide and rounded, lower is a narrow ring. Diagonal lines in glass on neck and shoulder. Low shoulder mould seam. Body is matt with ripples in glass, tapers inward towards base. Shoulder and neck are shiny. Push-up base with pontil mark, visible through glass. Marks on heel. Uneven base. Bubble on side and top of lip. Sediment on inside surfaces. Two score lines, one half way down body, one near base. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, dip mould, mouth blown, pontil mark, 19th century bottle, collectable, soda bottle, mineral water bottle, green glass, blob finish, push-up base