Showing 1190 items
matching stencils
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National Wool Museum
Stencil
ACT 1wool - transportation wool sales export - wool, wool - transportation, wool sales, export - wool -
National Wool Museum
Stencil
ACTONwool - transportation wool sales export - wool, wool - transportation, wool sales, export - wool -
National Wool Museum
Stencil
ADELAIDEwool sales export - wool wool - transportation, wool sales, export - wool, wool - transportation -
National Wool Museum
Stencil
AKINALwool - transportation wool sales export - wool, wool - transportation, wool sales, export - wool -
National Wool Museum
Stencil
ALPINAwool sales export - wool wool - transportation, wool sales, export - wool, wool - transportation -
National Wool Museum
Stencil
APLwool sales export - wool wool - transportation, wool sales, export - wool, wool - transportation -
National Wool Museum
Stencil
APLwool - transportation wool sales export - wool, wool - transportation, wool sales, export - wool -
National Wool Museum
Stencil
ALTALANAwool sales export - wool wool - transportation, wool sales, export - wool, wool - transportation -
National Wool Museum
Stencil
AUSTRALIAwool sales export - wool wool - transportation, wool sales, export - wool, wool - transportation -
National Wool Museum
Stencil
AUSWPwool sales export - wool wool - transportation, wool sales, export - wool, wool - transportation -
Moorabbin Air Museum
Drawing (Item) - Mirage III Drawing , Stencil ( R/H And L/H Sides) MIR III 0 091 F2
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Federation University Art Collection
Painting - Painting - acrylic, Ken Kronberger, Untitled by Ken Kronberger, 2009
Kenneth KRONBERGER Ken Kronberger graduated from the University of Ballarat (later Federation University) in 2010 with a Bachelor of Visual Arts (Fine Arts). This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Signed lower right corner 'Kronberger'art, artwork, ken kronberger, alumni, available, stencil, sport -
Federation University Art Collection
Enamal stencil on canvas, 'Vitriol' by Phil Matthews, 2012
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Paintimh of a small boy with hands in his pockets.art, artwork, phil matthews, stencil -
Federation University Art Collection
Mixed media - Mixed Media on paper on canvas, 'Briffits' by Anthony Woodward, 2009
Anthony WOODWARD Born Australia Works Canada Anthony Woodward has a passion for small press zines and alternative comics. His work over the years has been mostly autobiographical, however, in the past 5-6 years he has been experimenting with fictional comics. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed canvasart, artwork, woodward, anthony woodward, available, stencil, alumni -
Federation University Art Collection
Mixed media - Artwork, Anthony Woodward, 'Johnny Storm' by Anthony Woodward, 2009
Anthony WOODWARD Born Australia Works Canada Anthony Woodward has a passion for small press zines and alternative comics. His work over the years has been mostly autobiographical, however, in the past 5-6 years he has been experimenting with fictional comics. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed canvasart, artwork, anthony woodward, printmaking, available, stencil, alumni -
Stawell Historical Society Inc
Photograph - Pizza Roundabout with stenciled Runners; looking up Wimmera Street, Carol Ann Jones, Pizza Roundabout Cr. Main & Wimmera Streets 26th January 2020, 26/1/2020
Roundabout removed on 28th January 2020 by councilRoundabout showing Chemist and Post Officestreetscape -
Glenelg Shire Council Cultural Collection
Print, Klaus Zimmer, Symbol der Dreifaltigkeit, 1970
UnknownTrident form, blue and green patterning on a grey base. Below the trident are three circles of gold, with a black horizontal line underneath these. The background is pale blue with darker blue lines providing a textured appearance. Mounted in faun matt and gold frame.Front: Series VI/5 (lower left) Symbol derDreifealtigkeit (lower centre) K. Zimmer 70 (lower right) (pencil) Back: (no inscriptions)stencil -
Merri-bek City Council
Ceramic - Ceramic, acrylic paint, gold lustre and mix media, Bundit Puangthong et al, FOOD, 2018
These captivating pieces are part of a series called "FOOD / FLESH / FAME," a collaborative effort between Melbourne-based Thai artists Bundit Puangthong and Vipoo Srivilasa. Drawing from Buddhist teachings, the series explores the three elements of attachment: Food (consumption), Flesh (sex), and Fame (power). Although these elements are known to cause suffering, they remain persistently alluring, a paradox that the artists intend to explore further in the future. In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FOOD" depicts a durian, the king of fruits, painted by Bundit Puangthong. He notes, "Despite its pungent aroma, many people still love to eat it."Donated the by the artists -
Merri-bek City Council
Ceramic - Ceramic, acrylic paint, gold lustre and mix media, Bundit Puangthong et al, FLESH, 2018
In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FLESH" features a golden umbrella, serving as a metaphor for sex. -
Warrnambool and District Historical Society Inc.
Stencil, Potatoes