Set of papers, handwritten concerning the development and timing of the "PMTT", Prahran and Malvern - about 30 sheets. Prepared by H. S. McComb - gives layout of the PMTT system, of track layout, opening dates, sketches of various junctions, bridges, track miles, junctions: Kew Junction, Glen Huntly Road, Glenhuntly Road, Victoria St cable tram terminus, Barkers Road, Commercial Road, Malvern Road, Hawthorn Road, Balaclava Junction, Caulfield station loop, Glenferrie Road. Items 2041 to 2052 within box 72.3 in a brown folder marked "PMTT" in red pencil.trams, tramways, pmtt, malvern, routes, track, kew junction, victoria st, barkers rd, glenhuntly rd, malvern rd, caulfield, hawthorn rd, balaclava rd, balaclava junction, glenferrie rd

Set of papers, handwritten concerning the development and timing of the "PMTT", Prahran and Malvern - about 40 sheets. Prepared by H. S. McComb - gives layout of the PMTT system, primarily of Burke Road, sketches of track layout, opening dates, sketches of various junctions, bridges, track miles, junctions, reconciliation of track lengths from various sources includes Glenferrie and Cotham Road, Balaclava Road, Hawthorn Road, Glenhuntly Road, Waverley Road and St Kilda Esplanade, Candy Corner. Items 2041 to 2052 within box 72.3 in a brown folder marked "PMTT" in red pencil.trams, tramways, pmtt, malvern, routes, track, surveys, glenferrie rd, cotham rd, balaclava rd, hawthorn rd, waverley rd, st kilda, candy corner

Set of papers, handwritten concerning the development and timing of the "PMTT", Prahran and Malvern - about 20 sheets. Prepared by H. S. McComb - gives layout of the PMTT system, primarily of Burke Road, sketches of track layout, opening dates, sketches of various junctions, bridges, track miles, junctions, reconciliation of track lengths from various sources includes High St Malvern, extension to Punt Road, Dandenong Road, Wattle Tree Road, including its duplication Items 2041 to 2052 within box 72.3 in a brown folder marked "PMTT" in red pencil.trams, tramways, pmtt, malvern, routes, track, surveys, wattle tree rd, punt rd, dandenong rd, high st, duplications

Original and carbon copy of "Extracts from the Minutes of the Prahran and Malvern Tramways Trust which was constituted under Act of Parliament No. 21030 in 1907", 10 foolscap sheets. Includes depot purchase, regrading of High St, extension to Burke Road, relocation of water mains, surveys, starting of construction, tenders for track and buildings, opening, extension, F. A. McCarty & Co., Dandenong Road lines, railway bridges, extension of High St to St Kilda Road, MMBW, finances. Items 2041 to 2052 within box 72.3 in a brown folder marked "PMTT" in red pencil.trams, tramways, pmtt, malvern, routes, track, surveys, malvern rd, tenders, construction, opening, dandenong rd, mmbw, finances

.1 - Approx 200mm dia China plate prepared for the Centenary or 100 years of The Prahran and Malvern Tramways Trust. White China with a gold rim and a red brown PMTT logo and the words "Celebrating 100 years". Made by C.R. Hose Cheltenham for Ron Scholten who organised the celebrations. .2 - ditto but with an image of the Malvern tram depot at the time of opening on the plate along with the words "Malvern Tram Depot" and the words "Celebrating 100 years". See image i4 for close up of manufacturers mark. 2nd copy of 2506.1 ex Mike Ryan added 10-1-2018.trams, tramways, crockery, pmtt, centenary, celebrations

Legal document within a light brown manila document - titled "City of St Kilda / Re proposed construction of electric tramway Brighton Road", dated 8/4/1925 regarding the construction by the MMTB of an electric tramway from the then cable terminus in Brighton Road to Glenhuntly Road and the type of paving to be used. Has the seals of both organisations, signed by the MMTB Chairman and Acting Secretary and the Mayor of St Kilda, Councillor and Town Clerk. Agreement consists of three sheets, bound together with green tape. Only two pages used. Folder has file number "94" written on the outside.trams, tramways, mmtb, city of st kilda, brighton rd, construction, conversion, glenhuntly rd

Legal document within a light brown manila document - titled "C. L. Watt / Patent Rights of "Barrier Rail catch" Patent". Charles Watt a consulting engineer of 418 Bourke St, signing over the rights for a sum of 250 pounds. Patent No. 10473. Dated 22/3/1929. Has the seal of the MMTB and a personal seal and 2d duty stamp, signed by the MMTB Chairman and Acting Secretary and Charles Llewellyn Watt Agreement consists of two sheets, bound together with green tape. Only one page used. Folder has file number "94" written on the outside.trams, tramways, mmtb, tramcars, patents

Legal document within a light brown manila document titled "Kew City Council Advance to Trust" dated 31/7/1914 between the PMTT and the constituent cities for a loan by the city to the Trust, comprising 8 sheets bound together in a pre-printed document with the signatures and seals of each council and the PMTT including various schedules outlying payment dates, previous documents. Document prepared by G. Lindsay Skinner & Co. Solicitors and printed by Harston Partridge & Co. Printers of Melbourne. A typed folio sheet, carbon copy listing debentures, payment dates, interest payable and sinking funds.trams, tramways, pmtt, finances, city of prahran, city of malvern, city of st kilda, city of caulfield, city of hawthorn, city of kew

Ticket, printed on gold card using brown ink titled "Souvenir Ticket Closure of Hawthorn Depot" for the Tramway Museum Society of Victoria's 5th tour to mark the closure as a running shed on 13/14 Feb. 1965. Notes the Official Opening day of 6/4/1916. Tour used tram SW6 850. Second copy added 13-6-2016 - from the collection of Charles Craig. See Reg Item 1384 for another sample of this ticket and another Hawthorn depot associated tour ticket. See Record Number 1565 for the Tour Circular.trams, tramways, mmtb, tickets, tours, tmsv, htt, hawthorn

Set of 24 magazines - each a folded foolscap sheet printed on semi gloss paper with a red printed heading, titled "This week in Melbourne", published by the City Development Association - 1961. Looks at issues that affect the Melbourne CBD, traffic, planning, MMBW, open space, population, parking, overseas practices, City of Melbourne, water supply, freight terminal. Published on a fortnightly basis. All contained loosely within a brown card folder with the title written on the front and issue numbers. 1961 issues are: 2-8, 10, 12-15, 18-21, 28-31, 33-36.Has AETA stamp on front cover with the letters "3CT with a running number alongside."trams, tramways, melbourne, city of melbourne, public transport, road transport, traffic control

Twelve page report, gloss paper, orange covers and a brown comb binder, titled "Automatic Vehicle Monitoring System" August 1979 describing the introduction of the AVM system by the MMTB into Melbourne for both trams and buses. Gives the background to the system, how it works, what it can do, diagrams, photographs of Hamburg and Los Angeles, notes on how it can improve services and MMTB planning for the system including photographs of a bus in West Heidelberg where preliminary testing was being undertaken at the time. Folded into the rear of the report is a 4 page, typed and handwritten notes by the donor on the system, answering a series of questions.Marked on top of the front over "1979"trams, tramways, avm, mmtb, testing, automatic vehicle monitoring

Yields information about track mileages and horse tram track and information used in calculating fares.Report or chart - set of two documents pinned together in the top left hand corner giving information of system miles for both track and fares. .1 - Blue print - Mileages Ballarat - giving route including Sebastopol Horse car and one leg of a loop. Provides single track miles, double track miles, Total track, Total Single track miles, miles for car mileages. .2 - "Fares Distances" dated 7-3-01 - all routes. Has been prepared on the rear of a 1921 calendar, Brown, Win? of 30 Armstrong St Ballarat.trams, tramways, mileage, horse trams, esco, fares, crossing loop

Inside the suit it is labelled with abroad arrow mark Code No. 8848 Stores Ref No. 22C/1013 Size MEDIUM Serial No. 1064 Inspector 7

Hard cover book with dustcover. Hard cover - cardboard, dark brown colour, buckram with silver colour print on spine. Dust cover - paper, black and blue colour ink print on front and spine. Background mid blue colour. Jacket illustrations - front - in colour photograph, five antique guns. Back - in colour photograph, montage collection of antique guns. 96 pages - cut, plain, off white colour paper. Illustrated black and white and colour photographs, paintings and sketches. End papers - illustrated, pen and ink drawings of hunting scenes 1709. Front - handwritten information.Handwritten information - grey lead pencil "$45".publications, books, reference guide, history, firearms

Information from the Title page. "The Illustrated/ Encyclopedia of 19th Century/ FIREARMS/ An illustrated history of the development of the world's military/ firearms during the 19th century."Hard cover book with dust cover. Hardcover - cardboard, dark brown colour buckram with gold colour print on spine. Dust cover - paper, black and blue colour print on front, spine and back. Illustrated front to back - colour photographs of various firearms on off white background. 216 pages - cut, plain, white colour paper. Illustrated black and white and colour photographs, posters and paintings. Colour and line drawings. End papers - illustrated in colour photograph of firearms equipment. Front handwritten information. Shop adhesive label on back of dust cover. Handwritten information - grey lead pencil "1979 $75-". Shop adhesive label - red and black print "Was 45.00/ MARY MARTIN'S/ BARGAIN PRICE/ $$ 19.99".publications, books, refernce guide, history, firearms

Share register, 123 pages, dark green fabric cover, brown leather bindings on corners and spine.On cover on buff label ' New Chum & Bellevue, Ex Tribute Co No 2' Stuck to inside of front cover is a memorial lodged with the Court of Mines Sandhurst for the New Chum and Bellevue Extended Tribute Company on the 29th day of September, 1871. Journal contains alphabetical list of names of shareholders 1871 - 1872 and financial transactions. Journal has been overwritten and has text and pencil diagrams drawn on pages that seem to relate to a plumbing business, date mid 1960's.bendigo, mining, new chum and bellevue extended mine

Peaked uniform cap worn by members of the Luftwaffe Flak Group Pattern is NCO pattern dated 1939. Note refers to Waffenfabre which translates to Weapons Factory.Predominately black peaked hat. Top portion black felt with red edging and emblem of silver eagle carrying a Swaztika on front. Middle portion is black cotton material band, 5 cm wide with emblem of laurel wreath in silver and wings coming out each side. A blue, silver and red button in middle. Peak is black leather on outside and cream plastic on inside. Black buckled chin strap on bottom broken from stud on right side. Inside lined with orange material with brown leather lining on rim. Plastic clear diamnon label over label.Size " 56" Label "Landes. Lief. Gen d." "Randwerks" "Berlin No. 18 Lieferjahr 1939". (maybe) "Korschnet. H. Maizenwacher". german uniform, ww2, waffenfabre

This book gives the history of the Public Record Office, Victoria. It was written by Professor Bill Russell and produced in 2003. The research by Charlie Farrugia that enabled the book to be written was carried out entirely using the Public Record Office archives. The book documents the 1903 beginnings of the Public Record Office from a small collection in the possession of the Melbourne Public Library through to the important 1973 Victorian Public Records Act to the present day institution at North Melbourne. The Melbourne Public Library, the Historical Society of Victoria and the History School of the University of Melbourne were early contributors to the preservation of Victoria’s archives. This book is in the library of the Warrnambool and District Historical Society and is an important reference for us in regard to the history of archival preservation of historical documents in our State. In addition we are a Place of Deposit for historical records that are surplus to the requirements of the Public Record Office of Victoria and that concern more directly the history of Warrnambool and district. Many local Warrnambool and district residents use the facilities at the Public Record Office at North Melbourne and the link between that institution and Warrnambool historical groups is important. This is a hard cover book of 227 pages. The cover is black with gold lettering on the spine. The dust cover is dark red with printed material about the author and the book’s contents. The front of the dust cover has an illustration of four Victorian Railways ledgers in sepia tones and the back of the dust cover has a small illustration in brown and white of a heritage label. The book has a Contents page, an Acknowledgement page, a Foreword, an Introduction, eight chapters, Appendices, Notes and References and an Index. The book is a 2003 history of the Public Record Office of Victoria written by Professor Bill Russell and researched by Charlie Farrugia. Front Cover: ‘A Matter of Record, A History of Public Record Office Victoria by Professor E W (Bill) Russell, Original archival research by Charlie Farrugia.’ Spine: ‘A Matter of Record, Russell, Public Record Office Victoria’. public record office, professor bill russell, charlie farrugia, historical records of victoria

Book of twelve coloured postcards - "12 Pictures of Colored Views of Bendigo". 1909 calendar printed in gold lettering on rear cover. Brown card cover with gold lettering. Abbott's Bush Stores (Williamson & Mollison Stores) 1909. Next St. Paul's Tower. Includes Post Office Bendigo, Albert Bush's Stores and Tea Warehouse x 2, Bendigo Fernery x 3, Easter Fair Procession, Queen's Monument Camp Reserve, Fern Pond Camp Reserve, Fountain Charing Cross, Mitchell street, Pall Mall, Town Hall, Hargreaves Street.bendigo, albert bush, tea warehouse

Metal trunk issued to F.G. Davey for his personal effects which were shipped home to Australia after WW2.Part of the Frederick Gardner Davey DFC collection. Refer Cat No 3536PRectangular metal hinged trunk painted black. A hinged metal handle in on each end and at the back. Each handle is secured with metal rivets. The lid is secured closed with two 'Closebind' catches A brass locking mechanism is located on the front of the body and is accessed through a keyhole. The interior is painted grey with a brown leather seal around the edges of the lid. Various markings in white paint appear on the lid, each end, the back and the front. Paper stickers are glued onto the lid, back and right hand end. Inside the lid is a manufacturers plaque and year of manufacture printed in black.On lid: 'J13/S, F.G. Davey, VIC, R/124, RAAF Central Repository, West Melbourne, Vic'. On front: 'J13/S'. On Left hand end: 'J13?S 90 VIC, P410533, Davey F.G.'. On right hand end: 'J13/S, Vic' plus paper labels 'Geelong' and 'Mr F.G. Davey, Bendigo'. On back: 'J13/S' and paper label 'Not wanted on voyage'. Inside lid; ' 1944'.f.g. davey, personal equipment, military equipment

James Leonard Woodroffe Sharland No 18455 a Medical Student when he enlisted on 2.2.17 aged 18 years 3 months in Army Medical Corp Reinforcements attached to No 2 Australian General Hospital. Embarked for Suez 21.11.17 and then England disembarking 31.12.17. Hospital 23.2.18 with Abcess, hospital 20.5.18 with Mumps, again on 11.9.18 with Influenza then Nephritis on 29.10.18. Discharged from the AIF on 11.3.19. .1) Medals, court mounted, set of (2) re J.L.W Sharland. 1. War Medal 1914-18 2. Victory Medal 1914 - 19 .2) Medals, miniatures, brass plate mounted, set of (2) re J.L.W Sharland. Same as .1) .3) Identity disc, round, pressed fibre board, brown colour with small hole. .4) Badge, Rising Sun lapel, pressed blackened brass, rising sun, crown centre, under scroll with "Commonwealth Military Forces". .5) Badge, "AUSTRALIA", blackened brass, curved shape. .6) Same as .5). .1) "18455 Pte J.L.W Sharland 2 AGH. AIF" .3) "18455 J Sharland 2 AGH Pres"medals, badges, identity, military

In the early 1980s the firm of Watson, James & Rogers merged with the partnership of Every & Every and became the iconic “Rogers & Every” as known today. The firm is still located on Bull Street. https://rogersevery.com.au/about/* Lease agreement between Edmund Kirby, Charles Horwood, Rachel Horwood, Norman Horwood, Stanley Horwood and Ivy Horwood with Frank Miller Brown of Back Creek in regards to Crown Allotments 1, 2, 3, 4, 17, 18,and 19 of Section 9B , Town of Sandhurst, County of Bendigo. Lease contains long list of machinery and equipment. Dated 27 January 1903. * Handwritten note from Kirby, Cohen and Woodward concerning the lease. Dated 12 February 1903. * Invoice dated 12 February 1903 concerning professional services from Kirby, Cohen and Woodward.Signatureswatson james & rogers, bendigo, legal documents, horwood, kirby

Northern District School of NursingSigned, handwritten note on nursing training commencing in 1970 by Anne Freeman (Williams). She lists first pay as $21 less board and tax $13 with uniform supplied although personal items such as boots and stockings and books had to be paid by herself. A list provided on commencement included "Pair Bedgegood Brown Lace Ups and Lyle Stockings". She dutifully wore the Lyle stockings on her first day (although they had been almost impossible to find) only to be told, "pantyhose were fine". The accompanying envelope for her notes is included with a ;'Black Caviar' stamp.nurse training, uniform

Ushabti are tiny anthropoid (human-shaped) figures placed in the tombs of wealthy Egyptians. They were intended to do the work of the deceased in the afterlife. This purpose is implied through their name, which may have derived from the Egyptian word “to answer”. The Burke Museum in Beechworth is home to a particular ancient Egyptian Ushabti figure. This artefact was donated to the Museum in 1875. No details about how it left Egypt, arrived in Australia, and where it was located before this donation are known. The Nineteenth Century, when this artefact was donated, was a period when many museums acquired items of ancient Egyptian heritage. Many of these items were procured in less than desirable circumstances, having often been looted from ancient tombs and sold to tourists without documentation as to their original location and/or accompanying grave goods. These artefacts were also divested through partage (the trading of artefacts for funds); however, the latter is unlikely to have been the case for this artefact. Since the Ushabti was donated by an unknown donor, it is likely to have been in a private collection rather than an institution. Ushabti can be dated using iconographic analysis which is non-invasive and provides a comprehensive study of the artefact. The later period of the 18th Dynasty marked the beginning of an increase in both the inclusion of Ushabti as essential funerary items and the creation of Ushabti with tools. From this period, they are no longer depicted without tools. Depictions of tools including gardening hoes are frequently depicted grasped in the Ushabti’s hands whilst items like the seed-bag are depicted hanging on the back rather than in an alternative position. This Ushabti figure grasps a gardening hoe and a mattock and a small seed bag surrounded by a yoke bearing water jars are depicted on the upper back of the Ushabti. These features are essential in helping narrow this dating to the late 18th and before the early 20th Dynasty. The position of this seed bag also provides dating information. In the early 18th Dynasty this bag was consistently drawn on the front of the figurine; however, by the reign of Seti I, this feature moved to the back. Thus, since the seed bag is located on the back of this Ushabti, it cannot date to the early 18th Dynasty. By the 19th Dynasty, Ushabti’s were increasingly made from either faience or terracotta. The availability of these materials in Egypt resulted in the increase of Ushabti production with tombs containing many more figurines than previously seen. The Ushabti held by the Burke collections is made from terracotta. Terracotta was rarely used for Ushabti before and during the early 18th Dynasty with only the odd appearance until the late 18th Dynasty and becoming common through that period until the late Third Intermediate Period. Whilst the face has been damaged, there is no evidence for the Ushabti having been provided with an Osirian false beard. This omission rules out a dating of later than the 25th Dynasty when beards became prominent. The inscriptions also date the Ushabti to the New Kingdom. This is because of the use of sḥḏ (“to illuminate”) with Wsjr (“Osiris”) which only occurs in these periods. Therefore, considering all these elements, the Ushabti can be confidently be dated to between the late 18th to early 19th dynasty.Artefacts like this Ushabti are no longer exclusively representative of their origins in burial assemblages and significance in the mythology of the Egyptian afterlife but are also significant for the accumulated histories they have gained through travel. The movement of this artefact from Egypt to Australia allows insight into the collecting habits of the 19th century, and in particular, the reception of ancient Egyptian artefacts in small rural museums. The procurement of Egyptian artefacts was a social trend around the late 1800s to early 1900s. Egyptian artefacts were considered curiosities and recognised for their ability to attract public attention to museums. They were also utilised in Australian museums, like the Burke Museum, to connect the collection to one of the oldest civilisations known to man and since Australia was considered a “young” country by European settlers, this was vital and derived from an interest in Darwin’s “Origin of the Species” 1859. Furthermore, there was a culture of collecting in the 1800s amongst the affluent in English society which led to the appearance of many Egyptian artefacts in private collections. The acquisition of this Ushabti figure is not certain, but it was likely donated from a private collection rather than an institution. This particular artefact is significant as an example of a high-quality Ushabti representative of those produced during the late 18th or early 19th century. It provides insight into the individualism of an Ushabti and the mythology of ancient Egypt. It also provides an example of the types of items required in the tomb assemblages of this period and reinforces the importance of ensuring the successful afterlife of the deceased through art. This Ushabti belonged to a woman named Taweret-Khaiti, Chantress of Amun, in the late 18th Dynasty or early 19th Dynasty (c.1292 BC) of the Egyptian New Kingdom. It likely comes from an undetermined tomb in the locality of Thebes. This figure is made from Nile silt clay (a polyester terracotta; clay sourced from the banks of the Nile River) which was a popular material for Ushabti construction in the early 19th Dynasty. It is in a fair state of preservation (with the exception of a break through the centre) and originally made to a high quality. The face has been damaged but the eyes and eyebrows are clearly marked with black ink and the sclera painted white. The Ushabti is painted a light brown/yellow colour and features a vertical line of inscription down the lower front. The Ushabti wears a large wig and and a schematic collar. The arms are painted light brown and depicted crossed with bracelets around the wrists. It grasps a hoe and mattock. A yellow seed-basket is depicted on the Ushabti’s back. These features represent the likelihood that this particular Ushabti was intended to complete farm work for the deceased in the next life. There would have been additional Ushabti of similar design within the tomb who worked under the supervision of a foreman Ushabti. The foreman Ushabti would be depicted dressed in the clothing of the living. The inscriptions are painted freehand in black ink and written in a vertical column from the base of the collar to the foot pedestal on the front of the Ushabti. The owner of the Ushabti could elect to have the figures inscribed with their name, the Ushabti spell and any other details they deemed necessary. In the case of this example, the Ushabti is inscribed with the owner’s details and is an abbreviated version of the standard Ushabti formula. This formula ensured that the Ushabti would complete the desired task in the afterlife when called upon by the deceased. Ushabti which were not inscribed would represent their intended purpose through design; however, this Ushabti, like most made in the late 18th Dynasty, conveys its purpose both through both design and inscription. The inscription is as follows: sHD wsir nbt pr Smayt imn tA-wr(t)-xai(ti) mAa xrw which translates to: "The illuminated one, the Osiris (the deceased), the mistress of the household, Chantress of Amun, Taweret-Khaiti, true of voice (justified)"ancient egypt

Ribbon - Efficiency decoration instituted in 1935 - Dec 1986. Uniform issued to "BUTTERWORTH/ 15280".Service dress style - khaki colour wool/polyester fabric jacket with belt and trousers. 1. Jacket collar, with two lapel badges, gold and silver crown and shield with cannons and lettering. "ROYAL AUSTRALIAN ARMY ORDNANCE CORPS" shoulder epaulettes with silver and red metal crown rank insignia = MAJOR. Four front pockets. Two top patch pockets with button and two metal press studs on flap. Green and yellow service Ribbon above left pocket. Two lower inset pockets with button down flap. Two metal belt keepers insitu. Buttons - gold colour plastic with shank and metal ring. Buttons have raised emblem - crown and shield with three cannons. Brown colour cotton sateen fabric lining. No manufacturers label. 2. Belt - fabric with gold colour plastic buckle, leather belt keepers and brown plastic buttons. 3.Trousers - fabric with fob pocket, two side pockets and one inset back pocket with concealed button down flap. Button missing. Green colour polyester fabric libning, cream colour cotton waistband lining. Metal zipper fly with plastic button. White cotton label on waistband. 4. Lanyard - red colour cotton cord with knots.3. White cotton label with black ink print "REGIMENTAL NO./NAME" on waistband lining - handwritten black ink 'BUTTERWORTH/ 155280/ 7/ COY".uniform, army, service dress, butterworth

The timber display case was presented to Mr Richard Standcombe Harris of Warrnambool (1831-1923). He was a councillor (1875-1891) and predominant businessman. Mr C F Loggin had met Mr Harris while on a trip to Stratford upon Avon in the United Kingdom. Upon his return to Warrnambool, Mr Harris donated the item to the Warrnambool Museum and Art Gallery, (established 1886) where Joseph Archibald was Curator: he catalogued the case in 1894. THE LETTERS IN THE CASE The two letters contained within the display case confirm the authenticity of the oak wood sample. The first letter in the case includes the text; "[Stamped Header on banner] High Street, Stratford on Avon [Hand written] Sept. 22nd / 91. Mr. R. S. Harris, Dear Sir, Enclosed you will find [underlined next 3 words] every authentic proof of the Oak from Shakespeare's House (Birth place). I regret very much Sir, that you made a short-day at S. on A. I should have been delighted to have had the honour, & pleasure, of showing you around our Beautiful Country. You did not give [next 3 words underlined] me or yourself a fair chance. But however I hope that we may again some day have more time to go quietly around. With kind regards, and wishing you, Sir, a pleasant voyage, I remain, Dear Sir, Yours very truly, C.F. Loggin. P.S. A paper will be always acceptable to be as how you Jolly Warrnamboolites are desporting yourselves. “ The second letter includes text; “[Printed Letterhead with stamped impression] The Trustees and Guardians of Shakespeare’s Birthplace Incorporated by Act of 54 and 55, Vict. 1891 Secretary and Librarian - Richard Savage Shakespeare’s Birthplace Stratford-upon-Avon [handwritten] 22 Sept 1891 This piece of oak is a portion of what was cut away at at the restoration of Shakespeare’s Birthplace in 1857-58. C. F. Loggins Chemist 3 High Street Richard Savage Sec. – Shakespeare’s Birthplace Mr C F Loggin was connected with the Shakespeare Trust as the person who had originally donated a scion of Shakespeare's mulberry tree to the "Shakespearean Birthday Committee" in 1842. (The scion that was given to the Shakespearean Birthday Committee, from which the Mulberry sample is derived, still grows today in "New Place" garden.) Mr Richard Savage was the Secretary and Liberian of the then renamed “Trustees and Guardians of Shakespeare’s Birthplace when the display case was given to Mr Harris in 1891 by Mr Loggin. WILLIAM SHAKESPEARE Shakespeare was born in 1564 in Stratford-upon-Avon, where he also grew up. He married at 18 years and he and his wife, Anne Hathaway, had three children: They moved to London where he became successful as an actor, writer, and part-owner of a playing company. He later returned to Stratford and purchased his last home, which he called "New Place" in 1602 where he later died in 1616. For the next 150 years, it was known that there existed a black mulberry tree in the garden. At the time there was a fashion for planting mulberry trees. It was the early 17th century after King James had come to the throne, and he imported tens of thousands of saplings in an attempt to get landowners to start a silk industry in England. Unfortunately for posterity, Shakespeare's mulberry was felled around 1756, by the then owner of “New Place" the Reverend Francis Gastrell, who was apparently tired of continual visits by pilgrims asking to see the tree, so he chopped it down. Gastrell had applied for local permission to extend the garden but the application was rejected and his tax was increased. Gastrell retaliated by demolishing the house in 1759, this greatly outraged the local inhabitants. Gastrell was eventually forced to leave town having provoked the wrath of Stratford residents for committing such an act. Today only the garden remains where “New House" used to stand with a scion from the original mulberry tree still growing there. The wood from the felled mulberry tree at “New House" was purchased by an enterprising local clock-maker Thomas Sharp and he spent the next 40 years or so years making souvenirs from the wood. These became early tourist souvenirs and subsequently developed into a profitable sideline for various other makers, including George Cooper and John Marshall. These objects range from relatively small domestic wooden objects, such as snuff boxes and weight scales to large tea caddies and even tables. C. F. Loggin donated a scion or cutting from Shakespeare's mulberry tree to the Shakespeare Birthplace Trust in 1862, he was a chemist who lived and worked in Stratford. There is a note on the frame of the donation that the mulberry sample is from this scion, research shows that from Richard Savage's diary notes that there must have been a lot of wood taken from that scion over the years which was planted in the garden of “New Place” and is still growing there today. The "Trustees and Guardians of Shakespeare’s Birthplace" (1847 -1964) was formed after the house where Shakespeare is believed to have been born fell into disrepair. Subsequently in 1846 after the death of Thomas Court's widow the last owner. Interest in the house was revived when PT Barnum, the American showman, wanted to buy it and ship the house back to America. In response to this, the Shakespeare Birthday Committee was established (by a private Act of Parliament) with the help of such luminaries as Charles Dickens, the Committee of Trustees raised the necessary £3,000 and purchased the house the following year. Once the Committee had acquired the building, restoration work began. Originally the Birthplace formed part of a terrace with later houses built either side. The first stage in its conservation was their destruction. At the time it was thought necessary to avoid the risk of fire spreading to Shakespeare's birthplace. Reconstruction was carried out by the Shakespeare Trust between 1857 and 1864 that restored the outside of the building to its original 16th-century state. It is from this restoration that the donated piece of oak is derived, originally from a beam that was in the house. Communication from The Shakespeare Birthplace Trust, dated April 11th, 2019, confirms that the pieces displayed in this case have good provenance. The wood samples are significant for their association with the history of William Shakespeare. The display case and its content is significant to Warrnambool local history for its association with the establishment in 1886 of the Warrnambool Museum and Art Gallery. However, it should be noted that the letters of authentication that accompany the wood samples are only applicable to the oak sample. None the less, all the pieces have very good provenance, with Richard Savage's certificate of authenticity for the oak, and the mulberry sample with the letter to Mr Harris from Mr CF Loggin having also been the donor of the scion of mulberry in 1862 to the Shakespeare Birthplace Trust. This scion was then established at Shakespeare's garden at "New Home" that had been demolished by Rev Francis Gastrell in 1759. Two wood samples associated with William Shakespeare, presented in a hanging, timber and glass display case with metal trim around the frame. The case also contains two letters and a label printed on a card that refers to the contents, their origins and the donor. A card label with a printed number and a round adhesive label are attached on the back of the case. The left round section of wood is from a donated scion (or shoot) derived from the original mulberry tree planted by William Shakespeare at his last home "New Place", Stratford-upon-Avon. The outer section is light brown coloured while the centre is dark grain. The right wood sample in the case is a section of oak rafter from the house where Shakespeare was born in 1564. The wood is mid brown with a distinct grain. The included letters, each dated 22/9/1891, refer to only the oak sample. - The letter on the left comprises two handwritten pages from Mr CF Loggin to Mr Richard Standcombe Harris. The paper has the printed letterhead address of High Street, Stratford on Avon. - The letter on the right is a handwritten certificate of authenticity signed by Mr CF Loggin and counter signed by Mr Richard Savage, Secretary and Liberian of the Shakespeare Trust. It is on the printed letterhead of The Trustees and Guardians of Shakespeare’s Birthplace Cardboard label inside the glass case “Shakespeare Section of Mulberry Tree, traditionally said to have been planted by Shakespeare in his garden, “New Place,” Stratford-on-Avon. PORTION OF OAK RAFTER from the house in which Shakespeare was born. (Presented by R S Harris 1891.) Printed label on the back of the case “3 2 “ The handwritten adhesive label “0566” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shakespeare display case, wood samples, oak from shakespeare's birthplace, mulberry from shakespeare's home "new place", stratford-upon-avon, shakespeare's birthplace, the trustees and guardians of shakespeare's birthplace &c., shakespeare trust, shakespeare birthday committee, r.s. harris, brunswick, victoria, richard s harris, brunswick, victoria, c.f. loggins, chemist, 3 high street stratford-on-avon, richard savage, warrnambool museum and art gallery, thomas court, pt barnum, charles dickins, anne hathaway, black mulberry tree, reverend francis gastrell

Clothing, khaki woollen WW2 army uniform jacket. Single breasted with four brown metal AMF buttons (2 cm). Two breast pockets, (16 X 18 cm) with fold over tabs. All button tabs fastened with 1.5 cm metal buttons. Long sleeves with stitched down cuffs with V shaped peak on upper side. Both sleeves lined with cream and blue striped cotton fabric. 30 cm split at centre back from hem. Button down epaulettes on each shoulder with three captain's pips and two black stripes. Cloth badges on top of each sleeve. 1. Navy and red unit colour, (3 cm X 2.5 cm). 2. Light green, brown and blue colour (5 X 5 cm) (unknown). 2.5 X 2.5 cm square metal badges on each corner at front of collar. 5.5 cm wide cloth belt with metal buckle. Belt attached on side seams at waist by leather tabs threaded through belt keepers and fastened with 1.5 cm buttons. Cap belonged to John Kenneth Martin, padre in 2nd Australian Corps AIF. Served overseas as a Chaplain from 1940-1945. Old box 314Y.Name tag stitched under collar, and inside back '' J.K.Martin''.costume, military, army uniform jacket ww2

Black and white photograph - Grade 2, 1975."Attached to photograph" Back Row- L to R: ?, Milio Baltas, Jim Pumpa, Phillip Merisch, Paul Evans, Timothy Stevenson. 2nd Row- L to R: Simon, Greg Berisniak, Andrew Green, Daryl Haliday, Andrew Cook, Mark Bomar, Terry Aravanas, John Bruce, Werner Berkner. 3rd Row- L to R: Nicole Gill, Raelene Boyle, ?, Grace Esposito, Vicki (?), Carolyn Ashton, Lisa Currie, Belinda Kempton, Susan Green, Penny Billingsley. Front Row- L to R: Janine Ballanger, Michelle Gordon, ?, Alison Brownrigg, ?, Deanne Chapman, Jane Brown, Cheryl Akins, Natasha Jonston. Teacher:

Black and white photograph - Grade 5A, 1973."Attached to photograph" Back Row- L to R: David Critchley, Michael Alexander, Raymond Ballinger, Glenn Fawcett, Milton Brownrigg. 2nd Row- L to R: Paul Hockey, David Kinniburgh, Robert Brown, Michael Dobson, Adrian Willoughby, Roderick Smith, Michael Burch. 3rd Row- L to R: Karen Rush, Deborah Myers, Cathryn Merisch, Helen Eversteyn, Catherine Carlton, Marlene Morcom, Roslyn Schaefer, Deborah Lowe. Front Row- L to R: Wendy Cuzens, Suzanne Johns, Bronwyn Rutleys, Jennifer McGrath, Joanne Cole, Julietta Jameson, Marina Dioguari, Donna Baker, Sarah Graham. Teacher: Isabel Marshall

This booklet contains the story of the Madden family and the Coach and Horses Hotel. It appears to be signed by Nicholas Madden.Blue covered booklets (4 copies) with 16 buff coloured pages printed with the history of the Madden Family, the Coach and Horses Hotel and local areas. Plus an article reprinted from 'The Age' 26 August 1933 - 'Melbourne's Historic Homes'. Refer also to Reg no. 3634 catalogued book 'Ringwood - Short Notes on its Development 1857 - 1963.' Compiled by Mrs M. Burnside with the co-operation of the Ringwood Historical Research Group. Size 26 x 21 x 2 and with a red and brown diamond pattern on the cover. +Additional Keywords: Madden, Nicholas / Cobb & Co / Burnside, Miss Marie.The Evolution of Ringwood coupled with that of the Coach and Horses Hotel 1850 - 1940. Reprinted from 'The Ringwood Mail', January 4, 1940.; Owned by Miss Marie Burnside who wrote this book.