Digital image of X2 676 in Albert Road, South Melbourne. Tram showing Football, most likely on a tram tour. Photo by Dick Jones - reference - 676_AlbertRd_DickJones_7004M3.13.148trams, tramways, x2 class, albert road, football, tram 676

Digital Image of the Preston Workshops Office block and "Cameron Hall" from Miller St Preston or Northcote. Shows the track layout and road condition in front of the offices.trams, tramways, preston workshops, miller st

Met Ticket - Sports Special Ticket - light pink paper with an image of the MCG, The Met logo and availability - on one return trip on the day of purchase. Ticket No. 6103trams, tramways, the met, tickets, football, mcg

Thirty six page knitting pattern book featuring black and white text and graphics. The cover features an image of two women wearing matching knitted cardigans.front: [printed] 9917 / SIRDAR / THE ARAN LOOK / In SIRDAR SPORTS WOOL / 9 Design / 50 CENTS front: [handwritten] P G Walkerfashion, design, knitwear, home made, wool, pattern book, sirdar

These items are from the private collection of George Shirling of Red Onion, Falls Creek. This flyer was a major item in the marketing campaign for the winter season 1970. George Shirling arrived in Falls Creek in 1962. He engaged Phil Nowell to build the original Koki Alpine Lodge which opened in 1965 with 14 beds. George operated the lodge with Michael “Baldy” Blackwell as manager. He also graduated in sport psychology in 1981 and was invited to become team psychologist for the Australian Winter Olympic team which went to Albertville, France, in 1992. He later owned the Red Onion Chalet. George credited the success of Koki to “Baldy” Blackwell. “Baldy” and Phil Nowell started the Trackers Mountain Lodge in partnership during the 1980s. In 1971 George sold Koki Lodge to Sigi Doerr. In 2024 the renamed Koki Alpine resort remains a highly popular destination in Falls Creek. George Shirling passed away on 27th February 2023. He had remained actively involved in Falls Creek and was generous with his time and knowledge, always an amazing supporter of The Falls Creek Museum and Falls Creek Village.This item is significant because it is features George Shirling in marketing material for Koki Alpine Lodge, Falls Creek.A flyer outlining the Winter season tariffs for Koki Alpine Lodge. It features an image of George Shirling surrounded by icicles hanging from the eaves of Koki, as well as text.george shirling, koki lodge

This book gives details of the Melbourne Shrine of Remembrance, war memorials and monuments in suburbs and towns and cities around Victoria and descriptions of the lives of some Victoria war heroes of the Boer War, World Wars One and Two, the Korean War and the Vietnam War.This book is of some local interest as it contains information on war memorials and war heroes in Warrnambool and other district localities. It will be useful for research This is a hard cover book with a multi-coloured paper dust jacket with an image of a soldier on the front and yellow and white lettering. The book is red-coloured with white lettering on the spine. Cover – A Guide to Victoria’s Wartime Heritage – Remember Themmelbourne shrine of rememberance, war history, warrnambool

Although many individuals have played a part over the years, a number of families are synonymous with, and have had a dedication to, the funeral industry in Bendigo, namely the Oakley, Farmer, Fizelle/Mulqueen and Sayer familes.Bendigo Advertiser: Full page Advert entitled 'Sandhurst - Bendigo celebrating 150 years as a city 1871-2021. Includes nine historcal images of undertakers and their premises.bendigo history, undertakers

This is one of a pair of paintings by artist Mike McCrea, created when he was in Warrnambool in 1985. The painting was framed and sold by Patana Galleries, Paton Place, Manly Vale, NSW. It was later purchased by athe company of Master Mariners of Australia and who donated the pair to Flagstaff Hill. The pair of paintings are significant for their association with steamships and the Master Mariners of Australia group. The paintings represent a time in local history when many steamships were sailing the coast and transporting passengers and goods.Painting; timber framed oil painting with the image of a cargo steamship off the coast of Warrnambool. Artist is Mike McCrea. Framed by Patana Galleries, Manly Vale, NSW. Hand written, "Red. No. 390 A" Sticker "61"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, painting, mic mccrea, patana galleries, master mariners of australia, steamship

RAEME Corps was first established in 1942 when the Ordnance Corps and the Service Corps were combined. The royal ascent was granted in 1948. The Royal Australian Electrical and Mechanical Engineers (RAEME) is a technical corps tasked with the maintenance of the Army's modern hardware and equipment. RAEME personnel are represented in most Army units. The Royal Australian Electrical and Mechanical Engineers corps motto is ‘Arte et Marte’, which is Latin for ‘With Skill and Fighting’. On the 5th March 1959, His Royal Highness, The Prince Philip, Duke of Edinburgh, accepted the appointment of Colonel-in-Chief of the Corps of the Royal Australian Electrical and Mechanical Engineers. On Tuesday 20 May 1986, His Royal Highness, The Prince Philip, Duke of Edinburgh, Colonel in Chief of the Royal Australian Electrical and Mechanical Engineers (RAEME) presented the Prince Philip Banner to the Corps at a Ceremonial Parade held at the RAEME Training Centre, Bandiana.These items are significant because they document an important event for the RAEME Unit at Bandiana.A collection of images and newspaper articles documenting an important event for the RAEME unit at Bandiana, Victoria. The Prince Philip features the Royal Cipher on the front and the RAEME Badge on the reverse.raeme, prince philip duke of edinburugh

The Jade Buddha for Universal Peace, the largest Buddha carved from gemstone-quality jade in the world, is the centrepiece of the Great Stupa of Universal Compassion in Bendigo, Australia. Standing 2.5 metres tall and weighing 4 tonnes, this priceless Buddhist statue toured over 120 cities across 20 countries from 2009 to 2018, inspiring peace in families, schools, and communities worldwide. After attracting an estimated 12 million visitors, it returned to the Great Stupa in May 2018, where it continues to be a potent symbol of peace.The Jade Buddha for Universal Peace was carved from a rare boulder of translucent gemstone-quality jade (“Polar Pride”) that was discovered in Canada in the year 2000. The image was taken at the opening ceremony of the Phat Tich Monastery in Bac Ninh Vietnamjade buddha, memorabilia

MR. ANDREW MACKENZIE , NATIONAL HOTEL, FRASER STREET, CLUNES, VICTORIA, AUSTRALIASEPIA PHOTOGRAPH OF THE NATIONAL HOTEL, FRASER STREET, CLUNES - A. MacKENZIE SIGN ABOVE THE BUILDING, SHRUBBERY DECORATING VERANDAH POSTS. BLURRED IMAGE OF CYCLIST RIDING PASTphotograph, national hotel, local history

Black & white photo on carboard mount of A. E. Bilton's Pharmacy, June 1929. Image of front of shop taken from High Street. Shows window displays.Front - R. . Leslie Back - Stamp (A. E. Bilton Chemist Charlton June 1929a. e. bilton, chemists, pharmacys

Image of three Australian soldiers in Uniform during World War One, along with a number of Egyptian children. The soldiers are Harold Reid, Harry Holmes, and Gordon Spittle.verso: 'Snap of Harold Reid, Harry [Holmes], Gordon [Spittle] and three Egyptian boys taken in front of fernery at Nouza Gardens.'chatham family archive, chatham, holmes, world war, world war 1, world war i, world war one, egypt, nouza gardens, ascot

Five photographs of David Holmes20303.1 image has been cropped from another group photograph. It is David Coghill Holmes (1829 - 1950) from Ascot. Son of Harry and Edith Holmes..1 has writing in pencil on the back ' Mr W Holmes Ascot P O via Creswick Vic' H Dk Brown Wavy E Blue C Fair D White Shirt chatham-holmes collection, david holmes, david coghill holmes

223 p. : red cover, section of original dust jacket pasted to front, with image of a man and a woman embracing. Title and author's name hand printed on spineRomance fictionfiction, romance, catherine airlie

Gus Gervasoni served during World War 2 in Australia, and was in Darwin for the bombing.Digital images of a World War Two Australian Military Service Record book which belonged to George (Gus) Gervasoni of Daylesford. Includes two 'mug' shots. forces, adf, army, world war two, australia, australian army, defence, armed services, record of service, george gervasoni, gus gervasoni

The Armstrong Cannons were originally placed at Fort Gellibrand, located at the southernmost tip of the Williamstown peninsula. The Fort was developed during the 1850s as part of a defensive system for the city and port of Melbourne. The importance of the Fort batteries declined from the 1890s, when they were effectively replaced by new facilities at Queenscliff and Point Nepean, but they were still used for gunnery practice. Local residents, through the Williamstown Town Council, complained to the Acting Minister for Defence that the concussion from the guns damaged windows, walls and foundations of buildings. The Armstrong Cannons were moved from Fort Gellibrand to the Gardens in 1906. A primary source of evidence of the cannons being in the Gardens. The cannons are remembered fondly as play equipment for the local children. Many tales have been told of climbing over them and pretending to be shot out of them A collection of seven black and white photographs documenting the removal of the cannons from the Gardens Photo 1 (a) Black and white landscape image. View is looking through the main gates looking at the front of the truck, which has the name Walter Wright across the front bumper, the crane and canon. The gates and fence are painted a light colour, probably white. Photo 2 (b) Black and white landscape image. Back of loader with cannon on it. Man standing on top of the cannon bending over either tying or untying ropes. Trunk of a palm tree is on the left side of the photo with a top of a palm tree in the background. Photo 3 (c) Black and portrait white image. A cannon being loaded by the crane on to trailer. Palm tree is in the background and fronds from a palm tree can be seen in the right top corner. Photo 4 (d) Black and white landscape image. Side on view of a cannon on the truck parked outside the grounds of the Gardens. The logo of the name of the trucking company is on the door of the truck above the words ‘WALTER H WRIGHT / TRANSPORT PTY LTD / S SCHULZ ST WEST MELB’. A second cannon can be seen in the background. A bus is in the background on the middle right side of the image. Photo 5 (e) Black and white landscape image. Truck with cannon on the back leaving the ground of the Gardens. Tree on the right side of the image and power pole is behind the truck. The logo of the name of the trucking company is on the door of the truck above the words ‘WALTER H WRIGHT / TRANSPORT PTY LTD / S SCHULZ ST WEST MELB’. ‘WALTER WRIGHT’ is on the front bumper Photo 6 (f) Black and white landscape image. Cannon tied down on the back of the truck as it is being driven across the street. Three houses in the background and two cars, one is a Volkswagen Photo 7 (g) Black and white landscape image. Cannon on the back of the truck which is parked over the street from the Gardens. Three houses are in the background. Two trees bare of leaves. The front of a car in in the foreground – it has a sun visor and the steering wheel is a light colour.armstrong cannons, williamstown botanic gardens, hobsons bay city council, 1970, walter h wright / transport pty ltd

The coin was discovered by Julie Wilkins, a Victorian scuba diver who had already experienced more than 500 dives in Australia and overseas. She was holidaying in Peterborough, Victoria, and looking forward to discovering more about the famous Loch Ard ship, wrecked in June 1878 at Mutton Bird Island. The fast Glasgow-built clipper ship was only five years old when the tragedy occurred. There were 54 people on board the vessel and only two survived Julie's holiday photograph of Boat Bay reminds her of her most memorable dive. Submerged in the calm, flat sea, she was carefully scanning around the remains of the old wreck when, to her amazement, a gold coin and a small gold cross suddenly came up towards her. She excitedly cupped them in her hands, then stowed the treasures safely in her wetsuit and continued her dive. She soon discovered a group of brass carriage clock parts and some bottles of champagne. It was a day full of surprises. The items were easily recognisable, without any build-up of encrustations or concretion. Julie secretly enjoyed her treasures for twenty-four years then packed them up for the early morning train trip to Warrnambool. After a short walk to Flagstaff Hill Maritime Museum and Village, her photograph was taken as she handed over her precious find. She told her story to a local newspaper reporter, lunched a café in town then took the late afternoon train home. Her generous donation is now part of a vast collection of Loch Ard shipwreck artefacts, including the gold watch and the Minton Majolica model peacock. The coin is a British 1793 George III Gold Spade Guinea. It was already 83 years old when the Loch Ard had set sail. The loop and ring have been added, perhaps as a pendant, pocket watch accessory or similar purpose. It may have been worn for ‘good luck’ on the long journey to Australia, where ships had to carefully navigate the treacherous Bass’s Strait before arriving at their destination of Melbourne. Sadly, many met their fate on that short stretch of ocean aptly named the Shipwreck Coast. The coin is very recognisable even though it was exposed to the wrecking of the ship, its consequent movement, and the sea's turbulence. Its bent, scratched, buckled, split, dinted and worn condition is part of its story. The red-brown-black discolouration is similar to that found on other gold coins, sometimes called the ‘corrosion phenomena’. Studies suggest the possible cause is contaminants in the minting process reacting to the coins’ environment. The GEORGE III GOLD SPADE GUINEA: - The British Guinea was introduced in 1663 and was circulated until 1814. It was made of 22 carat gold, was 25 to 26 cm in diameter and weighed 8.35 grams. It had a value of 21 British shillings. The guinea coin ceased circulation after 1816 and was replaced by the one-pound note. However, the term ‘guinea’ continued to represent 21 shillings. King George (1738-1820) had six gold guinea designs minted during his reign from 1760 and 1820. Each of the six had different obverse portraits, all facing the right. There were three different reverse sides. The Spade Guinea was the fifth issue of the coin, introduced in 1787 and produced until 1799. The reverse shows a royal crown over a flat-topped shield with the Royal Arms of Great Britain, used in Scotland between 1714 and 1800. The shield images are, from left to right, top to bottom, the Arms of England and Scotland, the Arms of France, the Arms of Ireland, and the Arms of the House of Hanover. The Gold Guinea is also part of Australia’s history. It was the first coin mentioned in the announcement of Governor King of New South Wales his Australian Proclamation of a limited variety and denomination of coins accepted for use in the Australian Colony. The historic and decorative George III Spade Guinea has been reproduced for special collections of coins. However, replicas and imitations have also been made as souvenirs for tourists, as gaming tokens and chips for gamblers, and as ‘fake’ coins for profit. These coins differ in many ways; they may be only half the weight of the genuine coin. Often have a small stamp on the obverse with “COPY” or the manufacturer’s name or initials. Some have scalloped edges, some have dates that are different to the original dates of issue, and some even have text in Latin that translates as something very different to the original coin.The King George III Guinea was only produced from 1663 to 1814 and was the first English coin to be mechanically minted. The coin is the fifth edition of the King George III Guinea, the Spade Guinea, was only produced between 1787 and 1799. It is the only edition with this portrait of King George and the only one with the Royal Coat of Arms of Great Britain in Scotland on the reverse side. This edition was also the last guinea in circulation, because the sixth edition was reserved as the Military guinea. This edition of the Guinea is unique; This coin is the only guinea in our collection. It was minted in 1793, so it is now over 230 years old. The Gold Guinea is part of Australia’s history; it was the first coin in the list of coins for use in the Australian Colonies, mentioned by Governor King of New South Wales in his Australian Proclamation speech of 1800. The George III Spade Guinea was included in the Limited Edition Sherwood 12 Coin Collection of Notable Coinage of Australia. This coin is the only known guinea coin recovered from the wreck of the Loch Ard. It was already 85 years old when the ship was wrecked.Gold coin; British. 1793, King George III of the United Kingdom of Great Britain and Ireland (1760-1820), Spade Guinea. Yellow gold coin with gold metal loop mount and a gold ring through the loop. The design is the fifth issue of the George III Gold Guinea. The obverse relief is a portrait of George III facing right. Reverse relief is a crown above the Coats of Arms (1801-1816) of flat top spade-shaped shield divided into four quadrants that depict crowned lions, fleur de lies, a harp. These images are identified as, from left to right, top to bottom, England and Scotland, France, Ireland and Hanover. Inscriptions are minted around the rims of each side. The coin is dated 1793. Its surface has dark areas on both sides and the reed edge and surfaces are well worn. The loop mount is bent and the ring is buckled. The coin was recovered from the wreck of the ship Loch Ard.Obverse text; 'GEORGIVS III DEI GRATIA' (translates to George the Third, by the Grace of God) Obverse relief; (King George III bust, facing right, laurel wreath on head) Reverse text; 'M.B.E.ET.H.REX.F. D.B.ET.L.D. S.R.I.A.T.ET.E' '1793' (translates to: King of Great Britain, France and Ireland, Defender of the Faith, Duke of Brunswick and Lüneburg, Arch-Treasurer and Elector of the Holy Roman Empire) Reverse relief; a spade-shaped image i.e. (Crown with fleer de lies, above Shield with crowned lions in different postures, a harp, and other details)flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, royal mint, british coin, currency, guinea, military guinea, australian currency, british guinea, gold coin, spade guinea, king george iii, george iii, fifth portrait, arms of england and scotland, arms of france, arms of ireland, arms of the house of hanover, coins, gold coins, gold medallion, georgian era, 1793, numismatics, contamination phenomena, gold corrosion, good luck, lucky charm, pendant, lucky coin, trade, loch ard, wreck of the loch ard, 1878, mutton bird island, peterborough, scuba diver, 1980s, guinea coin, gold guinea, shipwreck artefact, relic, julie wilkins

Envelope front with stamps, addressed to Baron Ferdinand von Mueller, and First Day Cover 1948. Upper image, 1 x 2 pence mauve Victoria, postmarked at Melbourne on February 2, 1885. Lower image, First Day Cover of Commemoration of Baron Ferdinand Von Mueller, Issued 13th September 1948; and addressed to Durban, Natal, Africa and postmarked at Lewisham NSW on 13th Sept 1948. Baron Ferdinand von Mueller (1825-1896) was born in Germany and migrated to Australia in 1847.He was the Victorian Government Botanist (from 1853) and Director of the Botanical Gardens (1857-1873). These envelopes and stamps are from correspondence addressed to him.Front of envelope with address and postage stamps, and one first day cover enclosed in black stamp folder.ferdinand von mueller, postage stamps, first day envelopes

Beginning in the mid 1800s, photographers used glass plates to capture image - collodion wet plate and gelatin dry plate. Collodion wet plate negatives were in use from c1851 until 1880s. Gelatin dry plate negatives late 1880s - 1920s. Called an ambrotype is comprised of an under exposed glass negative placed against a dark background . The dark backing material creates a positive image.Man in photo is unknown in a uniform but not very serious so it could be a 'fun thing to do'. The significance is based on the photo being on glass.A man in uniform sitting casually. The photo is on glass. Dark wood frame holding more layers making it thick with gold tin frame in the inside. The outer layer is wood with embossed (illegible?) cover facing the outside. The inside layer is the photo on glass. Next layer is another frame of gold with an oval frame and covered by glass to protect the photo. The photo sits inside the wooden frame.

This self-portrait exemplifies Karl and Slawa's shared interest in the art forms of other cultures - also seen in the significant number of Viennese art books on these topics in the Duldig Studio library. It takes inspiration from Egyptian sculptures and is strikingly similar to the cover image of Götter Ӓgyptens (Gods of Egypt) by Alexander Scharff (Library) although her short hair puts a stylish and very modern slant upon the image. The sculpture is hollow, with a large opening at the rear. Slawa on full face, eyes downcast, hair parted in the middle & pulled back in bun with large comb. Drapes across both shoulders. modernism

Tower Hill at Koroit in Victoria was stripped of vegetation by generations of farming practices until replanting and regeneration programs were undertaken from the late 1960s onward. This historic image taken by keen amateur photographer and editor of the journal "Light", Monsignor J. Mc Inerney, shows the caldera before the replanting took place. Monsignor McInerney's photographic archive contains many images used in illustrating the journal.

Image shows San Jose tram or trolley, ex Melbourne W2 class No. 531 in their yard. Tram has been fitted with sliding doors and painted in the Melbourne chocolate and cream colours. The rear of the card gives a brief history of the vehicle and the San Jose Historical Museum. Photo by Howard Frazee and published by Mary Jane's Railroad Specialities Inc. See item 3552 for another image of the tram.Yields information about W2 class tram 531 in San Jose.Colour postcard - Divided back, titled "MMTB Trolley car number 531" w2 class, tram 531, san jose, trams

Taken in 1944 in Bonegilla, Victoria by Captain E.C. Johnston, this photograph depicts soldiers of the 1st Australian Corps Signals training battalion releasing carrier pigeons from a portable loft for their daily exercise.The 1st Australian Corps Signals was a branch of the Australian Imperial Airforce that was active during World War Two. One of the tasked carried out by 1st Australian Corps Signals was to send messages through the use of carrier pigeons. Carrier pigeons were most commonly used by the Allied Forces to send messages from the front line trenches or advancing units. Edgar Charles Johnston (1896-1988) was an aviator and public servant. In WW1 he served with the Australian Imperial Force, and later joined the Royal Flying Corps. For his service in the Royal Flying Corps he was awarded the Distinguished Flying Cross, which assisted him in becoming the assistant director-general in 1939 of the Commonwealth Department of Aviation. During World War II he was heavily engaged in the department’s activities in support of the war effort.Black and white square reproduced photograph on rectangular archival paperObverse: Bonegilla Victoria 1944-05-03/ Carrier Pigeons being released for their daily exercise/ from a portable loft of the 1st Signals training Battalion/ Photograph made 3 May 1944, by E.C. Johnston/ copied from CD Image supplied from/ Australian War Memorial collection/ Copyright/ Use of this image for the/ Robert O'Hara Burke Memorial Museum, Beechworth/ enhanced to remove moir effect/ Reverse: 7993.2/military album, beechworth, burke museum, military, world war 2, ww2, australian army, bonegilla, pigeons, edgar charles johnston

Photo in the collection of Reginald Charles Allardice No 418557 RAAF. Refer Cat No 3627.5 for his service details.B & W photo showing land and sea with one large ship and several smaller ones.On front, “T2105”. On rear in pencil,” Hospital ship Dorsetshire P.D 1 od.44 A/Z01”, stamped on rear “Crown copyright reserved”, above this as part of the stamp “A crown image M”photography, hospital ships

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Several views of flowers, buds and leaves, and one view of cutting. Stem cutting with pointed, thin leaves with dark green tops and pale green undersides. Flowers are white with pink colouring at the ends. Their shape is cup-like with five petals forming a star at top. Stamens end in brown pollen clusters. Work is mounted in a double matt (grey on mauve) and framed under glass in a gold painted wooden frame.Front: CEW/73 (lower left in image, signature) (maroon pencil), Peach heath. Lissanthe strigosa (lower left) (pencil) 34 (lower right, pencil) (erased). Back: (no inscriptions)cema, botanical, collin woolcock

Wooden Frame Containing photos of Members of the Warrnamboo Club of 1914 - 1918Plaque on front of Framed Picture: Members of Warrnambool Club 1914 - 1918 who served in the Great War. Each image is named. Asterisk 'Paid the Supreme Sacrifice', in left corner of frame.

2 photographs- 1 sepia, 1 black and white. 1 typed document detailing history of Frank Kenworthy written by Ron Jackson (nephew of Frank and Molly Kenworthy).Image shows the F. Kenworthy Garage & Motorbody Works premises in Maroondah Highway Ringwood about 1920. Also shows various old horse drawn vehicles at side and front of building.