Con Talarico owned Capace Liquor Store, corner Lalor and Pool Sts in 1960s. Con also owned a family delicatessen at 173 Bay St in the late 1980sTriangular red plastic ashtray with groove for cigarette on each corner promoting Capace Liquor Store.CAPACE liquor store. "Let Capace keep you in good spirits" Cnr Pool and lalor Streets, Port Melbourne 643385 64 3304advertising, business and traders - wine and spirits, capace - port melbourne wine merchant, con talarico

The word ashtray came into use around the 1920 and is a receptacle for ash from cigarettes and cigars and are typically made of fire retardant material such as glass, heat resistant plastic, pottery, metal, or stone. The most common ashtray design is a shallow cylinder with a flat base, designed to rest on a table. Other ashtrays, particularly in public places, are either wall or floor mounted. While simple, utilitarian forms of ashtrays existed long before the 19th century, it was during the start of the 20th century that the design, aesthetics and their popularity took off. As more women began to smoke. in the early 1900s, the ashtray went closer to being an art form as many women avoided the use of the traditional ashtray as it failed to reflect their feminine values, regarded as an item rather basic in design the general societal through of the time was that smoking was an activity exclusive to men. What emerged were detailed, often very fancy ashtrays acceptable to women depicting either pastoral scenes or vibrantly coloured landscapes. As time went on, and the onset of women smoking both cigars and cigarettes became less of a departure from the average person, ashtrays saw a decline in design and aesthetics beginning more of a shift towards practicality. The subject item is a primitive form of ashtray used in public spaces any time from the 1920-1960s and is not associated with an historic person or event. However the item could have come from the Warrnambool Town Hall given the inscription on the base of the item.Ash tray-large rectangular floor model with cement sheet lining. Made from a wooden box covered with textured metal on the outsideThe metal has a relief design embossed at the top back "smokers" and "Town Hall" printed on bottom.flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ash tray, town hall, cigarette tray, smoker's ash tray

The word ashtray came into use around the 1920 and is a receptacle for ash from cigarettes and cigars and are typically made of fire retardant material such as glass, heat resistant plastic, pottery, metal, or stone. The most common ashtray design is a shallow cylinder with a flat base, designed to rest on a table. Other ashtrays, particularly in public places, are either wall or floor mounted. While simple, utilitarian forms of ashtrays existed long before the 19th century, it was during the start of the 20th century that the design, aesthetics and their popularity took off. As more women began to smoke. in the early 1900s, the ashtray went closer to being an art form as many women avoided the use of the traditional ashtray as it failed to reflect their feminine values, regarded as an item rather basic in design the general societal through of the time was that smoking was an activity exclusive to men. What emerged were detailed, often very fancy ashtrays acceptable to women depicting either pastoral scenes or vibrantly coloured landscapes. As time went on, and the onset of women smoking both cigars and cigarettes became less of a departure from the average person, ashtrays saw a decline in design and aesthetics beginning more of a shift towards practicality. The subject item is a primitive form of ashtray used in public spaces any time from the 1900 -1960s and is not associated with an historic person or event. However the item could have come from the Warrnambool Town Hall given the inscription on the base of the item.Ash tray-large rectangular floor model made from a wooden box covered with textured metal on the outsideThe metal has a relief design embossed at the top back "smokers" and "Town Hall" printed on bottom.flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ash tray

The item dates from the years of Dutch influence in the region which ended in 1962. The region is now known as West Papua.As the above urls will show, West Papua's history is a complex one with various colonial powers disputing ownership with the local inhabitants. Modern Indonesia also lays claim to it. The area was part of the Kingdom of the Netherlands from 1949 till 1962. Prior to 1949 it was part of the Dutch East Indies. The item may well date from this pre-1949 period.Richly illustrated small rectangular glass ashtray showing map of one-time Dutch New Guinea, surrounding waters and smaller islands. Two endemic bids are also shown. The glas is a pale blue; the illustrations are in green and yellow; words are in black. The ashtray's four sides are curled slightly upwards.Oceans, seas and islands are named in the Dutch language. A dotted border marks off Australian New Guinea.

Many casings were decorated by troops and used as ashtrays & containers.It examples the quality of material [brass]used for shell casing at that time.Brass Shell Base with Lid Belgium 1916-1919BELGIUM ...1916_1919

Trench art was a common past time and items were created using available materials. Ashtray created from an airplane piston with single engine airplane mounted on top edge. Three blade propeller in working order.1745-02/2 on pistol head.

Brass shell based cut down into an ash tray. Three semi-circular cut-outs on the rim support cigarettes. "trench Art"4.5x13.5ashtray, trench art

Photograph taken in the Celia Little Room at Mission to Seafarers Melbourne. The Celia Little Room was named in honour of the aunt of one of the serving (and resident) chaplains. The room is a multi-function room, being used at times for banquets or, as the photograph shows, for relaxation, by visiting seafarers. The magazine read by the man on the right is the International version of the Life magazine published dated from 24 November 1958, with actress Kim Novak holding a black cat on cover. This photograph was published in the Port of Melbourne Quarterly (July-September 1959) held in the Mission's archives. It was probably donated by the trust to Padre Oliver.Photograph displays the way in which the Celia Little Room, and by extension the Mission to Seafarers, was used by those who utilised the facility during this period.Black and white photograph of three men sitting in Celia Little Room at Mission to Seafarers. Man on left is in a suit, sitting on the arm of a chair, reading a newspaper. There is a coffee table with flowers separating him from the second man, also sitting reading a newspaper. The third man is seated in an armchair reading a copy of Life International magazine, with an ashtray resting on the arm of the chair.armchairs, reading, newspapers, wainscoting, ashtray, robin kent, life magazine, mission to seafarers, mission to seamen, celia little room, coffee table, bell, moreton bay, flowers, seamen, sailors, memorial plaque

Smoking became common in The Netherlands as a result of trade with the West Indies. The Jan Steen illustrations of typical chaotic households were well known and eventually came to be used to poke fun at excessive tidiness.A round pewter ashtray with a scene from a Jan Steen interior in the centre bowl section. 4 cigarette resting places are round the outside edge.The outside edge is decorated with scroll type engravings. A pewter manufacturer's mark is impressed on the reverse side of the bowl.

Trench Art. Used shell base 25 pounder dated 1941 plus various rounds to depict a fighter plane. Belonged to John Donald McSween, no. 117346 LAC RAAF, enlisted 14.8.1942; discharged 14.5.1945Fighter plane mounted on ashtray base(2 pieces). Plane removable, made from artillery rounds, central stem welded onto ash tray base.Badge on central stem, "AUSTRALIAN MILITARY FORCES".ornaments - metal, souvenirs - military history, trench art

Bryant and May was a United Kingdom (UK) company created in the mid-nineteenth century specifically to make matches. Their original Bryant and May Factory was located in Bow, London. They later opened other match factories in the United Kingdom and Australia, such as the Bryant and May Factory, Melbourne; and owned match factories in other parts of the world.Bryant and May survived as an independent company for over seventy years, but went through a series of mergers with other match companies and later with consumer products companies. To protect its position Bryant and May merged with or took over its rivals. In 1971 the Northern Ireland factory, Maguire & Patterson closed down following a terrorist attack.. In the 1980s, factories in Gloucester and Glasgow closed too leaving Liverpool as the last match factory in the UK, until December 1994. The former Australian match factory, in Melbourne, closed in the mid-1980s. The registered trade name Bryant and May still exists and it is owned by Swedish Match, as are many of the other registered trade names of the other, formerly independent, companies within the Bryant and May group. The British match brands continue to survive, as brands of Swedish Match, and are made outside the UK. Matches were first produced by Bryant & May in Australia in 1909. The Redhead name applies to the red striking heads of the matches which were introduced to Australia in 1946. The logo on the matchbox depicted the head and shoulder of a redheaded woman and has had four major updates since that time with a number of special issues depicting animals, birds and notable persons also producedThe Bryant & May Ltd factory in Church St Richmond is a listed building and has been converted to apartments following the closure of the Company 1980. Bryant & May's Ltd were influential in fighting against the dreadful disease known as Phossy jaw which was caused by white phosphorus used in the manufacture of the early matches. They were also the object of the 'Match Girls Strike' in London 1888, which won important improvements in working conditions and pay for the mostly female workforce working with the dangerous white phosphorus. The public were slow to purchase these safety matches because of the higher price .A box of safety matches with unused matches made by Bryant & May Pty Ltd , Richmond Victoria Australia. The tray containing the matches slides inside the open ended cover.. The striking patch is on both sides of the cover.PREVENT FIRES/ BRYANT & MAY'S / a crown in an oval shape / SAFETY MATCHES/ MOTORISTS USE ASHTRAY/ AV. CONTENTS 60 / Made in Australiasafety matches, bryant & may's pty ltd, phosy jaw disease, early settlers, moorabbin, bentleigh, richmond, cheltenham, lights, lamps, tobacco

Ashtray, brass, decagon in shape, with two cigarette trays, 3 round metallic legs. Palestinian coins inlaid around side, some dated 1927,1935, 1937, 1939. Marked 4604 A, 1941.ordnance, trench art, memorabilia

Linked to Cfn R.R. Clarke. Vietnam War History.Ashtray made of brass with a medium size shell cartridge in the middle and 2 smaller size bullet shells attached to the cartridge. The brim of the astray lifts off the main body. (Trench art).Presented to Cfn R.R. Clarke from G.E. Section, 106 Fd Wksp, Nui Dat. South Vietnam 13-8-70 is inscribed on the side.

Item made by Percy Weymouth VX76127, enlisted 30.3.42 age 30/11- allotted toNo 2 Docks OP COY, emb 15.10.42 New Guinea, diesem Townsville 20.7.43, emb 12.11.43 Buna, Hops Debility 26.5.44 emb Aitape 20.6.45 for Brisbane. Disc 28.11.45 Pte in No 7 Docks OP COy.Ashtray, chrome plated, base air a 25 Pounder shell case with 3 cigarette pieces welded in, stem is a .50 Cal Round with a “Rising Sun” lapel badge wrapped around. On base, “25 PR II, CF, LOT 472 DB/C 1941 F^67memorabilia, trench art

Donated by Vicki Jones-Evans from her family home when her father died in 2007. Possibly a wedding present to mother and father in the 1940s. Used by father as an ashtrayLeaf shaped hand painted ceramic serving dish with colours - blue, red, yellow, brown and green lines the length of dish on white background386 Tasco Italiandomestic items, crockery

Item belonged to Mrs Eileen Pascoes father Arthur Castleton Clarke VX79039. He enlisted in the 2nd AIF on 5.5.42 and on discharge from the Army he was a Sapper in No 20 Australian Maintenance PL RAE. Refer 528.2, 530, 531. Her Grandfather William David Maher No 68 enlisted in the AIF 10.9.14 in the 8th L.H Regt A Sqd. Embarked for overseas 25.2.15 then for Gallipoli 16.5.15. He was hospitalised 5 times including Dysentry, Malaria and Pnuemonia. He was discharged from the AIF on 23.3.19. Refer 529, 533.2. All items referred to are Trench Art.Ashtray, brass, silver/chrome plated. Base is from a possible 4" Shell with 3 'U' shaped metal pieces to hold cigarettes. The centre piece is a possible .50 cal round projectile.arms - ammunition, metalcraft - brassware?, smoking accessories, trench art

The item belonged to Quentin Clifford BINKS, V245016 & VX114178 2nd AIF. Refer Cat No 1835 for his service history.Made from brass components depicting a V S Lighting on a stand to make an ashtray. The base is either from a 7mm or 3" shell and the stand and plane from .303 rounds. Wings & tail are made of brass.“New Guinea 1943”personal effects, smoking accessories, transport aviation, models