Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.26 / 'Bend of the River Watt' / Albumen silver photograph mounted on boardOn Reverse: 'The present illustration represents a scene on the River Watt, and is situated in the valley between Mount Juliet and Mount Monda. The immediate neighbourhood abounds with scenery of the wildest and most romantic character. The River here is as clear as crystal, owing, no doubt, to its bed being composed of rock and pebbles. The banks on either side are studded with foliage so dense as to render access to the neighbourhood almost impracticable.’nicholas caire (1837-1918), australia - landscape photography

Suggested reading - David Mitchell, A Forfar Man - Pamela Vestey. (National Library of Australia ISBN No. 0646104977 Second edition - 1996.A discussion paper by Murray Houghton, Warrandyte Historical Society, on the excavation of Pound Bend tunnel and examination of information sources suggesting David Mitchell's association with gold mining at Warrandyte." ... Just what then was Mitchell's actual association with mining in the Anderson's Creek goldfield? As an initial means to determining this, a number of biographies devoted to the man's lifetime achievements have been consulted. Some two of these were found to contain rather brief references to his involvement at Warrandyte. In the 1992 booklet entitled "David Mitchell a Forfar Man" written by a Mitchell family member, viz., Pamela, Lady Vestey, of Coombe Cottage, there is included a passge which commences "Another of David Mitchell's early interests was gold mining". This is appended by the bald statement "In 1870 he formed the Evelyn Tunnel Gold-Mining Company with a capital of £16,000." The other account of a Mitchell involvement with an unnamed Warrandyte company is contained in Joan Campbell's 1974 biographical article entitled, "Mitchell, David (1829- 1916) builder, contractor and businessman, etc.", in Volume 5 of the "Australian Dictionary of Biogaraphy". Campbell mentions that "In 1890 (sic) Mitchell formed a company to mine a channel and tunnel on the Yarra River at Pound Bend, Warrandyte," i.e., at a period some 18 or so years after it is known that the Evelyn Tunnel Gold-Mining Company had actually ceased operations. She then continues with the bizarre statement that "he employed gangs of Chinese to work three miles of river bed for gold". Neither of these respective excerpts indicate evidence of having been directly referenced from a legitimate original source, from which either author's contained comments might be authenticated. For any historian with an enquiring mind these statements demand further clarification. ..." - Murray Houghton

Photograph of a Rose Series P 3764 showing wooden fence and bend in the G.O.R. at Big Hill g.o.r.; rose-series-postcard; big-hill;

Yields information about the appearance and use of a single truck car in Sturt St during the 1950's.Black and White photograph of Ballarat 13 in Sturt St at the City stop, Lydiard St. The tram has the destination of Lydiard St and a "Pay as You Enter" sign with the Town Hall in the background. Photo during the 1950's.On rear in ink "PMTT J 76 - Ball 19 Bend 7" and stamped "TMSV Sales"trams, tramways, sturt st, city, lydiard st, town hall, tram 13

C 1920s. Photo shows the jinker track which was replaced by the Mt Victory Road (then called Bluff Rd) during the 1920s.Photo shows a track through bush. An old car sits off to side of road just after a bend.access routes, roads, access routes, jinker track

Photos loaned for copying as digital images by the Stivey family: Group of 10 photos - raising racehorses and greyhounds on Bendfamilies, fishermans bend, sport - horse racing, sport - greyhound racing, mrs stivey

This fire poker is a basic design that has been used throughout the centuries to attend to a fire for cooking, heating, firing a boiler and similar domestic activities.This object is significant as an example of an item in common use in the 19th and early 20th centuries and is still in use today.Fire poker; a flat metal bar shaped with ring at one end and a right angle bend at the base. It is painted black.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, poker, fire poker, fire iron, heating, cooking, laundry, tending a fire

Yields information about the Melbourne N class trams and their use on Provincial systems.Black and white photograph, printed on a postcard back format of SEC Geelong Tram No. 35 at the West terminus, showing terminal arrangements. Tram has the destination of "East" Photo taken mid 1950's. On the rear in ink and pencil "HTT13, MMTB 119, Bend 1, Geel 35, Ball 37 SPER"trams, tramways, geelong, west

Con Kroker CollectionBlack & White photo of the Ocean Pier taken from Bentinck Street. There is a ship berthed at the pier and a raliway truck before the bend.Back: 7 1/2 H+ pencil

Relates to the Ballarat College of Advanced Education library (now the Federation University E.J. Barker Library on the Mt Helen Campus)Black and white photograph of two female, one kneeling and one bending down, sorting through books on a trolley, in boxes and on tables.library, ballarat college of advanced education library, e.j. barker library, mt helen campus, librarian, mt helen library

Colour aerial photograph of West Gate Bridge under construction. Fishermans Bend factories in foreground. Ship in the river and view to Williamstown"Master copy. Not to be removed from marketing Department" stamped on top right corner and on backtransport, engineering, engineering - bridges, fishermans bend, industry, west gate bridge, rotten row, williamstown, yarra river

Yields information about the Melbourne N class trams and their use on Provincial systems.Black and white photograph, printed on a postcard back format of SEC Geelong Tram No. 34, side on view (later Bendigo 2) in Melbourne Road, North Geelong between Shannon St and Victoria St. Information provided by Dave O'Neil in an email to Warren Doubleday 26/11/2013 - see pdf file. Photo taken mid 1950's. Has in the background Marigold Cafe?, Minerita ?, Typewriter Sales and Service and a service station with a Shell petrol pump in view. On the rear in ink and pencil "City / N Class / HTT 20, MMTB 126, Geel 34 Bend 2"trams, tramways, geelong, melbourne road, north, tram 35

Colour slide - Kodachrome cardboard mount - of Bendigo 12 (started its life off as Hawthorn Tramways Trust No. 1) outside the Bendigo depot, Slide dated Jan 1976On the slide in pencil "HTT 1 MMTB 107, Bend 19, renumbered 12" and in ink "Ron Scholten" and "12"trams, tramways, htt, bendigo, tram 12

Part of set of 4 photographs of Poulter posing in traffic signals. They were kept with note with information on Poulter. Black and white photograph of William Arthur Poulter posing in traffic signals. Right arm bend right towards his left shoulder. January 1944 Stamp: PHOTOGRAPH BY // RITTER JEPPESEN STUDIOS // 107-111 LONSDALE ST., MELB 0.1 // PHONE CENT. 5218 // REFERENCE NO [handwrittern] 10043 // POSITION [handwrittern] Btransit police, traffic signals, 1940s, ritter jeppesen studios, poulter, william, william arthur poulter, victoria police museum

Photos loaned for copying as digital images by the Stivey family: Family group on Bend - 9 women, 2 children, 2 men & cartmrs stivey, stivey family, families, fishermans bend

Colour postcard showing a photographed aerial view of the West Gate Bridge. Also visible is the aircraft factory and the industrial area of Fishermens Bendwest gate bridge, engineering - bridges, built environment - industrial, fishermans bend