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Glen Eira Historical Society
Article - Caulfield Park
This file has thirteen items. 1/Typed note date and author unknown, titled development in Caulfield Park, describing the statuses commissioned for the park in 1975. 2/Photocopies undated of photographs of two of the statues. 3/Article dated 19/03/1980 in the Southern Cross newspaper about Caulfield Councils frisbee and golf day at the park. 4/Invitation for Mr. and Mrs. Campbell to attend tree planting ceremony at Caulfield Park on 23/10/1988 to commemorate Raoul Wallenberg. 5/Black and white photograph, undated, photographer unknown, of lake and fountain at Caulfield Park. 6/Three colour photographs dated June 1982 of Caulfield park. 7/Photocopy of photograph of War Memorial at Caulfield Park. 8/Leaflet advertising a parade and fair at the park on 25/05/1997. 9/Two black and white photographs, date and photographer unknown, of conservatory at the park after it burnt down, possibly in the 1920’s. 10/Friends of Caulfield Park newsletter dated July 2007 concerning the council’s plans for the park. 11/Article dated 19/10/2011 from Melbourne Weekly Bayside about the conservatory and its future, includes photograph. 12/Article dated 07/05/2013 in the Glen Eira Leader concerning the council’s plans for the conservatory. Includes dot points that original glasshouse (ex-Ripponlea) destroyed by fire in 1977 and replaced by existing hothouse. 13/Article dated 23/07/2013 from Glen Eira/Port Phillip Leader about public society survey concerning the conservatory’s future.caulfield park, north caulfield, balaclava road, caulfield city council, cannizzo phillip, statues, sculpture, hawthorn road, meserow hale, campbell jack, campbell mrs., braun emil, huppert michelle, wallenberg raoul, fountains, parks and reserves, monuments and memorials, parades and processions, festivals and celebrations, greenhouses, conservatories, catherine street, st aloysius school hall, friends of the caulfield park., caulfield park pavillion, pavilions, sportsgrounds, playing fields, playgrounds, glen eira council, wilde david, pilling neil, lipschutz michael, rippon lea mansion, magee jim, lobo oscar, sounness thomas -
Glen Eira Historical Society
Article - MURRUMBEENA SPINNERS
This file contains four items pertaining to the Murrumbeena Spinners: 1/A printout of an article from the Caulfield Contact, dated 12/12/1986, noting the various community groups, such as the Spinners, that participated during the Murrumbeena Day – part of the Caulfield Festival. Contains three black-and-white photographs: one of five members of the Spinners – Evelyn Townley, Jan Knight, Dot Picot, Joy Barton and Jill Wylie – engaged in weaving; one of another member – Val Woolard – engaged in weaving; and one of members of the Country Women’s Association – Doreen Chapman, Beattie Burns, Nancy Rose and Margaret Mann – displaying their work. 2/A page identifying the persons featured in the first two photographs on the following page, and specifying the photographs’ context. 3/A page to which are attached three black-and-white photographs. The first is of members of the Spinners – who are identified in the previous item – standing in front of Murrumbeena House. The second is a printed copy of the first. The third is of Murrumbeena House itself, sans the Spinners. 4/A file note written by Anne Kilpatrick recording source of photographs and information, with contact details for Heather Poppenbeek for any future research.murrumbeena spinners, murrumbeena house, community groups, community houses, picot dot, barton joy, wylie jill, woolard val, warren jeanette, poppenbeek heather, dipnall merle, dynan judy, weaving, weavers, caulfield contact, murrumbeena day, caulfield festival, festival and celebrations, townley evelyn, knight jan, dimock liz, farr beryl, country women’s association, chapman doreen, burns beattie, rose nancy, mann margaret, ryan brenda, sherlock pam, tanner lorna, mansell mary, handweavers and spinners guild, millroy, dunbar margaret, kilpatrick anne -
Flagstaff Hill Maritime Museum and Village
Equipment - Horse Harness, Glenn's Leather Goods, Early to mid-20th century
The early settlers of Victoria depended on horse drawn vehicles to farm, make roads and railways, deliver produce and transport people. Horse harnesses were an important requisite for all drivers and could be found wherever there were working horses. Horse Harnesses have played an essential role in different cultures throughout history. Simple, utilitarian horse harnesses made of leather straps and iron rings were being used in early China before AD 500 as well as ancient Greece and Rome allowing horses to pull chariots and ploughs. The Greeks and Romans were the first to use a "horse collar" which distributed the weight of the harness evenly across the horse's chest rather than relying on a "throat harness" that could damage a horse's throat or choke them. During the medieval period, European horse harnesses became more elaborate and decorative. Variations of different horse harnesses were also found in Native American and Middle Eastern cultures. Horse Harnesses usually have four basic components which include - 1. Communication - the bridle, bit and reins allows the driver to communicate instructions and commands to the horse, guiding its movement and direction. 2. Draft - the collar, hame straps, hames, traces and chains enables the horse to draw and pull the load efficiently by distributing the weight and transferring the pulling force to the vehicle. 3. Stopping - the breeching band, pole straps and breast strap helps to control or stabilise the horse and vehicle when moving downhill or stopping. 4. Support - the back pad, backband, belly band and back saddle keep the harness in the correct position and proper alignment. This dray harness is a plain, basic harness and reflects its working class origins. It was used by Mr. Oswald (Jack) Bourke with his horse and dray to firstly deliver drygoods from Sunbury to Melbourne in the 1930's and later (through the 1940's and 1950's up to 1961) when he worked on the garbage round for the Springvale City Council. This horse harness is a significant example of the equipment that was needed wherever horses were being used - particularly in the early years of Victoria's settlement by white settlers. Harnesses such as this example were used with drays, farming equipment, delivery carts and personal transportation.A leather and metal horse harness used with a horse and dray circa 1930's to the early 1960's. It is made up of a number of components. 1. A leather bridle with metal buckles and rings, blinkers and a metal single jointed, snaffle bit that has the initials M B stamped onto the leather. 2. A leather bridle with metal buckles and rings and a metal "straight bar" Eggbut snaffle bit. It has an elongated X design (with 4 dots) stamped onto the leather strap holders near each buckle. 3. A blue and white vinyl halter with one leather patched strap. The nose band and a chin strap are covered with woollen padding. 4. A pair of leather shaft protectors. They have lacing holes along each edge and a repeating design of small shapes (flowers, wings, crosses and arrowheads) which run along the front of each protector. 5. A leather strap with a stainless steel chain and catch and a maker's mark for "Glenn's Leather Goods, Pearcedale Victoria" stamped onto the end. 6. A wide leather strap covered with a webbing sleeve. It has two large metal rings and each end and one ring has a rope attached. 7. A leather strap comprised of three separate sections (two shorter and one longer) joined with two metal rings. The longer section has notches along its length and the shorter section at the other end has a buckle. It also had a maker's mark stamped on it but the mark is very worn and the writing is difficult to read. 8. An adjustable leather horse collar with two buckles and straps at the top opening and two "B's" stamped into the leather. The top of the collar is made from treated leather pieces stitched together and the underneath of the collar is untreated leather. It has a padded indentation running all the way around the collar for the hames to sit in. 9. Two pairs of long leather traces - each having a buckle and notched section at one end and each one is made with three lengths of leather spliced together. 10. A leather strap (with one spliced join) belonging to a horse harness with two shorter straps (each ending with a metal clip) attached to a steel D ring at one end. 11. Three assorted short leather straps - the top one has clips at each end and a buckle (for adjusting the length) in the centre, the middle strap has notches and a buckle and the bottom strap is white with notches and a buckle.Bridle with blinkers - "M B" Bridle - design showing an elongated X with a dot in each section stamped onto strap holder Shaft Protectors - stamped design of flowers, wings, crosses and arrowheads Strap with chain - "Glenn's leather goods / Pearcedale / Victoria" Leather Strap (with two metal rings) - Maker's stamp - "name indecipherable / SADDLER / ...OURNE" Collar - "B / B" Leather strap - flagstaff hill maritime museum and village, warrnambool, great ocean road, sunbury, springvale, dray, delivery dray, harness, horse harness, horse drawn vehicles, working horse, oswald (jack) bourke, bridle, horse collar, hames, shaft protectors -
Federation University Historical Collection
Photograph - Black and White, Frank Wright, Coogee Beach, 1923, Easter 1923
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white seascape photograph of a beach curving around to a treed headland at end of the beach. The beach is dotted with people both in and out of the water. The location is Coogee, Sydney.Written in pen on back - The surf at Coogee, Sydney. Easter 1923, F.W. (au)frank wright, coogee beach -
Federation University Historical Collection
Photograph - Photograph - Black and White, Ballarat Teachers' College: Publications Committee for Student Magazine, 1960, 1960
Group photograph of the publications committee at Ballarat Teachers' College, 1960. Each year a magazine was produced outlining the various activities during the year plus student profiles. Seventeen students were on the committee plus a staff representative Large black and white photograph of students, mounted on cardpublications, ian george, mal wordsworth, david cohen, marilyn henshilwood, elizabeth lammin, jacqueline mcgilp, patricia fay, ian mcquie, geoff poynton, heather bell, dawn brown, carol mercer, jill mayo, judy krahe, dot clark, cliff bunn, john scarlett, mr ryan -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - model of Port of Portland, n.d
Port of Portland Authority Archivesport of portland archives, model of port of portland, development -
Ringwood and District Historical Society
Photograph, Ringwood State School Building in Ringwood Street
Black and white photograph - probably from a magazine due to dots - of Ringwood State School -
Bendigo Historical Society Inc.
Clothing - ANDREW - MONSANT COLLECTION: LADIES DRESS - BODICE AND SKIRT, 1909
Waist length dark green cotton bodice. Fabric has alternating stripes of pulled thread pattern and wider stripes of small dot pattern. Front opening with deep V to waist with lined lace insert extending from throat to waist. LHS of bodice fastened to lace insert with five press studs. Stand up collar of lined black lace (%cm) fastened with two hook and eyes. The bodice is made from five pieces. The two front sections have three knife pleats facing out and falling from the shoulder. The pleats are stitched down for twenty cms from the shoulders. On either side of the front opening is decorative embroidered black lace that extends across the shoulders to the back of the collar. There are two side panels from under the arm. The back section has three box pleats falling from the collars and tapering to the waist. The hem of the bodice is fastened with black cotton tape. Leg of mutton sleeves are trimmed with black embroidered brais at elbow and wrist. Lower sleeves have pintucks from elbow to wrist. The sleeves are lined with black cotton fabric. The back of the bodice is lined with black cotton fabric almost to the hem. A three cm piece of white and blue cotton tape is attached across the lower back with cotton ties at either end. The underarm panels are lined with brown cotton fabric and green satin inserted sections. The front has a separate lining with front opening and shaped with darts. Fastened with six buttons and buttonholes. Two shoulder pads on each side- one white piece under the shoulder and a green satin piece under the gathered section of each sleeve. Dark green full length skirt. Cotton fabric with alternating stripes of pulled thread pattern and wider stripe of small dot pattern. Skirt is made of three sections. Centre front panel widens slightly to hemline. Side panels continue around to join at centre back. Darts at both hips to shape sides. Panels widen to hemline. Inverted pleats at either side of back opening create fullness. Back opening(30cm) has insert of black satin joined to LHS of opening to enlarge the opening. Insert attached to waist band with two press studs. Two other press studs attach skirt to RHS of insert. Brown cotton waistband hand stitched to skirt. Ties attached to waistband at back opening- one cotton tape, one satin ribbon. Front centre panel has a piece of black satin stitched as lining from eighteen cm below waist (57cm deep). Stitched across and attached to side seams. Lower edge trimmed with black lace. Second piece of satin lining stitched to centre seam and stitched around the hip to partway across back.(Looks like a nylon petticoat cut in two pieces and stitched inside skirt as a lining). Hemline has fifteen cm piece of cotton lining attached and lower edge of hem has fringed cotton binding attached.. Side seams of front panel have decorative trim of embroidered braid extending seventy-six cms from waist. Braid then turned ninety degrees and continued in a horizontal zig zag line around to centre back seam (both sides) twenty cms above hem. Hand and machine stitched.costume, female, ladies dress- bodice. -
Bendigo Historical Society Inc.
Document - BENDIGO SALEYARDS COLLECTION: B.C.C. CATTLE MARKET CARD
White card with B.C.C. Cattle Market printed at the top. Underneath are dotted lines for the Date, Name and Time. On the back are five columns divided into two with headings SHP and LBS. At the bottom are five dotted lines and the number 2M-3-86.bendigo, council, cattle markets, bendigo saleyards collection - b.c.c. cattle market card -
Bendigo Historical Society Inc.
Book - TELEPHONE DIRECTORY FEBRUARY 1961, February 1961
Soft covered Telephone Directory February 1961. Districts covered are Bendigo, Castlemaine, Charlton, Deniliquin, Echuca, Kerang, Kyneton, Maryborough, Swan Hill. Cover has a green background with an outline of the map of Victoria in white. The Victorian Telephone directory boundaries are indicated and the district covered is shaded with black dots. Some handwritten jottings are written in ink on the cover. The directory contains both white and pink pages.book, bendigo, bendigo history & its people -
Bendigo Historical Society Inc.
Photograph - GOLDEN SQUARE STATE SCHOOL COLLECTION: BENDIGO COMPETITIONS 1931, 1931
Black and white photograph mounted on card, Golden Square State School Choir, Grade VI Runners up school committee shield, Bendigo Competitiond 1931.Paper on back with some names. Fourth row from left: Unknown, Bill Shipp, Steve Hocking, Stan Miller, Roger Wishand, ? Hocking, Ron ?, Laurie Wills. Third row: Norm Pinch, Alan Chisholm, Bessie Millar, Unknown, Unknown, Unknown, Lorna Martin, Unknown. Second row: Edna Allans, Unknown, Eunice Nichols, Esma Tanner, Joan Hargravas, Kate Avenal, Unknown, Beryl Wingrave. Front row: Ivy Tar, Unknown, Unknown, Miss Hamilton, Mr. Newman, Sylv Nieman, Dot Banfeild, Polly Anstee.Kalmabendigo, education, golden square primary school -
Bendigo Historical Society Inc.
Photograph - LONG GULLY HISTORY GROUP COLLECTION: LONG GULLY METHODIST CONCERT PARTY
Black and white copy of the Long Gully Methodist Concert Party (Approx 1960). Photo shows ladies dressed in evening attire. Printed under the photo:- Long Gully Methodist Concert Party (Aprox 1960). Back Row L to R. - Ida Trewerne, Maude Moore, Ethel Genadini, Carole Crossley, Gwenda Meredith, Vivian Mercer, Joyce Trewartha, Beverly Leggo, Jan Collins, Annette Trewartha. Centre Row L to R. - Mavis Grenfell, Lynette Straub, Joan Rosewarne, Joyce Staley, Marg Read, Ethel Leggo, Mavis Rayner, Fernie Thomas, Margaret Trahair, Nell Straub Front Row L to R - Ruth Crossley, Gladys Crossley, Beryl Wearne, Stella Meredith, Dot Williams, Glenda Moore Photo by Leo Hughes.bendigo, history, long gully history group, the long gully history group - long gully methodist concert party, ida trewerne, maude moore, ethel genadini, carole crossley, gwenda meredith, vivian mercer, joyce trewartha, beverly leggo, jan collins, annette trewartha, mavis grenfell, lynette straub, joan rosewarne, joyce staley, marg read, ethel leggo, mavis rayner, fernie thomas, margaret trahair, nell straub, ruth crossley, gladys crossley, beryl wearne, stella meredith, dot williams, glenda moore, leo hughes -
Bendigo Historical Society Inc.
Photograph - FOSTER AND WILSON COLLECTION - PHOTOGRAPH
Black & white photo of a lady in evening wear. She is wearing a floral dress with a wide scooped neckline. She has short, dark hair. She is also wearing an ornate necklace, ear-rings and watch. On the back is written: 'To little Eileen Love From Dot'.photograph, portrait, female, foster & wilson collection, photograph -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS, 1910
2 off white wedding invitation cards and envelopes. Cards have an embossed oval consisting of lines, flowers, scrolls and dots. Inide the oval ' Wedding' is printed in silver. Silver printing inside the cards. Card and insert held together with white cord.British Manufactureperson, greeting cards, malone collection, malone collection, greeting cards -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS
Off white wedding invitation. Embossed oval sonsisting of dots, circles, narrow ovals and scrolls. In the centre is a double silver circle with dots between the lines and inside are two silver hearts. On the left is a sign pointing left with 'Marr' printed on it and on the right is another sign pointing right with 'iage' printed on it. Silver printing inside. Card and insert held together with white cord.person, greeting cards, malone collection, malone collection, wedding invitation -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS, 1910
3 small off white wedding invitation cards with envelopes. The edges are pattern cut. The card has an embossed oval consisting of a line, dots and hearts. Inside the oval, printed in silver is 'Wedding'. Printing inside the carde is silver. Card and insert held together with white cord.British Manufactureperson, greeting cards, malone collection, malone collection, wedding invitation -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS, 1915
Small white card with 'Every Good Wish' printed in green & purple on the front. Around the words are green leaves and purple berries. Above the words is a purple & green check piece with large leaves at the sides. On each side are purple & green balls, the left one with ivy leaves and purple dots below it. Card & insert held together with white cord.person, greeting cards, malone collection, malone collection, greeting cards -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS, 1916
Small white card with narrow raised border and raised dotted area in the centre. Gold circular frame with mauve & purple flowers on it. Inside the frame is a woodland scene with two people walking beneath the trees. 'Best Wishes' printed in gold underneath. Card & insert held together with a cream cord.person, greeting cards, malone collection, malone collection, greeting cards -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS
Small white card with a gold dot & star oval border. At the top and bottom of the oval are some ivy leaves. On the left side is a red, blue, green & yellow strip with gold dot & star edges and scrollwork. Over the strip is a gold area with a blue capital A. Beside the A is a verse printed in gold & brown.person, greeting cards, malone collection, malone collection, greeting cards -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS
Document. Greeting Cards. Creamy white 4 fold card, opening from the centre. Both sides have gold dots along the bottom and along the angle cut at the tops. The left side has 'With sincere wishes' and some flowers printed in silver. The right side has the 4th fold turned back and has light brown and gold cut outs along the curved edge. In the centre are two whitish flowers with gold dotted centres and a bud. Along the top centre edge flowers, leaves and cut-outs extend from the top edge. Inside is printed a verse by S.K.Cowan MA.person, individual, greeting card, malone collection, greeting cards -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS
Document. Greeting Cards. Small, single white card with two pink roses at the top and one at the bottom. The leaves are green and the stems are brown. The flowers have yellow centres and dots of black glitter. The flowers and stems are embossed and there is an embossed frame around the edge. Best Wishes written in gold between the rose stems.person, greeting cards, malone collection, malone collection, greeting cards -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS
Document. Greeting Cards. White card with embossed celluloid front. The front has a gold basket of purple & white flowers with a bow on top. Around the edges are embossed flowers with gold dotted centres. Yours for (printed in gold) Ever (black glitter with gold edge.) printed on the front. Card held together with glue and a mauve ribbon.The 'Erima' Series Published in Londonperson, greeting cards, malone collection, malone collection, greeting cards -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS
Document. Malone Collection. Small white card with embossinf top and bottom. It has a spray of pink rose buds and green leaves. Above the flowers is printed in gold: Kind Thoughts. The K has red lines and the T is printed in red with gold edges. Above and below the T and poartly under the last word is green scrollwork with gold dots. The card and insert are held together with green cord.Printed in Germanyperson, greeting cards, malone collection, malone collection, greeting cards -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS, 1915
Document. Malone Collection. Small white card with narrow raised edge. Towards the left is a silver rectangle with a white and green inner and a bunch of small blue flowers. On the bottom left is a small spray of small blue flowers. On the right is small blue flowers and silver dots twining to the bottom of the card. Inside the top of the flowers (printed in silver) is: Sent in all Sincerity to Greet You.person, greeting cards, malone collection, malone collection, greeting cards -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARD
Malone Collection. Greeting card. Small white card with red & blue flowers And brown border along the top, bottom and right sides. A gold disc with red & blue dots around the top & bottom edges is mounted on a blue pillar with red & gold scrollwork. On the disc is printed a large D printed in red. The D is part of Days many and bright For thee be thy lot, Be it fortune's delight That thou ne'er art forgot. The F & T at the beginning of the lines are printed in blue and the B is printed in red. Some holly at the top and bottom. Given to Miss Malone.person, greeting cards, malone collection, malone collection, greeting card -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARD, 1916
Malone Collection. Greeting card. Small white card with gold, green & red scene with house & trees. Below is a gold pendant shape with a large red W and some gold dots in it. Below are some red roses and green leaves and stems. With kind thoughts is printedon the front. Card & insert held together with pink string. Given to Miss Malone.person, greeting cards, malone collection, malone collection, greeting card -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARD
Malone Collection. Greeting card. Small white card with gold rectangle with Remembrance and all Good Wishes printed on it in brown. Rectangle has green border with gold dots at the edge and a circle of small blue flowers, two with gold in the centre and two with dark blue in the centre. Each side of the rectangle are 3 rows of trailing vine with blue flowers. At the top is a green heart made of green leaves and stems with blue flowers. Card and insert held together with a small blue bow. Given to Miss Malone from two of her students.person, individual, greeting card, malone collection, greeting card -
Bendigo Historical Society Inc.
Document - WELCOME STRANGER CENTENARY, MOLIAGUL, VICTORIA, 5 Feb, 1969
Welcome Stranger Centenary, Moliagul, Victoria, Australia 1869 1969. Replica of 'Welcome Stranger' Nugget, discovered at Bulldog Gully, Moligaul, on February 5, 1869, by John Deason and Richard Oates. History of gold nuggets in Australia in particular the 'Welcome Stranger.' 7 black and white photos. 1st photo is a group taken on site where the 'Welcome Stranger' nugget was discovered at Bulldog Gully, Moliagul, in February, 1869. John Deason is shown holding the shovel, and Richard Oates has the pick. Mrs Deason is seated on the ground. The gross weight of the nugget was 2,520 ounces. The nugget sold for 9,553 pounds and was 98.66 per cent pure gold. Henry Lawson's description of a goldfield would have been typical of Moliagul during the hectic goldrush days a century ago:- ''The yellow mounds of bullock With the spots of red and white, The scattered quartz that glistened Like diamonds in light; The azure line of ridges, The bush of darkest green, The little homes of calico That dotted all the scene.'' This booklet was prepared by Ronald L Carless, of Moliagul, Via Dunolly, and is dedicated to the gold miners who pioneered the Mount Moliagul goldfield.event, back to, welcome stranger centenary, welcome stranger centenary, victoria, australia 1869 1969. discovered at bulldog gully, moligaul, 5, 1869, john deason richard oates. gold nuggets in australia' black and white photos. mrs deason. gross weight of the nugget was 2, 520 ounces. the nugget sold for 9, 553 pounds 98.66 per cent pure gold. henry lawson's:- ''the yellow mounds of bullock with the spots of red and white -
Port Melbourne Historical & Preservation Society
Map, City of Port Melbourne. Parishes of melbourne South. Doutta Galla, c. 1930
City of Port Melbourne. Parishes of Melbourne South. Doutta Galla Copy of map circa 1930, showing Port Melbourne, Station and Town piers. Map is black on white paper with numbered red dots on most residential blocks. 1876 written in ballpoint on bottom - possibly date of first edition, before later additions.built environment, engineering department - city of port melbourne -
Bendigo Historical Society Inc.
Postcard - GLADYS DEAN COLLECTION: POSTCARD, 1906 - 1908
Kodak photographic postcard. Black and white with some green colourisation that has deteriorated. Photograph depicts young ladies, one dressed in Dutch costume sitting on a box on wheels. The second young lady is standing behind holding rope reins and is dressed in fancy dress polka dot patched overalls, blouse and hat. They are both smiling. The rear contains the words Post Card at the top and is otherwise blank.Kodakpostcard