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Flagstaff Hill Maritime Museum and Village
Clothing - Traveller's Apron, Eliza Towns, Circa 1915
This apron is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes - adding her own handmade embroidered or crocheted decorative trim. In March 1915 Eliza travelled to San Francisco to visit her son, James. She went by train to Melbourne ("a pleasant journey on the up express') and the next day caught the express train to Sydney. She noted in her letters home that a " number of young men were going to Sydney to enlist but they had to stop in the corridors most of the way as there was no room for them to sit down". She spent the night on the train and arrived in Sydney the next morning and on the following day she boarded the R.M.S. "Moana" (a steamer which took about twenty-four days to reach San Francisco). She returned from Vancouver about five months later on board the "Manuka". It is very likely Eliza took this "Travelling Apron" with her on her travels. Eliza was travelling by herself and had no one to help her with her dress or her hair. "Travelling Aprons" (also known as Toilet Aprons or Tourist Aprons) were designed with different sized pockets for holding a lady's toiletries - hairbrush, hair pins, comb and sometimes even soap and a powder puff. This allowed the owner, when travelling and getting dressed in small places such as an overnight train compartment or a ship's cabin, to have all her requirements at hand without needing to search for them or have them roll onto the floor. Some of the pockets are finished with buttoned flaps to keep the items in place and when not in use, the apron could be hung up or rolled up and put away. Articles about the "Traveller's Apron" appeared in numerous Women's columns in Australian newspapers in the early 20th century - often with instructions and sometimes a pattern. In the "Age" on Sat 5th October 1907 in a column titled "Feminine Facts and Fancies" the author wrote "No man can appreciate the difficulties of dressing in a "wobbly" train or trying to do one's hair while a ship is weathering a storm". A year earlier (Saturday 24th March 1906) in the same column, the author wrote "... you have to spend nights in a train... forever struggling to dress yourself in a wretched little lavatory. You know how your hairpins and combs jump all over the place ... a train is always at its liveliest when you're trying to do your hair. My travelling apron saved me many a rage."This item is an example of the needlework skills of women in the early 20th century - combining machine stitching with hand embroidery to personalise and embellish a practical domestic object. It is also an excellent (and rare) example of an early 20th century innovation that helped solve the difficulties of privacy and convenience that many women experienced at a time when travel was becoming more accessible to them. A half apron, made of ivory linen with two waist ties and seven pockets. Along the top are two smaller pockets with triangular, buttoned flaps labelled "Hairpins" and "Nailbrush" and one larger unlabelled pocket. Underneath are two larger pockets labelled "Brush & Comb" and "Work" and two unlabelled narrow pockets. The seams are machine stitched and the pockets are outlined with hand embroidered feather stitch. The labels on the pockets are embroidered in stem stitch."Hairpins" / "Nailbrush" / "Brush and Comb" / "Work"flagstaff hill maritime museum and village, nhill, eliza towns, apron, travelling apron, tourist apron, textiles, toilet apron, sewing, embroidery, travel, warrnambool, great ocean road, trains, ships, moana, manuka, feather stitch, stem stitch, fashion, handmade, clothing, charles towns, needlework -
Bendigo Military Museum
Uniform - SHIRT, ARMY, Australian Defence Industries, 1989
Shirt, khaki cotton polyester, short sleeve with shoulder epaulettes. Plastic buttons. Cotton manufacturer's label back, below collar with black print information. Size stamp on inside collar. handwritten owner's label - bottom back of shirt.Cotton label information - black ink print. "ADI P/I /1989/^/size 40/R405.66.093.8019/Service No./Name/ DO NOT BOIL OR WRING./ MACHINE WASHABLE/ DRIP DRY, IRON LIGHTLY/ WITH WARM IRON" Black ink stamp on collar "SIZE 40". Bottom back shirt - black ink handwritten "320 4573 GREEN".uniform, army, shirt -
Bendigo Military Museum
Uniform - SHIRT, ARMY, Australian Defence Industries, 1992
Shirt - Khaki, polyester cotton, short sleeve with shoulder epaulettes and plastic buttons. Right shoulder patch parachute wings, dark red and white embroidery on khaki patch. Left shoulder patch - "THE AUSTRALIAN ARMY" Gold and red embroidery on khaki patch, Rising Sun and Crown. Cotton manufacturers label on back below collar with black print information and owner's label.Cotton label information - black ink print. "ADI/ 1992/^/ SIZE 44/ 8405.66.133.5959/ SERVICE NO/ NAME/ 65% POLYESTER/ 35% COTTON/ DO NOT BOIL OR WRING/ MACHINE WASHABLE/ DRIP DRY, IRON LIGHTLY/ WITH WARM IRON" Handwritten blue ink "SCOTT" uniform, army, shirt -
Churchill Island Heritage Farm
Clothing - Lace Trim
This is a machine made copy of a Brussels lace applique or Brussels Point border which has most likely been cut from a larger piece, perhaps a wedding veil or a net for a baby’s cradle. There are two main types under the Brussels lace heading, one is Brussels Pillow lace which is a bobbin lace and the other is Brussels Point lace which is needle run. Belgium or Flanders was one of the premium lace making centres in Europe for two reasons, one that the flax grown in the region was of a very high quality and secondly the highly skilled lace workers living in the area. The flax harvest and linen production was jealously guarded and along with neighbouring Holland which in the 16th century was joined to Belgium as Spanish Netherlands, there were many flat areas to lay out the linen for bleaching in the sun. The flax was spun into the finest linen thread in rooms kept damp to prevent the thread from becoming too brittle and the one ray of sunlight allowed was directed onto the thread. The quality of the linen made Brussels lace extremely popular for centuries and it kept pace with the changing fashions of Europe. Not all of the lace labelled as ‘Brussels’ comes from that area, the name has been given as a type rather than a source and there are many types of lace under that name. Because of the quality and the standard of the linen used, Belgian lace was one of the last types of lace to be imitated in the 19th century by mass production machinery. Because of the close chain stitch evident in this piece, a Cornelly machine may have been used to embroider this design onto machine made net.Churchill Island has a large lace collection, which was added to by three successive generations of the Amess family - Jane, Janet, and Unity. The Amess family owned Churchill Island from 1872 to 1929. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island. The examples of lace are notable for their variety, and provide respresentative examples of techniques from the late nineteenth to the early twentieth centuries. Length of lace trim, with finely worked sprays of flowers intertwined with foliage and abstracted branches.Package with note "LIMERICK LACE TRIMMINGS"lace, janet amess lace collection, churchill island, amess, trim -
Melbourne Tram Museum
Sign - Adhesive label, Metlink, c2009
Circular adhesive labels for fitting to Metcard machines to advise that tickets had been automatically validated when purchased from the machine. Applied to tramcars only. Two copies held.trams, tramways, metcard, metlink, signs, tramcars -
Melbourne Tram Museum
Sign - Adhesive label, Metlink, c2005
Adhesive labels for fitting to a location near Metcard machines to advise passengers what type of concession ticket could be used on Melbourne public transport. Has a phone number and a Victrip website address. Has the Metcard logo in the top left hand corner.trams, tramways, metcard, metlink, signs, tramcars -
Melbourne Tram Museum
Sign - Adhesive label, Metlink, 2001
Adhesive labels for fitting to a Metcard machines to advise passengers how to purchase Metcard tickets. Shows a Metcard - 3 zone map, which buttons to use and fares effective 1/1/2001. Notes includes GST and provide a contact phone number - no web address. Has the Metcard logo in the top left hand corner.trams, tramways, metcard, metlink, signs, tramcars -
Melbourne Tram Museum
Functional object - Digital memory module, KDM, c1995
Digital Memory module, or Portable Memory Key, equivalent in type to a USB stick, black plastic with sliding mechanism to protect 8 copper contact strips with a digital memory area at one end. Stamped into the memory area part number "109 13858 512K KDM", indicating it had a memory storage of 512Kb. Above the number are the remains of a white bar-code label. Has as key type appearance. .1 - Numbered in white numerals "08330705" .2 - ditto "120703350" Advised by Adam Chandler 20-11-2017: They were used by tram and bus drivers. The PM (portable memory) key was issued to each driver. At the start of a shift, the driver would put it into a cream-coloured terminal at the sign-on point (starter's office in the depot) and transfer their shift information onto the key. Once the driver reached the vehicle, they put the key into the black-coloured terminal (tram driver's keypad - TDKP or bus driver's keypad) to upload the shift data to the vehicle. This was also the method used to transfer the 'blacklist' of periodical passes that had been stolen or misappropriated to each vehicle. IE if an annual Metcard had been stolen, once the holder reported it to Metcard they would blacklist the ticket number and this would be sent out to every depot and piece of equipment. From memory there were 100 slots in the blacklist. When a tram driver was finishing their shift (either being taken or running in) they would transfer all of the validations and ticket sale information to the PM key by inserting it a few minutes before the end of shift and downloading all of this data from the vehicle. They would then be required, on arriving back at the starter's office, to insert the key in the cream coloured terminal once more and copy all of the information across to the main system. Bus drivers also issued tickets from their BDKPs so the black PM key was also used for ensuring the accounting information was copied across to the main system. My memory might be faulty but I recall using them at railway stations with the Booking Office Machines (for starting and finishing shifts). No transfer of ticket issuance data however, as there was a computer equipment cabinet at each railway station with a DSL or cable link back to the OneLink central computers (in the revenue clearing house) I don't know what happened with the MTH cars on the Stony Point rail line but I could presume that there was a cabinet with a TDKP equivalent in it and a similar procedure for start and finish of shift.trams, tramways, ticket machines, metcard -
Melbourne Tram Museum
Sign - Adhesive label, Metcard, "Coin Only - ticket machine on this tram", c2000
... - Adhesive label or sign for use on the coin only ticketing machines ....1 - Adhesive label or sign for use on the coin only ticketing machines on trams. Has Metcard logo and the Metlink logo. Label has rounded corners. On the rear has two sheets of paper which can removed, with Avery Graphics logo and website name. Three copies held - one from Adam Chandler and two from M. Sainsbery. .2 - as above but with a larger Metcard logo but no Metlink logo. One copy, donated by Michael Sainsbery - added 23/3/15.trams, tramways, tickets, metcard, metlink, ticket machines -
Melbourne Tram Museum
Sign - Adhesive label, Metcard, "How to validate", "Insert and remove your Metcard", c2000
... Trams tramways Tickets Metcard Metlink Ticket Machines ...Adhesive label or sign for use on the Metcard tram validators. .1 - long vertical label that was affixed to the front of a validator with the words "How to validate", showing how to insert your Metcard. Has the Metcard logo. .2 - small label instructing people to insert and remove their Metcard - 2 copies held.trams, tramways, tickets, metcard, metlink, ticket machines, validators -
Melbourne Tram Museum
Sign - Adhesive label, Metlink, c2009
Set of three Adhesive Label or Signs for use on Metcard machines or adjacent surface with the Metcard and Metlink logos of the type that where adhered directly to the machine - printed on a vinyl based Avery paper. .1 - "How to travel on a Concession Card" - with images of the various cards. .2 - "How to purchased your Metcard" .3 - "Purchasing the correct Metcard" - fares effective 1 Jan. 2009 - zones 1 and two only.trams, tramways, metcard, metlink, signs, tramcars -
Melbourne Tram Museum
Ephemera - Ticket/s, Transport Ticketing Authority, Metcard tickets bulk, Apr. 2012
Cardboard box contain unused Metcard tickets - ticket nos 218282001 to 218283000 - 1000 unused tickets folded by 2. Used to reload a Metcard machine. In the side of the box has a label "10-4-12" - most likely the printing date.trams, tramways, metcard, ticket machines, tvm, tickets -
Melbourne Tram Museum
Sign - Adhesive label, Metcard, "Validate your Metcard here", c2000
... Validators Adhesive label or sign for use on the Metcard machines ...Adhesive label or sign for use on the Metcard machines ""Validate your Metcard here", blue background with white writing. Has the "Metcard" logo on the right hand side. Five copies held.trams, tramways, tickets, metcard, metlink, ticket machines, validators -
Melbourne Tram Museum
Sign - Adhesive label, 3M, "City Saver" & "Seniors Daily", c2000
... Trams tramways Tickets Metcard Metlink Ticket Machines ...Adhesive label or sign for use on the Metcard machines ""City Saver" in green and white letters and "Seniors Daily" in yellow and black letters. Printed on 3M label paper and punched to fit onto the machines. Three copies of each held.trams, tramways, tickets, metcard, metlink, ticket machines, validators, fares -
Flagstaff Hill Maritime Museum and Village
Audio - Phonograph Horn, Thomas A. Edison, Edison Laboratory, c.1909
This external horn is part of an Edison Fireside Phonograph made in c.1909. The horn was attached to the machine when in use. The rings on the side of the horn allowed the horn to be suspended above the machine. The narrow opening on the horn was attached to the sound outlet on the machine and the conical shape of the horn amplified the sound. The horn was suspended to allow a clear sound. This was done by attaching the ring fitted to the outside of the horn to a chain or chord, which in turn was attached to a curved wire fitted to the phonograph machine. The phonograph machine was invented by Thomas Alva Edison in the late 19th century. Edison adapted the idea used when sending messages over a telegraph machine. He patented the phonograph in early 1878. The phonograph was able to record sound and play it back sound. This amazing invention opened up a whole new world of entertainments, where wax cylinders of pre-recorded sound could be purchased with a wide variety of music and played over and over. The first wax cylinders were white and used a combination of bees' wax and animal fax or tallow. By 1892 Edison was using 'brown wax' cylinders that ranged from cream through to dark brown. The Edison Phonograph Company was formed in 1887 to produce these machines. He sold the company in 1855 to the North American Phonograph Company but bought that company in 1890. He started the Edison Spring Motor factory in 1895 and then the National Phonograph Company in 1896. In 1910 the company became Thomas A. Edison Inc. In 1898 Edison produced the Edison Standard Phonograph, the first phonograph to carry his own trade mark. He began mass producing duplicate copies of his wax cylinders in 1901 using moulds instead of engraving the cylinders. The wax was black and harder than the brown wax. The ends of the cylinders were bevelled so that the title's label could be added. The last phonograph machine to use an external horn was produced in 1912 due to the much more robust records being invented. In 1913 Edison started producing the Edison Disc Phonograph. The company stopped trading in 1929. [NOTE: a phonograph machine plays cylinders, a gramophone plays records]This Edison external phonograph horn is significant for its connection to the c.1909 Edison Fireside phonograph model. The phonograph machine brought a new era of music into the homes of everyday people but was only popular for a few decades due to the growing popularity of records, which gave a much higher quality sound and were more robust.Phonograph horn; open horn, a conical shape with the lower part flaring out. The horn's shape on the opening half is octagonal, made from eight joined sheets of metal with a scalloped finish at the opening. The narrow end is hollow and ready to fit onto a phonograph outlet. There are two rings attached together on the side of the horn, perhaps for storing on a hook. The inner surface of the horn has remnants of deep red paint. This horn is from the Edison Fireside phonograph. (There is a mark on the outside of the horn where the Edison brand would be)flagstaff hill, maritime museum, maritime village, warrnambool, great ocean road, shipwreck coast, gramophone, phonograph, music player, entertainment, audio equipment, edison, thomas a edison, horn, phonograph horn, amplifier, audio, sound recording, sound playback, phonograph machine, external horn, edison phonograph company, wax cylinders, edison spring motor factory, national phonograph company, thomas a. edison inc, phonographic cylinder, sound reproduction -
National Vietnam Veterans Museum (NVVM)
Booklet, Australian Army, Australian Army: Manual Of Land Warfare, Part Two, Infantry Training Vol 4 Pamphlet No: 6, Machine Gun 7.62mm L4 A4, 1979
A blie coloured cover with the number 13 written on a white label and stuck on the top left hand side. There are two punch holes down the left hand side. The is a hand written number 3 on the bottom right had side.australia - armed forces - service manuals, m 60 machine gun 7.62 -
Bendigo Military Museum
Uniform - SHIRT, TROUSERS - COMBAT DRESS ARMY, Australian Defence Industries, 2018
AMCU (Australia Multi Camouflage Uniform) Combat Dress colours - light to dark green through to mid to dark brown. Cotton/polyester fabric. Green colour plastic buttons. Nylon and metal zippers. 1. Shirt - polo style, with collar, long sleeves with adjustable velcro and strap at cuff. Two large sleeve pockets with hook and pile closure flaps, one small pocket left sleeve. Half zipper closure. Front and back of shirt - plain khaki colour knit fabric. No manufacturers label. 2. Trousers - waist band with belt loops, two front pockets, two large side pockets with zipper closure, two small pockets with hook and pile flap closure, zipper fly. White colour polyester fabric manufacturers label on right pocket lining. Green cotton fabric pocket lining. At ankle - elastic drawstring with plastic lock clip.Manufacturers information on label - black ink print. 2. "ADA/ MADE IN AUSTRALIA/ NOV 2018/ PO: CC36LD/ NSN:8415 66 161 6292/ SIZE: 34l/ 84-89 cm/^/ NAME/ PM KEYS NO:/ MAIN:/ 75% COTON/ 25% POLYESTER/ STRETCH/ 91% NYLON 9% ELASTANE/ KNEE PADS MUST BE REMOVED BEFORE/ CLEANING. HOT MACHINE/WASH. NO BLEACH/ NO FABRIC SOFTENERS/ MAY BE TUMBLE DRIED HOT/ DO NOT IRON OVER/ STRETCH PANELS OR HOOK AND PILE" .uniform, army, combat dress, amcu -
Bendigo Military Museum
Uniform - TROUSERS - COMBAT DRESS, ARMY, Australian Defence Industries, 2019
AMCU (Australian Multi Camouflage Uniform) Combat Dress colours - light to dark green through to mid to dark brown. Cotton/polyester fabric. Green colour plastic button. Nylon and metal zipper. Trousers - waist band with belt loops, two front pockets, two large side pockets with zipper closure, two small lower pockets with hook and pile flap closure, zipper fly. green cotton fabric pocket lining. At ankle - elastic drawstring with plastic lock clip. White colour polyester fabric manufacturers label on right pocket lining. Light khaki colour plastic knee pads insitu. Manufacturers information on label - black ink print. "ADA/ MADE IN AUSTRALIA/ FED 2019/ PO: CC3623/ NSN: 84155 66 161 6287/ SIZE 32R ( 79-84 cm/ ^/ NAME:/ PM KEYS:/ MAIN: /75% COTTON/ 25% POLYESTER/ STRETCH:/ 91% NYLON 9% ELSATANE/ KNEE PAD MUST BE/ REMOVED BEFORE/ CLEANING HOT MACHINE/ WASH, NO BLEACH/ NO FABRIC SOFTENERS/ MAY BE TUMBLE DRIED HOT/ DO NOT IRON OVER STRETCH PANELS/ OR HOOK AND PILE".uniform, army, combat dress, amcu -
Bendigo Military Museum
Uniform - TROUSERS, WORK DRESS - ARMY, 2003
DCPU (Disruptive Pattern Camouflage Uniform) Work dress trousers. Colours - light to dark green through to mid to dark brown. Gore-Tex (Polyester/laminate) type fabric for wet weather. Worn as overpants. Drawstring cotton cord at waistband, with plastic look clip. Two side pockets, at ankles loop and hoop adjustable strap. White colour polyester fabric manufacturers label, inside back waist band.Manufacturers information on label - black ink print. " REFLECTIVE/ IMAGES/ O/N G5.202857/ N/S/N 8405/66/145/7099/ AUG 2003/ BATCH: 912726/0004/ SIZE: XL- 82 CM/ NAME:/ SERVICE/ CARE INSTRUCTIONS/ DRY CLEANABLE/ MACHINE WASHABLE 40dc/ DO NOT BLEACH/ DO NOT SPIN DRY/ DO NOT WRING/ HANG TO DRY/ LIGHT/ COOL IRON".uniform, army, work dress, dpcu, trousers -
Bendigo Military Museum
Uniform - UNIFORM , CAMOUFLAGE, ARMY, Australian Defence Industries, 1989 - 1990
Uniformissued to and worn by D. Angus.1. Shirt - camouflage jungle pattern green and brown colours, polyester/cotton fabric with long sleeves, shoulder epaulettes, two front pockets with button down flap, green plastic buttons. Left shoulder patch with Rising Sun, Crown and 'THE AUSTRALIAN ARMY". Two rank insignia on sleeve - one stripe - Lance Corporal, Cotton manufacturers label, green with black print information, very faded. 2. Trousers - camouflage jungle pattern green and brown, polyester/cotton fabric. Green colour plastic buttons. Five button fly, two front inside pockets with two button down flaps. two side pockets, button down belt loops. Waist and pocket lining - polyester/cotton fabric. Green cotton manufacturers label on side pocket lining.1. & 2. Green cotton fabric label information - black ink print. 1. "ADI/VICTORIA 1989/^/ 8415.66.130.0028/ SIZE 100 S/ NAME/ SERVICE NO/ MACHINE WASHABLE/ DRIP DRY ONLY/ DO OT IRON/ DO NOT STARCH/ DO NOT BLEACH" Handwritten red ink "ANGUS" . 2. "ADI P/L/ VICTORIA/ 1996/ 6/ 8415.66.130.004 ?/ SIZE 92S/ NAME/ SERVICE NO/ MACHINE WASHABLE/ DRIP DRY ONLY/ DO NOT IRON/ DO NOT STARCH/ DO NOT BLEACH."uniform, army, camouflage work dress\ -
Bendigo Military Museum
Uniform - SHIRT, TROUSERS, WORK DRESS - ARMY, Australian Defence Industries, 2008
DPCU (Disruptive Pattern Camouflage Uniform) work dress. Colours light to dark green through to light to dark brown. Cotton/polyester fabric. Dark green colour plastic buttons. 1. Shirt - new style, collar, one front epaulette, two front pockets with nylon/metal zipper closure, two sleeve pockets with concealed button closure flaps. White polyester fabric. Manufacturers label, back below collar. Print illegible. 2. Trousers - new style. Two side pockets, two large patch side pockets with nylon metal zipper, one back pocket. Belt loops and nylon/metal zipper fly. Khaki colour cotton fabric pocket lining. White polyester fabric manufacturers label on front right pocket lining. Ankle elastic drawstring.Manufacturers information on label - black ink print. 2. "ADA/ VICTORIA 2008/ ^ / SPECIFICATION ARMY (AUST) 6542/ NSN 8415 66 152 1054/ SIZE 85R/ NAME/ SERVICE NO/ 75% COTTON 25% POLYESTER/ WARM MACHINE WASH 40 deg c/ RINSE WELL WARM IRON/ DO NOT IRON OVER HOOK AND PILE/ DO NOT BLEACH/ DO NOT STARCH/ MAY BE TUMBLED DRY 40dc/ MADE IN AUSTRALIA."uniform, army, work dress, dpcu -
Bendigo Military Museum
Uniform - JACKET, WORK DRESS - ARMY, Australian Defence Industries, 2008
DCPU (Disruptive Pattern Camouflage Uniform) Work dress jacket - Colours light to dark green through to light to dark brown. Gore-Tex fabric for wet weather. Hood with peak and elastic drawstring with plastic lock clip. Plastic/metal two ended zipper and metal press studs - front fastening. Two front pockets with loop and hook (Velcro) fasteners. Two interior nylon mesh pocket with zipper. Sleeves at wrist - loop and hook adjustable strap. White colour polyester fabric manufacturers label on front zipper. Manufacturers information on label - black ink print. Label 1 "GSSM/www.gssm.com.au/MAR 2008/O/N 248007/ N/S/N 8415 - 66 - 145- 7093/ SIZE:L/ CHEST: 100-110CM /NAME/SERVICE" "CARE INSTRUCTIONS/ MACHINE WASHABLE: 40c/ DO NOT BLEACH/ DO NOT SPIN DRY/ DO NOT WRING/HAND TO DRY/ LIGHT/ COOL IRON/ FABRIC CONTENT/ FACE/LINER: 100% POLYESTER/ LAMINATE: PTFE" Label 2. "BATCH NO./5301011". uniform, army, work dress, dpcu -
Vision Australia
Functional object - Object, Specto Ltd, Clarke and Smith talking book machine with tapete
In 1965 the Clarke & Smith Talking Book Cassette Cartridge made it's debut at the Olympia Show. Popularly known as a 'tapete', it weighed considerably less than the earlier book cassette cartridges and allowed for up to 6 tracks (13 hours recording time) to be played.Clarke and Smith talking book cassette cartridge player consisting of plastic rectangular case with buttons for navigational controls, light green front and top of machine and darker green on sides, power cord and 5 buttons. Also includes tapete "Words for murder perhaps" by Edward Candy and ready by Stanley Pritchard.Clarke & Smith Track change Play -- Off Volume Phones This equipment remains the property of the Braille & Talking Book Library, 31-51 Commercial Road, South Yarra, 3141. Phone: (03) 267 6022 Dyna Tape labels: J21075 Play Rewindaudio equipment, clarke and smith -
Bendigo Military Museum
Manual - MANUAL, WEAPON, British War Office
Items in the collection reLt. Col. J.W. Swatton, refer Cat No 6719.2P for his service details.This compendium has numerous weapon pamphlets. they are all held within an overall blue buckram cardboard cover. The whole assembly is held with a black shoe lace. The Aust Coat of Arms is top center. 1. Inf PL weapons PAM 1 1948 General. 2. Inf Trg Vol 1 PAM 2 1948 Fieldcraft. 3. Inf Trg Vol 1 PAM 3 1948 Rife & Bayonet. 4. Inf Trg Vol 1 PAM 4 Aust 1949 Machine carbines. 5. Owen Gun Instruction book (includes exploded diagram of parts) 6. Inf Trg Vol 1 PAM 6 The light machine gun 1948 - Bren. 7. Inf Trg Vol 1 PAM 7 Grenades 1951 8. Inf Trg Vol 1 PAM 7* 1951 Australian supplement. 9. Inf Trg Vol 1 PAM 8 The 2 inch mortar 1949 10. Inf Trg Vol 1 PAM 11 Exercising Trained soldiers 1949. 11. Inf Trg Vol 1 PAM 12 Fire Centra & Theory small arms Fire 1949. 12. Small arms Trg Vol 1 PAM 2 Aust - Application of Fire 1945. 13. Small arms Trg Vol 1 PAM 7 - Aust - .303 inch M.G. 1943 14. Small Arms Trg Vol 1 PAM 11 Aust - Pistol 1943. On cover of first manual in ink is "Cpl Swatton" On rear cover is a white sticky label printed on it is ; "On loan from the Estate of Colonel J.W. Swatton" Ref No. JWS M3Y.passchendaele barracks trust, military weapons -
Bendigo Military Museum
Manual - RANGE TABLE FOR .303 inch VICKERS MACHINE GUN, HM Stationary Office
Items in the collection re Lt Col J. Swatton, refer Cat No 6719.2P for his service details. This is a small pocket size booklet. Cover is red buckram. It has 14 pages printed of words and range charts. There are 3 blank sheets as well. Printed on the front cover is the title as above. A note refers to Army orders Feb 1937. There are some drawings of flags at mast head to indicate wind speed.Written inside front cover in pencil. "P.I.M.S.L.R.O". (+ something illegible). Written on back cover, in pencil, "Miss A Parker, 170 Forest 1487". On the outside rear is a sticky label with the words - "On loan from the Estate of Colonel J.W. Swatton Ref No. JWS M/!"passchendaele barracks trust, machine gun, vickers -
Melbourne Tram Museum
Photograph - Malvern Depot - traffic employees, c1919
... Under the print is a letter machine blue / white Dymo label... machine blue / white Dymo label under - "KEW DEPOT" Black ...Photograph of some 94 traffic staff in front of the Malvern Depot, possibly near the time of the MMTB absorption of the PMTT. The employees are wearing two different styles of uniforms (63 dark and 31 light) all with caps. Shows the roller doors at the top of the depot and the overhead trolley mechanism that allowed the doors to close and bypass the trolley wire. There are four trams behind the men - each showing a different destination - Windsor, Esplanade, Mont Albert and Burke Road. The three cars on the right appear to be C class cars. Yields information about PMTT depot employees c1919Black and white print mounted onto a light brown card Under the print is a letter machine blue / white Dymo label under - "KEW DEPOT"tramways, personnel, uniforms, destination boxes, pmtt, mmtb, trams, c class, malvern depot -
Bendigo Military Museum
Uniform - POLYESTER UNIFORM, ARMY, Australian Defence Industries
1. Shirt - Khaki, polyester/cotton fabric, long sleeves with button cuffs, shoulder epaulettes, two front pockets with button down flap, brown plastic buttons. Cotton manufacturers labels top back of shirt and bottom back of shirt, with black print information. 2. Trousers - Khaki, polyester/cotton fabric, fob pocket, two side pockets, on back pocket with button down flap, metal zipper fly, brown plastic buttons. Three cotton manufacturers labels inside back waistband and back pocket lining with black print information. Polyester lining waistband and pockets. 3. Necktie - khaki cotton knit fabric with unfinished ends. 4. Lanyard - gold cotton cord with knots.Cotton label information - black ink print. 1. Top back of shirt "CLASS - 8405/66 - 017-2261/REGIMENTAL NO./NAME". Bottom back of shirt 'MACHINE WASHABLE/DO NOT BOIL/ DRIP DRY/ WARM IRON/ SALIO/ VICTORIA, 1966^" 2. Back right inside waistband "REGIMENTAL NO./ NAME". Back left inside waistband "Dry clean only/ repress on original creases/ use damp cloth or medium/TO HOT STEAM IRON/ Mending patch attached". Label on back pocket lining. John Sackville - sons/ -Aust - Pty Ltd/ Victoria 1966/^ size 31 RB/ W.31" 1/L 30 1/2/ CLASS 8405/66-018-5518. uniform, army, polyesters -
Bendigo Military Museum
Uniform - SHIRT, ARMY, Australian Defence Industries
Shirt - camouflage jungle green and brown, polyester/cotton fabric, with long sleeves, shoulder epaulettes, two front pockets with button down flap and one sleeve pocket with button down flap, plastic buttons. Two rank insignia on sleeves - Corporal. Cotton manufacturers label, green, with black print information. Green cotton label information - black ink print: "ADI/VICTORIA/^/ 8415-66.130.0032/ SIZE 92R/ SERVICE NO./ NAME/ 50% Polyester/ 50% Cotton/MACHINE WASHABLE/ DRIP DRY ONLY/ DO NOT IRON/ DO NOT STARCH/ DO NOT BLEACH" uniform, army, camouflage wear -
Warrnambool and District Historical Society Inc.
Pouch, Leather packets & Cello string, Early 20th century
These cello strings belonged to Edith Jacobs (nee Larwill) who was prominent in music circles in Queensland before her marriage to Henry Jacobs, a Warrnanbool Estate Agent and Auctioneer during the 1940s and 50s. Edith Jacobs featured in many concerts and musical entertainments in Warrnambool during the middle years of the 20th century. Her son, Frank Jacobs was a prominent businessman in Warrnambool in the 70s, 80s and 90s and the wallet was either made by him or for him. These items are of some significance as they belonged to Edith Jacobs, a musician who was prominent in the Warrnambool musical scene in Warrnambool in the 1940s and 50s.This is a light brown leather wallet, hand made with two fringed areas, one on the top covering. There is some machine stitching and some hand stitching (repairs)The wallet is lined with cream-coloured silk and the back of the wallet has an etching of an emu. The opening has two press studs for closing the cover. There are also three paper packets containing cello strings. Two of the strings are loose in the packets. Label stitched on – ‘Frank H. Jacobs’ Etching of emu Strings – ‘Calizi Tru-tested Strings, Cello, G or 3rd, Wound on selected gut, Made in England, J. E D. & S Ltd.’ ‘Conservatoire, Cello, A gut, Reliable and Durable, No. 1620, J.E.D.& S. Ltd’ edith jacobs (larwill), cello, cello strings, warrnambool -
Bendigo Military Museum
Textile - BLANKET, WOOL, WAGGA, Unknown
Derych Victor Lawes VX22625 enlisted 30 May 1940, age 25 years 3 mths. Embarked 14 Sept 1940 for Middle East. Rose through the ranks to S/Sgt Weapons Instructor Palestine. Disembarked Aust 29.4.1942. From 19.1.1945 Acting WO1 at HQ Small Arms School Bonegilla. Discharged 18 Dec 1945. Blanket - wool, machine stitched patches of brown toned wool blankets. Yellow numbers have been stitched by hand (no reason given for the numbers.)White label - handwritten in biro on white tape ""D. LAWES 473092"on one corner. Yellow wool handstitched numbers in various positions on the blanket. "8926, 10830, 10752, 107, 6". craft, blanket, wagga blanket, d lawes