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Eltham District Historical Society Inc
Document - Series Listing, Fraser Faithfull et al, Series 59: Eltham Library Staff Anne Day and Mary Robertson, 22 photographs, 2000
22 sepia snapshots of library staff members Ann Day and Mary Robertson at work.shire of eltham archives, series listing -
Eltham District Historical Society Inc
Document - Series Listing, Fraser Faithfull et al, Series 60: Eltham Library Staff Anne Day and Mary Robertson, 13 negatives, 2000
13 Black and White negatives of library staff members Ann Day and Mary Robertson at work.shire of eltham archives, series listing -
Eltham District Historical Society Inc
Document - Folder, Mackillop, Mary, 1999
Photocopies from published biographies of Sister Mary Mackillop (to become Australia's first Saint) particularly relating to her parents history in Port Phillip. Mary MacKillop unveiled by Lesley O'Brien (1994) p 14 - 17, The Extraordinary Australian Mary Mackillop by Paul S. Gardiner (1993) p 10 - 13, Mary mackillop a woman before her time by William Modystack (1982) and one other unsourced book. Sections marked relating to the family living on Merri Creek and Darebin Creek and The Plenty in the 1840s after Mary's birth in 1842.15 pagesHG Booklet 20harry gilham collection, mary mckillop, mckillop family, port phillip, merri creek, darebin creek, the plenty -
Eltham District Historical Society Inc
Slide - Photograph, Monument with time capsule, Eltham Community Centre, Main Road, Eltham, c.Mar. 1989
The monument with time capsule was established by the Shire of Eltham Historical Society to commemorate Victoria’s 150th anniversary and mark the former location of the Eltham Town Centre, which existed along this section of Main Road, then known as Maria Street. The unveiling was conducted 10 November 1985 by Cr. Mary Grant (Shire President). The monument was constructed with a concrete base and the main feature is an old tyring plate or disc. The Time Capsule Ceremony involved lowering the sealed time capsule into place, bolting down its container lid and then concreting over the lid. The capsule contains items relating to present day (1985) Eltham and its people including a video film made by Joh Ebeli and also details of families and organizations who have contributed to construction of the monument. It is to be opened in the year 2035. The Society received an excellent response from local people, firms and organizations by way of assistance with this project. Graham Beyer, who originated the project, arranged many of the donations. He and his firm, Package Handling Equipment, donated the time capsule itself and carried out fabrication of sections of the monument. The design of the monument was adapted by Graham Beyer from drawings by Joh Ebeli. Charmac Industries donated the container for the time capsule and a cast gun metal name plate for the monument. BMG Concrete donated concrete for the base which was constructed by Caridi Construction Company. Northbourne Garden Supplies donated materials for the paving around the monument. Robert Becker from Eltham Apex directed construction of the paving by Society members. Terry Hutchinson donated the use of his crane to lift the tyring disc into place. Financial contributions were also made by the Eltham Chamber of Commerce and the Rotary Club of Eltham. In 1987 in commemoration of the Society’s 20th Anniversary, Joh Ebeli suggested the commissioning of a plaque to be added which explains the functions of the various items used in the Society’s Victorian 150th Anniversary Monument and this was unveiled by its designer, Joh Ebeli, on October 10, 1987.35mm colour positive transparency (1 of 28) Mount - Kodak KodachromeProcess Date MAR 89Meltham, eltham community centre, monument, time capsule -
Eltham District Historical Society Inc
Slide - Photograph, Birch Cottage, Yarra Glen Road, Christmas Hills, c.Mar. 1989
Historical property that sits beside Watsons Creek. In 1903 a Miners Right of one acre in area was granted to Edwin Samuel Birch. In 1907 Birch applied to purchase this land but was unable to because it was part of the creek reserve. The house existed at that time. Birch died in 1932 and his daughter Honor Mary Birch was granted a permit to occupy the residence. The future of the cottage remains precarious because of its location on Crown land. In 2007 the Andrew Ross Museum began a campaign to ensure its preservation - NL18235mm colour positive transparency (1 of 28) Mount - Kodak KodachromeProcess Date MAR 89Mbirch cottage, christmas hills, smiths gully, watson's creek, yarra glen road -
Eltham District Historical Society Inc
Slide - Photograph, Birch Cottage, Yarra Glen Road, Christmas Hills, c.Mar. 1989
Historical property that sits beside Watsons Creek. In 1903 a Miners Right of one acre in area was granted to Edwin Samuel Birch. In 1907 Birch applied to purchase this land but was unable to because it was part of the creek reserve. The house existed at that time. Birch died in 1932 and his daughter Honor Mary Birch was granted a permit to occupy the residence. The future of the cottage remains precarious because of its location on Crown land. In 2007 the Andrew Ross Museum began a campaign to ensure its preservation - NL18235mm colour positive transparency (1 of 28) Mount - Kodak KodachromeProcess Date MAR 89Mbirch cottage, christmas hills, smiths gully, watson's creek, yarra glen road -
Eltham District Historical Society Inc
Photograph, Margaret Ball, 111 Pitt Street, Eltham, c. June 1999, 1999
Owner 1970s-1980s: Daniel John Bishop and Beverley Joan Bishop (Norman Joseph Bishop and Mary O'Shea Bishop lived at No. 102).The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Colour photographic print eltham, houses, streets, margaret ball (pre 1960s houses) collection, pitt street -
Eltham District Historical Society Inc
Document, Mary Owen, Mary Owen's speech at the unveiling of the Memorial Plaque to her grandfather, Walter Withers, at Walter Withers Reserve, cnr Arthur and Bible Streets, Eltham, 13 October 1990, 1990
Mary Owen was the granddaughter of Walter WithersA4 cream copy paper, typed, 5 pagesdedication, mary owen (walter withers granddaughter), walter withers rock -
Eltham District Historical Society Inc
Photograph, Auntie Jenny, Alice Maude Mary Joyce Howard, Merlyn Joyce, Bill Joyce
Wedding party photos given to Lew Howard by his cousin Lois - 12 siblings. All the names were written on the side of the tank at the family property.Digital file only - scanned by EDHS from item on loanalice maude mary joyce howard, auntie jenny, bill joyce, lew howard collection, merlyn joyce -
Eltham District Historical Society Inc
Photograph, Panton Hill State School 1950, 1950
Back Row (L-R): Mr Cross (teacher), Evelyn Smith, Ruby Lacey, Moya Sloan, Dorothy Walters, Margaret Bannerman, Helen Allan, Yvonne Campbell, - , Mary Moore Fourth Row (L-R): - , Bill Goodman, Robert Allan, Graeme Goldman, - , - , Bill Motschall, Charlie O’Day, Ray O’Day, Miss Edwards (teacher) Third Row (L-R): Milton Smith, Gloria Hemming, - , Pat O’Day, Patsy Mills, Pat Basefield, - , Leonie Morrisey, Vera Lacey, Carmel Bunney, - , Ailsa Smith Second Row (L-R): - , Bob Sinclair, Doug Howard, John Heathcote, Robert Kynoch, - , - , - , Roland Howard, Jim Howard Front Row (L-R): Lewis Howard, Ben Donaldson, Fred Motschall, Graeme Motschall, Wally McLaren, Robert McLaren, Neil Marshall, Ian Marshall, - ,Digital file only - scanned by EDHS from item on loanailsa smith, ben donaldson, bill goodman, bill motschall, bob sinclair, carmel bunney, charlie o’day, dorothy walters, doug howard, evelyn smith, fred motschall, gloria hemming, graeme goldman, graeme motschall, helen allan, ian marshall, jim howard, john heathcote, leonie morrisey, lew howard collection, lewis howard, margaret bannerman, mary moore, milton smith, miss edwards, moya sloan, mr cross, neil marshall, panton hill primary school, pat basefield, pat o’day, patsy mills, ray o’day, robert allan, robert kynoch, robert mclaren, roland howard, ruby lacey, vera lacey, wally mclaren, yvonne campbell -
Eltham District Historical Society Inc
Negative - Photograph, Probably John Street, Eltham, c.Mar. 1983
Colin and Mary (Adams?) Family house, John Street, ElthamRoll of 35mm colour negative film, 4 stripsKodak Safety 5035john street, eltham, houses -
Eltham District Historical Society Inc
Photograph, M. North, Mary Reagan (left) and Rita Greenway, Gulf Station, Yarra Glen, 26 October 1986, 26/10/1986
[from EDHS Newsletter No. 51, November 1986:] RECENT ACTIVITIES: The associated events of the September meeting and the bus trip to Gulf Station and Toolangi proved quite successful. Caroline Phillips' talk and slides on Gulf Station were an excellent preparation for the trip. The bus trip was at a more leisurely pace than some we have done. There was adequate time to explore Gulf Station and its re-created old world garden. We also had time to visit the Coranderrk Aboriginal Cemetery at Healesville on the way to Toolangi. At Toolangi we were treated to an excellent guided tour of the "Singing Garden" of C.J. Dennis by Jan Williams, proprietor of the Arden Tea Rooms. As well as describing the various features of the gardens, Jan was able to introduce many anecdotes about the famous poet and his wife (who seemed to have a major responsibility for the creation of the gardens).Colour photographactivities, gulf station -
Eltham District Historical Society Inc
Photograph, Mary Owen, granddaughter of Walter Withers, unveiling the commemorative plaque on Walter Withers Rock at the corner of Bible and Arthur Streets, Eltham, 13 Oct 1990, 13/10/1990
[from EDHS Newsletter No. 75, November 1990:] WALTER WITHERS PLAQUE At long last we have unveiled our plaque in the Walter Withers Reserve. The function was attended by a number of members and friends of the Society and descendants of the Withers family. Following the unveiling, the group proceeded to the Eltham Shire Office for afternoon tea and a small exhibition of Withers' paintings arranged by Andrew Mackenzie. The unveiling was performed by Mary Owen, a grand-daughter of Walter Withers. Her speech provided an interesting personal perspective on Withers and is repeated in full here: I feel somewhat overwhelmed by the responsibility of paying tribute to the man you have all come to honour today. I have the feeling that most of you probably know more about him and his work than I do. Walter Withers died nearly seven years before I was born and so I never knew him. Sadly, although other members of his family inherited some of his talent, I was not among them and I know very little about art. This is doubly hard to bear because my husband had some ability to draw and my second daughter also has some talent in this direction. My children are all artistic - mostly in the field of music inherited partly from their father - a Welshman who sang like a Welshman - and partly from my grandmother, Fanny Withers who, I believe was no mean pianist. However all this talent gave me a miss and for many years I felt a complete ignoramus in the fields of the arts. It was not until I was nearly fifty years old that I walked into a gallery in Brisbane and, as I wandered around the room, suddenly one picture leapt at me and I knew instantly that it had been painted by my grandfather. I had never seen the picture before and it gave me quite a shock to find that I had recognized the style of painting. I realized then that I had absorbed more than I realized simply by living with pictures and with people who painted them and talked about their painting and the painting of others. When I was a child I sometimes spent school holidays with my Aunt Margery Withers and her husband, Richard McCann. Aunt Marge painted me several times but I'm afraid I was a restless subject and used to sit reading a book and look up grudgingly when she wanted to paint my eyes. During the September holidays my aunt and uncle were busy preparing paintings far the annual exhibition of the Melbourne Twenty Painters, to which they both belonged. I remember how important I used to feel when they took me along to the Athenaeum Gallery on the Friday night before the opening to help hang their pictures. There were many artists there but the two I remember are perhaps surprisingly both women: Miss Bale and Miss Tweddle. I remember how cold it used to be up in that gallery at night. They used to heat water on a gas ring to make tea and Aunt Marge used to bring sandwiches and fruit for our evening meal. Everyone seemed to be poor in those days and no-one dreamed of going out for a meal. It was a case of make-do - even to cutting down frames to fit pictures or cutting pictures to fit the frames. They had to use the same frames from year to year if the pictures didn't sell. The opening was an exciting event for me. I felt I was privileged to meet important people - people who knew a lot more than I - and Uncle Dick would get quite merry after a couple of the tiny sweet sherries which were always distributed. I realise now that quite a lot of "art talk" rubbed off on me during my visits to the Athenaeum and during my stays with my aunt and uncle. I suspect that much of our most useful learning comes this way and those of us who have had the privilege of associating with artists, writers, philosophers and other thinkers have a richness in our lives of which we may be unaware. Walter Withers was a prolific painter and, although he painted for love of it, I suspect that the need to provide for his family drove him, like Mozart, to greater efforts than he might otherwise have achieved. Reading old letters and articles about the Heidelberg artists, I have come to realize something of the constant strain placed on many of them - particularly Withers and McCubbin - by poverty and the need to make ends meet. Withers was ever conscious of the need to provide for his wife and his five children and there are touching letters to his wife, regretting that he was not able to earn more for them. In addition to his painting, he worked hard at teaching and illustrating and, as he grew older, the strain began to tell and his health deteriorated. He seems never to have had a very strong constitution and suffered from rheumatism, which must have made painting quite painful at times. His eldest daughter, Gladys, was eventually confined to a wheelchair with rheumatoid arthritis and I have a tendency to arthritis myself, so I am particularly aware of what this could have meant to him. Recently I found a short letter written by my mother to her mother, Fanny Withers on the anniversary of her father's birthday in 1919, in which she said: "Poor old Dad, I often think now what a lot he must have suffered. His life was too hard and too strenuous for him. He had too many chick-a-biddies, I think. He wasn't equal to so much town life and train journeys with so many delicacies as he had. Since I have been ill, I have realised what he must have felt like.” He certainly drove himself to produce. He travelled all over Victoria by train, buggy, bicycle and on foot and for a time he travelled from Eltham to Melbourne every day by train, although later he lived in Melbourne during the week and only returned to Eltham for the weekends. My mother died seven years after her father's death, when my twin sisters were 10 days old and I was 16 months. So I never knew my mother or my grandfather. But my two aunts, Gladys and Margery, sometimes took me to stay with Gan Withers at Southernwood in Bolton Street . No cars in those days and it seemed a very long hot and dusty walk from the Station. Three memories remain with me of Southernwood. One is the well at the back which I found quite terrifying; the second is Gan killing a snake - even more terrifying. She was a formidable woman, my grandmother and a great ally and support to her husband. I think she was the business end of the partnership. The third memory of Southernwood is my grandfather's studio – down what seemed like a toy staircase inside the room. This and the big walk-in fireplace stayed in my mind from the age of about six until I saw them again about forty years later when the house was being used as a Sunday School. I just wish that money could be found to purchase this old house for the City of Eltham so that a permanent museum could be established in memory of a man who did so much to put Eltham on the map of art history. Recently I have become interested in family history and spent some time in England, Ireland and Wales looking for traces of my ancestors. I realized then how important it is to have records of people who have contributed to our society. We forget so soon and it is amazing how often, within two generations, names, dates and many details are forgotten. We are fortunate that so many of Walter Withers' works have been bought by galleries and that people like Andrew Mackenzie have taken the trouble to search out people who knew him and to write about him and his work. And I am very grateful to the Historical Society of Eltham for recognizing the importance of having a permanent tribute in Eltham to the contribution made by Walter Withers, who loved Eltham so much and who has assured this lovely district a place in the annals of history. I am indebted to Kathleen Mangan; the daughter of another famous Australian painter , Fred McCubbin, - featured in The Age this morning (thanks again to Andrew Mackenzie) for the most apt tribute to Walter Withers. Kathleen is not well and she rang me a couple of days ago, regretting that she could not be present today “to pay tribute” as she said, “to Walter Withers for I always think Walter Withers is the spirit of Eltham.” Thank you, Kathleen. And now I have much pleasure in unveiling the plaque commissioned by the Eltham Historical Society from Bob McLellan of Charmac Industries to commemorate the life and work of Walter Withers, the spirit of Eltham. Mary Owen, 13 October 1990.Three colour photographswalter withers rock, walter withers reserve, mary owen -
Eltham District Historical Society Inc
Photograph, Mary Owen, granddaughter of Walter Withers, unveiling the commemorative plaque on Walter Withers Rock at the corner of Bible and Arthur Streets, Eltham, 13 Oct 1990, 13/10/1990
[from EDHS Newsletter No. 75, November 1990:] WALTER WITHERS PLAQUE At long last we have unveiled our plaque in the Walter Withers Reserve. The function was attended by a number of members and friends of the Society and descendants of the Withers family. Following the unveiling, the group proceeded to the Eltham Shire Office for afternoon tea and a small exhibition of Withers' paintings arranged by Andrew Mackenzie. The unveiling was performed by Mary Owen, a grand-daughter of Walter Withers. Her speech provided an interesting personal perspective on Withers and is repeated in full here: I feel somewhat overwhelmed by the responsibility of paying tribute to the man you have all come to honour today. I have the feeling that most of you probably know more about him and his work than I do. Walter Withers died nearly seven years before I was born and so I never knew him. Sadly, although other members of his family inherited some of his talent, I was not among them and I know very little about art. This is doubly hard to bear because my husband had some ability to draw and my second daughter also has some talent in this direction. My children are all artistic - mostly in the field of music inherited partly from their father - a Welshman who sang like a Welshman - and partly from my grandmother, Fanny Withers who, I believe was no mean pianist. However all this talent gave me a miss and for many years I felt a complete ignoramus in the fields of the arts. It was not until I was nearly fifty years old that I walked into a gallery in Brisbane and, as I wandered around the room, suddenly one picture leapt at me and I knew instantly that it had been painted by my grandfather. I had never seen the picture before and it gave me quite a shock to find that I had recognized the style of painting. I realized then that I had absorbed more than I realized simply by living with pictures and with people who painted them and talked about their painting and the painting of others. When I was a child I sometimes spent school holidays with my Aunt Margery Withers and her husband, Richard McCann. Aunt Marge painted me several times but I'm afraid I was a restless subject and used to sit reading a book and look up grudgingly when she wanted to paint my eyes. During the September holidays my aunt and uncle were busy preparing paintings far the annual exhibition of the Melbourne Twenty Painters, to which they both belonged. I remember how important I used to feel when they took me along to the Athenaeum Gallery on the Friday night before the opening to help hang their pictures. There were many artists there but the two I remember are perhaps surprisingly both women: Miss Bale and Miss Tweddle. I remember how cold it used to be up in that gallery at night. They used to heat water on a gas ring to make tea and Aunt Marge used to bring sandwiches and fruit for our evening meal. Everyone seemed to be poor in those days and no-one dreamed of going out for a meal. It was a case of make-do - even to cutting down frames to fit pictures or cutting pictures to fit the frames. They had to use the same frames from year to year if the pictures didn't sell. The opening was an exciting event for me. I felt I was privileged to meet important people - people who knew a lot more than I - and Uncle Dick would get quite merry after a couple of the tiny sweet sherries which were always distributed. I realise now that quite a lot of "art talk" rubbed off on me during my visits to the Athenaeum and during my stays with my aunt and uncle. I suspect that much of our most useful learning comes this way and those of us who have had the privilege of associating with artists, writers, philosophers and other thinkers have a richness in our lives of which we may be unaware. Walter Withers was a prolific painter and, although he painted for love of it, I suspect that the need to provide for his family drove him, like Mozart, to greater efforts than he might otherwise have achieved. Reading old letters and articles about the Heidelberg artists, I have come to realize something of the constant strain placed on many of them - particularly Withers and McCubbin - by poverty and the need to make ends meet. Withers was ever conscious of the need to provide for his wife and his five children and there are touching letters to his wife, regretting that he was not able to earn more for them. In addition to his painting, he worked hard at teaching and illustrating and, as he grew older, the strain began to tell and his health deteriorated. He seems never to have had a very strong constitution and suffered from rheumatism, which must have made painting quite painful at times. His eldest daughter, Gladys, was eventually confined to a wheelchair with rheumatoid arthritis and I have a tendency to arthritis myself, so I am particularly aware of what this could have meant to him. Recently I found a short letter written by my mother to her mother, Fanny Withers on the anniversary of her father's birthday in 1919, in which she said: "Poor old Dad, I often think now what a lot he must have suffered. His life was too hard and too strenuous for him. He had too many chick-a-biddies, I think. He wasn't equal to so much town life and train journeys with so many delicacies as he had. Since I have been ill, I have realised what he must have felt like.” He certainly drove himself to produce. He travelled all over Victoria by train, buggy, bicycle and on foot and for a time he travelled from Eltham to Melbourne every day by train, although later he lived in Melbourne during the week and only returned to Eltham for the weekends. My mother died seven years after her father's death, when my twin sisters were 10 days old and I was 16 months. So I never knew my mother or my grandfather. But my two aunts, Gladys and Margery, sometimes took me to stay with Gan Withers at Southernwood in Bolton Street . No cars in those days and it seemed a very long hot and dusty walk from the Station. Three memories remain with me of Southernwood. One is the well at the back which I found quite terrifying; the second is Gan killing a snake - even more terrifying. She was a formidable woman, my grandmother and a great ally and support to her husband. I think she was the business end of the partnership. The third memory of Southernwood is my grandfather's studio – down what seemed like a toy staircase inside the room. This and the big walk-in fireplace stayed in my mind from the age of about six until I saw them again about forty years later when the house was being used as a Sunday School. I just wish that money could be found to purchase this old house for the City of Eltham so that a permanent museum could be established in memory of a man who did so much to put Eltham on the map of art history. Recently I have become interested in family history and spent some time in England, Ireland and Wales looking for traces of my ancestors. I realized then how important it is to have records of people who have contributed to our society. We forget so soon and it is amazing how often, within two generations, names, dates and many details are forgotten. We are fortunate that so many of Walter Withers' works have been bought by galleries and that people like Andrew Mackenzie have taken the trouble to search out people who knew him and to write about him and his work. And I am very grateful to the Historical Society of Eltham for recognizing the importance of having a permanent tribute in Eltham to the contribution made by Walter Withers, who loved Eltham so much and who has assured this lovely district a place in the annals of history. I am indebted to Kathleen Mangan; the daughter of another famous Australian painter , Fred McCubbin, - featured in The Age this morning (thanks again to Andrew Mackenzie) for the most apt tribute to Walter Withers. Kathleen is not well and she rang me a couple of days ago, regretting that she could not be present today “to pay tribute” as she said, “to Walter Withers for I always think Walter Withers is the spirit of Eltham.” Thank you, Kathleen. And now I have much pleasure in unveiling the plaque commissioned by the Eltham Historical Society from Bob McLellan of Charmac Industries to commemorate the life and work of Walter Withers, the spirit of Eltham. Mary Owen, 13 October 1990.Two colour photographswalter withers rock, walter withers reserve, mary owen -
Eltham District Historical Society Inc
Photograph, Mary Owen, granddaughter of Walter Withers unveils the commemorative plaque on Walter Withers Rock at the corner of Bible and Arthur Streets, Eltham, 13 Oct 1990, 13/10/1990
Roll of 35mm colour negative film, 1 stripFuji 100 Nwalter withers rock, walter withers reserve, bible street, arthur street, eltham, plaques -
Eltham District Historical Society Inc
Photograph, From left, Mary Owen and John Withers, grandchildren of Walter Withers and other family members at the unveiling of the commemorative plaque on Walter Withers Rock at the corner of Bible and Arthur Streets, Eltham, 13 Oct 1990, 13/10/1990
Roll of 35mm colour negative film, 1 stripFuji 100 Nwalter withers rock, walter withers reserve, bible street, arthur street, eltham, plaques -
Eltham District Historical Society Inc
Photograph, Eltham District Historical Society members on a walking tour, c.2004, 2004c
Colour photograph2004, activities, dennis cahill, eltham district historical society, jan scales, marion yeoman, mary regan, sue law -
Eltham District Historical Society Inc
Photograph - Photograoh, The Allan Studio, Wedding of Mary Sweeney and Michael Carrucan at St John's, Heidelberg, 1909
Wedding of Mary Sweeney and Michael Carrucan at St John's, Heidelberg, 1909 Celebrant: Fr. Parker. L to R: Catherine Sweeney, Michael O'Heare, Michael Carrucan, Mary Carrucan (nee Sweeney), Thomas Sweeney, Ellen Sweeney. Image was also published on p126 of the book, St. John's on the hill: the history of the Heidelberg Parish/ by Eileen Vaughan. A photstat copy of the page was sent to Harry Gilham by Mary Nelson of North Caulfield (14 Oct 2004) along with an accompanying note which indicated the original photo would have been supplied for use in the book by the late Betty Erickson (nee Carrucan), Jack Carrucan's sister. Thomas Sweeney in the wedding party was Mary Nelson's uncle by marriage. He married Eveleen Nelson.Photo mounted on embossed cardThe Allan Studio, 318 Smith St., Collingwood. Inscribed in pencil on reverse by Harry Gilham the names of the people and publication detailscatherine sweeney, ellen sweeney, mary carrucan (nee sweeney), michael carrucan, michael o'heare, thomas sweeney -
Eltham District Historical Society Inc
Photograph, Opening Ceremony of Local History Centre, 728 Main Road, Eltham, Sunday, July 12th, 1998, 12/07/1998
Back Row L-R: Marion Yeoman, Lois Loftus-Hills, Doug Orford, Jo McCormick, Peter Bassett-Smith, Helen Harbeck, John Graves Front Row L-R: Blanche Shallard, Leslie Martin, Opal Smith, Mary Ryan, Joy Ness, Gwen BakerOpening ceremony of the new home of Eltham District Historical Society Colour photographeltham, main road, police residence, local history centre, eltham district historical society, opening day, peter bassett-smith, marion yeoman, lois loftus hills, doug orford, jo mccormick, helen harbeck, john graves, blanche shallard, leslie martin, opal smith, mary ryan, joy ness, gwen baker -
Eltham District Historical Society Inc
Photograph, Afternoon Tea in the Courthouse in celebration of the opening of the Local History Centre, 12 July 1998, 12/07/1998
Opening Ceremony of Local History Centre, 728 Main Road, Eltham, Sunday, July 12th, 19982 colour photographseltham, main road, police residence, local history centre, eltham district historical society, opening day, doug orford, gwen orford, jo mccormick, john graves, mary ryan, opal smith, peter bassett-smith -
Eltham District Historical Society Inc
Photograph, Looking north from Staff's Railway Store overlooking garden and foundations of Lyon's Garage
L-R: Eric Staff, Michael Sinclair, Marie (Mary) Staff, Mrs Rigby, Eileen Rigby, Mr Rigby (partly hidden); Michael Sinclaiur in foreground. On back of photo: "I had this taken to show you Lyon's Garage. You can see the foundations and the filling in. Like our lawn. The Xmas tree we had for Michael with X" Black and white photographeltham, main road, lyon's garage, michael sinclair, eric staff, marie (mary) staff, mrs rigby, mr rigby, eileen rigby -
Eltham District Historical Society Inc
Photograph, Liz Pidgeon, Tour of St Katherine's Anglican Church and cemetery, St Helena, 27 October 2014
Peers Family Grave. Sacred to the memory of Humphrey Peers late of Bedford England died June 19 1868 aged 52 years.. also Mary his beloved wife died September 21 1924 aged 93 yearsBorn Digitalst katherine's church, st helena, cemetery, peers -
Eltham District Historical Society Inc
Photograph, Liz Pidgeon, Tour of St Katherine's Anglican Church and cemetery, St Helena, 27 October 2014
Sacred to the memory of Humphrey Peers late of Bedford England died June 19 1868 aged 52 years also Mary his beloved wife died September 21 1924 aged 93 yearsBorn Digitalst katherine's church, st helena, cemetery -
Eltham District Historical Society Inc
Newsletter, No. 204 May 2012
Contents: • Next meeting, guest speaker; Kevin Patterson: Centenary of the Eltham-Hurstbridge Railway • May Meeting • May Excursion – Eltham Gateway Walk (rescheduled) • June Excursion – St Margaret’s Church Tour • An Eltham Gateway Story • Recent Works by Mick Woiwod • Some Interesting Connections • Subscriptions • Office Bearers 2012-2013 • Mary Regan – Life Membership Award • And Also The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society -
Eltham District Historical Society Inc
Newsletter, No. 210 May 2013
Contents: • Next meeting, guest speaker; Samantha Westbrooke: Nillumbik Heritage Advisor • May Meeting • May Excursion – Bridgeland Park Walk • Eltham Cultural Heritage Tour 1992 by Bettina Woodburn (From Newsletter No. 85) • The Retro Eltham Show • Subscriptions • Office Bearers 2013-2014 • Harry Gilham and Mary Regan • And Also The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society -
Eltham District Historical Society Inc
Photograph, Shire of Eltham Historical Society 25th Anniversary Dinner, Wednesday 8th July, 1992, 08/07/1992
L-R: Tony Evans, Peter Bassett-Smith, Mary Evans looking at pages 96-97 of Pioneers and Painters.Colour photographshire of eltham historical society, 25th anniversary, activities, bassett-smith collection -
Eltham District Historical Society Inc
Folder, Mary Ann Eiles, 1863
Folder of information on Mary Ann Eiles and family, Eltham 1863mary ann eiles, george eiles, elizabeth eiles, frank eiles -
Eltham District Historical Society Inc
Photograph (item), J.H. Clark (poss), View of Eltham across Bridge Street, c.1907
The view is looking southeast from near Eltham Road (present-day Sherbourne Road) across Bolton and Bridge streets towards the village of Little Eltham running down the main road (Maria Street) . On the immediate right is Mrs Mary Jane Smart's family home located on the north side of Bridge Street at the intersection with Bolton Street, facing Bolton Street (now part of present day Brisbane Street and occupied by the Kitchen Design Centre). An original early settler's cottage, it was built by Mary Jane Smart's parents, Edwin Bailey and Jane (nee Matthews). Mary Jane Smart was born in the cottage. She married an Englishman, Alexander Wilson Smart who disappeared to Western Australia in the early 1900s in search of gold. He ultimately married again in W.A., committing bigamy and then committed murder and was hung in 1911. Visible att the top left are Watson's (two-storey) Eltham Hotel at the corner of Pitt Street and Maria Street and the Evelyn Hotel directly opposite. The photo was possibly taken by John Henry Clark of Clark Bros Photographers who operated from 25 Thompson Street, Windsor near Prahan 1894-1914.bridge street, clark bros. photo, early settlers, eltham, evelyn hotel, fountain of friendship hotel, j.h. clark photo, mary jane smart (nee bailey), smart family home, smart home, watsons hotel -
Eltham District Historical Society Inc
Negative - Photograph, Harry Gilham, Grave of Christopher Watson, Eltham Cemetery, Victoria, 1 Aug 2007
George Bird was born in England in 1845 and arrived in Australia in 1856 as a child of assisted migrants. Soon afterwards he came out to Eltham to live with his uncle George Stebbings, working for him as bricklayer's assistant in building, amongst others, Shillinglaw Cottage and the Anglican and Methodist Churches in Eltham. He later purchased 72 acres at the eastern end of Pitt Street (bounded by Eucalyptus Road, Mount Pleasant Road and present-day Rockliffe Street) and established the property ‘View Hill’, which was worked as a mixed farm and orchard (including berries). In 1878 he married Janet Kilpatrick, who had emigrated from Scotland. They had ten children, three of whom died in infancy. The wedding in 1904 of their eldest surviving daughter Sarah (‘Sis’) to Edward Pepper appears to have been quite a society event. George was a staunch Methodist and was a Church Steward and a Sunday School Superintendent in about 1890. Janet died in 1915 and George died in 1920 (though his gravestone says 1921). George's will stated that his property was to be divided between all his children in equal shares. This necessitated subdivision of the View Hill property, which took place progressively between 1922 and 1926. One son, George Hugh Bird, operated a drapery store in Main Road (near Bridge Street) in around 1915. Later, in the 1920s, he ran a greengrocer's shop (also selling confectionery) in Main Road opposite Eltham Station. It was the first shop in Eltham to have plate glass windows. At the same time, his brother Reg had a grocery store on the station side of Main Road. George and Janet are buried together in a family plot in Eltham Cemetery. Several descendants are also buried in the cemetery. In Loving Memory Of George Bird Died 5 December 1921 aged 76 years And his beloved wife Janet Bird Died 5 Sept 1915 aged 57 years Also their children William James Bird Died 25 Feb 1888 aged 8 years Mary Jane Bird Died 8 Oct 1891 aged 7 years Pte Edwin John Bird Killed in action in the Great War 11 Aug 1918 aged 30 years Buried in France And on the base stone George Hugh Bird Died 26 Feb. 1965. Aged 79 years Arthur Andrew Bird Died 25 Mar. 1970 Aged 75 years To the left In Loving Memory of Dr. J. R. (Roger) Bird 1927 2001 Son of Arthur & Helen (nee Lyon) Bird Husband of Betty Father of Janet & Alison Grandpa of Evan & Helen Scientist & Gentleman To the right In Loving Memory of Harold Edwin Bird OAM 1922 - 2015 Son of Arthur & Helen (nee Lyon) Bird Husband of Yvonne Father of Estell & Russell In our hearts Forever moreeltham cemetery, gravestones, memorials, arthur andrew bird, arthur bird, edwin john bird, george bird, george hugh bird, harold edwin bird, helen bird (nee lyon), j. r. (roger) bird, j.r. (roger) bird, janet bird, janet bird (nee kilpatrick), william james bird, yvonne bird -
Eltham District Historical Society Inc
Negative - Photograph, Harry Gilham, Graves of William J and Mary Jane (nee Vance) Crozier and their sons Thomas Vance and John McClelland Crozier, Eltham Cemetery, Victoria, 1 Aug 2007
William Crozier was born 1823 in County Armagh, Ireland. Mary Jane Vance was born 1829 in Desecrete, County Tyrone, Ireland. They were married in 1848. On New Year's Eve, 1849, together with their baby daughter Sarah, William and Mary embarked from Plymouth aboard the Eliza Caroline, as assisted immigrants, for Port Phillip, arriving 31 March 1850 from where they journeyed out to Eltham on a bullock wagon. The Croziers were Episcopalians and soon after arriving in Eltham the Wesleyans of Little Eltham were holding services in the Crozier's home, among other locations. It was not until January 1856 that the Wesleyan church first acquired land in Henry Street for a chapel, which later became the home of the Eltham Hall. The Crozier home, known as ‘Belmont’ was weatherboard with a rammed earth floor. It was situated on twenty-four acres along the track at its rise, about half-a-mile east of Maria Street (Main Road) bounded by Mt Pleasant Road on the south and Pitt Street northwards. William Crozier used the land for cultivation and grazing. The track the Eltham Wesleyans took, by foot or horse, was along the Mt Pleasant Road, and like most roads of the time, a dusty trail in summer and a hoof and cart rutted quagmire in winter. William and Mary Crozier had seven children: Sarah, (1848 Ireland), John McClelland (1851 Eltham), Eliza (1855 Eltham), William (1857 Eltham), Jane(1859 Yarraville), Charlotte Amelia (1861 Yarraville), and Thomas Vance (1864 Eltham). The Crozier farm prospered and in 1870, William applied for, and was granted a leasehold on an additional sixty-three-acre selection, half-a-mile east of his twenty-four-acre Mt Pleasant Road property. Upon this property he built a two-roomed dwelling of slats and bark and a storeroom of log and bark, ten feet square. In 1880 he applied for a Crown grant of the property. Tragedy struck the family in 1882 when the youngest, Thomas Vance at age 17 accompanied by John Anderson, went into "Hall's Dam" to bathe, neither of them being able to swim. On wading out together, Crozier suddenly slipped into a part about 10ft. deep, and sank, after rising only once. Anderson pluckily tried to save him, nearly losing his own life in the attempt, saving himself when sinking for the last time by seizing hold of a projecting root. The body was not recovered until two hours after, when Mr. Thomas Bell, a farmer in the locality, who was attracted to the spot, on hearing of the occurrence, although unable to swim, plunged in with a rope around his waist, and succeeded with some difficulty in bringing it to the surface. Their eldest son, John also died prematurely at age 42 when he was killed by a falling tree branch whilst engaged in ring-barking trees at Eltham. A still cold wind was blowing and John, and others who were working with him, sheltered themselves at lunch time by sitting on the side of a large tree. When thus seated, the wind detached a limb of the tree which sheltered them, and though they heard the cracking, they had not time to get clear before the limb fell. It struck John on the head, and felled him to the ground, He appeared to be suffering severe pain, and two of his companions conveyed him to the Melbourne Hospital, where during the night he was operated upon for a fracture of the skull. Despite the operation being successful, John ultimately succumbed to his injuries the following afternoon. In good times William was known for his wealth of reminiscences of the early days of the district however his health failed him for several years until his death in March 1909. He was a man of very industrious habits, of a retiring disposition and much esteemed by those who knew him best. Mary died in January 1915 after a long illness. They are buried together along with their sons John and Thomas in the Eltham Cemetery. In Loving Remembrance William Beloved husband of Mary Jane Crozier Who departed this life March 31st 1909, aged 85 years Also Mary Jane Beloved wife of the above Who departed this life January 3rd 1915, aged 86 years Also John McCelland Son of the above Who departed this life May 20th 1894, aged 42 years also Sacred Memory of Thomas Vance Dearly beloved son of William J. Crozier Who departed this life at Eltham, February 3rd 1882 Aged 17 yearseltham cemetery, gravestones, memorials, film - kodak gold gc 400-9, john mccelland crozier, mary jane crozier (nee vance), scan - 35mm negative, thomas vance crozier, william crozier, william j crozier