cr. s.j. whiting, mrs maude whiting, cr. stan charles, mrs stan charles, ted connors, mrs ted connors, sandra preisig, shirley kelly, johnny maher, wendy dowty, lennie bannister, ruth whiting, vern humphries, leila hudson, rupert palmer, josie storer, keith storer, nancy woods, graham flenley, joan goetz, bob baird, lorraine mccallum, phillip sedgmen, barbara pope, barry cock, jenny hollis, neville kirwin, fran mccallum

Black and White photograph of BTPS No. 11, 671, 661 and 14 stored in the BTPS's rented storage building in Sebastopol c 1979. Photo taken after the return of No. 14 from Melbourne after its running in the 1979 Australia Day parade. and before its move back to the BTPS depot in November 1979 when 14 and 11 were moved to the depot - see March 1980 Fares Please! and Dec. 1979 issue of Trolley Wire. Photo appeared in Trolley Wire c1980? See March 1980 Fares Please, Dec. 1979 Trolley Wire tramways, trams, btps, depot, sebastopol, tramcars, tram 11, tram 671, tram 661, tram 14

It seems to be from the 1900s due to the date on cover.HistoricalSmall tourist booklet with dark printing and photo of ferry on cover. Advertisements of businesses and descriptions of main towns including photos of old postcards.Souvenir of Phillip Island. From, To Jim Blake Copyright registered throughout the King's Dominions. Fraser & Jenkinson 5 Queen Street, Melbourne tourism, cowes general store, genesta house, will kennon, san remo hotel, aclimatisation society

Series of three colour prints by Carolyn Dean of John Phillips and Warren Doubleday changing over an advertising sign on BTM W4 671 when operating in Melbourne. Photo taken inside South Melbourne depot, March 1996. Tram stored with other City Circle tramcars. Printed on Fujifilm paper. .4 - general scene with 671 in the depot - added 29/9/2008.On rear in ink "March 1996, Photo C. Dean"btm, south melbourne depot, advertisements, melbourne, tram 671

Black and white photograph of PCC 980 shunting at the Elizabeth St crossover, just to the north Lonsdale St, during a special tram tour, 9/2/1969. Has the Myer store buildings in the background. Photo by Chris Phillips. Showing Destination of Racecourse. Driver Clyde Croft. ARE Tour ex South Melbourne depot. Bus alongside tram is a MMTB AEC Mark VI, on a route 57 Sunday tram replacement service. Printed on Kodak Paper.On rear in red ink "PCC 980 Cnr Elizabeth, Lonsdale St 9/2/69"trams, tramways, mmtb, special trams, elizabeth st, pcc, tram 980

Black and white photograph of W5 816 in Glenferrie Road, looking south during the reconstruction of the Malvern Tram Depot lead, 14/9/1969. Taken by Chris Phillips, printed on Kodak Paper. Has a Haymes paint shop and K. Gardner and Lang Estate Agents shop in the background.On the rear in black ink "816 Stored Glenferrie Rd. 14/9/69"trams, tramways, mmtb, malvern depot, glenferrie rd, trackwork, tram 816

Black and white photograph of W5 832 and SW5 847, stored with many other tramcars in Dandenong Road during the reconstruction of the Malvern Tram Depot lead, 14/9/1969. Taken by Chris Phillips, printed on Kodak Paper. Tram 832 has an a drivers panel advertisement for Gauloises Cigarettes.On the rear in black ink "14/9/69"trams, tramways, mmtb, malvern depot, dandenong rd, trackwork, tram 816

Black and white photograph, side on view of W5 832 and SW5 847, stored with many other tramcars in Dandenong Road during the reconstruction of the Malvern Tram Depot lead, 14/9/1969. Taken by Chris Phillips, printed on Kodak Paper. Tram 832 has an side panel advertisement for Fosters Lager.On the rear in black ink "Dandenong Road, Tram Depot 14/9/69"trams, tramways, mmtb, malvern depot, dandenong rd, trackwork, tram 816

Black and white photograph, taken during the night, of W5's 819 and 775 stored with many other tramcars in Glenferrie Road, looking northwards during the reconstruction of the Malvern Tram Depot lead, 13/9/1969. Taken by Chris Phillips, printed on Kodak Paper. Tram 819 has drivers panel advertisement for Hilti, Hollins Austin Morris cars and 775 for Hollins Austin Morris cars and Sackville.On the rear in black ink "13/9/69"trams, tramways, mmtb, malvern depot, glenferrie rd, trackwork, tram 816

Black and white photograph, taken during the night, of SW6 924 and other trams stored with many other tramcars in Glenferrie Road, during the reconstruction of the Malvern Tram Depot lead, 13/9/1969. Taken by Chris Phillips, printed on Kodak Paper. Tram 924 has drivers panel advertisement for Neals and Marshall Batteries.On the rear in black ink "13/"trams, tramways, mmtb, malvern depot, glenferrie rd, trackwork, tram 816

Black and white photograph, taken during the night, of W5's 819 and 775 stored with many other tramcars in Glenferrie Road, looking northwards during the reconstruction of the Malvern Tram Depot lead, 13/9/1969. Taken by Chris Phillips, printed on Kodak Paper. Tram 819 has drivers panel advertisement for Hilti, Hollins Austin Morris cars and 775 for Hollins Austin Morris cars and Sackville. Also in the background is the Salvation Army shop.On the rear in black ink "13/9/69"trams, tramways, mmtb, malvern depot, glenferrie rd, trackwork, tram 816

1995 displayHistoricalColoured photo of a Historical Society display of an old fashioned general store showing items for sale and posterslifestyle, grocery shop cowes, phillip island historical society, photograph, phillip island museum cowes

This full length lobster tail bustle was owned and worn by Alice Frances Henty, the daughter of Francis Henty and Mary Ann (Lawrence) Henty. Bustles of this form date from the mid-1860s however this example probably dates from the mid 1870s, and perhaps from before her marriage to John Hindson in 1876. Alice's father, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew.The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.An exceptionally rare and fine, floor length, 'lobster tail' bustle that belonged to Alice Henty possibly worn with her two-piece pink silk gown but also with other dresses that she owned that required a bustle of this shape. The structure of the bustle includes an outer layer of polished cotton with inserted steel hoops and ties at the front. The lower four hoops have flounces of the same fabric. Overall, the bustle contains 12 hoops, crossed nearer the waist and semi-circular for the remainder of the undergarment. [One of the tapes of the bustle is imprinted with the word lockstitch. Elias Howe invented the lockstitch sewing machine in 1846.] Measurements (mm): BUSTLE: Girth - Waist 660 Vertical - Front waist to hem 914, Back waist to hem 965.fashion -- 1870s, alice frances (henty) hindson, women's clothing, bustles, underwear

Item re R.T.Phillips VX113093, refer Cat No3239P for a His service details.Record of service book AAB 83. Soft brown cover, black printing, 40 pages. Contains basic personal details for Cpl PHILLIPS R. T. ID photos & a Q Store Kit List. Shows a record of leave taken.Front Cover: "VX113093 Cpl PHILLIPS R T. "military history-service records, army, service record

Mr Robb purchased the General Store in about 1904. Photo in 1905. They owned the store until 1924. Names of people written on back. See photo.Two sepia photographs of Robb Bros Cowes General Store. Photograph 251-01 show Alex Moncrieff Robb sitting reading the newspaper on the side verandah of the General Store, Cowes. Photograph 251-02 shows people outside the front of the General Store., 1905. Horse and cart to the left of the photograph.Alex Moncrieff Robb. Side verandah at Store, Cowes.robb bros general store cowes, alex moncrieff robb, cowes general store phillip island, mary karney, jim pearce, harmon west, phil west, harry walton, david henry robb

RESEARCH ESSAY FOR HISTORY OF AUSTRALIAN ARCHITECTURE AND TO COMMEM0RATE THE CENTENARY OF OPEN SETTLEMENT ON PHILLIP ISLAND AND CHURCHILL ISLAND FROM 1868 TO 1968. BY MAURICE EVANS, NEIL EVANS, AND ROSALIE CARGILL, DEPARTMENT OF ARCHITECTURE, UNIVERSITY OF MELBOURNE.HistoricalStamped 'Phillip Island & District Historical Society'.phillip island, architectural history, churchill island, chicory kiln, guesthouses, houses, sealers, mchaffies, west's store, inneshowen, woolamaii, glen isla, mclardy and benal builders, tulloch grew, rhylston park, charmadene, iona, st clair, telopha, hamilton house

This is a set of six photographs of Army Survey Regiment personnel who volunteered as extras in the ANZACS TV Series filmed in 1985. Many of the extras playing the roles of Australian soldiers were serving members of the Army Survey Regiment, Bendigo and the Armoured Regiment, Puckapunyal. This was done to keep costs down so that actors did not have to learn how to act as soldiers or to have to teach them how to use the weapons. Army Svy Regt’s 28 personnel left Bendigo in the early hours of the morning arriving at Phillip Island’s Cowes Motor Inn. Wardrobe staff make-up artists dressed the soldiers from both units in authentic WW1 uniforms in readiness for filming at Woolamai Surf Beach, on the other side of Phillip Island. Filming for the day involved a battle scene simulation of the beach landings at Gallipoli, Turkey. A long day of filming ensued, with 8 arduous re-takes of charges from the beach to the steep cliffs, and the scrubland beyond the cliffs before the producers were satisfied with the footage. The producers provided ample refreshments back at Cowes Motor Inn at the end of the day, before Army Svy Regt’s 28 personnel departed on the 4-hr trip back to Bendigo. This is a set of six photographs of Army Survey Regiment personnel who volunteered as extras in the ANZACS TV Series filmed at Phillip Island, Victoria in 1985. The colour photographs. were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. A newspaper article published by the Bendigo Advertiser on the 29th of October 1985 is stored with the photos. .1) - Photo, colour, 1985. A hairdresser attends to Garry Hudson’s hair at the Cowes Motor Inn. Glen Weatherall is on far right. .2) - Photo, colour, 1985. Production staff preparing a scene at the cliff base at Woolamai Surf Beach. .3) - Photo, colour, 1985. A make-up artist applies simulated wounds to an unidentified soldier. .4) - Photo, colour, 1985. Production staff preparing a beach landing scene. .5) - Photo, colour, 1985. Extras from the Army Svy Regt and 1st Armd Regt gather at Woolamai Surf Beach. L to R in foreground: Gary Tremain, Graham Hales, unidentified, Dave Lawler, unidentified. .6) - Photo, colour, 1985. The 28 extras from the Army Svy Regt at Woolamai Surf Beach. Standing L to R: Terry McIntyre, unidentified, Ian Fitzgerald, unidentified, John Reid, unidentified, Gary Tremain, unidentified (x2), Chad Hardwick, unidentified, Dave Lawler, Barry Hogan, Terry Danger, Peter Imeson, Garry Hudson. Kneeling L to R: unidentified, Peter Ball, Harald Mai, Paul Baker, Alan Staley, Ian McKenzie, Brad Peppler. Sitting: Rod Skidmore. ‘Filming of “ANZACS” 1985’ annotated on cover sleeve.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna

This wedding gown was worn by Mary Ann Lawrence at 8.00am on 5 January 1842 at St John's Church, Launceston, when she married Francis Henty. The couple were to catch the tide on their way to Portland two hours later. Francis Henty was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Mary Ann Lawrence's grey silk wedding gown has a v-line waist and a partly smocked bodice. It is lined with muslin throughout. It has hand-tatted cotton lace and handmade piping around the neck and bodice and pleated short sleeves. There was originally trimming on the skirt which was removed at a later date. Orange blossom made of chamois and tiny coiled springs originally decorated the neckline. The outfit was complemented by a bonnet to which a Limerick lace veil was attached. Measurements (mm): Girth - Neck 914, Chest 812.8, Waist 660.4, Cuff 330.2, Hem circumference 3200.4. Vertical - Front neck to hem 1270, Front waist to hem 1016, Back neck to hem 1320.8, Back waist to hem 1041.4, Sleeve length 114.3. Horizontal - Neck to sleeve head 50.8, Chest back 406.4, Underarm to underarm 406.4.mary ann lawrence, francis henty, wedding dresses, fashion -- 1840s, women's clothing

This bridesmaid's dress was owned and first worn by Alice Frances Henty, the daughter of Francis Henty and Mary Ann (Lawrence) Henty. The outfit was worn at the marriage of her friend Miss Hopkins to Mr ST Staughnton in 1874. Alice's father, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.An ivory silk skirt and matching jacket worn by Alice Henty, aged 22, at the marriage of her friend Lizzie Hopkins and S.T. Staugnton in 1874. The ivory silk satin peplum jacket is boned, tailored, and fitted with many princess line panels. The front closure has handmade embroidered buttonholes and covered buttons. The collar and sleeves are decorated with gathered silk tulle frills. The peplum back features a silk cord bow decoration. The skirt with bustle and train features a central panel with hand ruching and silk satin piping. It is decorated with five rows of pleated silk tulle frills. Measurements (mm): PEPLUM JACKET Girth - Neck 317.5, Chest 914.4, Waist 698.5, Hip 965.2, Cuff 279.4, Hem circumference 1168.4. Vertical - From neck to hem 558.8, Front waist to hem 254, Back neck to hem 838.2, Back waist to hem 241.3, Sleeve length 279.4. Horizontal - Neck to sleeve head 165.1,Cross back 292.1, Underarm to underarm 393.7. SKIRT Girth - Waist 635, Hip 914.4, Hem circumference 3810. Vertical - Front waist to hem 1092.2, Back waist to hem 1701.8. fashion -- 1870s, alice frances (henty) hindson, women's clothing, bridesmaid's dresses

Alice Henty (1852-1932) was the third daughter of Francis and Mary Ann Henty. her father was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living with his wife following his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Alice Henty’s wedding dress, made in 1876 for her marriage to John Hindson was remodelled in 1943 for the wedding of her granddaughter, Alice Henty Hindson to Norman Lithgow Tait at Holy Trinity, Kew. It was worn again by Margaret Henty Hindson (1918-2000) at her marriage to Dougald Webster Matheson at St Paul's Church, Henty in 1944. The two piece dress has a low décolletage shaped with a collar from which two curved panels drop. The fastenings for the bodice are buttons covered with the same fabric. The bodice is completed with two full length sleeves. The full skirt is slightly flattened at the front with a long train. In contrast, the ivory silk, silk faille and satin bodice with long tails remained unaltered. The front closure of the jacket has handmade embroidered buttonholes and covered buttons. The pleated collar and sleeves are decorated with gathered silk tulle. The jacket features long tails. alice frances (henty) hindson, women's clothing, wedding dresses, margaret henty hindson

This bodice was part of the wedding outfit worn by Grace Burland at her marriage to John Henty Hindson in 1912. Her husband's grandfather, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew.The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Silk crepe wedding bodice decorated with Mechlin lace, pearls and jet, which was worn by Grace Burland at her marriage to John Henty Hindson in 1912. A report in Punch [12 September 1912] described her outfit as “... white crepe de chene finished with Mechlin lace and pearl trimming; also pearl crescent brooch (gift of the bridegroom' s mother).” Mechlin lace or Point de Malines is an old bobbin lace, one of the best-known Flemish laces, originally produced in Mechelen, Belgium. Used for women's clothing, it was popular until the first decade of the twentieth century. The high silk net neckline is finished with pearls. These are repeated on the loose fitted diagonal ornamentation on the front and back which is finished with pearl and jet beading. Similar ornamentation finishes the elbow length sleeves. [The wedding skirt is not part of the donation]. wedding dresses, women's clothing, fashion -- 1910s, bodices, grace burland

BHS CollectionBendigo Weekly from Friday, June 28, 2002 - Snippets of Bendigo history, the Pall Mall story, part two - by Edith Lunn. Close to the jeweller's shop, we came to Chancery Lane. Many early legal firms had their offices there. Among them were: Quick&Rymer, Luke Murphy&Don and Macoboy&Taylor. A branch of the Bendigo united Friendly Society's Dispensary opened on the corner. Other small business in the walk included a florist, men's hairdresser and a boot and shoes repairer. Moving on there was Betteridge's Agency for the Singer sewing machine company, Wilkinson's photographic studio, Sutton's music shop and Favaloro's cake shop and café the ''Savoy'' was opened in the 1920's. Whitelock and Carter had their men outfitters business in the building, Cocking's was a very popular drapery store. After Cocking's closed down, Stoneman's supermarket opened in the premises. Alongside there was a passageway that led upstairs to the office of Phillip Secher and Son, Accountants and the Bendigo jockey club. Mrs Allan's baby wear business and Lenten's the tobacconist came after and last but not least the Shamrock Hotel enhances Pall Mall. The clip is in a folder.newspaper, bendigo, bendigo weekly

.1 SEPIA PHOTOGRAPH MOUNTED ON CARDBOARD OF CRITERION QUARTZ MINE, CLUNES. .2 SEPIA PHOTOGRAPH MOUNTED ON CARDBOARD .3 SMALL BLACK AND WHITE PHOTO PRINT .4 ONE MEDIUM SIZE BLACK AND WHITE COPY .5 BLACK AND WHITE PHOTO PRINT .6 MOUNTED BLACK AND WHITED PRINT CRITERION QUARTZ MINING COMPANY, REGISTERED, CLUNES. HANDWRITTEN NOTES: PERIOD 1865, ON FLAT GROUND BELOW PORT PHILLIP HILL CREEK BROKE THROUGH INTO WORKINGS ABOUT 1861 VARIOUS NOTATIONS MARKING LOCATION OF BUILDINGS IN CLUNES, INCLUDING PICKFORDS STORE, VICTORIA HOTEL, CAMP HILL, ALBION HOTEL, CRITERION HOTEL, COMMERCIAL HOTEL, BOOT SHOPlocal history, photography, photographs, mining

The home of Ester Phillips in 23 Heather Grove, Nunawading was the original Post Office and General Store. Heather lived in the house after Charles Edward Hodges an early Postmaster.Miniature Salter Scales No 18D Small weighing scales - dish for items to be weighed on a triangular support and on a pedestal and base. Calibrated in 1/3rd oz on left hand side and 1/4 oz on the right hand side.Salter No 18D Made in Englandinstruments, weighing, communication, postal