Showing 945 items
matching porcelain
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Gippsland Art Gallery
Ceramic, Dermer, John, Faceted Bowl, Undated
The Richard Knight Collection of Australian Ceramics. Donated by Dr James Baxter through the Australian Government Cultural Gifts Program, 2019Salt-glazed porcelaingippsland, artwork, permanent collection -
Bright & District Historical Society operating the Bright Museum
Bowl
Chinese porcelain food bowl, celadon glaze, blue floral design on outer surface. Blue lines around inside of bowl. Eight pieces reassembled. Has a base rim."Tick" on bottom of the bowl.porcelain, chinese, tableware, bowl, celadon, glaze, buckland valley, goldfields, aldo gios -
Kiewa Valley Historical Society
Bottle - Beer - Stout, Late Victorian c 1900
Stout, a strong dark beer, came in bottles and was bought at licensed premises either locally or in larger cities visited during shopping expeditions. This bottle may have been brought as a gift from a friend / relative from overseas. This bottle differed in that it is made from porcelain and contains, stout, not the common beer.Historical: Types of bottles change with the material they were made from, shape, size, inscriptions and weight. Aesthetic: Display showing inscription, material and shape.Beige porcelain heavy bottle used for stout 'a strong dark beer'. It has straight sides two thirds of the way up tapering to the lip and opening. On the bottom of the side is an oval stamp with inscription.Oval stamp: Circumference - Along the top - 'Port Dundas' along the top. Across the middle - 'Glasgow' Along the bottom ie. Underneath - 'Pottery Co.bottle, porcelain bottle, stout, beer, port dundas glasgow -
Bright & District Historical Society operating the Bright Museum
Bowl
Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Chinese porcelain food bowl, glazed. Chinese design on outer surface in blue colour. Two blue lines circling inside of bowl. One blue line circling top of rim.chinese, bowl, goldfields, gios, tableware, glaze, porcelain, buckland, handpainted -
Federation University Art Collection
Ceramic, Swirls, 2021
Three porcelain slipcast beakers (without handles) made from handmade molds with white and coloured porcelain swirls,donna morrison, ceramics, alumni, dvc art award -
Bright & District Historical Society operating the Bright Museum
Dish
Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most pieces in his collection were found. Some maps drawn by Aldo Gios, also give more detail. This detail is rare as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location where they were found. This object is part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Shallow porcelain dish, celadon.Chinese writing on base in blue ink.chinese, goldfields, tableware, celadon -
Bright & District Historical Society operating the Bright Museum
Cup
Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most pieces in his collection were found. Some maps drawn by Aldo Gios, also give more detail. This detail is rare as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location where they were found. This object is part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Wine cup, porcelain, celadonBlue Chinese writing on base.chinese, cup, goldfields, tableware, celadon, wine -
Geelong Gallery
Decorative object - Bottle, COELHO, Kirsten, 2017
Porcelain with banded iron oxide -
Geelong Gallery
Decorative object - Cabinet cup and saucer, NATGARW, c1817-20
Hand painted and gilded porcelain -
Gippsland Art Gallery
Ceramic, Srivilasa, Vipoo, Lantana Camera, 2014
Purchased, 2015Porcelain with cobalt blue pigmentgippsland, artwork, permanent collection -
Federation University Art Collection
Ceramic, Four Lace Pieces by Warren Arthur, c1979
Arthur WARREN (1958- ) Born Yallourn, Victoria Arthur Warren attended Gippsland Institute of Advanced Education from 1977 to 1979. He later returned as a visiting lecturer. After graduating Warren Arthur trained with Victor Greenaway for six and a half years, before establishing Amesfield Pottery in Upper Beaconsfield in 1986. Four porcelain lace pieceswarren arthur, ceramics, jan feder memorial ceramics collection, gippsland campus, alumni, victor greenaway, amesfield pottery -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Medical Equipment, porcelain invalid feeding cup, 19thC
These unusual china cups with elongated spouts were created in the days before drinking straws were common. Liquids and broth were fed through the spout to adults who were sick and could not take solid food, or to infants. The alternate name for these cups is “pap feeder.” Recipes for pap usually called for bread, flour and water. A more nourishing mixture “panada” was a pap base with added butter and milk, or cooked in broth as a milk substitute. Variations on the ingredients included Lisbon sugar, beer, wine, raw meat juices. These cups were apparently offered as accessory pieces to many regular china patterns.A white porcelain invalid or baby feeding cup decorated with a blue floral ( onion ) pattern. The cup has a spout , strainer, side handle and ‘spill-proof’ guard c19thCBase : m 8.pharmacy, medicine, melbourne, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, nursing, invalid feeding, invalid cookery, porcelain -
Cheese World Museum
Plate, 2009
The plate was presented to WCB on the occasion of the official opening of the joint project Great Ocean Ingredients.Large blue and white porcelain plate with a floral border and finished with a fine blue line around the rim. An inscription sits in the centre of the plate. The base has three fine lines around the rim and two holes on the rim to hang the plate.Congratulations on the official opening of Great Ocean Ingredients Friesland Campina Dorno 27th May 2009allansford, warrnambool cheese & butter factory company ltd, great ocean ingredients, trophies, presentations, awards, friesland, porcelain -
Orbost & District Historical Society
dish, The use of 'ENGLAND' denotes a date after 1891
China dish used for gravy, sauces etc. White with gold edging on handles and around base. Blue floral pattern on front and back.Underneath-W&E Corn. England Porcelain Royale Mona dish pottery corn-w. & e. staffordshire domestic crockery porcelain -
Bendigo Historical Society Inc.
Domestic Object - CHINA CHAMBER POT
White china chamber pot with green Chrysanthemums on sides and handle.Royal Semi Porcelain Chrysanthemum Wedgewood & Co Ltd Englanddomestic equipment, ablutions, chamber pot -
Lorne Historical Society
Souvenir - Water jug, J & M.P.Bell & Co, 1871
commemorating marriage of Princess Louise to Marquis of Lorne 1871 Hammerton collectionThe name of the township comes from the Marquess of Lorne: John Campbell, Duke of Argyll.White porcelain jug with blue tansfer Makers mark unreadableprincess louise, duchess of argyll, marquess of lorne, duke of argyll, marquis of lorne, queen victoria, weddings -
Federation University Art Collection
Artwork - Ceramic, Michael, Belinda, 'Eternity in a Vessel' by Belinda Michael, 2012
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Paper porcelain with slips and takeshi glaze."BM' on baseart, artwork, ceramics -
Federation University Art Collection
Ceramic - Ceramics, Ino Shukuho, 'Celedon Bottle' by Ino Shukuho, c1982
Ino SHUKUHO (13.02.1943- ) Born Kyoto, Japan The work of Ino Shukuho are completely handmade with the vast majority of his pots rectangle, squares or oval in shap. His pottery techniques limit production to a maximum of 3-4 pots daily. He is considered a Jaoanese 'national treasure' and he once handcrafter pottery for the Japanese emperor. In 1982 Shikuho Ino was a distinguished guest of the Gippsland Centre of Art and Design (GCAD). Wheel thrown porcelain with celadon glaze.Artist's stamp on base. jan feder memorial collection, ceramics, artist, artwork, gippsland campus, ino shukuho, jan feder memorial ceramics collection -
Federation University Art Collection
Ceramic, Debbie Hill, Grail by Debbie Hill, 2022
Debbie HILL In 2022 Debbie Hill completed a Graduate Diploma of Ceramics at Federation University. Handbuilt porcelain, gold lustre and Scarvadvc art award, debbie hill, ceramics -
Bright & District Historical Society operating the Bright Museum
Saucer
Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Chinese porcelain food dish, glazed with floral decoration. Handpainted on inside surface. Celadon background with floral design in colours, pink, green, white and brown with gold frosting on leaves.Chinese writing or maker’s stamp on base in orange ink / dye.chinese, gold, floral, goldfields, gios, tableware, glaze, porcelain, dish, buckland, celadon, handpainted -
Flagstaff Hill Maritime Museum and Village
Dog, 19th century
This toy dog was part of the cargo from the Fiji and amongst the articles salvaged from the wreck. The three-masted iron barque Fiji had been built in Belfast, Ireland, in 1875 by Harland and Wolfe for a Liverpool based shipping company. The ship departed Hamburg on 22nd May 1891 bound for Melbourne, under the command of Captain William Vickers with a crew of 25. The ship’s manifest shows that she was loaded with a cargo of 260 cases of dynamite, pig iron, steel goods, spirits (whisky, schnapps, gin, brandy), sailcloth, tobacco, coiled fencing wire, concrete, 400 German pianos (Sweet Hapsburg), concertinas and other musical instruments, artists supplies including brushes, porcelain, furniture, china, and general cargo including candles. There were also toys in anticipation for Christmas, including wooden rocking horses, miniature ships, dolls with china limbs and rubber balls. On September 5th, one hundred days out from Hamburg in squally and boisterous south west winds the Cape Otway light was sighted on a bearing differing from Captain Vickers’ calculation of his position. At about 2:30am, Sunday 6th September 1891 land was reported 4-5 miles off the port bow. The captain tried to put the ship on the other tack, but she would not respond. He then tried to turn her the other way but just as the manoeuvre was being completed the Fiji struck rock only 300 yards (274 metres) from shore. The place is known as Wreck Bay, Moonlight Head. Blue lights were burned and rockets fired whilst an effort was made to lower boats but all capsized or swamped and smashed to pieces. Two of the younger crewmen volunteered to swim for the shore, taking a line. One, a Russian named Daniel Carkland, drowned after he was swept away when the line broke. The other, 17 year old able seaman Julius Gebauhr, a German, reached shore safely on his second attempt but without the line, which he had cut lose with his sheath-knife when it become tangled in kelp. He rested on the beach a while then climbed the steep cliffs in search of help. At about 10am on the Sunday morning a party of land selectors - including F. J. Stansmore, Leslie Dickson (or Dixon) and Mott - found Gebauhr. They were near Ryans Den, on their travels on horseback from Princetown towards Moonlight Head, and about 5km from the wreck. Gebauhr was lying in the scrub in a poor state, bleeding and dressed only in singlet, socks and a belt with his sheath-knife, ready for all emergencies. At first they were concerned about his wild and shaggy looking state and what seemed to be gibberish speech, taking him to be an escaped lunatic. They were reassured after he threw his knife away and realised that he was speaking half-English, half-German. They gave him food and brandy and some clothing and were then able to gain information about the wreck. Some of the men took him to Rivernook, a nearby guest house owned by John Evans, where he was cared for. Stansmore and Dickson rode off to try and summon help. Others went down to the site of the wreck. Messages for rescuing the rest of the crew were sent both to Port Campbell for the rocket rescue crew and to Warrnambool for the lifeboat. The S.S. Casino sailed from Portland towards the scene. After travelling the 25 miles to the scene, half of the Port Campbell rocket crew and equipment arrived and set up the rocket tripod on the beach below the cliffs. By this time the crew of the Fiji had been clinging to the jib-boom for almost 15 hours, calling frantically for help. Mr Tregear from the Rocket Crew fired the line. The light line broke and the rocket was carried away. A second line was successfully fired across the ship and made fast. The anxious sailors then attempted to come ashore along the line but, with as many as five at a time, the line sagged considerably and some were washed off. Others, nearly exhausted, had to then make their way through masses of seaweed and were often smothered by waves. Only 14 of the 24 who had remained on the ship made it to shore. Many onlookers on the beach took it in turns to go into the surf and drag half-drowned seamen to safety. These rescuers included Bill (William James) Robe, Edwin Vinge, Hugh Cameron, Fenelon Mott, Arthur Wilkinson and Peter Carmody. (Peter Carmody was also involved in the rescue of men from the Newfield.) Arthur Wilkinson, a 29 year old land selector, swam out to the aid of one of the ship’s crewmen, a carpenter named John Plunken. Plunken was attempting to swim from the Fiji to the shore. Two or three times both men almost reached the shore but were washed back to the wreck. A line was thrown to them and they were both hauled aboard. It was thought that Wilkinson struck his head on the anchor before s they were brought up. He remained unconscious. The carpenter survived this ordeal but Wilkinson later died and his body was washed up the next day. It was 26 year old Bill Robe who hauled out the last man, the captain, who had become tangled in the kelp. The wreck of the Fiji was smashed apart within 20 minutes of the captain being brought ashore, and it settled in about 6m of water. Of the 26 men on the Fiji, 11 in total lost their lives. The remains of 7 bodies were washed onto the beach and their coffins were made from timbers from the wrecked Fiji. They were buried on the cliff top above the wreck. The survivors were warmed by fires on the beach then taken to Rivernook and cared for over the next few days. Funds were raised by local communities soon after the wreck in aid of the sufferers of the Fiji disaster. Captain Vickers was severely reprimanded for his mishandling of the ship. His Masters Certificate was suspended for 12 months. At the time there was also a great deal of public criticism at the slow and disorganised rescue attempt to save those on board. The important canvas ‘breech buoy’ or ‘bucket chair’ and the heavy line from the Rocket Rescue was in the half of the rocket outfit that didn’t make it in time for the rescue: they had been delayed at the Gellibrand River ferry. Communications to Warrnambool were down so the call for help didn’t get through on time and the two or three boats that had been notified of the wreck failed to reach it in time. Much looting occurred of the cargo that washed up on the shore, with nearly every visitor leaving the beach with bulky pockets. One looter was caught with a small load of red and white rubber balls, which were duly confiscated and he was ‘detained’ for 14 days. Essence of peppermint mysteriously turned up in many settlers homes. Sailcloth was salvaged and used for horse rugs and tent flies. Soon after the wreck “Fiji tobacco” was being advertised around Victoria. A Customs officer, trying to prevent some of the looting, was assaulted by looters and thrown over a steep cliff. He managed to cling to a bush lower down until rescued. In 1894 some coiled fencing wire was salvaged from the wreck. Hundreds of coils are still strewn over the site of the wreck, encrusted and solidified. The hull is broken but the vessel’s iron ribs can be seen along with some of the cargo of concrete and pig iron. Captain Vickers presented Bill Robe with his silver-cased pocket watch, the only possession that he still had, as a token for having saved his life and the lives of some of the crew. (The pocket watch came with 2 winding keys, one to wind it and one to change the hands.) Years later Bill passed the watch to his brother-in-law Gib (Gilbert) Hulands as payment of a debt and it has been passed down the family to Gilbert Hulands’ grandson, John Hulands. Seaman Julius Gebauhr later gave his knife, in its hand crafted leather sheath, to F. J. Stansmore for caring for him when he came ashore. The knife handle had a personal inscription on it. A marble headstone on the 200m high cliffs overlooking Wreck Beach, west of Moonlight Head, paying tribute to the men who lost their lives when Fiji ran aground. The scene of the wreck is marked by the anchor from the Fiji, erected by Warrnambool skin divers in 1967. Amongst the artefacts salvaged from the Fiji are bisque (or china) toys, (including miniature animals, limbs from small bisque dolls), rubber balls, a slate pencil, a glass bottle, sample of rope from the distress rocket and a candlestick holder. These items are now part of the Fiji collection at Flagstaff Hill Maritime Museum, along with Captain Vickers’ pocket watch and Julius Gebauhr’s sheath knife.Flagstaff Hill’s Fiji collection is of historical significance at a State level because of its association with the wreck Fiji, which is on the Victorian Heritage Register VHR S259. The Fiji is archaeologically significant as the wreck of a typical 19th century international sailing ship with cargo. It is educationally and recreationally significant as one of Victoria's most spectacular historic shipwreck dive sites with structural features and remains of the cargo evident. It also represents aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The Fiji collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history.China toy dog salvaged from the wreck of the Fiji. This moulded toy is made of bisque (sometimes described as bisque or porcelain) and is tan in colour. The dog is solid with a pitted surface1891, china, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwrecked artefact, flagstaff hill maritime village, shipwreck coast, warrnambool, porcelain, moonlight head, wreck bay, cargo, bisque, toys -
Bendigo Historical Society Inc.
Leisure object - DOLL COLLECTION: JD KESTNER HILDA PORCELAIN HEAD BABY DOLL, 1914-1938
J D Kestner manufactured the Hilda doll from 1914. They ceased business in 1938.J D Krestner 'Hilda' baby doll with hard composite body, jointed arms and legs and porcelain head. She dates from post 1914. Her hair is short, blonde and 'frizzy'. She is wearing a cream pintucked linen dress trimmed with cream lace at the hem, sleeves and yoke. Underneath the dress is a cream cotton pintucked petticoat with a lace insert and lace trim at the hem. She has a yellow knitted singlet and knickers. On her head she is wearing a cream linen mob cap of the same material and trim as her dress.JDK 137 on back of headtoys, dolls, porcelain -
Clunes Museum
Domestic object - TOOTHPASTE CONTAINER, C1880
.1 WHITE PORCELAIN CONTAINER .2 LID.1 Sticker 126 .2 Cherry Tooth Paste ~ For beautifying & preserving the Teeth and Gums. Patronized by the Queen local history, toilet requisites, teeth, personal effects -
Whitehorse Historical Society Inc.
Domestic object - Plate
White porcelain plate with dark blue stripedomestic items, crockery -
Geelong Gallery
Decorative object - Pair of 'Hope and Patience' plates from the Duke of Clarence service, WORCESTER, 1790-92
Hand painted (en grisaille) and gilded porcelain -
Port Fairy Historical Society Museum and Archives
Decorative object - Vase
not recordedSmall vase- orange lustre on white porcelainlocal history, ornaments, ceramics -
University of Melbourne, School of Chemistry
Porcelain Basins
o. 3 porcelain basins - used in these demonstrations. -
Mont De Lancey
Jelly mould
White porcelain jelly mould with pattern inside."496 Wedgwood RIH 514"jelly moulds -
Waverley RSL Sub Branch
Commorative Plate Spitfire, Franklin Mint
1 of of 2 held by RSL Series contains 5 platesPlate showing painting of an airborne Spitfire over London gilt edgedUnconquered Franklin Mint Collection Limited edition Fine Porcelain PD3717 -
Kiewa Valley Historical Society
Hat Pin
Historically this item could be a valuable antique worn originally by a wealthy upper class woman. The fine hand painted pictures with gold boarders and porcelain body suggests the item was bought either in Europe or Britain and brought into Australia in the late 19 th to early 20 th century by a wealthy landed gentryThis item is a reflection of both the fashion mode of the 1800s to mid 1900s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsHead of pin is six sided, domed top made of porcelain. Two sides have hand painted pictures of grapes, two sides with flower arrangement , two sides detailing cypress tree tips of branch, top has flowers and leaves with hidden small birdshat pin, porcelain hat accessory, millinery clothing