Colour photograph of students : back row Mrs. John Wakker ( teacher) Hayden Dixon, Matthew Hope, Kirby Adams, Casey Buck, Julia Morris, James Penno, Kate Steele, Ms Jo Bury ( teacher) Middle row: Joshua Gordon, Douglas Holt, Lauren Stirling, Alanna Noulton, Sam Needs, Scott Owen, Luke Scoble, Monique Hardwick, Nicole Clayton, Tim Kalms, Kyle Owen, Henry Anderton, Front row Natalie Carter, Naomi sullivan, Chloe Boyd, D'Cara Williams, Jayden O'Brien, Tyrone O'Neill, Emily Zeralla, Lisa Downes, Stephanie Murphy.bendigo, education, golden square primary school year

Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s.The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by the Hawthorn Operatic Society for a performance of Princess Ida in the Kew Recreation Hall in November. The programme does not include a year date. It does include a cast list, a brief synopsis and a list of the musical numbers.princess ida, gilbert & sullivan, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street -- kew (vic.), theatre memorabilia -- kew (vic.), hawthorn operatic company

Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by the Hawthorn Operatic Society for a performance of Princess Ida in the Kew Recreation Hall in November. The programme does not include a year date. It does include a cast list, a brief synopsis and a list of the musical numbers.the gondoliers, gilbert & sullivan, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street -- kew (vic.), theatre memorabilia -- kew (vic.), hawthorn operatic society

Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. 4-page programme for a performance by the Hawthorn Operatic Society of Gilbert and Sullivan's The Sorcerer at the Kew Recreation Hall in June 1956.arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia, hawthorn operatic society

Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme for a performance of Gilbert and Sullivan's Patience by the Hawthorn Operatic Society in 1957. 14 pp.arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia, hawthorn operatic society

Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s.The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme for a performance of Gilbert and Sullivan's Patience by the Hawthorn Operatic Society in 1957. 14 pp.arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia, hawthorn operatic society

Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s.The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme for a performance of Gilbert and Sullivan's The Mikado by the Hawthorn Operatic Society in 1959. 12 pp.arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia, hawthorn operatic society

One of five group and individual portraits of the Noble family of Kew, two in the rear garden of what is presumed to be ‘Charnwood’, in Station Street, Coburg. The photographs date from the period c.1890-1914. One of the larger framed photographs is a portrait of the entire family group, while another is of two of the children, Frederick and Winifred. The father, Frederick William Noble was a businessman, and, at one period Secretary of the Victorian Creamery & Butter Company in South Melbourne. Later he was to manage J. Bartram & Co., Ice & Cold Storage Department in Flinders Lane. By 1906, the Noble family had moved to Kew, living for almost 20 years at 100 Walpole Street before relocating to 26 Molesworth Street in the mid 1920s. The five photographs in the collection reveal details of family life and social values as expressed through attire. The family is formally costumed in a manner indicative of their social status. Mrs Noble, in one of the large framed portraits, is dressed in a sombre manner in a long, dark-coloured long-sleeved, high-necked gown. It is difficult to know whether she is dressed in mourning wear in this black and white photograph. It was not uncommon for a woman to regularly wear mourning attire due to the high mortality rate in the Victorian era. This situation was compounded for women due to the size of extended families. A woman might rarely be out of mourning due to the death of a parent, a sibling, a husband, a child or a near relative. The portraits of the Noble family children, particularly Frederick and Winifred, show the elaborateness of formal attire worn by the children of wealthy families during the late Victorian era. Winifred is dressed in a long cotton dress and a broad-rimmed hat; both liberally covered in lace. Winifred and Frederick’s lace collars extend to their shoulders. Winifred’s diaries, covering the period 1908-50, are now in the collection of the State Library of Victoria. The most detailed of the diaries is from 1914, just before the outbreak of World War 1, and includes ‘Accounts of my Dancing Evenings - Season 1914’. The diaries were the inspiration for an art exhibition by Jim Pavlidis in 2014. One of the family’s two sons, Frederick, was to work at The Age newspaper for 50 years. His obituary records that “He was regarded as the epitome of accuracy and a fount of knowledge on many subjects, but especially cricket, the Royal Melbourne Show and Gilbert & Sullivan”. With Robert Morgan he compiled Speed the Plough, a history of the Royal Agricultural Society of Victoria and its role in developing agriculture in Victoria.A series of photographs that depict family life in the period 1890-1914. The family is significant and the children achieved success in a number of fields.Framed large albumen silver photograph of Frederick Harwood Noble and his sister Winifred in the rear garden of the family home in Coburg (sic). Later Label on rear reads ‘F.H. Noble, W.M. Noble’.winifred noble, frederick noble, charnwood (coburg), station street (coburg)

One of five group and individual portraits of the Noble family of Kew, two in the rear garden of what is presumed to be ‘Charnwood’, in Station Street, Coburg. The photographs date from the period c.1890-1914. One of the larger framed photographs is a portrait of the entire family group, while another is of two of the children, Frederick and Winifred. The father, Frederick William Noble was a businessman, and, at one period Secretary of the Victorian Creamery & Butter Company in South Melbourne. Later he was to manage J. Bartram & Co., Ice & Cold Storage Department in Flinders Lane. By 1906, the Noble family had moved to Kew, living for almost 20 years at 100 Walpole Street before relocating to 26 Molesworth Street in the mid 1920s. The five photographs in the collection reveal details of family life and social values as expressed through attire. The family is formally costumed in a manner indicative of their social status. Mrs Noble, in one of the large framed portraits, is dressed in a sombre manner in a long, dark-coloured long-sleeved, high-necked gown. It is difficult to know whether she is dressed in mourning wear in this black and white photograph. It was not uncommon for a woman to regularly wear mourning attire due to the high mortality rate in the Victorian era. This situation was compounded for women due to the size of extended families. A woman might rarely be out of mourning due to the death of a parent, a sibling, a husband, a child or a near relative. The portraits of the Noble family children, particularly Frederick and Winifred, show the elaborateness of formal attire worn by the children of wealthy families during the late Victorian era. Winifred is dressed in a long cotton dress and a broad-rimmed hat; both liberally covered in lace. Winifred and Frederick’s lace collars extend to their shoulders. Winifred’s diaries, covering the period 1908-50, are now in the collection of the State Library of Victoria. The most detailed of the diaries is from 1914, just before the outbreak of World War 1, and includes ‘Accounts of my Dancing Evenings - Season 1914’. The diaries were the inspiration for an art exhibition by Jim Pavlidis in 2014. One of the family’s two sons, Frederick, was to work at The Age newspaper for 50 years. His obituary records that “He was regarded as the epitome of accuracy and a fount of knowledge on many subjects, but especially cricket, the Royal Melbourne Show and Gilbert & Sullivan”. With Robert Morgan he compiled Speed the Plough, a history of the Royal Agricultural Society of Victoria and its role in developing agriculture in Victoria.A compelling group of family portraits. Members of the family were to achieve important roles as managers, journalists and writers.Framed and gazed albumen silver print of Mr and Frederick Warner Mrs Noble in the garden of their home in Coburg (sic) with their three children. There are minor losses to the gesso and paint of the original frame. Later labels to rear include: "Mr Noble, Mrs Noble’. ‘Frederick, Winifred, Wilfred"noble family, charnwood (coburg), station street (coburg)

One of five group and individual portraits of the Noble family of Kew, two in the rear garden of what is presumed to be ‘Charnwood’, in Station Street, Coburg. The photographs date from the period c.1890-1914. One of the larger framed photographs is a portrait of the entire family group, while another is of two of the children, Frederick and Winifred. The father, Frederick William Noble was a businessman, and, at one period Secretary of the Victorian Creamery & Butter Company in South Melbourne. Later he was to manage J. Bartram & Co., Ice & Cold Storage Department in Flinders Lane. By 1906, the Noble family had moved to Kew, living for almost 20 years at 100 Walpole Street before relocating to 26 Molesworth Street in the mid 1920s. The five photographs in the collection reveal details of family life and social values as expressed through attire. The family is formally costumed in a manner indicative of their social status. Mrs Noble, in one of the large framed portraits, is dressed in a sombre manner in a long, dark-coloured long-sleeved, high-necked gown. It is difficult to know whether she is dressed in mourning wear in this black and white photograph. It was not uncommon for a woman to regularly wear mourning attire due to the high mortality rate in the Victorian era. This situation was compounded for women due to the size of extended families. A woman might rarely be out of mourning due to the death of a parent, a sibling, a husband, a child or a near relative. The portraits of the Noble family children, particularly Frederick and Winifred, show the elaborateness of formal attire worn by the children of wealthy families during the late Victorian era. Winifred is dressed in a long cotton dress and a broad-rimmed hat; both liberally covered in lace. Winifred and Frederick’s lace collars extend to their shoulders. Winifred’s diaries, covering the period 1908-50, are now in the collection of the State Library of Victoria. The most detailed of the diaries is from 1914, just before the outbreak of World War 1, and includes ‘Accounts of my Dancing Evenings - Season 1914’. The diaries were the inspiration for an art exhibition by Jim Pavlidis in 2014. One of the family’s two sons, Frederick, was to work at The Age newspaper for 50 years. His obituary records that “He was regarded as the epitome of accuracy and a fount of knowledge on many subjects, but especially cricket, the Royal Melbourne Show and Gilbert & Sullivan”. With Robert Morgan he compiled Speed the Plough, a history of the Royal Agricultural Society of Victoria and its role in developing agriculture in Victoria.Framed photographic half portrait of Winifred Noble in the original carved wooden frame. Winifred lived at 'Avalon' in Molesworth Street, Kew.Handwritten label on rear "Winifred Noble c 1910-12"noble family, winifred noble, photographic portrait, kew

A bi-monthly magazine published by the Deaf Committee of the Adult Deaf and Dumb Society of Victoria. E. Johnson, Editor, H. Puddy, Manager'The Victorian Deaf' Newsletter is a significant publication as an historical record giving and insight into the people, activities and events of the Deaf Community in Victoria.Vol. 2 No. 2, April 1931; Size 21.5cmHx14cmWalice graham, fred kendall, maurice marks, warrie ashby, hennessey, len ashley, rev f. w. g. gilbey, karl pearson, edgar schuster, dr. kerr love, mcaleod yearsley, dr haslam, charles heath, helen keller, ida m tarbell, anne sullivan, womens guild, mens guild, lacrosse, solomon moss, lucy moss, allsop, sutherland, james gibson, mrs lawson, mrs muir, ashby, maloney, e. rose, g. mortimer, c. hunt, j. mason, r. white, e. rainesw. h. crush, a. aird, v. wilson, h. s. nathan, halliday, nolan, j. lindsay,

VA 466 Governor (including Lieutenant Governor 1851-1855 and Governor's Office)Eureka Stockade:Captain Thomas reports on the attack on the Eureka Stockade to the Major Adjutant Generaltrial, w.h. paul, robert adair, john smith, felix boyle, william butwell, timothy galvin, william french, michael roney, h.c. wise, john byrne, henry colles, william juniper, bernard o'donnell, joseph wall, patrick sullivan, j.w. thomas

Mabel nee Abraham Rogers produced, wrote and acted for the “ Melton Amateurs” theatrical group established in 1950. The group performed Revues, Pantomimes, one and three act plays, Musical Comedy and Melodramas. In 1960 it lapsed for a time and from 1967 onwards more shows were successfully produced by Mabel. A creative producer and writer, audiences at the Melton Mechanics Institute enjoyed the performances of Gilbert and Sullivan and excerpts from the many Musicals of the era. She skillfully wrote scripts interweaving with songs and topical local dialogue successfully drawing out the talents of all the cast members. About “Melton Amateurs” and forerunners….. Melton people have always been Active in giving and enjoying Concerts and Amateur Theatricals presented by local talent. Wile is it not possible to mention everybody; names like George Gardiner, Stan Hardy, Jim Murchison, Rita Summers, Annie Riddell, Ethel MacPherson, Harold Bainbridge, Jack Mcguire, Greta Jongebloed, Mary Coburn, Elsie McCorkell, Linda Cameron, Marjorie Myers, Aggie Ross, Bob Butler, bring happy memories to older residents. Over the years, the names change, but the talent is always there, and freely used to give pleasure to others. the Caledonian Society was active about 1925. The Melton Competitions, 1937-37 were very successful and attracted much local and outside talent. The Melton Social and Dramatic Club was operative during the same years, and gave several shows. The first “Melton Amateurs” production was a Revue, in 1950. This was followed by other Reviews, Pantomimes, One-act and Three-act plays, and Musical Comedy. Do you remember Bessie, bob and Barrie Bardsley, and Shirley and Marie Jongebloed, Shirley Wallace, Bill Abraham, Joan Jenkins, Peg Arandt, Winifred Fraser and many other? "Comedy Tonight" prrogramme by the Melton Amateurslocal identities

A report from the President John Sullivan and a recap of the significant events of 1991. Up to the 1980s the annual report would usually contain pages containing the Presidents report and recap of significant events of the year. Between 1987 and 1991 these were published in a separate document called 'Highlights from the Annual Report'. This could be used in promoting Legacy in different ways, without all the financial information normally held in an annual report. In following years it became called 'Report from the President' then 'Highlights from the President', before becoming 'Melbourne Legacy Highlights' which was published twice a year from 2007. It was eventually renamed, 'The Torch, Melbourne Legacy Highlights' in 2012. 'The Torch' is still published twice a year. Other annual reports in 00027, 01095, 01096 and 01097, 01098, 01310 and 01311. A record of the annual reports of Legacy Melbourne, including activities and telling stories of Legacy's impact.Black and white printed highlights report from 1991 x 4 pages, with black and white photos.annual summary, activities, john sullivan

The President in 1991 was John Sullivan. The document is dated 14 June 1990 as the presidential year ran from March to the following February. Was in a binder of documents that is passed from an outgoing President to the incoming President. It is primarily from the 1930s to 1990s. Most documents are being catalogued separately.A record of the ideas of the President in the 1990s.White foolscap paper x 2 pages with black type of the President's comments in 1991.presidents, john sullivan

Erected 1974, dismantled 2000s. The Headquarters was operated from the family home at Ferris road at its inception, and in 1974 to the Barrie home at First Avenue Melton South. A storage office and Radio Tower was erected in the yard. A connection phone line was linked to the home of Wayne and Lynn Sullivan who lived at the rear in Kurrajong Cr later became LY remote. Wayne later became Communications Officer and the Headquarters moved location to the Melton Fire Station. The Mount Cotterill Group encompassed the Rural Fire Brigades of Melton, Rockbank, Sydenham, Toolern Vale, Truganina, and Werribee and later Diggers Rest. In the stage of transition from H.F.( High Frequency) to Very High Frequency some radio sets were non CFA Tankers when the group was established. Antenna was at 19 First Avenue, Melton.emergency services

Photograph of a team of Australia's Parachute Display Team, the Red Berets, parachuting into Sandown racecourse for Legacy Week. The yellow paper label says: "Legacy Torch drops on Sandown. The Australian Army's parachute display team, the 'Red Berets' provided a spectacular free-fall display at Sandown racecourse to help highlight Legacy Week. Lt. Col. Matt Chambers carried the Legacy Torch to be used for the Legacy Torch Relay the next day." "Lt. Col. Matt Chambers hands the Legacy Torch to the President after jumping 3,000 feet." Believed to be 1991 as John Sullivan was the president accepting the torch at the racecourse. They were in a folio of photos from 1990 and 1991. Later at Legacy House CEO Terry Walsh is pictured with the red berets.A record of the army being involved in promoting Legacy Week.Colour photo x 8 of red berets parachuting onto Sandown racecourse.Yellow paper label explaining the event in black type.legacy week, legacy promotion

A mix of photos from a folio of photos labelled between 1988 and 1990 (see items 01042 to 01049). One photo of Legatee Ron Austin, a World War 1 veteran, at Legacy house. One photo of George Woodward at a table counting money from an event. One photo of Legatee John Sullivan shaking hands with a man in uniform. He could be receiving a cheque from the man. A view of Swanston St with Legacy flags flying on the poles. A photo of a school ceremony at the Shrine, unsure of they year - probably 1989. Definitely not 1988 or 1990. A photo of a badge seller in a Hawthorn jumper in the Bourke St Mall. In the President's Highlights report of 1989, the caption mentions that Hawthorn footballer Peter Curran helped with the badge selling. A photo of a luncheon function at Legacy house with the speaker addressing a lady. Perhaps thanking her for her service.The folio was a record of a summary of the year being on display for the Legatees to look through.Colour photo x 7 of events in 1989-90 including Ron Austin at Legacy House.legacy promotion, fundraising, ron austin

Photos of a trip to an Aircraft Museum, including Legatees George Woodward and George Standish. With about 12 Legatees and some wives it is assumed to be a day trip to the museum. On the shape of the building it looks like the National Vietnam Veterans Museum on Philip Island, or perhaps the Australian National Aviation Museum, in Moorabbin. Also present were L/ John Sullivan, L/ Joe Morton and his wife Mary Morton. The captions included: "Legatee Joe Morton, joined by his wife, Mary. Legatee Morton gave his RAAF overcoat and jacket to the Museum." "The Catalina fan club was out in force Legatees George Woodward and George Standish." They were in a folio of photos from 1988 to 1990 (see also 01042 to 01049).A record of a Legatees on an outing together which shows their comradeship and desire to socialise together.Colour photo x 13 of Legatees visiting an aircraft museum.White paper labels with black type provided captions for the photos.legatee event, comradeship

From 1988 to 2021, Legacy held a public speaking contest for young secondary school students. It was initially called the Junior Plain English Speaking Award (JPESA) and later called Legacy Junior Public Speaking Award (LJPSA). Schools were eligible to send along up to 4 representatives to compete in a preliminary round. The photo shows President John Sullivan with the 1991 Victorian winner Jamie Friebe on 27 June 1991 at the Melbourne Water Theatrette. The following was taken from a programme in 1996: "The Award aim is to promote enhanced oral communication skills for 12-14 year old students and to help young people appreciate the ideals of Legacy - voluntary service, caring and comradeship - and the need for remembrance. It began in 1988 in the Melbourne area with the support of the Ministry of Education and The Plain English Foundation. Entries have grown from 24 in the 1988 competition to over 300 in schools across the State, plus greater numbers participating in the process of selecting four contestants from each school. In 1995, a successful Interstate Championship was held with contestants from Victoria, New South Wales and Queensland. On 11 November 1996 the first National final was held with contestants from six states."A record of a Junior Plain Speaking contest that has been run by Legacy since 1988.Colour photo of Junior Plain Speaking contest in 1991 and an article in the Answer.legacy promotion, speaking contest, answer, jpesa

A photo of President Sullivan at Brighton Grammar Junior School presenting a boy, Troy Robinson, with a plaque with the Legacy torch emblem alongside the Junior School Master, Mr Peter Toms. L/ Sullivan is also seen speaking at a school assembly and standing by a tree that had been planted in honour of Legatee Tom Bell in 1989 (see item 01538). The label explains the link to Brighton Grammar Junior School was fostered by the late L/ Tom Bell, although not a past pupil he endeared himself to the school that on his death shortly after the 1989 badge appeal the students planted a tree in his honour at a special memorial service. For many years the boys from Brighton Grammar Junior School raised money from the sale of Legacy badges and the President would present them with a plaque of appreciation. Between 1991and 1995 the boys have raised in excess of $16,000. Photos were in a scrapbook of photos spanning 1983 to 1991. A record of Brighton Grammar School fundraising for Legacy.Colour photo x 4 of boys at Brighton Grammar with President Sullivan and a pink paper label.Typed on the pink paper label explained the link to the tree planted to honour Tom Bell.fundraising, john sullivan, brighton grammar

A legatee function in Legacy House with Bruce Ruxton as a guest speaker. It is assumed to be 1991 as Legatee John Sullivan appears to be presenting a plaque to Mr Ruxton. L/ Sullivan was president in 1991. The plaque signifies that Mr Ruxton was made 'Guest of Honour' which is the highest accolade awarded to guests. Photos were in a scrapbook of photos spanning 1983 to 1991.A record that the speakers at Legacy functions were from very different walks of life and the subjects spoken about were many and varied. Colour photo x 3 of Bruce Ruxton speaking at Legacy House.White label handwritten in blue pen 'Bruce Ruxton - Guest of Honour. Legacy Luncheon. Presented with a plaque.' speakers, legatee event, john sullivan, bruce ruxton

A function in Legacy House with Legatee John Sullivan welcoming nine founding members of a new support group. L/ Sullivan was president in 1991. The lady in blue and white stripes is Legacy widow, Margaret Anderson who is now a legatee. The lady in red is also in many other photos and could be a staff member. Other names are not known. From the label the photos were taken by Susie Howard the publicity officer. Photos were in a scrapbook of photos spanning 1983 to 1991.A record of function for Legatees. Colour photo x 6 of induction of Legacy Support Group and a white paper label.White label handwritten in blue pen 'Founding members of the Legacy Support Group induction. / S Howard / 27.8.1991.' legatee event, membership