Document, W.D.Mason Collection, Flora Hill Estate, 178 Lots for sale, Agents in conjunction M.G.Giudice 1st Floor, Lyric Buildings Bendigo, and T.M.Burke P/L Melbourne.Cambridge Press Print, Bendigo.business, retail, w d mason

'Blackburn Lake: report to the Minister for Local Government' Blackburn Lake Committee of Management (?), 1972(?). Includes brief history, detailed description, photographs, lists of flora, bird life.'Blackburn Lake: report to the Minister for Local Government' Blackburn Lake Committee of Management (?), c1972.blackburn lake sanctuary, native plants, wildlife, environment, birds

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A ‘Wattle Day for Children’ badge, which appropriates national symbols of fauna and flora: a kookaburra and wattle. The circular pressed metal fundraising badge was produced to support the war effort."Wattle Day for Children"wattle day for children, wattle day, francis rigg, badge

Paper cover, stained, foxing, insect damage to extremities. Cloth strip to spine, tearing at top and bottom. 152 pp. Binding generally intact, pp 51-54 detached. Sewn binding shows metallic/rust staining. Pages generally clean & unmarked throughout. Fair condition.non-fictionSystematic Census of Australian Plants with Chronologic, Literary and Geographic Annotations.botany, australia

The Asiatic Pheasant pattern on the plate is a transfer design and was the most popular design of the 18th & 19th centuries and is still being produced today. The design was produced as high-quality, decorative dinnerware by the potters in the Staffordshire area of England, from the late 1830s, but no one is sure exactly of the original designer's name. History of the Loch Ard: The Loch Ard got its name from ”Loch Ard” a loch that lies to the west of Aberfoyle, and to the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as recovered from the wreck of the Loch ArdGorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the recovery from the wreck of the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of the Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up and recovered from the Loch ArdGorge wreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck, it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we are able to interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Serving dish or meat dish; oval with scalloped edges. White Chine plate with a blue flora transfer design called "Asiatic Pheasant". Recovered from the wreck of the Loch Ard. Printed "W & S" (pattern is) "Asiatic Pheasants"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, serving dish, asiatic pheasant, meat dish, meat plate, serving plate, crockery, domestic item, dining

An article in the Nunawading Gazette, naturalist John Reid has asked Council to commission a survey of flora and fauna of Antonio Park, Mitcham before this significant bushland remnant is impossible to save.native plants, antonio park, mitcham, reid, john, robinson, randall, victoria. department of conservation forests and lands

Sterling silver hand mirror with hallmarks for Birmingham 1856, bevel edged mirror encased in an embossed silver case with handle, decorations include flora and a rope edge around mirror.personal effects, hairdressing, mirror

Small banner for the Flora Hill Secondary College. Yellow letters on blue background. A plastic rod with ropes for hanging at the top and an ornate pattern at the bottom. Aileen and John Ellison Collection.flora hill, flora hill secondary college

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Straw hat by brand ‘Akubra’ in the style ‘Olympian’, size 56. Sides of crown woven with decorative pattern and hatband printed with native Australian flora. Retains original swing tag.Labels: Akubra / 56 / Olympian / MADE IN AUSTRALIA1992 barcelona olympics, uniform, australian wool corporation, hat

Twenty seven pages document. Parish profile for Holy Trinity Parish, Bendigo. Involving: Holy Trinity, Flora hill - Christ Church, Bendigo East - St. Stephen's, Emu Creek.church, history, anglican church

Comprehensive book with coloured photos of the Kombumerri people and their traditional life in Queensland?s Gold Coast. Tells of white settlement, historic sites, flora and fauna, customs and myths, repression and land.colour photographs, b&w photographs, mapskombumerri, gold coast, queensland

Submission to the National Estate Programme: Schwerkolt Cottage, Yarran Dheran and associated areas, City of Nunawading, 1974?. Includes 'Report on the survey of the vascular flora of the Yarran Dheran Reserve, by A.B. Court.Submission to the National Estate Programme: Schwerkolt Cottage, Yarran Dheran and associated areas, City of Nunawading, 1974?.city of nunawading, parks and reserves, schwerkolt cottage, yarran dheran, webster, noel, court, a.b., native plants

This hand carved framed mirror is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.An elaborately carved wooden framed mirror with two carved kookaburras, one with a lizard in its beak as well as some Australian flora - eucalyptus leaves, flowers and gumnuts around the edges of the frame.mirrors, functional objects, wall mirrors, objects

This is one of the maps drawn by Frank L. Frost while he was beekeeping in North-East Victoria. This particular map may be reference in the "Wooden" Diary on pages 12, 13 and 17.Front Side: Hand-drawn map centred on Chiltern showing the Melbourne road [Hume Freeway] and the Beechworth-Rutherglen road with detailed locations of flora in the region. Flora includes; Iron Bark, Stringy Bark, Red Box and Yellow Box. Details regarding quantity of flowers and quality of trees is included. Back Side: Some names and addresses are recorded in pencil. Drawn with black pen and grey lead on paper. A grid and other symbols are marked in red ink.hand drawn, hand-drawn, map, chiltern, 1915, beekeeper, frost, beechworth honey

Community art project coordinated by Grant Finck - MURAL PROJECT, CITY OF PORTLAND for Community Youth Programme.31 glazed ceramic tiles set onto wall at the Civic Hall, Bentinck Street, with cement in an open arrangement. Each tile depicts scenes of the sea and maritime flora and fauna in blue and grey.

Bendigo Advertiser '' The way we were'' from 2002. Big cheesy grins: Flora Hill School's (No 4667) grade 1A pupils show their pearly whites for the camera in 1957. the clip is in a folder.newspaper, bendigo advertiser, the way we were

EIG School - Ralph Birrell Collection. C 1966. Gathering of people with umberellas up. Markings in red, 12 66M8. In yellow, Made In Australia. Construction of Latrobe Uni, Flora Hill, Bendigo.Kodakeducation, tertiary, latrobe university bendigo, eig school - ralph birrell collection people flora hill bendigo

Mackay collection - Cardboard box Slazenger Plus Golf Balls, red,blue and black with gold lettering, contains note reading: From Miss Flora Mackay 93 Forest St Bendigo.recreations, sports, golf

Ticket to Bendigo Bushland Appeal Dance to be held at the Flora Hill Secondary College Hall Saturday 16th March 1996 8pm to 12.30am. Music generously donated by Emu Creek Bush Band.education, secondary, bendigo bushland appeal dance

Photograph in a newspaper of "Prudence Holmes (1955) is with Barbara McKay (1954), leading Flora, the mare, while Carmel Deveney (1954) pushes the wheelbarrow. All three are students at the Horticultural College, Burnley, Victoria."prudence holmes, barbara mckay, carmel deveney, burnley horticultural college, female students, flora, horses, students working outside, draught horse, ploughing, orchard

Hard, green glossy cover with white print on front cover & spine. Dust jacket illustrated inside & outside, with black & white and coloured photographs of women in various uniforms. 270 illustrated pages, black & white & coloured photographs & posters.Hand written on flyleaf: Donated by above Sticker with black printing: Una & Max Trahair 26 Keck Street Flora Hill 3550books, military, women

Historical gardens in the City of Port Phillip Postcard series celebrating the launch of the Royal Botanic Gardens Melbourneblack and white postcard, unmounted, original, good conditionOn back: Historic gardens in the City of Port Phillip Postcard series celebrating the launch of the Royal Botanic Garden's Melbourne, 'Flora for Victoria' 1996

Historical gardens in the City of Port Phillip Postcard series celebrating the launch of the Royal Botanic Gardens Melbourneblack and white postcardOn back: Historic gardens in the City of Port Phillip Postcard series celebrating the launch of the Royal Botanic Garden's Melbourne, 'Flora for Victoria' 1996

Small 1954 calendar at the bottom of a paper, above under the word Greetings a black and white photo of the house at 11 Bendigo Crescent, Flora Hill and under the photo the words ''From Our House to Yours''.buildings, residential, house