Bendigo Advertiser ''The way we were'' from 2002. Memories grade four pupils from Violet Street Primary School in 1936. ''Friends then, friends forever''. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Phonograph record, black shellac with a black Zonophone Record label. A side: Barcarolle (Tales of Hoffman) B side: There was a time. Artists: Miss Annie Rees and Miss Violet Oppenshaw.Serial number 1161

Bendigo Advertiser "The way we were" from Friday, July 2, 2004. School days: the Violet Street State School 877, Bendigo grade 4, believed to be 1950.newspaper, bendigo advertiser, the way we were

The photo shows a large draught horse in profile, standing in a paddock. Scattered trees stand in the distance beyond the paddock fences. This is the Breens' draught horse Violet, probably at Menzies Creek.

Black and white photo of house, appears to be rendered, with tile roof at 21 Old Violet Street Bendigo. House has arched porch entry, timber and wire fence at front.bendigo, house, 21 old violet street bendigo

Black and white photograph of family group. Wilkins Family 1901. Grainy picture.Back row: Olive, Violet, Jay. Centre left: Roy Gladstone. Front row: Heath, Mrs Wilkins (Minnie), Myrtle.

Document. Malone Collection. White card with folded back front and the edge cut along the edges of the basket & flowers. Silver basket of purple and white violets with ivy leaves on the handle. Friends Ever (printed in gold.) On each corner are violets & leaves. The edges are cut around the flowers & leaves and the sides are silver. Card also has a shaped insert and a verse by H. M. Burnside. Card & insert held together with a mauve cord.Davidson Bros. Londonperson, greeting cards, malone collection, malone collection, greeting cards, h. m. burnside

Bendigo Advertiser ''The way we were'' from Wednesday, April 18, 2001. Say cheese: Violet Street school's prep students pose for their school photos in 1925. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Photocopy of 2 photos on 1 sheet. Pat Briggs on corner Bay and Little Bay Streets. Also Violet Jean Barnett on top of Centenary Bridge. In the background is a paddle steamer on the Baypiers and wharves - station pier, centenary bridge, engineering - bridges, edwin whiting, pat briggs, violet jean barnett

This handbag belonged to Violet May Sack Keen) 1898-1956Black silk bag with yellow silk lining. Four clusters embroidered flowers with centre bouquet. Good clip fastener. Fine chain handle.costume accessories, female

Conditions of sale by private contract dated 23rd July, 1940 between R. Rigby (seller) and Miss B.E.M. Tancock (buyer) for land situate corner Violet and Queen Streets, Bendigo, having a frontage to Queen Street of approx. 71 links by a depth of approx. 137 links to Violet Street, being land described in right to occupy residence area no. 4868, together with 5-roomed weatherboard dwelling and all sundry. Price 155 pounds.organization, business, h.a. & s.r wilkinson real estate

Copy of a black and photograph, laminated.1947 Form 4 Teacher Mr Finlayson Courtesy of Violet Calway (Mrs Connell) Form 1 - 1944 to Form 5 - 1948williamstown high school, 1947, class photographs, mr finlayson

Margery Lawrey attended the Ballarat Teachers' College in 1927.Photograph of Margery Lawrey and Ann Punshon who studied at the Ballarat Teachers' College, in their sports uniform and holding hockey sticks. Gift of Ann Drayton, daughter of Margery Violet Brady (nee Lawrey)ballarat teachers' college, ann punshon, hockey, sports uniform, margery lawrey, margery brady

Thank you note for supper from Noel (and Violet) to Patricia and John Davies.

Exhibition, CEMA 1991.View of beach with crumpets in foreground and hills and cliffs in background. Scene sweeps up to the right of image. Sea is breaking over several boulders along shoreline. Far out to sea the water's colour is dark green and indigo, arond a rocky island. Sky is pale blue with violet clouds near horizon line and white wispy clouds above. Mounted in a double matt (white on violet) and framed under glass in decorative wooden frame with gold decoration and paint.Front: (no inscriptions) Back: Alan Wilson. "Crumpets". Hollands framing sticker (lower centre). Oils-on canvas on ply. 1991. (lower right) (pen) 1991 (lower centre) (pencil).

Porcelain plate with stamped relief pattern around edges. Transfer image of a violet in centre of plate. Glazed with green glaze around edge, white elsewhere. Porcelain teacup with stamped relief pattern and transfer of violets and green leaves. Gold paint highlights design elements and rim of teacup. Green glaze in decoration, clear/white glaze elsewhere. Items measures: Plate: Dia: 9.7 Depth: 1.2, Saucer: Dia 8.6, Cup: Dia Top: 5.5 Dia Base: 2.2

Black and white photo. Central Deborah Gold Mine, corner Violet and Creek Streets, Bendigo. 1939-1954. Shaft 1347 feet deep. Gold extracted 29,460 ounces. This mine was purchased by the Bendigo City Council to be retained as a Mining Museum. Markings/Inscriptions: Central Deborah Mine. Corner Violet and Creek Streets. 1939-1954. Shaft 1347 feet. Gold 29,460 ozs. This Mine has been purchased by the Bendigo City Council to be retained as a Mining Museum.organization, business, central deborah gold mine

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, PortlandPorcelain pot with lid. Decorated with a stamped relief pattern. Transfer images of violets and leaves, highlighted with gold paint. Green glaze around base, white elsewhere. Made from a two-part mould.

Bendigo Advertiser '' The way we were'' from 2002. School Days: the grade four class at Golden Square's Violet Street Primary School was all smiles for the annual photograph in 1964. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Used on sheep by the Rothaker family formerly of Kalimn, Malvyn Road, Violet Town, 3669.'R' brand.R

This bottle was bought at a chemist either locally or in a large city on a shopping expedition. The embossing pattern indicates that the contents are poisonous. Bottles changed - shape, size, seal, use and embossingHistorical: Change in bottles - colour of glass, embossing, shape, size and use Aesthetic: Display showing embossing, shape, size, sealOpaque brown glass bottle with 6 sides. The front is wide, the 2 end sides and back side are short with the 2 adjoining longer sides coming out at 45 degrees. The sides at 45 degrees have heavy embossing of rows of crosses and the back side has heavily embossed print in capital letters read sideways from the top of the bottle to the bottom. The sides taper quickly to a short neck and then opening. The bottle has a brown screw top lid with embossed sides. The bottle is empty. A label has been sticky taped onto the front.Back: "Not to be Taken" Base: 'F 1158' and '856' along the edge Label: "Caution / Not to be Taken / Gentian Violet Solution / 2 % / For external Use - Onlyopaque brown glass bottle, chemist, poison, medicine, irregular hexagonal bottle

Part of Graham Colection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, PortlandPorcelain jug with stamped relief pattern. Transfer image of violets and leaves over exterior surface. Gold highlights painted on. Green glaze around base, white elsewhere. Made from a two-part mould.

Large light brown paper bag - probably used for packing hats Marked from Miss Maddison - Violet Street, Bendigo - Hats Cleaned and Dyed Printing surmonted vy a version of the royal Coat of Arms

Book, Miss Mary V.J.Robinson's lesson book for Grades Prep to Grades 6, at Eaglehawk Rural School, Golden Square School, Violet Street School, Gravel Hill School from 6/10/1950.book, bendigo, education

Brian was born in Melbourne in 1949. Early life was spent in the stimulating bush environment in Montrose. Ramon Horsefield saw a spark and Brian began to paint in oils at the age of thirteen. He contunued tuition with Graham Moore, in class and at night classes. An Art Diploma at Swinburne was not completed. This did not crush his creative spirit and he resumed tuition with Graham Moore. Within a few years he was winning prizes. Many and varied jobs allowed him to survive whilst aspiring to become a full time painter and bring up his growing family. In 1977 Brian resigned from his last employment as a picture framer. He leased a shop in Main St, Mornington and set up classes. Brian taught painting and had his own studio behind the school. Later he was to move and build his "bushland gothic" home in North Warrandyte. Here he developed his reputation as a painter. Brian had his first solo exhibition in 1979. Many more were to follow. He has won many prizes, was a finalist in the 1992 Moran Portrait prize. The Alice Bale Scholarship which he won, entailed a year traveling and studying in Europe. Brian returned home in 1996. Sharing his skills with many students over the years, he taught privately and at various art societies. His oils, pastels and charcoals capture the light of landscape, portrails and nudes. In 2012 it will be thirty-five years since Brian has had a "real job". At times this has been really difficult. He is now semi retired after suffering from Rheumatoid Arthritis for a decade. Now he paints what he loves to. His portraits capture the very essence of the sitter. In 2009 he remarried and moved back into the bushland of North Warrandyte. 'Duet' by Brian E. Armstrong was donated by the Artist to the Eltham Copper Butterfly Appeal Auction.Oil on canvas painting depicting a 'Duet' scene with two children. One is shown playing the flute whilst the other is playing the piano. The painting is fashioned in sombre colours and muted tones, with alternating tones of violet prominent.Signed- Brian E. Armstrong '87 On label - artist's name: Brian E. Armstrong Address: 844.2925 Title of Painting: Duet Medium: Oil on canvas On Frame: 82 enclosed in circle. 31 1/2. C Enclosed in circlebrian e. armstrong