Kevin Richard Coombs, OAM (born 30 May 1941) is an Australian wheelchair basketballer and athlete who competed at 5 Paralympics including the first Paralympic Games in 1960. He was the first Australian Aboriginal Paralympic competitor for Australia.Grey plastic medal case.The lid on the case is inscribed with the word "TROPHY" and a laurel wreath. The bottom of the case is inscribed with "Casecraft. CAT. No 102". The interior of the case includes the text "Stokes (Australasia) Limited - medallists and silversmtihs est. 1855:.kevin coombs, victorian paraplegic games

Light blue flag with a green and orange 2006 commonwealth games symbol on the left and white text reading MELBOURNE 2006 XVII COMMONWEALTH GAMESMELBOURNE 2006 XVII COMMONWEALTH GAMES

Rectangular, crimped lapel badge.Gold text, top to bottom. "VICHEALTH STH AUSTRALIAN MASTER'S GAMES MELBOURNE 1995 December 5 to 14" Red, gold, and blue horizontal bands. Middle band includes stylised images of athletes in blue, green, red and yellow.

It isn't about medals - it was completely about each person's journey to get behind the blocks. That's the winning attitude of Yarra Plenty Swimming Club coach Paul Schindler, who took charge of Australia's team in the pool for the Invictus Games in Sydney late last month.News article 1 page, black text and colour image .yarra plenty swimming club, paul schindler, invictus games, swimming, coaching

Held in Melbourne from the 22nd November to 8th December, the 1956 Summer Olympics, officially known as the Games of the XVI Olympiad or the Melbourne Olympics were the first held outside of Europe or the USA. The Olympic torch relay passed through Central Victoria on its way from Cairns to Melbourne. Small book containing 15 pages including map of competition venues and programme on the back cover. Front cover depicts male javelin thrower. Printed in black and purple ink.melbourne olympic games, city of greater bendigo tourism

Legacy have many programs to send junior legatees on activities, camps and outings. The photos show boys playing games at a table. Appears to be part of the same camp as the girl with the kangaroo (03097) and the kayaking photos (03095 and 03096). The date is not known though it was stored with other photos of Junior Legatees from the 1980s and 1990s. A record of a Legacy providing experiences for the junior legatees.Colour photo x 2 of boys at a camp, one of a boy playing Uno and a boy playing Trivial Pursuit.Printed on the back 'No.25 and No.27' which are the image numbers.junior legatee outing, card games

Published Diamond Valley Leader, 23 Nov. 2005, Article reviewing the events of the fourth Eltham Rotary Town Festival with comments from organiser Chris Chapple and Eltham Town spokeswoman Lucy Anderson. Mentions jazz bands from Eltham High School and Eltham College On reverse - article about Eltham's Hollie Grima selected for the 2006 Commonwealth Games basketball squad.Newsprint2005, eltham community festival, rotary club of eltham, rotary eltham town festival, eltham rotary town fesival, chris chapple, eltham college, eltham festival, eltham high school, eltham town, lucy anderson, 2005 commonwealth games basket ball squad, hollie grima

As Australia had not yet commenced production of adaptive items for the low vision and blindness community, many were purchased directly from the Royal National Institute for the Blind in London. This price list shows the variety of products on offer and the costs involved for each. Bankers cheques or money orders were required to send payment to the UK, and there was a range of games, tools and living aids as well as Braille equipment on offer.12 page booklet of items and prices assistive devices, royal national institute for the blind

Anglo-Indian Pamela "Pam" McCarthy was struck by polio in 1945 at age 11 In addition to her becoming a singer, she also competed at a variety of sporting meets for the disabled.Grey plastic case containing gold coloured medal.Medal contains text - 1963 Victorian Paraplegic Games - Class B Women's 25 metres - 1st Crawl - Pam McCarthy The lid on the case is inscribed with the word "TROPHY" and a laurel wreath. The bottom of the case is inscribed with "Casecraft. CAT. No 102". The interior of the case includes he text "Stokes (Australia) Limited - medallists and silversmtihs est. 1855:.pamela mccarthy, victorian paraplegic games

Medal ribbon used for Olympic medals in the Sydney 2000 Paralympic Games and made from fine 19.5 micron merino wool. It was made by Melbourne company TD Noone Woven Products who created the ribbon on a conventional ribbon loom. The finishing processes were undertaken by Superior Fit Australia, an Albury-based company. The ribbon was colour tested against various garment colours to confirm design suitability and colour balance and trialed for wearer comfort as it needed to be soft against the skin when carrying a medal. Durability was important as an Olympic medal is a lifelong keepsake. Woolmark supplied 5.2 kilometres of completed ribbon for medal useage.wool - superfine, woolmark company td noone woven products superior fit australia, ribbon, sport, the woolmark company 2000 australian olympic display - exhibition (21/12/2001 - 24/05/2002)

The first section of the Ballarat Post Office was built in 1864, the second (including the tower and offices in Lydiard St) in 1885. The original design had the arched windows on the ground floor (facing Sturt St) forming a colonnade, but these were soon filled in to provide more internal space. Here the Post Office is decorated for the 1956 Olympic Games, when the rowing and canoeing events were held on Lake Wendouree. Mrs Bon Strange and her husband Bert were well known Ballarat residents. When Mrs Strange died some years ago, her extensive slide collection was sorted through and those relevant to Ballarat were gifted to the Ballarat Library. post office building, olympic games, lydiard street north, sturt street, federation university, illuminations

Medal ribbon used for Olympic medals in the Sydney 2000 Olympic Games and made from fine 19.5 micron merino wool. It was made by Melbourne company TD Noone Woven Products who created the ribbon on a conventional ribbon loom. The finishing processes were undertaken by Superior Fit Australia, an Albury-based company. The pattern is an adaption of the SOCOG wave design. The ribbon was colour tested against various garment colours to confirm design suitability and colour balance and trialed for wearer comfort as it needed to be soft against the skin when carrying a medal. Durability was important as an Olympic medal is a lifelong keepsake. Woolmark supplied 5.2 kilometres of completed ribbon for medal useage.SYDNEY 2000wool - superfine, woolmark company td noone woven products superior fit australia, ribbon, sport, the woolmark company 2000 australian olympic display - exhibition (21/12/2001 - 24/05/2002)

By Jill Hadfield29.5cmHx21.5cmW, 96 pages

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretchGreen knee length skirt with button and zip back. Has two pockets, and two darts in both front and back.Label 1 - Barcelona 1992 Official Uniform supplied by Australian Wool Corporation Label 2 - Fletcher Jones Australia 141992 barcelona olympics, australian wool corporation, wool, olympic games official occasions

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Yellow long sleeved shirt with detachable floral collar. Double breasted pockets.Label - Pelaco1992 barcelona olympics, australian wool corporation, wool

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Green button up tailored jacket with two faux pockets and a breast pocket on left hand side. Olympic logo on left breast pocket.Label 1 - Barcelona 1992 Official Uniform Supplied by Australian Wool Corporation Label 2 - Fletcher Jones Australia On breast of jacket - Australia Barcelona 19921992 barcelona olympics, uniform, jacket, fletcher jones

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Yellow shirt, one pocket on left breast. The cuffs and the collar are white.On label - Barcelona 1992 Official Uniform supplied by Australian Wool Corporation1992 barcelona olympics, wool, australian wool corporation

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Floral tie with cream, red, green native flower design.On label - Woven & manufactured in Australia by "Tee-Dee" exclusively for the Australian Wool Corporation1992 barcelona olympics, uniform, tie, australian wool corporation

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Green jacket with Olympic emblem on left breast pocketLabel 1 - Barcelona 1992 Official Uniform Supplied by Australian Wool Corporation Label 2 - Fletcher Jones Australia Label 3 - Warm iron dry clean only On jacket breast - Australia Barcelona 19921992 barcelona olympics, uniform, tie, australian wool corporation

Commonwealth Games Sports Day, Eltham Christian School, October 1982. Students doing exercises and showing off their awards. The Stokes family settled in this area of Eltham in the 1940s and were associated with the Eltham Christian Church. In the 1970s this church had met in temporary premises in Eltham. Lots of the original 1920s subdivision remained south of Nyora Road and a number of these lots were utilized for the Eltham Christian School, which was established by the Eltham Christian Church in 1981. The school operated on this site until 2000. The premises were owned by the Nillumbik Community Church who were in operation till November 2010 when the Eltham Baptist Church commenced a lease arrangement until the site was purchased by them in April 2012. The building is constructed of brick and timber with a balcony on two sides that looks over an expanse of grass. Sources: STOKES ORCHARD – AN INCOMPLETE HISTORY February 28, 2015 http://www.elthamhistory.org.au/ Australian Christian Church Histories - Eltham Baptist Church http://www.churchhistories.net.au/church-catalog/eltham-vic-baptist/ From an album featuring a series of photographs (some cropped) from a magnetic photo album relating to the staff, students and activities of the Eltham Christian School which operated as part of the Eltham Christian Church at Nyora Road, Eltham. See also entries for each photograph.3 colour photographseltham christian school, nyora road, sport

Diary of attendance at Melbourne Olympic Games 1956.Hard cover Diary of journey to 1956 Olympic Games.olympic games, melbourne 1956, diary

This commemorative signature panel was signed by athletes who competed in the Sydney 2000 Olympic Games. The panels were originally housed in Woolmark Woolshed located in the Expo area of the Olympic Games site during the games. Over 300 Olympic athletes from 25 countries and competing in 20 different sports visited the Woolshed and every athlete who paid a visit was invited to sign the 'Athlete's Wall'.Athletes signature panel from the Woolmark pavilion at the Sydney 2000 Olympic Games.woolmark company, sport

This commemorative signature panel was signed by athletes who competed in the Sydney 2000 Olympic Games. The panels were originally housed in Woolmark Woolshed located in the Expo area of the Olympic Games site during the games. Over 300 Olympic athletes from 25 countries and competing in 20 different sports visited the Woolshed and every athlete who paid a visit was invited to sign the 'Athlete's Wall'.Athletes signature panel from the Woolmark pavilion at the Sydney 2000 Olympic Games.woolmark company, sport

This commemorative signature panel was signed by athletes who competed in the Sydney 2000 Olympic Games. The panels were originally housed in Woolmark Woolshed located in the Expo area of the Olympic Games site during the games. Over 300 Olympic athletes from 25 countries and competing in 20 different sports visited the Woolshed and every athlete who paid a visit was invited to sign the 'Athlete's Wall'.Athletes signature panel from the Woolmark pavilion at the Sydney 2000 Olympic Games.woolmark company, sport, the woolmark company 2000 australian olympic display - exhibition (21/12/2001 - 24/05/2002)

This commemorative signature panel was signed by athletes who competed in the Sydney 2000 Olympic Games. The panels were originally housed in Woolmark Woolshed located in the Expo area of the Olympic Games site during the games. Over 300 Olympic athletes from 25 countries and competing in 20 different sports visited the Woolshed and every athlete who paid a visit was invited to sign the 'Athlete's Wall'.Athletes signature panel from the Woolmark pavilion at the Sydney 2000 Olympic Games.woolmark company, sport

Stories of people who lived in the Olympic Village West Heidelberg in the years between 1956 and 1999.38 p., black and white text and photographsolympic village, west heidelberg