Showing 78926 items
matching australian-wharf
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Greensborough Historical Society
Map, Victoria: Yan Yean, prep. by Australian Section of Imperial General Staff, 1935
... Victoria: Yan Yean, prep. by Australian Section of Imperial...Imperial General Staff. Australian Section ...Part of 1:63,360 series of survey mapsColour copy from original. Scale: 1: 63,360 (1 inch to 1 mile) 2 copiesRev. 1930 by Australian Survey Corps using RAAF Air Photos. yan yean -
Port Melbourne Historical & Preservation Society
Book, Australian Department of Immigration and Ethnic Affairs, Immigration in Focus 1948 - 75, 1986
... Australian Government Publishing Service...Australian Department of Immigration and Ethnic Affairs...Canberra, Australian Capital Territory, Australia ...Ímmigration in Focus 1948 - 1975: a photographic archive''soft cover, 161ppH - M Z /immigration -
Ballarat Tramway Museum
Poster, Australian Guarantee Corporation Ltd and, Australian Guarantee Corporation Ltd, 1970/1980
... Australian Guarantee Corporation Ltd,...Australian Guarantee Corporation Ltd and ...Poster advertising Australian Guarantee Corporation Ltd, for people seeking loans - "Dial a question about money". Features a red phone on the post. From a Melbourne tramcar. trams, tramways, advertisements, posters -
Warrnambool and District Historical Society Inc.
Booklet - Meeting Minutes, Minutes of the First Adelaide Conference Australian Primary Producers' Union held in A.N.A. Hall, Adelaide on Tuesday and Wednesday, 17th and 18th September, 1946
... Minutes of the First Adelaide Conference Australian Primary...Australian Primary Producers' Union ( South Australian ...Meeting MinutesThis is a booklet of 47 pages. It has a grey cover with green linen binding and metal staples with black printing on the front cover. It has a postal stamp on the back. The pages contain black typed printingnon-fictionMeeting Minutesaustralian farmers' union -
Wheen Bee Foundation
Publication, Honey Times: the official news bulletin of the Australian Honey Board (Australian Honey Board), Sydney, 1967
... Honey Times: the official news bulletin of the Australian...Sydney, Australian Honey Board ... -
Victorian Apiarists Association
Publication, Australian Honey Buyer's Guide (Australian Honey Board)Second Edition, 1981
... Australian Honey Buyer's Guide (Australian Honey Board...Canberra, Australian Capital Territory, Australia ...Just a bit bigger than an A5, soft covered brochure, white with black writing & hexagon shapes, two of which have been cut out 13 pages -
Beechworth Honey Archive
Publication, Australian National Residue Survey - Report on the Australian National Residue Survey Results 2001-2002 (Dep of Agriculture Fisheries & Forestry), 2002
... Australian National Residue Survey - Report on the...Canberra, Australian Capital Territory, Australia ...Soft cover book slightly larger than A5 siz, green spine with an off white cover with pencil drawings of cattle sheep, pig. seafood, chicken, eggs, sunflowers & wheat 93 pages -
Beechworth Honey Archive
Publication, Australian National Residue Survey - Report on the Australian National Residue Survey Results 2000-2001 ( Dept of Agriculture, Fisheries and Forestry - Australia), 2001
... Australian National Residue Survey - Report on the...Canberra, Australian Capital Territory, Australia ...Soft Cover book slightly larger than A5 size, Dark Green spine with an off white cover & pencil drawings of a pig, fruit, seafood, chickens, eggs,sunflower grain, cattle, sheep 74 pages -
Beechworth Honey Archive
Publication, About Australian Honey: 100 cake biscuit meat dessert & party recipes. (The Australian Honey Board). Sydney, 1965
... About Australian Honey: 100 cake biscuit meat dessert...australian...Sydney, The Australian Honey Board. ...48 pages, illustrated.publication, australian, honey, board, beechworth honey, publication, australian, honey, board, beechworth honey -
Beechworth Honey Archive
Publication, The Australian horticultural statistics handbook: 1995/96 edition (Australian Horticultural Corporation), Sydney, 1995
... The Australian horticultural statistics handbook: 1995/96...Sydney, Australian Horticultural Corporation ... -
Beechworth Honey Archive
Publication, Code of practice for assuring the quality of Australian honey (Beekeeper edition). (Australian Honey Board and Honey Bee Research and Development Council). Sydney, 1993
... Code of practice for assuring the quality of Australian...Sydney, Australian Honey Board. ...44 pages -
Federation University Historical Collection
Photograph, Australian Troopship A55 - Kyarra, c1915
... Australian Troopship A55 - Kyarra ...Harry Holmes was from Ascot and was a member of the 18th Company Australian Army Service CorpsPhotographic post card of an Australian troopship.An Australian Troopship, A 55, passing up the Canal.harry holmes, ship, canal, world war one, holmes family collection, chatham-holmes family collection, kyarra, henry smerdon holmes -
Montmorency/Eltham RSL Sub Branch
Australian Light Horse Figurine 'The Waler's Mate', 2019
... Fyshwick, Australian Capital Territory, Australia ...Although the 'Waler' was specifically bred for the Australian bush it proved a tough, reliable mount in the desert battles in the Middle East during WW1. Over 130,000 were sent overseas and of these 15,000 served with the Light Horse. None would return to Australia.Cold cast bronze figurine of an Australian Light horseman kneeling beside his "Waler" horse. Mounted on a wooden base with an engraved brass nameplate.THE WALER'S MATE AUSTRALIAN LIGHT HORSE -
National Vietnam Veterans Museum (NVVM)
Document, Final Statement of Account - Discharged Member of Australian Army F WF 88 ( rev Dec 1970), 20/10/1972 12:00:00 AM
... Australian Army F WF 88 ( rev Dec 1970)...Australian Army ...Proforma document of Australian Army : Final Statement of Account Discharged Member issued to PTE 3 Swainston, NE detailing monies to be paid at final discharge on 20/10/1972.payment, discharge, swainston collection -
RMIT GSBL Justice Smith Collection
Report, Saunders, Cheryl, The constitutional centenary and the Australian courts : seventh AIJA oration in judicial administration, 1996
... The constitutional centenary and the Australian courts...Australian Institute of Judicial Administration ...Seventh Australian Institute of Judicial Administration (AIJA) oration in judicial administration Delivered by Profession Cheryl Saunders AO at The Melbourne Business School The University of Melbourne Friday, 23 February 1996ISBN: 1875527168constitutional law -- australia, courts -- australia, judicial review -- australia, australia -- constitutional law, constitutional centenary, high court of australia -
National Vietnam Veterans Museum (NVVM)
Manual, Australian Army, Australian Army: User Booklet, Truck, Cargo, 5 ton, GS, W/Winch, F1 and Truck, Dump, 5 ton, 5CU YD, GS, W/Winch, F2, (Copy 1), 1971
... Australian Army: User Booklet, Truck, Cargo, 5 ton, GS, W...Australian Army ...A gree plastic manual with gold writing on the front. Also the Australian Army Insignia on the cover. The word "Restricted" in top of the page. There are two screws holding the manual together and a punch hole above these.australia - armed forces - service manuals, handbook, international truck cargo f1 -
Melbourne Tram Museum
Sign, Australian Electric Traction Association (AETA), "Australian Electric Traction Association", 1970's
... "Australian Electric Traction Association"...Australian Electric Traction Association (AETA) ...Sign, Masonite with holes in each corner, orange background, with words "Australian Electric Traction Association". Used by the AETA at conventions, displays etc. Possibly made 1970's by style of letters and paint.trams, tramways, aeta -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, H D Bulmer Photo Lake Tyers 30.1.07, 1905 c
Black and white postcard of wharf at Marlo with SS Blackbird moored Marlo VictoriaMarlo Wharf Snowy Riverwaterways, bridges -
Melbourne Tram Museum
Book, Australian Tramway and Motor Omnibus Employees' Association (ATMOEA), "Federal Rules of the Australian Tramway and Motor Omnibus Employees' Association", 1977
... "Federal Rules of the Australian Tramway and Motor Omnibus...Australian Tramway and Motor Omnibus Employees' Association ...Sky blue (faded) coloured book, embossed covers, 64 pages + covers, centre stapled titled "Federal Rules of the Australian Tramway and Motor Omnibus Employees' Association" as amended by the Australian Council 1977. Further typed amendments have been pasted into the book and ink notes to other rule changes that were made. Provides an index of the rules of the Association. Has numerous advertisements for services to members such as accommodation, hotels, motor vehicles. 2nd copy added 24/12/2014.On front cover in red ink has the name "Des Shooter" and "Amended Typed".trams, tramways, atmoea, unions -
Victorian Aboriginal Corporation for Languages
Periodical, Australian Institute of Aboriginal and Torres Strait Islander Studies, Australian Aboriginal studies : journal of the Australian Institute of Aboriginal and Torres Strait Islander Studies, 2009
... Australian Aboriginal studies : journal of the Australian...Australian Institute of Aboriginal and Torres Strait ...Darkness and a little light: ?Race? and sport in Australia Colin Tatz (AIATSIS & Australian National University) and Daryl Adair (University of Technology Sydney) Despite ?the wonderful and chaotic universe of clashing colors, temperaments and emotions, of brave deeds against odds seemingly insuperable?, sport is mixed with ?mean and shameful acts of pure skullduggery?, villainy, cowardice, depravity, rapaciousness and malice. Thus wrote celebrated American novelist Paul Gallico on the eve of the Second World War (Gallico 1938 [1988]:9-10). An acute enough observation about society in general, his farewell to sports writing also captures the ?clashing colors? in Australian sport. In this ?land of the fair go?, we look at the malice of racism in the arenas where, as custom might have it, one would least want or expect to find it. The history of the connection between sport, race and society - the long past, the recent past and the social present - is commonly dark and ugly but some light and decency are just becoming visible. Coming to terms: ?Race?, ethnicity, identity and Aboriginality in sport Colin Tatz (AIATSIS & Australian National University) Notions of genetic superiority have led to some of the world?s greatest human calamities. Just as social scientists thought that racial anthropology and biology had ended with the cataclysm of the Second World War, so some influential researchers and sports commentators have rekindled the pre-war debate about the muscular merits of ?races? in a new discipline that Nyborg (1994) calls the ?science of physicology?. The more recent realm of racial ?athletic genes?, especially within socially constructed black athletic communities, may intend no malice but this search for the keys to their success may well revive the old, discredited discourses. This critical commentary shows what can happen when some population geneticists and sports writers ignore history and when medical, biological and sporting doctrines deriving from ?race? are dislocated from any historical, geographic, cultural and social contexts. Understanding discourses about race, racism, ethnicity, otherness, identity and Aboriginality are essential if sense, or nonsense, is to be made of genetic/racial ?explanations? of sporting excellence. Between the two major wars boxing was, disproportionately, a Jewish sport; Kenyans and Ethiopians now ?own? middle- and long-distance running and Jamaicans the shorter events; South Koreans dominate women?s professional golf. This essay explores the various explanations put forward for such ?statistical domination?: genes, biochemistry, biomechanics, history, culture, social dynamics, the search for identity, alienation, need, chance, circumstances, and personal bent or aptitude. Traditional games of a timeless land: Play cultures in Aboriginal and Torres Strait Islander communities Ken Edwards (University of Southern Queensland) Sports history in Australia has focused almost entirely on modern, Eurocentric sports and has therefore largely ignored the multitude of unique pre- European games that are, or once were, played. The area of traditional games, especially those of Aboriginal and Torres Strait Islander peoples, is an important aspect of the cultural, social and historical experiences of Indigenous communities. These activities include customs of play that are normally not associated with European notions of competitive sport. Overall, this paper surveys research undertaken into traditional games among Indigenous Australians, as well as proposals for much needed further study in this area. Culture, ?race? and discrimination in the 1868 Aboriginal cricket tour of England David Sampson As a consequence of John Mulvaney?s important historical research, the Aboriginal cricket and performance tour of Britain in 1868 has in recent decades become established as perhaps the most famous of all public events in contact history involving Aborigines, white settlers and the British metropolis. Although recognition of its importance is welcome and significant, public commemorations of the tour have enveloped the tour in mythologies of cricket and nation. Such mythologies have obscured fundamental aspects of the tour that were inescapable racial and colonial realities of the Victorian era. This reappraisal of the tour explores the centrality of racial ideology, racial science and racial power imbalances that enabled, created and shaped the tour. By exploring beyond cricketing mythology, it restores the central importance of the spectacular performances of Aboriginal skills without which the tour would have been impossible. Such a reappraisal seeks to fully recognise the often trivialised non-cricketing expertise of all of the Aboriginal performers in 1868 for their achievement of pioneering their unique culture, skills and technologies to a mass international audience. Football, ?race? and resistance: The Darwin Football League, 1926?29 Matthew Stephen (Northern Territory Archive Service) Darwin was a diverse but deeply divided society in the early twentieth century. The Commonwealth Government introduced the Aboriginals Ordinance 1911 in the Northern Territory, instituting state surveillance, control and a racially segregated hierarchy of whites foremost, then Asians, ?Coloureds? (Aborigines and others of mixed descent) and, lastly, the so-called ?full-blood? Aborigines. Sport was important in scaffolding this stratification. Whites believed that sport was their private domain and strictly controlled non-white participation. Australian Rules football, established in Darwin from 1916, was the first sport in which ?Coloured? sportsmen challenged this domination. Football became a battleground for recognition, rights and identity for all groups. The ?Coloured? community embraced its team, Vesteys, which dominated the Northern Territory Football League (NTFL) in the 1920s. In 1926, amidst growing racial tension, the white-administered NTFL changed its constitution to exclude non-white players. In reaction, ?Coloured? and Chinese footballers formed their own competition - the Darwin Football League (DFL). The saga of that colour bar is an important chapter in Australia?s football history, yet it has faded from Darwin?s social memory and is almost unknown among historians. That picture - Nicky Winmar and the history of an image Matthew Klugman (Victoria University) and Gary Osmond (The University of Queensland) In April 1993 Australian Rules footballer Nicky Winmar responded to on-field racist abuse by lifting his jersey and pointing to his chest. The photographic image of that event is now famous as a response to racial abuse and has come to be seen as starting a movement against racism in football. The racial connotations in the image might seem a foregone conclusion: the power, appeal and dominant meaning of the photograph might appear to be self-evident. But neither the fame of the image nor its racial connotation was automatic. Through interviews with the photographers and analysis of the use of the image in the media, we explore how that picture came to be of such symbolic importance, and how it has remained something to be re-shown and emulated. Rather than analyse the image as a photograph or work of art, we uncover some of its early history and explore the debates that continue to swirl around its purpose and meaning. We also draw attention to the way the careful study of photographs might enhance the study of sport, race and racism. ?She?s not one of us?: Cathy Freeman and the place of Aboriginal people in Australian national culture Toni Bruce (University of Waikato) and Emma Wensing (Independent scholar) The Sydney 2000 Olympic Games generated a national media celebration of Aboriginal 400 metre runner Cathy Freeman. The construction of Freeman as the symbol of national reconciliation was evident in print and on television, the Internet and radio. In contrast to this celebration of Freeman, the letters to the editor sections of 11 major newspapers became sites for competing claims over what constitutes Australian identity and the place of Aboriginal people in national culture. We analyse this under-explored medium of opinion and discuss how the deep feelings evident in these letters, and the often vitriolic responses to them, illustrate some of the enduring racial tensions in Australian society. Sport, physical activity and urban Indigenous young people Alison Nelson (The University of Queensland) This paper challenges some of the commonly held assumptions and ?knowledges? about Indigenous young people and their engagement in physical activity. These include their ?natural? ability, and the use of sport as a panacea for health, education and behavioural issues. Data is presented from qualitative research undertaken with a group of 14 urban Indigenous young people with a view to ?speaking back? to these commentaries. This research draws on Critical Race Theory in order to make visible the taken-for-granted assumptions about Indigenous Australians made by the dominant white, Western culture. Multiple, shifting and complex identities were expressed in the young people?s articulation of the place and meaning of sport and physical activity in their lives. They both engaged in, and resisted, dominant Western discourses regarding representations of Indigenous people in sport. The paper gives voice to these young people in an attempt to disrupt and subvert hegemonic discourses. An unwanted corroboree: The politics of the New South Wales Aboriginal Rugby League Knockout Heidi Norman (University of Technology Sydney) The annual New South Wales Aboriginal Rugby League Knockout is so much more than a sporting event. Involving a high level of organisation, it is both a social and cultural coming together of diverse communities for a social and cultural experience considered ?bigger than Christmas?. As if the planning and logistics were not difficult enough, the rotating-venue Knockout has been beset, especially since the late 1980s and 1990s, by layers of opposition and open hostility based on ?race?: from country town newspapers, local town and shire councils, local business houses and, inevitably, the local police. A few towns have welcomed the event, seeing economic advantage and community good will for all. Commonly, the Aboriginal ?influx? of visitors and players - people perceived as ?strangers?, ?outsiders?, ?non-taxpayers? - provoked public fear about crime waves, violence and physical safety, requiring heavy policing. Without exception, these racist expectations were shown to be totally unfounded. Research report: Recent advances in digital audio recorder technology provide considerable advantages in terms of cost and portability for language workers.b&w photographs, colour photographs, tablessport and race, racism, cathy freeman, nicky winmar, rugby league, afl, athletics, cricket, digital audio recorders -
Bendigo Military Museum
Postcard - POSTCARDS OF HMAS AUSTRALIA IN 1920, Royal Australian Navy, c1920's
... Royal Australian Navy ...1. B & W postcard shows scene of foredeck taken from the bridge. One twin gun turret can be observed. The ship is tied up at a wharf. 2. Side view of HMAS AUSTRALIA. The photo shows one gun turret, two funnels and wireless mast.1. On front bottom is handwritten "View from bridge of HMAS AUSTRALIA". 2. On front bottom is written "HMAS AUSTRALIA during Navy days in the 1920's" .photographs, ran, hmas australia -
National Vietnam Veterans Museum (NVVM)
Medal, Australian Defence Medal
... Australian Defence Medal...Australian ...the Australian Defence Medal - the ADM was approved in 2006 to be awarded to Australian Defence Force personnel who have demonstrated their commitment and contribution to the nation by service for an initial enlistment period of four years service, whichever is the lesser.Round silver replica medal depicting Australian coat of arms. Red ribbon with two thin white stripes.The Australian Defence Medalaustralian, defence, medal -
Kew Historical Society Inc
Certificate, Australian Red Cross: Certificate of Service 1939-45, c. 1945
... Australian Red Cross: Certificate of Service 1939-45...Australian Red Cross ...This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.An illuminated certificate presented to Elsie May Richardson - Ormiston by the Australian Red Cross Society in recognition of faithful service during the Second World War. Elsie Richardson was the sister of the historian Dorothy Rogers (nee Richardson).australian red cross, elsie may richardson - ormiston, world war 2 1939-1945 -
Ballarat Tramway Museum
Book, Australian Tramway and Motor Omnibus Employees Association (ATMOEA), "Rules of the Australian Tramway and Motor Omnibus Employees Association", Mar. 1939
... "Rules of the Australian Tramway and Motor Omnibus...Australian Tramway and Motor Omnibus Employees Association ...Demonstrates aspects of the Tramway Union (ATMOEA) management systems that would conform with the Australian Industrial laws of the time and how the union was operated (in theory)Sixty four page book within blue light card covers, titled "Rules of the Australian Tramway and Motor Omnibus Employees Association", dated march 1939. Gives information regarding name, constitution, object, membership, contributions, arrears, exemptions, resignation of members, Australian Council, Australian Executive, Officers, General Secretary, Treasurer, elections, Auditor, Trustees, Branches, Funds, Disputes, Agreements, Mutual Support, Branch Management and branch officer details, standing orders, motions, has index and supplementary information regarding the Victorian Branch. Object 3656 was found with this item - possibly recording who donated it originally - C. H. Lancaster, 801 Urquhart St Ballarat. Full scan of document added as a pdf file 5/6/2019. See also Reg Item 8078,1 for another copy.trams, tramways, atmoea, unions, rules -
Waverley RSL Sub Branch
Plaque Royal Australian Electrical and Mechanical Engineers, Royal Australian Electrical and Mechanical Engineers
... Royal Australian Electrical and Mechanical Engineers ...The Royal Corps of Australian Electrical and Mechanical Engineers (RAEME; pronounced Raymee) is a corps of the Australian Army that has responsibility for the maintenance and recovery of all land electrical and mechanical equipment. RAEME has members from both the Australian Regular Army and The Army Reserve. Prior to being given the title of 'Royal', the Australian Electrical and Mechanical Engineers (AEME) were raised on 1 December 1942. Some 64 years later, on 1 December 2006, the last independent RAEME Workshop was disbanded. RAEME soldiers continue in their role to provide support through attachment to other units in Tech Support Troops, Sections or Platoons.Wooden Plaque 15cm x 13cm with insignia of Royal Australian Electrical and Mechanical Engineers Royal Australian Electrical and Mechanical Engineers -
National Vietnam Veterans Museum (NVVM)
Booklet, Australian Army, Australian Military Forces: Staff Duties, (Australia) - copy 3, 1966
... Australian Military Forces: Staff Duties, (Australia...Australian Army ...The aim of this handbook is to lay down the basic staff duties to be used by officers al all arms and services. A grey coloured plastic cover with black writing on it. There is the Australian Coat Of Arms in the middle of the cover. Near the top right hand is the code for the item 7610-66-021-5644. Also the date for Notification in ARO's for 31st December, 1966australia - armed forces - service manuals, staff duties -
National Vietnam Veterans Museum (NVVM)
Booklet, Australian Army, Australian Military Forces: Staff Duties, (Australia) - copy 1, 1966
... Australian Military Forces: Staff Duties, (Australia...Australian Army ...The aim of this handbook is to lay down the basic staff duties to be used by officers al all arms and services. A grey coloured plastic cover with black writing on it. There is the Australian Coat Of Arms in the middle of the cover. Near the top right hand is the code for the item 7610-66-021-5644. Also the date for Notification in ARO's for 31st December, 1966australia - armed forces - service manuals, staff duties -
Victorian Aboriginal Corporation for Languages
Periodical, Australian Institute of Aboriginal and Torres Strait Islander Studies, Australian Aboriginal studies : journal of the Australian Institute of Aboriginal and Torres Strait Islander Studies, 2008
... Australian Aboriginal studies : journal of the Australian...Australian Institute of Aboriginal and Torres Strait ...1. Rock-art of the Western Desert and Pilbara: Pigment dates provide new perspectives on the role of art in the Australian arid zone Jo McDonald (Australian National University) and Peter Veth (Australian National University) Systematic analysis of engraved and painted art from the Western Desert and Pilbara has allowed us to develop a spatial model for discernable style provinces. Clear chains of stylistic connection can be demonstrated from the Pilbara coast to the desert interior with distinct and stylistically unique rock-art bodies. Graphic systems appear to link people over short, as well as vast, distances, and some of these style networks appear to have operated for very long periods of time. What are the social dynamics that could produce unique style provinces, as well as shared graphic vocabularies, over 1000 kilometres? Here we consider language boundaries within and between style provinces, and report on the first dates for pigment rock-art from the Australian arid zone and reflect on how these dates from the recent past help address questions of stylistic variability through space and time. 2. Painting and repainting in the west Kimberley Sue O?Connor, Anthony Barham (Australian National University) and Donny Woolagoodja (Mowanjum Community, Derby) We take a fresh look at the practice of repainting, or retouching, rockart, with particular reference to the Kimberley region of Western Australia. We discuss the practice of repainting in the context of the debate arising from the 1987 Ngarinyin Cultural Continuity Project, which involved the repainting of rock-shelters in the Gibb River region of the western Kimberley. The ?repainting debate? is reviewed here in the context of contemporary art production in west Kimberley Indigenous communities, such as Mowanjum. At Mowanjum the past two decades have witnessed an artistic explosion in the form of paintings on canvas and board that incorporate Wandjina and other images inspired by those traditionally depicted on panels in rock-shelters. Wandjina also represents the key motif around which community desires to return to Country are articulated, around which Country is curated and maintained, and through which the younger generations now engage with their traditional lands and reach out to wider international communities. We suggest that painting in the new media represents a continuation or transference of traditional practice. Stories about the travels, battles and engagements of Wandjina and other Dreaming events are now retold and experienced in the communities with reference to the paintings, an activity that is central to maintaining and reinvigorating connection between identity and place. The transposition of painting activity from sites within Country to the new ?out-of-Country? settlements represents a social counterbalance to the social dislocation that arose from separation from traditional places and forced geographic moves out-of-Country to government and mission settlements in the twentieth century. 3. Port Keats painting: Revolution and continuity Graeme K Ward (AIATSIS) and Mark Crocombe (Thamarrurr Regional Council) The role of the poet and collector of ?mythologies?, Roland Robinson, in prompting the production of commercial bark-painting at Port Keats (Wadeye), appears to have been accepted uncritically - though not usually acknowledged - by collectors and curators. Here we attempt to trace the history of painting in the Daly?Fitzmaurice region to contextualise Robinson?s contribution, and to evaluate it from both the perspective of available literature and of accounts of contemporary painters and Traditional Owners in the Port Keats area. It is possible that the intervention that Robinson might have considered revolutionary was more likely a continuation of previously well established cultural practice, the commercial development of which was both an Indigenous ?adjustment? to changing socio-cultural circumstances, and a quiet statement of maintenance of identity by strong individuals adapting and attempting to continue their cultural traditions. 4. Negotiating form in Kuninjku bark-paintings Luke Taylor (AIATSIS) Here I examine social processes involved in the manipulation of painted forms of bark-paintings among Kuninjku artists living near Maningrida in Arnhem Land. Young artists are taught to paint through apprenticeships that involve exchange of skills in producing form within extended family groups. Through apprenticeship processes we can also see how personal innovations are shared among family and become more regionally located. Lately there have been moves by senior artists to establish separate out-stations and to train their wives and daughters to paint. At a stylistic level the art now creates a greater sense of family autonomy and yet the subjects link the artists back in to much broader social networks. 5. Making art and making culture in far western New South Wales Lorraine Gibson This contribution is based on my ethnographic fieldwork. It concerns the intertwining aspects of the two concepts of art and culture and shows how Aboriginal people in Wilcannia in far western New South Wales draw on these concepts to assert and create a distinctive cultural identity for themselves. Focusing largely on the work of one particular artist, I demonstrate the ways in which culture (as this is considered) is affectively experienced and articulated as something that one ?comes into contact with? through the practice of art-making. I discuss the social and cultural role that art-making, and art talk play in considering, mediating and resolving issues to do with cultural subjectivity, authority and identity. I propose that in thinking about the content of the art and in making the art, past and present matters of interest, of difficulty and of pleasure are remembered, considered, resolved and mediated. Culture (as this is considered by Wilcannia Aboriginal people) is also made anew; it comes about through the practice of artmaking and in displaying and talking about the art work. Culture as an objectified, tangible entity is moreover writ large and made visible through art in ways that are valued by artists and other community members. The intersections between Aboriginal peoples, anthropologists, museum collections and published literature, and the network of relations between, are also shown to have interesting synergies that play themselves out in the production of art and culture. 6. Black on White: Or varying shades of grey? Indigenous Australian photo-media artists and the ?making of? Aboriginality Marianne Riphagen (Radboud University, The Netherlands) In 2005 the Centre for Contemporary Photography in Melbourne presented the Indigenous photo-media exhibition Black on White. Promising to explore Indigenous perspectives on non-Aboriginality, its catalogue set forth two questions: how do Aboriginal artists see the people and culture that surrounds them? Do they see non-Aboriginal Australians as other? However, art works produced for this exhibition rejected curatorial constructions of Black and White, instead presenting viewers with more complex and ambivalent notions of Aboriginality and non-Aboriginality. This paper revisits the Black on White exhibition as an intercultural event and argues that Indigenous art practitioners, because of their participation in a process to signify what it means to be Aboriginal, have developed new forms of Aboriginality. 7. Culture production Rembarrnga way: Innovation and tradition in Lena Yarinkura?s and Bob Burruwal?s metal sculptures Christiane Keller (University of Westerna Australia) Contemporary Indigenous artists are challenged to produce art for sale and at the same time to protect their cultural heritage. Here I investigate how Rembarrnga sculptors extend already established sculptural practices and the role innovation plays within these developments, and I analyse how Rembarrnga artists imprint their cultural and social values on sculptures made in an essentially Western medium, that of metal-casting. The metal sculptures made by Lena Yarinkura and her husband Bob Burruwal, two prolific Rembarrnga artists from north-central Arnhem Land, can be seen as an extension of their earlier sculptural work. In the development of metal sculptures, the artists shifted their artistic practice in two ways: they transformed sculptural forms from an earlier ceremonial context and from earlier functional fibre objects. Using Fred Myers?s concept of culture production, I investigate Rembarrnga ways of culture-making. 8. 'How did we do anything without it?': Indigenous art and craft micro-enterprise use and perception of new media technology.maps, colour photographs, b&w photographswest kimberley, rock art, kuninjku, photo media, lena yarinkura, bob burruwal, new media technology -
Bendigo Military Museum
Manual - Australian Survey Corps 1947 - Instructions for the use of Slotted Template Equipment, Australian Survey Corps, 1947
... Australian Survey Corps 1947 - Instructions for the use of...Australian Survey Corps ...This is an instruction manual describing in detail the construction of the templates used for producing map compilation sheets from aerial photographs, and how the system works.Foolscap size, soft carboard covers, 9 x numbered pages, 3 x fold out pages containing two photos on each. Australian Survey Corps Badge on cover. Stapled and re-stapled on Left hand edge.Front Cover, "15" Top Left and Bottom Left corner, "COOPER" and stamped "58" in Top Right, "AHQ/Misc/0015" Bottom Left Corner, Stamped "Eastern Command Survey Service copy 5"royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr -
Falls Creek Historical Society
Award - Pewter Mug Trophies - Australian Combined Alpine Championships 1963
... Pewter Mug Trophies - Australian Combined Alpine ...This Pewter Mug Collection is a set of 32 trophies won by Australian Alpine skiers Ross and Malcolm Milne between 1959 and 1964. Ross and Malcolm grew up on their family's tobacco property in Myrtleford, and began skiing at Falls Creek at an early age. They were both taught by Austrian Sigi Haberzettl, who was chief coach at Falls Creek for 17 years. Ross went on to win the North-Eastern District Ski Association (NEDSA) Junior Championships for three years in a row. In 1961 Ross was a member of the Australian team which competed against New Zealand in the Inter-Dominion Championships. In 1963, he won the Downhill and Alpine Combined title at the Australian Championships, while placing second in the Grand Slalom event. Ross Milne was selected in the Australian team that participated in the 1964 Olympic Winter Games at Innsbruck, Austria. A few days before the opening of the Games, on 25 January 1964, he tragically lost his life when he crashed into a tree during a training run for the Men's Downhill. He was only 19 years of age. Malcolm became a member of the Australian Junior Ski Team to Japan at the age of 14. He won all of the NEDSA children’s races and won the State Title in 1966. Malcolm continued to achieve great success, winning the Australian Championships for the next five years. At the end of 1969 he won Gold in the Val d'Isere FIS Alpine Ski World Cup Downhill, Australia's first Alpine Ski World Cup medal. He was on the Australian National Ski Team for eight years, representing his country at the 1968 and 1972 Olympic Games and the 1966 and 1970 World Championships before turning professional in 1972. Malcolm Milne was inducted into the Sport Australia Hall of Fame in 1985. In 2000 he received the Australian Sports Medal for his contribution to skiing. In 2004, Ski & Snowboard Australia granted Milne Life Membership for the contribution he made to the sport by becoming the first World Cup medal winner in Australian winter sports history, and the subsequent impact his performances have had on future athletes. Malcolm Milne was awarded the Medal of the Order of Australia (OAM) for services to skiing in 2016.This item is significant because it is part of a collection which documents the career of two outstanding Australian sportsmen.A pewter mug awarded for the Australian Combined Alpine Championships 1963Engraved on side of mug: AUSTRALIAN COMBINED ALPINE CHAMPIONSHIPS 1963ross milne, malcolm milne, milne brothers, australian alpine skiers