A ' Windsor' tennis racquet with bevelled oval head, concave wedge throat and red string whipping around shoulders. Fishtail shaped butt, handle has fine grooves and two large furrows. Model and manufacturer names imprinted and inked across throat on obverse. Strung with twine. Materials: Wood, Lacquer, Metal, Glue, Twine, Ink, String, Guttennis

A Wright and Ditson 'Toournament' tennis racquet, with: solid convex throat; bevelled and gorged crown; and, fine-grooved, thick octagonal handle. Decal inscription across throat on obverse: TOURNAMENT. Wright & Ditson Championship logo, with tennis player on ball trademark feature on throat on reverse. Materials: Wood, Lacquer, Glue, Metal, Paint, Ink, Leather, Gut, Stringtennis

An unstrung Wright and Ditson 'Challenge Cup' tennis racquet, with: bevelled crown; string whipping around shoulders; and, fine-grooved, thick octagonal handle. Decal inscription along throat on obverse: CHALLENGE CUP. Wright & Ditson cursive logo features along throat on reverse. Materials: Wood, Lacquer, Glue, Metal, Paint, Ink, Leather, Gut, Stringtennis

A Spalding 'Windemere' flat-top tennis racquet, featuring: solid concave throat; bevelled head; ribbon collar; inlaid cork handle grip; and wooden butt cap. Printed model name and Spalding logo within ball trademark feature across throat on obverse. Materials: Wood, Lacquer, Glue, Metal, Gut, Ink, Leather, Ribbon, Corktennis

A Spalding 'Fairfield' wooden tennis racquet with concave throat, partially double-strung net, bevelled crown, and grooved octagonal handle. Model name across throat on obverse. Spalding ball trademark features on throat on reverse. Inscription along right side of shaft: FORSPUN GUT/... Materials: Wood, Metal, Lacquer, Glue, Gut, Ink, Leather, Painttennis

This flip top pocket aluminium ash tray was at the beginning of the social "cleaning up" of cigarette ash and related products. This cigarette waste container was for those occasions when it was polite not to throw the cigarette ash and used up cigarettes "buts" on the ground, or if working in any rural area during a dry fire prone season, when discarding burning cigarette waste could set up a severe "bush" fire. It was also at the beginning of an intensive look at the affects of smoking upon the health of users. Later in the 1900s was a time when medical evidence supported a ground swell of the anti smoking movement which resulted in further restrictions of the use cigarette smoking in public places. Before the anti cigarette smoking revolution, it was both fashionable and manly to either roll your own cigarette or open up a packet of "tailor made's". In the rural and man's man environment the roll your own provided a visual acknowledgement that the user was "true blue" Aussie male and not a city boy. The cycle of use of cigarettes has drastically changed from when this item was first used. Today's society (post 2000) has produced a ground swell of government and non government organisations whose aim is provide a cigarette "ash" free environment and society. This is highlighted in the beginning of the 2000 millennium by a cigarette "Free" Australia campaign, and the pocket flip top personal ash tray as a practical solution for butt litter disposal.This light weight aluminium pocket ash tray not only was used when social graces required it to, but also provided a container for any unfinished cigarettes or stogies (cheap half used cigars). In rural areas (open fresh air countryside), where time was always made available for the "smoko" (Australian rest period), at any time, especially after some hard physical work, the ability to have a self contained ashing apparatus, not to offend the gentler folk, was a pre-requisite . The rural environment, in the days of these cigarette ash containers,was one which could range from harsh and unforgiving to mild and relaxing. Smoking could be enjoyed anywhere and at any time without too much "fussing" around. This ash tray was mobile, convenient, unobtrusive and regarded by the user as being considerate to those around. It also eliminated the tell tale evidence that the "no smoking" signs had been ignored. The Kiewa Valley was like many rural ares that found it hard for smokers to come to grips with a governmental "non smoking policy" to indoor recreational and other "confined space" environments. The covered lid reduces odors and eliminates ashes from being blown around.Aluminium round container with a lid. The opening lid is spring loaded, hinged top, circular and fixed by a clasp, pop- riveted (4) onto the main housing. Opposite the hinge the lid is held closed by a small metal ball fitting tightly to the top wall of the container. The lid is opened by the use of a fingernail positioned at junction of lid to body. This edge is bevelled to allow access.personal effects, tobacco waste products, smoking accessories, tobacco

A Wright and Ditson 'Klay Kort' tennis racquet, with: bevelled crown; string whipping around shoulders and shaft; and, fine-grooved, octagonal handle. Decal inscription along throat on obverse: KLAY KORT. Wright & Ditson Championship logo with tennis player on ball trademark feature on throat on reverse. Materials: Wood, Lacquer, Glue, Metal, Ink, Leather, Gut, Stringtennis

A Wright and Ditson 'Harvey Snodgrass' tennis racquet, with: bevelled crown; string whipping around shoulders and shaft; and, fine-grooved, octagonal handle. Decal inscription along throat on obverse: HARVEY SNODGRASS. Wright & Ditson Championship logo with tennis player on ball trademark feature on throat on reverse. Materials: Wood, Lacquer, Glue, Metal, Ink, Leather, Gut, Stringtennis

A Wright & Ditson 'Davis Cup' tennis racquet with: bevelled crown; whipping around shoulders; and, grooved handle. Model name features across throat on obverse. Manufacturer details feature along right side of shaft. Wright & Ditson Championship 'tennis player on ball' trademark features across throat on reverse. Materials: Wood, Metal, Lacquer, Glue, Ink, Gut, Stringtennis

Painting: 'Tennis in the Park' on stretched canvas, in bevelled display frame. Signed lower right 'RAYMOND SIPOS-76'. Inscription on back of canvas: 'ALL REPRODUCTION RIGHTS/ ARE RESERVED BY THE /ARTIST/ PAINTING BY/RAYMOND SIPOS/12-15-76'. Has horizontal hanging wire between D-rings. Materials: Oil paint/Pigment, Canvas/Cotton, Metal, Wood, Clothtennis

This butter pat profiler may have been manufactured post 1967(year post codes appeared in Australia) however the post code was only stamped on after it was machined. This type of butter mould was used by rural families to fashion home/farm made butter. This period was in most rural regions a time of self sufficiency where any domestic type implement which could be fashioned by the family would be crafted with skill. Shopping for goods required catalogues from stores located in major rural towns and cities and involved lengthy waiting times. Travelling to and from these specialised stores was not pleasant due to the relatively poor quality of the roads and the lengthy times taken. The small general stores in the Kiewa Valley could not cater for all the needs of the valley. The 1960's was a time when facilities especially goods and services started to improve drastically. The S.E.C. of Victoria with its Kiewa Hydro Electricity Scheme provided not only an improvement of facilities in the valley but also a increase in the population. This increase resulted in a greater demand for local produce.This item is one of many domestic food processing implements used by Kiewa Valley households in the mid 1900s, whether on the farm or in the small towns and hamlets. Self sufficiency was the key to survival during these early times. Where ever possible supplies from within the valley were preferred to that brought in by travelling salesmen or traders. This butter mould and butter pat was commonly used to fashion "home" made butter throughout the valley and in some cases supplied to "outside" regional towns. Although this method of production was phased out by better access to goods from nearby cities the revival of the good organic home grown produce in the 1980s saw a greater demand of this type of farm based produce.This butter pat is one of two,see KVHS 0071 (A). It has been crafted from wood. One side has grooves running from the handle to the square shaped bottom. These grooves would stop the wet butter from clinging to the pat. The top side of the pat has been bevelled on both sides and the bottom edge. The hand grip is flat and curved to allow for a comfortable hold.domestic food preparation, wooden butter pat, butter mould circular, dairy industry

This flip top pocket steel ash tray was at the beginning of the social "cleaning up" of cigarette ash and related products. This cigarette waste container was for those occasions when it was polite not to throw the cigarette ash and used up cigarettes "buts" on the ground, or if working in any rural area during a dry fire prone season, when discarding burning cigarette waste could set up a severe "bush" fire. It was also at the beginning of an intensive look at the affects of smoking upon the health of users. Later in the 1900s was a time when medical evidence supported a ground swell of the anti smoking movement which resulted in further restrictions of the use cigarette smoking in public places. Before the anti cigarette smoking revolution, it was both fashionable and manly to either roll your own cigarette or open up a packet of "tailor made's". In the rural and man's man environment the roll your own provided a visual acknowledgement that the user was "true blue" Aussie male and not a city boy. The cycle of use of cigarettes has drastically changed from when this item was first used. Today's society (post 2000) has produced a ground swell of government and non government organisations whose aim is provide a cigarette "ash" free environment and society. This is highlighted in the beginning of the 2000 millennium by a cigarette "Free" Australia campaign, and the pocket flip top personal ash tray as a practical solution for butt litter disposal.This pocket ash tray not only was used when social graces required it to, but also provided a container for any unfinished cigarettes or stogies (cheap half used cigars). In rural areas (open fresh air countryside), where time was always made available for the "smoko" (Australian rest period), at any time, especially after some hard physical work, the ability to have a self contained ashing apparatus, not to offend the gentler folk, was a pre-requisite . The rural environment, in the days of these cigarette ash containers,was one which could range from harsh and unforgiving to mild and relaxing. Smoking could be enjoyed anywhere and at any time without too much "fussing" around. This ash tray was mobile, convenient, unobtrusive and regarded by the user as being considerate to those around. It also eliminated the tell tale evidence that the "no smoking" signs had been ignored. The Kiewa Valley was like many rural ares that found it hard for smokers to come to grips with a governmental "non smoking policy" to indoor recreational and other "confined space" environments. Tin plated mild steel round container with a lid. The opening lid is spring loaded, hinged top, circular and fixed by a clasp, pop- riveted (4) onto the main housing. Opposite the hinge the lid is held closed by a small metal ball fitting tightly to the top wall of the container. The lid is opened by the use of a fingernail positioned at junction of lid to body. This edge is bevelled to allow access. personal effects, tobacco waste products, smoking accessories

A Forest Hills Racket Company 'Flash' tennis racquet with bevelled head, and whipping and plastic reinforcements around shoulders. Remains of whipping around shaft. Octagonal handle with leather end wrap and end cloth. Decal on throat on reverse is manufacturers name. Model name in decal on throat on obverse. Materials: Wood, Lacquer, Metal, Glue, Gut, Leather, String, Cloth, Ink, Plastictennis

A Spalding 'Nationalist B' tennis racquet with concave throat, bevelled crown, string whipping around shoulders, and smooth octagonal handle. Model name across throat on obverse. Spalding cursive signature trademark features along throat on reverse. Spalding ball trademark impressed in gold on butt cover. Materials: Wood, Metal, Lacquer, Glue, Gut, Ink, Leather, String, Painttennis

A destrung Wright & Ditson 'Columbia' tennis racquet, with: composite convex throat; bevelled crown; and, fine-grooved handle. Model name features across throat on obverse. WRIGHT & DITSON MAKERS/U.S.A. features along right side of shaft. Wright & Ditson 'tennis player on ball' trademark features across throat on reverse. Materials: Wood, Metal, Lacquer, Glue, Ink, Leathertennis

A Wright & Ditson 'Columbia' tennis racquet, with: composite convex throat; bevelled crown; and, fine-grooved handle. Model name features across throat on obverse. WRIGHT & DITSON MAKERS/U.S.A. features along right side of shaft. Wright & Ditson Championship 'tennis player on ball' trademark features across throat on reverse. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Guttennis

This butter pat profiler may have been manufactured post 1967 (year post codes appeared in Australia) however the post code was only stamped on after it was machined. This type of butter mould was used by rural families to fashion home/farm made butter. This period was in most rural regions a time of self sufficiency where any domestic type implement which could be fashioned by the family would be crafted with skill. Shopping for goods required catalogues from stores located in major rural towns and cities and involved lengthy waiting times. Travelling to and from these specialised stores was not pleasant due to the relatively poor quality of the roads and the lengthy times taken. The small general stores in the Kiewa Valley could not cater for all the needs of the valley. The 1960's was a time when facilities especially goods and services started to improve drastically. The S.E.C. of Victoria with its Kiewa Hydro Electricity Scheme provided not only an improvement of facilities in the valley but also a increase in the population. This increase resulted in a greater demand for local produce.This item is one of many domestic food processing implements used by Kiewa Valley households in the mid 1900s, whether on the farm or in the small towns and hamlets. Self sufficiency was the key to survival during these early times. Where ever possible supplies from within the valley were preferred to that brought in by travelling salesmen or traders. This butter mould and butter pat was commonly used to fashion "home" made butter throughout the valley and in some cases supplied to "outside" regional towns. Although this method of production was phased out by better access to goods from nearby cities the revival of the good organic home grown produce in the 1980s saw a greater demand of this type of farm based produce.This butter pat is one of two,see KVHS 0071 (B). It has been crafted from wood. One side has grooves running from the handle to the square shaped bottom. These grooves would stop the wet butter from clinging to the pat. The top side of the pat has been bevelled on both sides and the bottom edge. The hand grip is flat and curved to allow for a comfortable hold.domestic food preparation, wooden butter pat, butter mould circular, dairy industry, butter

Leather bound book. The cover is sculpted cardboard with burgundy leather, heavily gilt embossed with pictures and text. The edges of the front and back covers are bevelled and gilt embossed. Silk endpapers at front with marbled endpapers at back. Numerous coloured illustrations, b/w illustrations. Bi-lingual in English and German. Abridged Bible text, as it is a travelling saleman's copy. Some blank ruled pages for subscribers details.Numerous family Births and Deaths noted, from 1850 to 1977. Various photos and tokens under the 'Family Portraits' pages at the rear.bible, family bible, saleman, travelling representative, family history, births, deaths, register, gilt embossing

A Wright and Ditson 'Criterion' tennis racquet, with: concave throat; bevelled crown; string whipping around shoulders; and, shallow-grooved, thick octagonal handle. Decal inscription along throat on obverse: CRITERION. Retailers details feature below across shaft. Wright & Ditson cursive logo features along throat on reverse. Materials: Wood, Lacquer, Glue, Metal, Paint, Ink, Leather, Gut, Stringtennis

A Wright and Ditson 'DC Model' (i.e. Davis Cup Model) tennis racquet, with: concave throat; bevelled crown; string whipping around shoulders; and, bald, thick octagonal handle. Decal inscription along throat on obverse: WRIGHT & DITSON/DC/MODEL. Wright & Ditson cursive logo features along throat on reverse. Materials: Wood, Lacquer, Glue, Metal, Paint, Ink, Leather, Gut, Stringtennis

A Spalding 'Model AH' tennis racquet, featuring: concave throat; bevelled crown; whipping over hide reinforced shoulders; and, fine-grooved, octagonal handle. 'A.G. Spalding & Bros. Made in U.S.A.' logo encircling ball trademark features on throat on reverse. Decal of model name features across throat on obverse. Materials: Wood, Lacquer, Glue, Metal, Ink, Gut, Leather, Paint, String, Hidetennis

A Spalding 'Model EH' tennis racquet, featuring: concave throat; bevelled crown; whipping over hide reinforced shoulders; and, fine-grooved, octagonal handle. 'A.G. Spalding & Bros. Made in U.S.A.' logo encircling ball trademark features on throat on reverse. Decal of model name features across throat on obverse. Materials: Wood, Lacquer, Glue, Metal, Ink, Leather, Paint, String, Hide, Guttennis

A Wright & Ditson 'Columbia' tennis racquet, with: composite convex throat; bevelled crown; and, fine-grooved handle. Model name features across throat on obverse. Manufacturer details feature along right side of shaft, and across butt cover. Wright & Ditson Championship 'tennis player on ball' trademark features across throat on reverse. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Guttennis

A Wright & Ditson 'Columbia' tennis racquet, with: bevelled crown; whipping around shoulders; and, mid-grooved handle. Model name features across throat on obverse. Manufacturer details feature along right side of shaft. Wright & Ditson Championship 'tennis player on ball' trademark features across throat on reverse, and on butt cover. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Gut, String, Painttennis

From 1936, the Australians began to explore the feasibility of local production of steel helmets. Actual production by the Commonwealth Steel Company (in conjunction with Lysaghts) began in 1939. Made of manganese steel, it weighed about 1.1kg. Due to lack of machinery to bend manganese steel strip, the helmets were produced with a raw, but bevelled, edge. Almost two million helmet bodies were produced. Australian helmets were painted in sand textured Australian Army Khaki-Green No.3. A wide-meshed knotted net was often worn. The chin-strap was a copy of the British Mk.II. it was made with cloth covered springs and webbing.Green steel helmet with 8/7th RVR colour patch on each side

Smiths began with a craftsman named Samuel Smith who in 1851 opened a shop in Newington Causeway, London, where he made and sold watches, clocks and precision instruments. Samuel had a son, Samuel Jnr who was apprenticed in his fathers business. Samuel Jnr eventually opened his own business at 85 Strand and later opened other premises at 9 Strand, Trafalgar Square and 68 Piccadilly. In 1899 he turned his business into a private limited company, S. Smith & Son Ltd. Samuel Jnr son, Sir Allan Gordon-Smith, joined him as Manager at 9 Strand in 1903 and laid the foundation of the vast Smiths organisation of the future, leading the company towards the supply of accessories for the then developing motor industry making car clocks and the first speedometers patented in 1904. In July 1914 a new company was formed under the name S. Smith & Sons (Motor Accessories) Ltd., to take over the motor accessory business of S. Smith and Son Ltd. and this became the main company of the group which eventually grew to become Smiths Industries Ltd. The original company S Smith and Sons Ltd., continued as jewelers and clock and watchmakers until 1930 when the company was taken over by Bravingtons retail jeweller chain. In 1931 Smiths decided to enter the domestic clock market and formed a new company, Smiths English Clocks Ltd., as the Clock and Watch division of S Smith & Sons (Motor Accessories) Ltd. This is the start of "Smiths Clocks" because this is when they began to manufacture domestic clocks in quantity. Moreover, they set out to produce these clocks at a price that the average householder could afford. S Smith & Sons (Motor Accessories) was at this time was the main company in the Smiths group of companies and their business developed both in the motor vehicle field and outside it. Smiths began to make automatic pilots for aircraft and, through the acquisition of a majority interest in Henry Hughes & Sons Ltd., entered the field of marine instruments. During the war from 1939 to 1945, Smiths' production expanded. There was a demand for motor, aircraft and marine instruments for the Services and the production of industrial instruments and it is at this time that our item was made. In 1944 many changes were made to the Smiths' organisation. The name of the principal company was changed from S Smith & Sons (Motor Accessories) to S. Smith & Sons (England) Ltd. and four new subsidiary selling companies were set up. These were Smiths Motor Accessories Ltd., Smiths Aircraft Instruments Ltd., Smiths Industrial Instruments Ltd., and Smiths English clocks Ltd. The manufacture of clocks and watches ceased in 1979 and 1983 saw Smiths withdraw from producing items for the motor industry.An item that is now regarded as a vintage, sought by horology collectors worldwide and is in excellent condition. The item is unique in that it was made specifically for ships by the Smith company a well known British clock manufacture. Its provenance is well established and it was made during the world war II era specifically for merchant and naval vessels of the time. Naval brass ships bulkhead clock. The clock face is of white enamel with black Roman numerals, an outer minutes ring and black steel hands. There is a subsidiary seconds dial with sweeping hand just above the centre and a fast/slow adjustment lever above that. There is no manufactures name on the dial. There are a beveled glass and brass hinged lid to the front of the clock. The clock is housed in a heavy brass case with screw holes around the circumference for mounting. There are no markings on the clock or mechanism flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, s smith and sons, clock, maritime clocks, clock makers, bulkhead clock

A Spalding 'Greenwood' tennis racquet, featuring: painted concave throat; bevelled crown; whipping around shoulders; and, fine-grooved, octagonal handle. 'A.G. Spalding & Bros. Made in U.S.A.' logo encircling ball trademark features on throat on reverse, and impressed onto butt cover. Decal of model name features along throat on obverse. Materials: Wood, Lacquer, Glue, Metal, Ink, Gut, Leather, Paint, Stringtennis

A destrung Spalding 'Model AH' tennis racquet, featuring: concave throat; bevelled crown; whipping over hide reinforced shoulders; and, fine-grooved, octagonal handle. 'A.G. Spalding & Bros. Made in U.S.A.' logo encircling ball trademark features on throat on reverse, and on butt cover. Decal of model name features across throat on obverse. Materials: Wood, Lacquer, Glue, Metal, Ink, Leather, Paint, String, Hidetennis