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Eltham District Historical Society Inc
Photograph, Margaret Ball, 87 Pitt Street, Eltham, c. June 1999, 1999
The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Colour photographic print eltham, houses, streets, margaret ball (pre 1960s houses) collection, pitt street -
Eltham District Historical Society Inc
Photograph, Margaret Ball, Stebbing's Cottage, 88 Pitt Street, Eltham, June 1999
One of the oldest houses in Eltham, the cottage was built around 1861 by pioneer builder George Stebbing whose family lived in it until the 1900s. It’s plain and simple style reflects the functional design of the house. George Stebbing was responsible for the construction of some of Eltham's principal township buildings, including the Uniting (former Methodist) church, St. Margaret's Anglican church (1861) and Shillinglaw Cottage (1879). The house is historically and aesthetically significant because it is a rare surviving example of the modest homes constructed for and by artisans within the early Eltham township and is a significant feature of the streetscape In the 1960s Albert Downing owned this propertyThe Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Colour photographic print eltham, houses, streets, margaret ball (pre 1960s houses) collection, pitt street, stebbing's cottage, downing -
Eltham District Historical Society Inc
Photograph, Margaret Ball, 89 Pitt Street, Eltham, c. June 1999, 1999
The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Colour photographic print eltham, houses, streets, margaret ball (pre 1960s houses) collection, pitt street -
Eltham District Historical Society Inc
Photograph, Margaret Ball, 93 Pitt Street, Eltham, c. June 1999, 1999
Owner: Arthur and Lillian AstridgeThe Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Colour photographic print eltham, houses, streets, margaret ball (pre 1960s houses) collection, pitt street -
Eltham District Historical Society Inc
Photograph, Margaret Ball, 98 Pitt Street, Eltham, c. June 1999, 1999
The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Colour photographic print eltham, houses, streets, margaret ball (pre 1960s houses) collection, pitt street -
Eltham District Historical Society Inc
Photograph, Margaret Ball, 101 Pitt Street, Eltham, c. June 1999, 1999
Owner: Edward McColl; The original part of the dwelling was constructed around 1926/27. Second storey added in 1998.The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Colour photographic print eltham, houses, streets, margaret ball (pre 1960s houses) collection, pitt street -
Eltham District Historical Society Inc
Photograph, Margaret Ball, 103 Pitt Street, Eltham, c. June 1999, 1999
The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Colour photographic print eltham, houses, streets, margaret ball (pre 1960s houses) collection, pitt street -
Eltham District Historical Society Inc
Photograph, Margaret Ball, 105 Pitt Street, Eltham, c. June 1999, 1999
Owner: Edward McCollThe Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Colour photographic print eltham, houses, streets, margaret ball (pre 1960s houses) collection, pitt street -
Orbost & District Historical Society
certificate of title, 1895
This certificate of title is a record of interests and rights affecting land owned by James Nixon of Orbost, sawmiller. James Nixon was a significant and influential citizen of Orbost's early years.A certificate of title of land -black print on white paper. It has a red stamp dated -"23 Sep 1895" overstamped with "fee 20/-" in black. It is signed "Edward Davies(?) Duncombe (?). at the bottom is a diagram of the block shaded in blue ink.nixon-james land certificate-of-title -
Orbost & District Historical Society
book, Johnson, Brenda, The Orbost Story 1959 to 1966, after 2000
This story was written by Brenda Johnson and details her time in Orbost from 1959 -1966 settling on land at Lake Road in Newmerella.This book is a useful and interesting reference tool on life in Newmerella in the mid 20th century.A thin stapled paperback book of 31 pp. It is titled "The Orbost Story 1959 to 1966 Lake Road Newmerella Victoria". The cover is shiny silver with black print. In the centre is a black/white photograph of the block with numbers ( 2 3 ?) carved into a tree. There is a Land Rover in the background.Stapled inside back cover - "Bob Johnson" with telephone details and email address.newmerella-history johnson-brenda rural farming -
Orbost & District Historical Society
magazine, Croajingalong, 1982
The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". This is the thirty-fifth edition of the annual magazine of Orbost High School. The magazine belonged to Mary Gilbert, a former teacher at the school. This 35th edition of the annual Orbost High School magazine is a useful refernce tool.Two copies of a paper covered magazine of 68 pp. The cover is buff coloured with dark brown print. The title, "Croajingalong" is in a block style. On the back cover is provision for autographs.magazine-croajingalong orbost-high-school -
Eltham District Historical Society Inc
Photograph, Margaret Ball, 111 Pitt Street, Eltham, c. June 1999, 1999
Owner 1970s-1980s: Daniel John Bishop and Beverley Joan Bishop (Norman Joseph Bishop and Mary O'Shea Bishop lived at No. 102).The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Colour photographic print eltham, houses, streets, margaret ball (pre 1960s houses) collection, pitt street -
Eltham District Historical Society Inc
Photograph, Margaret Ball, 113 Pitt Street, Eltham, c. June 1999, 1999
The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Colour photographic print eltham, houses, streets, margaret ball (pre 1960s houses) collection, pitt street -
Eltham District Historical Society Inc
Photograph, Margaret Ball, 9 Bible Street (northwest corner of Napoleon and Bible Streets), Eltham, c.1999, 1999
Owner early 1900s: Mrs Den. Carucan Real Estate sales history March 1994, December 2000, September 2009The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Two colour photographic prints and one newsprint clipping eltham, houses, streets, margaret ball (pre 1960s houses) collection, bible street -
Eltham District Historical Society Inc
Photograph, Margaret Ball, 77 Dalton Street, Eltham, c.1999, 1999
Owner 1930s: Mrs M. Davis. Bought by Joe Mason in 1940s; demolished 2002 and five units built 2004The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Colour photographic printeltham, houses, streets, margaret ball (pre 1960s houses) collection, dalton street -
Eltham District Historical Society Inc
Photograph, Margaret Ball, 77 Dalton Street, Eltham, c.2004, 1999
Owner 1930s: Mrs M. Davis. Bought by Joe Mason in 1940s; demolished 2002 and five units built 2004The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Colour photographic printeltham, houses, streets, margaret ball (pre 1960s houses) collection, dalton street -
Eltham District Historical Society Inc
Photograph, Margaret Ball, 77 Dalton Street, Eltham, c.2002, 1999
Owner 1930s: Mrs M. Davis. Bought by Joe Mason in 1940s; demolished 2002 and five units built 2004The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Colour photographic printeltham, houses, streets, margaret ball (pre 1960s houses) collection, dalton street -
Eltham District Historical Society Inc
Photograph, Margaret Ball, 86 Napoleon Street, Eltham, c.1999, 1999
The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Colour photographic printeltham, houses, streets, margaret ball (pre 1960s houses) collection, napoleon street -
Eltham District Historical Society Inc
Photograph, Margaret Ball, Jock Read outside home, 54 Henry Street, Eltham, c.Anzac Day 2000, 25 Apr 2000
The adjoining block at no. 52 was not developed at the time. Since Feb 2014 (most recent Google Street View as of Jan 2018), both sites have been bulldozed and new developments built.The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Colour photographic printeltham, houses, streets, margaret ball (pre 1960s houses) collection, henry street, jock read, lofty (horse) -
Eltham District Historical Society Inc
Photograph, Margaret Ball, Shillinglaw trees, site of former Shire of Eltham offices and prior to that the original site for Shillinglaw Cottage, 895 Main Road, Eltham, 1999, 1999
The adjoining block at no. 52 was not developed at the time. Since Feb 2014 (most recent Google Street View as of Jan 2018), both sites have been bulldozed and new developments built.The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Colour photographic printeltham, houses, streets, margaret ball (pre 1960s houses) collection, shillinglaw trees, shillinglaw cottage, eltham shire office -
Eltham District Historical Society Inc
Negative - Photograph, Old Lower Plenty Bridge, 18 Apr 1998
EDHS Autumn excursion to Lower Plenty area The blocked-off iron bridge at Lower Plenty - now re-opened and used as a footway/bike path section joining the Yarra River path.Roll of 35mm colour negative film, 2 strips and associated colour printKodak Gold 200-6activities, lower plenty bridge, autumn excursion, eltham district historical society, lower plenty -
Eltham District Historical Society Inc
Negative - Photograph, Old Lower Plenty Bridge, 18 April 1998
Plenty River reflections through the old iron Lower Plenty Bridge; Autumn Excursion to Lower Plenty area. The blocked-off iron bridge at Lower Plenty - now re-opened and used as a footway/bike path section joining the Yarra River path.Roll of 35mm colour negative film, 2 strips and associated colour printKodak Gold 200-6activities, lower plenty bridge, autumn excursion, eltham district historical society, lower plenty -
Flagstaff Hill Maritime Museum and Village
Book - Portfolio, Newcraft Pulicity, The Line of Sail; Magnificent Clipper Ships, 1969
... wood block print... originally fine engravings on wooden printing blocks used ...These prints include large sailing ships that were also referred to as Clippers and Tall Ships. These ships were used to transport cargo and passengers across the world in the 19th century. They were powered purely by harnessing the wind. It could take three to four months to sail in this manner from England to Australia. On many occasions the ships were wrecked, often close to their destination, through errors of navigation. The method of production of the original images is over a century old. The Melbourne publisher of this portfolio book, Newcraft Publicity, describes the contents as follows-' Magnificent Clipper Ships: Clipper ships in the line of sail make the most romantic and spectacular pictorial chapter of marine history. This collection depicting early clippers and other types of sailing ships were originally fine engravings on wooden printing blocks used in newspapers a century ago. They were taken directly from the original newspaper prints, and reproduced in enamel inks to provide a choice of fine line prints suitable for framing. LIST OF PRINTS- The New Australian Clipper "BLUE JACKET" The Clipper Ship “CHRYSOLIER” The “GAUNTLET” Clipper Ship The New American Clipper “GREAT REPUBLIC” The Clipper Ship “GUIDING STAR” New Emigrant Ship “HESPERIDES” for the South Australian Line Capt. Beatson’s Expedition in search of Sir John Franklin – the “ISABEL” The Black Ball Line Clipper Ship “JAMES BAINES” The “MERCHANT PRINCE” – Australian Clipper The White Star Line Clipper Ship “MORNING LIGHT” The Aberdeen Clipper Built Barque “PHOENICIAN” New Australian Clipper Ship the “ROYAL FAMILY” The “SOVEREIGN OF THE SEAS” American Clipper The New Iron Clipper Built Ship “TAYLEUR” for Australia H.M. New Frigate “THETIS” The American Clipper Ship “WITCH OF THE WAVE” ABOUT THE PUBLISHER- The Newcraft Publicity was a Melbourne business that operated in the 1960s at 243 Collins Street, Melbourne.This portfolio book of clipper ship prints is historically significant as it shows an important part of Australia's history, It includes some of the shipping lines famous in the 19th century for transporting passengers and goods to Australia. The prints are also significant for their origin in the carved wooden blocks used a century ago for creating images for the newspapers of the time. Book is also significant from being one of a limited edition of books produced. There are copes in both the Victorian State Library and the National Library of Australia.The Line of Sail is a portfolio of sixteen fine line, black and white prints on paper. The subject is clipper ships. The covers are paper-covered card, coloured a strong blue with white line images and text. The image side of the pages has a sheen, the back is matt. Each print has a caption. The top of the book is stapled and bound with grey tape. Produced by Newcraft Publicity, Melbourne. Limited Edition - Copy Number 086. Stamped on front cover "086"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, lithographs, newscraft publicity, book, the line of sail, dlipper ships, tall shipos, sailing ships, wood block print, newspaper drawings, newcraft productions, newcraft melbourne, portfolio of clipper ships, limited edition, wooden engravings, magnificent clipper ships -
Flagstaff Hill Maritime Museum and Village
Equipment - Tally Board, 1860s
The boards each have instructions adhered to each side, printed in four languages (English, French, Dutch and German). At the beginning of a shore-to-ship rescue the instructions are sent to the distressed vessel after the first rocket line was received by them. The stranded people on the vessel follow the instructions to assist the life saving rescue crew in saving their lives. Saving lives in Warrnambool – The coastline of South West Victoria is the site of over 600 shipwrecks and many lost lives; even in Warrnambool’s Lady Bay there were around 16 known shipwrecks between 1850 and 1905, with eight lives lost. Victoria’s Government responded to the need for lifesaving equipment and, in 1858, the provision of rocket and mortar apparatus was approved for the lifeboat stations. In 1859 the first Government-built lifeboat arrived at Warrnambool Harbour and a shed was soon built for it on the Tramway Jetty, followed by a rocket house in 1864 to safely store the rocket rescue equipment. In 1878 the buildings were moved to the Breakwater (constructed from 1874-1890), and in 1910 the new Lifeboat Warrnambool arrived with its ‘self-righting’ design. For almost a hundred years the lifesaving and rescue crews, mostly local volunteers, trained regularly to rehearse and maintain their rescue skills. They were summoned when needed by alarms, gunshots, ringing bells and foghorns. In July 1873 a brass bell was erected at Flagstaff Hill specifically to call the rescue crew upon news of a shipwreck. Some crew members became local heroes but all served an important role. Rocket apparatus was used as recently as the 1950s. Rocket Rescue Method - Rocket rescue became the preferred lifesaving method of the rescue crews, being much safer that using a lifeboat in rough seas and poor conditions. The Government of Victoria adopted lifesaving methods based on Her Majesty’s Coast Guard in Great Britain. It authorised the first line-throwing rescue system in 1858. Captain Manby’s mortar powered a projectile connected to rope, invented in 1808. The equipment was updated to John Dennett’s 8-foot shaft and rocket method that had a longer range of about 250 yards. From the 1860s the breeches buoy and traveller block rocket rescue apparatus was in use. It was suspended on a hawser line and manually pulled to and from the distressed vessel carrying passengers and items. In the early 1870s Colonel Boxer’s rocket rescue method became the standard in Victoria. His two-stage rockets, charged by a gunpowder composition, could fire the line up to 500-600 yards, although 1000 yards range was possible. Boxer’s rocket carried the light line, which was faked, or coiled, in a particular way between pegs in a faking box to prevent twists and tangles when fired. The angle of firing the rocket to the vessel in distress was measured by a quadrant-type instrument on the side of the rocket machine. Decades later, in 1920, Schermuly invented the line-throwing pistol that used a small cartridge to fire the rocket. . The British Board of Trade regularly published instructions for both the beach rescue crew and ship’s crew. It involved setting up the rocket launcher on shore at a particular angle, determined by the Head of the crew and measured by the quadrant, inserting a rocket that had a light-weight line threaded through its shaft, and then firing it across the stranded vessel, the line issuing freely from the faking board. A continuous whip line was then sent out to the ship’s crew, who hauled it in then followed the instructions – in four languages - on the attached tally board. The survivors would haul on the line to bring out the heavier, continuous whip line with a tail block connected to it. They then secured the block to the mast or other strong part the ship. The rescue crew on shore then hauled out a stronger hawser line, which the survivors fixed above the whip’s tail block. The hawser was then tightened by the crew pulling on it, or by using the hooked block on the shore end of the whip and attaching it to a sand anchor. The breeches buoy was attached to the traveller block on the hawser, and the shore crew then used the whip line to haul the breeches buoy to and from the vessel, rescuing the stranded crew one at a time. The rescue crew wore scarlet, numbered armbands and worked on a numerical rotation system, swapping members out to rest themThis pair of tally board is significant for its connection with local history, maritime history and marine technology. Lifesaving has been an important part of the services performed from Warrnambool's very early days, supported by State and Local Government, and based on the methods and experience of Great Britain. Hundreds of shipwrecks along the coast are evidence of the rough weather and rugged coastline. Ordinary citizens, the Harbour employees, and the volunteer boat and rescue crew, saved lives in adverse circumstances. Some were recognised as heroes, others went unrecognised. In Lady Bay, Warrnambool, there were around 16 known shipwrecks between 1850 and 1905. Many lives were saved but tragically, eight lives were lost.Tally boards, two, rectangular wooden boards, both with a hole drilled into one short end. Instructions are glued onto the boards. They were printed in light letters onto dark canvas in four languages (English, French, Dutch and German). Text (English) "MAKE THIS HAWSER FAST ABOUT 2 FEET ABOVE THE TAIL BLOCK. CAST OFF WHIP FROM HAWSER. SEE ALL CLEAR AND THAT THE ROPE IN THE BLOCK RUNS FREE, AND SHOW SIGNAL TO THE SHORE."flagstaff hill maritime museum and village, flagstaff hill, maritime museum, maritime village, warrnambool, great ocean road, lady bay, warrnambool harbour, port of warrnambool, tramway jetty, breakwater, shipwreck, life-saving, lifesaving, rescue crew, rescue, rocket rescue, rocket crew, lifeboat men, beach rescue, line rescue, rescue equipment, rocket firing equipment, rocket rescue equipment, maritime accidents, shipwreck victim, rocket equipment, marine technology, rescue boat, lifeboat, volunteer lifesavers, volunteer crew, life saving rescue crew, lifesaving rescue crew, rocket apparatus, rocket rescue method, shore to ship, rocket apparatus rescue, stranded vessel, line throwing mortar, mortar, rocket rescue apparatus, line thrower, line throwing, lifeboat warrnambool, beach apparatus, rocket machine, rocket head, rocket launcher, rocket line, beach rescue set, rocket set, tally board, rescue instructions -
Federation University Historical Collection
Magazine - Booklet, Ballarat School of Mines Students' Magazine, 1935, 1935
List of Full Course Students' 1935, Editorial, Obituary - J. B. Robinson, Personal Column, Personal Column, Editor's Notes, Old Boys: Personal, The "Head" - An Appreciation, The Late Dean - W. F. Tucker, A Tribute - J. M. Bickett, An Attitude to War, Some Impressions by a New Comer to New Guinea, Fumes from the Lab, Arts & Crafts Gossip, Sport, Commercial Notes, The Junior TecsYellow soft covered magazine of 70 pages, including advertisements. Artworks * Blocks and Inks supplied by F.T. Wimble and Co. Ltd Sydney - Printed by students of printing class School of Mines Ballarat * Mr G - By Valma Jenson * Miss G - By E.Shaw * Joker of the pack by Gilda Gude * Oh Mother - By Valma Jensen * Man Praying - By A.P. * Swell - By Valma Jensen * In his element - By E.Shaw * Our jazz band - By Valma Jensen * Spaghetti - By E.Shaw * The Peter Pan statue in Kensington Gardens - By Gilda Gude * Hunted - By Valma Jensen * Bridget & Vic - By Valma Jensen * Lady pointing a statue - By Gilda Gude * Hi first solo flight - By Dorothy Woolcock * Dear Me - a millionth of a milligram out ! - By E.Shaw * Marley & Paul - By Valma Jensen * Green Plan Print - By Hunt * Yes, but it doesn't read, it doesn't read - By E.Shaw * The Big Noise - By Valma Jensen * Bashful Barney - By Valma Jensen * Willowy Verna - By E.Shaw * Margaret - By Valma Jensen * Don - By Valma Jensen * Cyril - By Gilda Gude * Jack - By Gilda Gude * Nancy - By Valma Jensen * Off to English - By Valma Jensen * "A mag article today please or six tomorrow" By E. Shaw * "Oh you boys are awful" - By E. Shaw * Maureen - By Valma Jensen * Geggy - By Valma Jensen * Aw crikey - By Valma Jensen * The wheelbarrow crate reaches Africa - By J.W * Lady Dean - By Valma Jensen * Margery - By Valma Jensen * Bubba - By Lorna Bailey * Chook - By Marjorie John * Bunny - By Valma Jensen * Sixa - By Valma Jensen * Fish Print - By Hunt * Betty - By Lorna Bailey * Bessie - By Lorna Bailey * Janette - By Lorna Bailey * Butcher - By Valma Jensen * Minnow - By F.J.Hballarat school of mines, magazine, f. t. wimble & co. ltd., sydney, j. woolcock, a. nye, d. shore, d. taylor, j. elliott, b. saunders, w. williams, a. moodie, v. hunt, j. shelton, r. warnock, dr. j. r. pound, g. procter, g. merlin, j. b. robinson, james pound, peter wilson, mr alexander, mr creelman, mr crouch, h. steane, j. sutherland, a. bell., a. max wilson, g. f. eric rumpff, r. mcconnell, t. byrne, c. r. king, p. marshman, a. f. heseltine, w. f. tucker, j. m. bickett, a. m. wilson, f. whitworth, w. tierney, r. leigh, g. berriman, a. sneddon, a. collins, h. maddern, d. flynn, n. bayly, m. rickey, w. calaghan, d. wright, e. wallace, b. lamb, s. wise, r. quick, i. leviston, b. chaplin, j. coates, n. dunstan, d. mcarthy, d. henderson, j. mathes, g. leviston, e. mcdonald, k. blackie, j. mouton, n. jelbart, r. brown, k. mathes, a. pickering, j. mcghie, r. white, w. dawson, j. forrest, m. hamill, w. martin, m. jeffs, k. waller, d. nolan, l. baxter, r. knight, l. moy, m. hunt, j. henry, a. goldby, j. menhennet, mr king, w. nice, k. pattie, f. capuano, l. g. r. crouch, gilda gude, valma jensen, e. shaw, lorna bailey, marjorie john, dorothy woolcock -
Federation University Historical Collection
Map, Gold Mining Lease Blocks at St Arnaud, not dated
Printed map on paper with shadingst arnaud, lexell creek, st arnaud creek, wilsons hill, lord nelson -
Federation University Historical Collection
Book, R.E. King, Ben-Hur: a Tale of the Christ, 1900
This book is part of a collection of books, photos and memorabilia donated from the Chatham-Holmes family collection. This red, cloth bound, hard covered book has a printed picture on the front of four horses pulling a chariot and charioteer, cheered on by a crowd in a block built stand as well as the title 'Ben-Hur' The spine has the title and a printed picture of a man on a camel as well as the publisher. The book is 428 pages long and was written by Lew Wallace.Inside page written in black pen - Harry, With best wishes "Tourello Lodge" 1908chatham-holmes family collection, ben-hur, lew wallace -
Federation University Historical Collection
Plan, Gold Mining Lease Blocks at Tarnagulla, not dated
Printed plan with red shading showing gold mining lease blocks at Tarnagullaplan, mining leases, gold mining, tarnagulla, mining -
Bendigo Historical Society Inc.
Document - HANRO COLLECTION: PLANS AND REPORT FROM FIRE ENGINEERS AND SURVEYORS, 1954/1960
Plans and Report from Fire Engineers and Surveyors:- Green Card has a rectangular box with an ornate border in the centre of the front page. Inside the border is typed in black *Plans, Hanro (Aust) Knitting Mills Limited, Bendigo Victoria Australia. At the bottom:- Mahlstedt's (Vic) Pty Ltd. (est. 1884). Consulting Fire Engineers and Surveyors. Temple Court, 422 Collins Street., Melbourne C.1. Telephone 673069. Inside the folder is the Key to Detail Block Plans & Fire Surveys. Correspondence from Mahlstedt's Pty Ltd to Edward Lumley and Sons, Insurance Brokers regarding a new survey and the changes to the building with respect to fire hazard. Main report recommendations and general information on the building. Blue print of Shirt Factory, Inglewood Road No. 1061 by Welmar Ltd Bendigo. Small blue print of the main buildings showing different work areas. Blue print No.1119 of John Brown Industries Ltd Alley Street Bendigo showing work areas. Box 116AMahlstedt's (Vic) Pty Ltdhanro, clothing, plans and reports, edward lumley & sons pty ltd. hanro knitting mills. mahlstedt's (vic) pty ltd. welmar ltd bendigo. john brown industries ltd. -
Bendigo Historical Society Inc.
Document - MINING IN BENDIGO COLLECTION: MINING IN BENDIGO - TRIBUTE AGREEMENT
Printed Tribute Agreement with space for names of parties, description of tribute block, dates, the percentage of proceeds to the company, all crushing to bew done at the company's battery and a number of othe rules. There is also space for signature and residence of tributers.document, gold, mining in bendigo, mining in bendigo, tribute agreement