Blue paper headed Court King of the Forest, No. 3770 A.O.F, B.U.D.,dated Sept 19 1877. To Mr. Lewis, Treasurer. Please pay Ab Lake or Bearer the sum of 10/- for 12 Days Sick Pay on account of this Court. Signed by James W. Long, C.R. and Wm. Rowe, Secretary. Also signed by Thomas Exeter.societies, aof, correspondence, ancient order of foresters no. 3770 collection - to pay, court king of the forest, mr lewis, ab lake, james w long, wm rowe, thomas exeter

Blue paper dated Nov 7th 1868. I hereby Certify that Abraham Lake of Iron Bark is able to follow his usual employment. Signed H. L. Atkinson.societies, aof, correspondence, ancient order of foresters no. 3770 collection - medical certificate, court king of the forest, abraham lake, h l atkinson

Blue paper dated Nov 18th 1869. I hereby Certify that Abraham Lake of Iron Bark is unable to follow his usual employment. Signed H. L. Atkinson.societies, aof, correspondence, ancient order of foresters no. 3770 collection - medical certificate, court king of the forest, abraham lake, h l atkinson

Blue coupon, dated April 4th 1877 asking Mr. Lewis, Treasurer to pay Ab. Lake the sum of 20/- for 12 Days Sick Pay. Signed by Wm Rowe, Secretary. Also signed by William Salter.societies, aof, correspondence, ancient order of foresters no 3770 collection - to pay, court king of the forest, a.o.f., b.u.d., mr lewis, ab lake, wm rowe, william salter

Blue coupon, dated April 18 1877 asking Mr. Lewis, Treasurer to pay Ab. Lake the sum of 20/- for 12 Days Sick Pay . Signed by Wm Rowe, Secretary. Also signed by William Salter.societies, aof, correspondence, ancient order of foresters no 3770 collection - to pay, court king of the forest, a.o.f., b.u.d., mr lewis, ab lake, wm rowe, william salter

Blue coupon, dated May 2nd 1877, asking Mr. Lewis, Treasurer to pay Ab Lake the sum of 20/- for 12 Days Sick Pay. Signed by Richard Coath, C.R, and Wm Rowe, Secretary. Also signed by Wm. H. Nicholas. G.W.societies, aof, correspondence, ancient order of foresters no 3770 collection - to pay, court king of the forest, a.o.f., b.u.d., mr lewis, ab lake, richard coath, wm rowe, wm h nicholas

Blue coupon, dated May 16 1877, asking Mr. Lewis, Treasurer to pay Ab. Lake the sum of 20/- for 12 Days Sick Pay. Signed by Wm Rowe, Secretary. Also signed by Wm. H. Nicholas. G.W..societies, aof, correspondence, ancient order of foresters no 3770 collection - to pay, court king of the forest, a.o.f., b.u.d., mr lewis, ab lake, wm rowe, wm h nicholas

Blue coupon, dated May 30th 1877, asking Mr. Lewis, Treasurer to pay Ab Lake the sum of 20/0 for Sick Pay. Signed by Wm Rowe, Secretary.societies, aof, correspondence, ancient order of foresters no 3770 collection - to pay, court king of the forest, a.o.f., b.u.d., mr lewis, ab lake, wm rowe

Blue coupon, dated June 13 1877, asking Mr. Lewis, Treasurer, to pay Abr Lake the sum of 20/- for 12 days Sick Pay. Signed by Wm. Rowe, Secretary, and William Salter.societies, aof, correspondence, ancient order of foresters no 3770 collection - to pay, court king of the forest, mr lewis, abr lake, wm rowe, william salter

Blue coupon, dated March 21 1877, asking Mr. Lewis, Treasurer, to pay Ab Lake the sum of 20/- for 12 Days Sick Pay. Signed by Wm Rowe, Secretary. Also signed by William Salter.societies, aof, correspondence, ancient order of foresters no 3770 collection - to pay, court king of the forest, lewis, ab lake, wm rowe, william salter

Blue coupon, dated Sept. 6th 1876. Received from Bro. Lewis, Treasurer of the above Court, the sum of Two Pound being 12 day's sick pay for Bro. Ab. Lake. Signed Wm. H. Nicholus.societies, aof, correspondence, ancient order of foresters no 3770 collection - receipt, court king of the forest, lewis, ab lake, woodward, wm h nicholus

Blue coupon, dated August 23rd 1876. Received from Bro. Lewis, Treasurer of the above Court, the sum of Thirtty Three Shillings & Sixpence being 10 day's sick pay for Bro. Ab. Lake. Signed Wm. H. Nicholus.societies, aof, correspondence, ancient order of foresters no 3770 collection - receipt, court king of the forest, lewis, ab lake, woodward, wm h nicholus

Eppalock. Construction. Lake appears to be full or close to it with beautiful blue water. The bank to the left is the bank which the road goes across, the walkway out to the water tower and the water tower. Markings: Eppalock Dam March 1963.Kodakcivil engineering, water supply, eppalock

Print titled Daybreak showing a scene of mountains, lake and 2 women between column in tones of Blue & Autumn Colours on Card with Black Mount, markings read 'Reinthall & Newman NY Daybreak'painting, print, landscape, daybreak, landscape

blue and white certificate in medium brown framed that has a very narrow gold line on the inner sides.Yarrawonga weir-Lake Mulwala Golden Anniversary Participation certificate 29/10/89

Article One - Charge! - image of members of the aboriginal group carrying out a baton charge Article Two - Officer's Tribute - image of aborigines at Wangaratta carry out ceremony of changing of the guard Article Three - Two Australians - image of Shirley Anderson, 8, of Wangaratta frequently entertains Diggers, singing and dancing. She visits camp nearly every day to chat with guard on duty. Aboriginal soldiers formed a special all volunteer platoon at No 9 Camp Wangaratta in Victoria from late 1940 until February 1941. No 9 Camp was set up at the Wangaratta Showgrounds to allow the formation of the 2/24th Australian Infantry Battalion prior to leaving for Egypt. Major Joseph Albert Wright a WW1 Light Horse veteran was in charge of this platoon the only Aboriginal squad in the Australian Military Forces at that time. The soldiers from Lake Tyers enlisted at Caulfield between June and July 1940 include Harold Cornelius HAYES VX 48217 DOB 2/4/1916 Enlisted 25/7/40 Discharged 22/3/1941 Edward FOSTER VX48218 DOB 25/5/1921 Enlisted 25/7/1940 Discharged 22/3/1941 Noel Ernest HOOD VX48194 DOB 3/1/1919 Enlisted 25/7/1940 Discharged 22/3/1941 Edward Leslie MULLETT VX48199 DOB 30/6/1910 Enlisted 25/7/1940 Discharged 22/3/1941 Samuel Richard RANKIN VX48201 DOB 23/7/1910 Enlisted 25/7/1940 Discharged 22/3/1941 Stewart HOOD VX47351 DOB 23/1/1903 Enlisted 18/7/1940 Discharged 22/3/1941 William GORRIE VX48208 DOB 22/11/1921 Enlisted 25/7/1940 Discharged 22/3/1941 David John MULLETT VX48195 DOB 10/6/1919 Enlisted 25/7/1940 Discharged 22/3/1941 Arthur Alexander (Tom?) MULLETT VX48198 DOB 25/11/1914 Enlisted 25/7/1940 Discharged 22/3/1941 Images relates to the "special platoon" based at No 9 Camp Wangaratta as being the Australian Army's first all Aboriginal Unit formed in 1940. The soldiers were all volunteers mainly from Lake Tyers in Victoria. In addition to normal army training they performed guard duty at the Army Hospital and Camp. They formed the Gum Leaf Band and led the troops at community singing and assisted in Methodist Church services. Three black and white newspaper articles adhered to cream paperWarrior Tradition Written in blue ink 28/12/1940no 9 camp wangaratta, aboriginal platoon

Racing cars parked outside the blue-stone Public house at the cross-roads, Lake Bolac. Local spectators have gathered to admire and learn.lake bolac, car racing

A very early view of the first blue-stone homestead and out-buildings at "Lake Boloke" station, established by Robert Patterson, believed taken in the early 1850's. The row of River red-gums indicates the shoreline of Lake Bolac which seems to be at least partially dry.lake bolac, lake boloke station, patterson

The Flying Dogtor was called by Sir Thomas Persian, the Minister to the Snowy Mountains Scheme. His help was required to solve the problem of a sea-serpent or lake monster that was threatening to harm the scheme. The Dogtor saw the serpent in the distance across the lake. Then he was taken to a shiny new blue submarine. He stepped into it to explore alone into the mysterious lake.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 2 pagesMultiple handwritten pencil edits and additions.the flying dogtor, robin boyd, crawford productions, manuscript

"Aboriginal approaches to the naming of places across Australia differ radically from the official introduced Anglo-Australian system. However, many of these earlier names have been incorporated into contemporary nomenclature, with considerable reinterpretations of their function and form. Recently, state jurisdictions have encouraged the adoption of a greater number of Indigenous names, sometimes alongside the accepted Anglo-Australian terms, around Sydney Harbour, for example. In some cases, the use of an introduced name, such as Gove, has been contested by local Indigenous people." "The 19 studies brought together in this book present an overview of current issues involving Indigenous placenames across the whole of Australia, drawing on the disciplines of geography, linguistics, history, and anthropology. They include meticulous studies of historical records, and perspectives stemming from contemporary Indigenous communities. The book includes a wealth of documentary information on some 400 specific placenames, including those of Sydney Harbour, the Blue Mountains, Canberra, western Victoria, the Lake Eyre district, the Victoria River District, and southwestern Cape York Peninsula." -- Publisher description. Contents: Introduction: Old and new aspects of Indigenous place-naming /? Harold Koch and Luise Hercus NSW &? ACT: 1. Aboriginal placenames around Port Jackson and Botany Bay, New South Wales, Australia: sources and uncertainties /? Val Attenbrow 2. Reinstating Aboriginal placenames around Port Jackson and Botany Bay /? Jakelin Troy and Michael Walsh 3. The recognition of Aboriginal placenames in New South Wales /? Greg Windsor 4. New insights into Gundungurra place naming /? Jim Smith 5. The methodology of reconstructing Indigenous placenames: Australian Capital Territory and south-eastern New South Wales /? Harold Koch Victoria: 6. Toponymic books and the representation of Indigenous identities /? Laura Kostanski 7. Reviving old Indigenous names for new purposes /? Laura Kostanski and Ian D. Clark 8. Reconstruction of Aboriginal microtoponymy in western and central Victoria: case studies from Tower Hill, the Hopkins River, and Lake Boga /? Ian Clark South Australia &? Central Australia: 'Aboriginal names of places in southern South Australia': placenames in the Norman B.Tindale collection of papers /? Paul Monaghan 10. Why Mulligan is not just another Irish name: Lake Callabonna, South Australia /? J.C. McEntee 11. Murkarra, a landscape nearly forgotten: the Arabana country of the noxious insects, north and northwest of Lake Eyre /? Luise Hercus 12. Some area names in the far north-east of South Australia /? Luise Hercus 13. Placenames of central Australia: European records and recent experience /? Richard Kimber Northern Australia: 14. Naming Bardi places /? Claire Bowern 15. Dog-people: the meaning of a north Kimberley story /? Mark Clendon 16. 'Where the spear sticks up': the variety of locatives in placenames in the Victoria River District, Northern Territory /? Patrick McConvell 17. 'This place already has a name' /? Melanie Wilkinson, Dr R. Marika and Nancy M. Williams 18. Manankurra: what's in a name? placenames and emotional geographies /? John J. Bradley and Amanda Kearney 19. Kurtjar placenames /? Paul Black.Maps, b&w photographs, tables, word listsaustralian placenames, sociolinguistics, linguistics, anthropology, sydney harbour placenames, blue mountains placenames, canberra placenames, western victoria placenames, lake eyre placenames, victoria river district placenames, cape york peninsula placenames

Rural City of Wangaratta Collection.An oil landscape of Lake Mokoan that has been painted using shades of blue, green, yellow, and brown.Obverse: A. D. MORRIS/ (bottom right)wangaratta art gallery, a. d. morris, ad morris, landscape, painting, lake mokoan

Rural City of Wangaratta Collection, Wangaratta Art Prize 1987.A landscape of a lake scene, painted using oils in a colour palette of green, blue, pink, brown, and grey.Obverse: Wykeham Perry 87/ (bottom left corner) WANGARATTA ART SHOW/ GRAND WINNER 1987/ (plaque mounted on frame)wangaratta art gallery, wykeham perry, landscape, painting, coastal

Rural City of Wangaratta Collection. Wangaratta Art Show - Grand Winner 1998.A oil landscape of Lake Buffalo, painted using shades of blue, green, yellow, brown, and white.Obverse: R SYMMONS/ (bottom right corner)wangaratta art gallery, rodney symmons, landscape, painting, lake buffalo

In 2019 Peoples undertook a residency at the Tuggeranong Arts Centre, Canberra. The original proposal was to explore the suburban gardens. However, it was the man-made lake with a different bloom, blue-green algae that held her attention. The still waters of the lake in the early mornings are tranquil. Becoming more familiar with the Lake, details caught Peoples’ eye. However, she realised the only interaction by humans with the Lake were two men who motored a small boat to the centre of the Lake, a hint as to the connection between tranquility and blue/green algae.Wangaratta Art Gallery Collection. Donated by June Brown.A small embroidery using a colour palette of green, orange, blue and brown depicting a scene of Lake Tuggeranong mounted into a purple spectacle case.sharon peoples, textile, embroidery, lake tuggeranong, landscape

In 2019 Peoples undertook a residency at the Tuggeranong Arts Centre, Canberra. The original proposal was to explore the suburban gardens. However, it was the man-made lake with a different bloom, blue-green algae that held her attention. The still waters of the lake in the early mornings are tranquil. Becoming more familiar with the Lake, details caught Peoples’ eye. However, she realised the only interaction by humans with the Lake were two men who motored a small boat to the centre of the Lake, a hint as to the connection between tranquility and blue/green algae.Wangaratta Art Gallery Collection. Donated by June Brown.A small embroidery using a colour palette of green, red, blue and brown depicting a scene of Lake Tuggeranong mounted into a brown spectacle case.sharon peoples, embroidery, textile, lake tuggeranong

WARM was a community textile art project that saw over 250 knitters come together to create a beautiful collage tapestry. Made entirely from wool, the artwork contains more than 1000 individual hand knitted sections. The project takes aim at global warming, it highlights both the causes and solutions for us to create a sustainable and safe climate for future generations. Lisa Kendal, the co-creator of the project, said “One of the problems in the world is that we have forgotten how to warm ourselves with wool. We have become too dependent on fossil fuels (for heating)”. This is the key idea surrounding the project. WARM began as two large scale images created by Lars Stenberg. The first image is a landscape scarred by coal mining. The second image is the same landscape only many decades later. Regeneration and regrowth have taken over the landscape and hidden the past coal mine completely. In its place is a beautiful landscape including trees, native flowers, a lake, lots of greenery and wind turbines. From March to the end of August in 2016, knitters worked hard to create the over one thousand pieces that came together to form the final tapestry. The pieces were all designed by Fibre Artist Georgie Nicolson of Tikki Knitting Designs, who converted the second image of the healed landscape into patterns for the 250 plus knitters to follow. These patterns included unusual designs such as gum leaves, trees, native flowers and even the wind turbines. During several days of installation, the knitted pieces were stitched together by Lars Stenberg over a picture of the first image of the operational coal mine. They worked to create the second image of the renewed landscape; like an enormous collage. The WARM project was donated to the National Wool Museum in 2021. It was a much-loved hanging within the Ballarat Hospital for many years before coming to the museum. More information about the project can be found on the following website. http://www.seam.org.au/warm The tapestry is made from 1000+ hand knitted sections stitched together to make an image. In the foreground of this image is a large gum tree that stretches from the bottom left to the top right corner. The trunk of this tree follows the left edge of the tapestry, with foliage from the gum tree spanning its top border. The bottom third of the tapestry is predominantly green grass with yellow, pink and red flowers providing sporadic colour. The middle third encompasses a lake, with orange colours surrounding the banks of the water as opposed to the green grasses of the bottom third. To the right of the lake are wind turbines. The top third of the tapestry is blue sky with white clouds. It also contains the previously described gum tree leaves. Each piece of the tapestry is 100% wool and was hand knitted and stitched together. The Tapestry is accompanied by an oil painting on canvas. It is a painting that matches the tapestry and served as a template for the final tapestry. Finally, the tapestry is accompanied by another pointing on wood board. This final panting is of a coal mine. This is the setting before regeneration and regrowth have reclaimed this site, which is the theme captured in the final tapestry. In the foreground of the coal mine painting is the same gum tree described in the tapestry; however, it is grey and sickle with only 4 leaves visible at the top border, compared to the numerous leaves in the tapestry. Also in the foreground is a broken barb wire fence adding to the unwelcoming nature of the site. The colour scheme of this image is of dark greys and browns. A coal fired power plant can be seen in the final third of the image with four chimneys emitting plumes of smoke into the sky. In front of this power plant is the spiral shape of a coal mine, burrowing deep into the earth’s crust. Inside of the coal mine 3 yellow trucks are seen mining and transporting coal to the top of the mine.warm, community textile tapestry, knitting, community artwork, global warming

A chronicle of Blackburn with photographs, diagrams and maps from the 1850's onwards.non-fictionA chronicle of Blackburn with photographs, diagrams and maps from the 1850's onwards.open air school blackburn no3850, blackburn., morton park, traveller's rest hotel, blackburn lake sanctuary, blackburn creek hotel, blackburn road blackburn, blackburn post office, blue moon fruit co-operative ltd, blackburn railway station, pioneers, gordon crescent blackburn, lake road blackburn, goodwin george augustus, morton thomas richards burrowes, st johns anglican church blackburn, blackburn methodist church, blackburn church of christ, blackburn primary school no 2923, blackburn scout group 1st, blackburn and district tree preservation society, g.f. fankhauser

belonged to Dorothy Meaghers' motherdonated by Ray Meagher who was a councillor 1972-1979. He was also chairman of works committee 1974-76, and Mayor of Nunawading 1976-77. Rays' wife Dorothy was on lake committee and supported the extension of the lake reserve. Ray was also a local builder.1 rectangular cream coloured tray .2 oval shaped hand mirror with handle, coloured cream .3 narrow oblong cream coloured brush .4 oblong cream brush .5 rounded square cream powder container with raised bump on each side .6 lid for powder container with raised bumps on each side square shape .7square handkerchief with farm animals- blue edged .8 round pink coloured powder puff, dark pink. .9 round pink coloured powder puff, light pink. .10 round circle of nylon meshon cream container 'made in England'personal effects-toilet requisites, cosmetics