This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. If you have information on this artist or artwork please use the email link below rightart, artwork, anna blandford

This is an example of Sydney Legacy promotional material from 1951s for Sydney Legacy. It promoted the War Orphans Appeal which was an early means of fundraising. It suggests that a person could make a pledge of a small amount of money weekly. For instance, 3 pence per week from 40 contributors would equal £26 and provide for 1 ward. The brochure shows different stages of junior legatees life, from baby to school, and post school roles such as office girl or tradesman. Each stage is supported by Legacy.An example of promotional material from the 1950s. Promotional brochure about fundraising for Sydney Legacy in 1951.legacy promotion, war oprhans

This is an example of Melbourne Legacy promotional material. It is an A3 leaflet folded into pocket size from 2011 for Badge Week. The slogan "Legacy is keeping their promise to my dad" by Charlotte was used with an image of a girl in a slouch hat. The main time of year for fundraising is September when Legacy holds 'Badge Week'. Similar to other marketing material from the 1990s to 2009, also see items 01240 to 01258, 02196-02198. The collection shows the types of marketing materials that were produced and the celebrities that were helping Legacy.An example of promotional material from the 2000s. Marketing material and photos were compiled and released to newspapers, also printed as brochures and sometimes as stickers and collection tin wrappers.Colour A3 promotional leaflet for Legacy Week, featuring a girl in a slouch hat folded into pocket size.legacy promotion, badge appeal, legacy week, marketing

Ill, p.127.non-fictionAn illustrated exploration of social and political problemspolitical science, social problems

Autobiographical book about Alan Marshall's childhood in country VictoriaHardcover book with text and paper sleeve with colour Imageaustralian history, alan marshall, polio, authors

ill, p.29.non-fictionA souvenir issue of a magazine to commemorate the completion and opening of the East-West (Port Augusta - Kalgoorlie) section of the Commonwealth Railways in 1917.transcontinental railway - australia - history, commonwealth railways (australia) -- history.

Annual report of the Heidelberg Golf Club. Includes annual report, balance sheet and accounts to 30/06/2022. This report distributed electronically to members.Annual reports found in this collection begin in 1933-34. Numbering of annual reports commenced in 1973 with number 44.56 page booklet, colour cover with logo and colour photos of golf club members. Distributed electronically; copy printed for archive.annual reports, financial reports

A view of the intersection of Sherbourne and Para Roads in Montmorency in 1971, just after it was completed. The article points out the number of poles in the photograph.Digital copy of newspaper articlesherbourne road montmorency, para road montmorency, montmorency

In Vietnamese description of Uniforms, Flags and Insignia of South Vietnam.vietnamese uniforms, vietnamese flags, vietnamese insignia

Watsonia Technical School's Leo Muir throwing the javelin at the Metropolitan Technical School athletics and also won the 100 and 220 yard sprints.Text and black and white imageleon muir, watsonia technical school, athletics

Provides information on the use of concession cards for travelling on Victorian public transport, including senior and other concession cards. Shows images of the various cards allowed including students, seniors, and other concessions and free travel passes. Issued 2024.Yields information about the concession cards in use 2023/2024Pamphlet - 3 fold DL on recycled paper.public transport, tramways, myki, fares, tickets, concession fares

A propaganda flyer written in Vietnamese. On the reverse side is a black and white sketch of soldiers in various positions with several aircraft above them.propaganda, north vietnamese, lloyd, thomas roger lloyd, royal australian infantry corps, national service, 1 australian reinforcement unit, 2nd battalion, the royal australian regiment

“Although acknowledgements of country are very necessary, there is something so painful about hearing people in power acknowledge Aboriginal country whilst at the same time doing nothing to support Aboriginal people or land in meaningful ways. The amount of CEOS, politicians, and people in power who acknowledge country whilst actively benefitting from Aboriginal Land is sickening. Words can only do so much. What we really want is our land back.” – Mia Boe Artist Bio Mia Boe is a painter from Brisbane with Butchulla and Burmese ancestry. The inheritance and disinheritance of both cultures is the focus of her practice. Boe’s paintings respond, sometimes obliquely, to historical and contemporary acts of violence perpetrated on the people and lands of Burma and Australia. Boe received a Bachelor of Art, majoring in Art History from the University of Queensland in 2020. In 2021, she was a recipient of the Brett Whiteley Travelling Scholarship from the Art Gallery of New South Wales and in 2024 she was the Fiona Foley Residency recipient, where she undertook a residency on K’gari and Hervey Bay in Queensland. She was a Gertrude Contemporary Studio Artist between 2022 and 2024, and has undertaken further residencies in Mexico City and Sydney.

Framed with a chipboard base in black and white print of a poem: For the Vietnam Veterans. G'Day, Well done and God bless you mate.poetry, veterans

Poster, promoting Pure New Wool.Laminated poster depicting a bar scene with a man sitting on a stool with women's legs, with the wording "Appearances can be deceptive but you can trust the wool that wears the WOOLMARK."Appearances can be deceptive/ but you can trust the wool/ that wears the WOOLMARK.wool marketing, poster, gender, bar, ephemera, advertising

Special Edition produced by Toohey's Commemorating the Armed Services of Australia.Cans of Tooheys Blue Label Bitter cans. Depicting the three Services in pictures.Around the rim at the top of each can the words - Tooheys Salutes Australia's Second World War Veterans. On front of can Thanks for the Freedom. " Air crews wanted now for the RAAF " Can 1. Artist unknown V4297 Thanks for the Freedom. "Sail the seas with the Navy " Can 2. Roland Hilder N3 Thanks for the Freedom. "Join the A.I.F This is serious! Enlist now. Can 3. James Northfield V6723beer, tooheys, commemorative beer can

Can opener. Green; wall mounting; with magnetic lid holder.Can-o-matdomestic items, utensils

Circular cast iron can opener with adjustable screw and spike to pierce can. Outside edge is scalloped shaped and has a small knob to hold onto the can. c1890/1910Koppers Can Opener Pat. Oct 99 tin-openers

This photograph shows the height of the river in the 1974 floods. The fence on top of the wharf can be seen the other side of the Pevensey. The height of the river can also be seen on the N.S.W bank. This photograph is significant because it shows the height of the river in the 1974 floods.This is a small square black and white photograph of the P.S Pevensey tied up to the Echuca wharf in the 1974 floods. The P.S Canberra is tied up in front of the Pevensey. A very small portion of the Canberra can be seen. On the front of the photograph the words Pevensey can be seen. On the back of the photograph hand written in ink are the words" Pevensey 1974 floods. Beside wharf. Canberra in foreground."1974 floods, flooding, p.s.pevensey, echuca wharf

The building in this image was built by J. I. Murray for use as a Bank premises. The National Bank of Australasia opened a branch in the building in 1862 and remained there until 1865. The Colonial Bank of Australasia then occupied the building from 1865 until 1872. At the time this image was taken in 1883 the building was in use as a shop, although a sign saying 'National Bank of Australasia' could still be seen on the building. Goods for sale can clearly be seen in the windows and the photographers’ wagon or cart can be partly seen to the right of the picture. At a later stage the building became part of the Royal Hotel which can be seen to the right of the building. The small building to the left of the picture was used as a printing office by the West Bourke and South Grant Guardian newspaper between 1865 and 1872.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The image shows a shop in Main Street Bacchus Marsh in 1883. Goods for sale can be seen in the windows but there is no signage on the building to indicate what type of shop it is. A sign across the upper facade reads 'Colonial Bank of Australasia' but this bank had vacated this location by 1872. Three women and a man can be seen standing in front of the shop. Two of the women appear to be shaking hands. The woman standing in the doorway is wearing an apron and may be the shop owner or assistant. Just visible at the edge of the photo can be seen a buggy with advertisements on the back and side. Letters that can be distinguished suggest that in all probability this is the carriage used by Stevenson and McNicoll, Photographers, on their trips around rural towns and countryside. On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, shops bacchus marsh vic., banks bacchus marsh vic., commercial vehicles

Sad-irons or "solid" irons were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash.. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The handle was removed from the cool iron and re- attached to remove the hot iron from the fire. The cool iron was replaced on the fire or stove to heat again. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer. Late in the 19thC designers experimented with heat retaining fillings for these irons. William Coleman began selling Kerosene lanterns in 1900 in Kingfisher, Oklahoma, USA. He moved to Wichita, Kansas in 1902 and the company became world wide. The company also produced a range of cooking stoves and domestic irons. This spirit- fuelled flat iron was very popular in 1920s - 30s These sad irons remind us of the difficult circumstances experienced in their daily routines by the pioneers and early settlers of Moorabbin Shire The family of Miss M Curtis were early settlers in Moorabbin ShireA) spirit- fuelled, sad iron with chrome plated sole c1920, and metal trivet The iron is blue enamel with a white speckled body, with a hemispherical tank for the Coleman 'Lighting Petrol' that provided the heat for smoothing the material B) Coleman Fuel measuring can and funnellMetal Trivet/stand " COLEMAN" ; Petrol can " COLEMAN" / MEASURING CAN / for INSTANT LIGHTING IRON/ with printed instructionssad iron, kitchen equipment, coleman william, kansas, oklahoma, pioneers, early settlers, market gardeners, sewing, craftwork, clothing, moorabbin, brighton, bentleigh, fireplaces, stoves, petrol fuelled irons, spirit flat irons, coleman lamp stove co. ltd.

Watering Can A watering can, with a large spout. Its former use is currently no known, but may have been used for oil, chemicals or even sand.Historic - Railway Permanent Way and Works - track equipment - Watering CanWatering Can with a large spout made of tin puffing billy, watering can