Showing 192 items
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Buda Historic Home & Garden Castlemaine
Photograph, Leviny Silver Standing Cup, c1863
The Silver Standing Cup was made by Ernest Leviny c1860 and presented to Mr Charles Abraham Saint, editor of the Mount Alexander Mail newspaper, by the town's citizens on his departure from Castlemaine on 31 December 1863. Mount Alexander Mail report; 23 January 1864. This substantial silver centrepiece was the second masterpiece created by Ernest Leviny around 1859. It is decorated with highly detailed cast figures, fine embossing and chasing. This work of Australian Colonial significance reflects Leviny's rich European artistic background which he successfully merged with new Australian motifs, which epitomise the great wealth, ambition and pride at that time in the emerging, young Colony of Victoria.Semi matt surface albumen print mounted on cream coloured card with border around image drawn in pencil. Albumen photograph of Silver Standing Cup (Eperne). Elaborate silver cup, with lid highly decorated with cast figures, etc.Handwritten in pencil under image: I.1 'Photo Davies & Co' I.r 'Melbourneernest leviny, silver, silversmithing, cup, london exhibition 1862, mount alexander mail, william davies, photograph, charles a. saint -
Rutherglen Historical Society
Certificate, Robt. S. Brian, Government Printer, 1899 (Exact)
Certificate presented to Stones, Samuel for voting at referendum re Constitution / July 1899. Colour: predominantly cream, blue and brown. Includes photos and names of six state premiers and picture of Parliament House"Royal Coat of Arms / Australian Referendum / Federal" "This is to Certify that the question of an / AUSTRALASIAN FEDERAL CONSTITUTION / was submitted to the Electors of Victoria on / the 27th day of July 1899 / and that out of a Poll of 163,783 votes / 152,653 WERE CAST IN FAVOR OF SUCH AUSTRALASIAN FEDERAL CONSTITUTION, / AND FURTHER THAT / Stones, Samuel / VOTED AT THE SAID ELECTION / C. GURNER [?] PREMIER."federation, referendum, australian constitution, stones family -
Ballarat Tramway Museum
Slide - 35mm slide/s, Keith Caldwell, 16/03/1963 12:00:00 AM
Yields information about traffic conditions at the intersection of Sturt and Lydiard St and tram operations.Agfa colour slide, white cardboard mount, photo by Keith Caldwell on 16/3/1963 of: Photo of a busy scene at the corner of Sturt and Lydiard Streets. Tram 30 for Mt Pleasant and a Twin Lakes sign is departing the City terminus while No. 36 for Lydiard St North is arriving. The Town Hall and Georges Sea Food shop are in the photo along with a sign on the Post Office steps advising the location of the Government Tourist Bureau, Art Gallery and a cast sign "Danger Cross Street at Right Angles".In ink "16.3.63"tramways, trams, sturt st, lydiard st, city, town hall, tram 30, tram 36 -
Ballarat Tramway Museum
Slide - 35mm slide/s - set of 9, Noel Simons, Sept. 1971
Set of 9 Kodak Ready-mount with slides made from the Association of Railway Enthusiast Provincial Tramways film strip. Reference Item 2560 details the ARE Film Strip, and provide references to other slides. See also Reg. item 1164. 1174.9 on plain white mount. 1174.1 - Tram 40 North bound for Lydiard St. North at the Railway Gates, with the gates closed. Tram carrying a heavy load of passengers. Railway station building and car park in background. Taken from the signal box. 1174.2 - Tram 12 bound for Gardens, photographed across the median strip plantation near Dawson St. Image i2a - adjusted 9/2021 to remove colour cast. 1174.3 - Tram 43 in bound along Wendouree Parade near Barrett Ave, passing a former tram stop and with "Warning Oncoming Trams" sign mounted on an adjacent pole. See also Reg. item 1172.1 for a photo taken in May 1971. This photo taken after the closure of the Victoria St. line, as the tram stop has been painted out. 1174.4 - Looking along the track to Sebastopol terminus on the west side of Albert St. - telephoto shot showing bogie tram in the far distance. Shows the nature of the track, poles, tram stop frequency and in the fare distance the terminus. Also show the trees that used to be along this section of the track. 1174.5 - No. 42 showing "Special" in Macarthur St. approaching Drummond St. north. Photo taken from under the verandah of a shop on the south side of the street that were many years later to become the Tramcar Restaurant. Note metal fence to cemetery. 1174.6 - Nos. 21 (Sebastopol) crossing 14 (Lydiard St. Nth) at the loop between Sayle and Grey St. Photo taken looking south. 1174.7 - No. 12 bound for Mt Pleasant, in Bridge St. about to stop at the junction for the two routes. Telephoto photo looking west along Bridge St. with many cars in the photo. Very few people on the street itself. 1174.8 - No. 30 and 17 at the City Terminus, on the north side of Sturt St. Taken from the Post Office corner with the Town Hall in the background. 1174.9 - No. 39 inbound along Sturt St. West. with many cars on the road. Bus stop on a pole on the other side of the road.1174.1 - "No. 40 on Lydiard St. North service waits at the level crossing at Ballarat Railway Station." 1174.2 - "No. 12 bound for 'Gardens' seen across the centre plantation in Sturt St." 1174.3 - "Barrett Ave." 1174.4 - "The Sebastopol route near the terminus" 1174.6 - "Nos. 21 and 14 crossing at Sayle St. Loop on Sebastopol route" 1174.7 - "No. 12 at Eastern end of Bridge St." 1174.8 - "Nos. 30 and 17 in Sturt St. at Cnr of Lydiard St." 1174.9 - "No. 39 City bound from 'Gardens" in Sturt St. West" All have date stamp of "Sep 1971" in black ink. Writing in blue ink.tramways, trams, lydiard st. nth, railway crossing, sturt st, wendouree parade, sebastopol, macarthur st., bridge st., sturt st. west, tram 12, tram 14, tram 17, tram 21, tram 30, tram 39, tram 40, tram 42, tram 43 -
Ballarat Tramway Museum
Book, Hadfield's, "Points, Crossings and Special Track Work for Tramways & Railways, c1910
160 page book with heavy covers, with title "Points, Crossings and Special Track Work for Tramways & Railways / Hadfield's Steel Foundry Co. Ltd., Sheffield England" giving details with many photographs of the company and their work in producing cast steel points and castings for Railways and Tramways. Shows many photos of the layout of complex junctions in their Sheffield works at East Hecla. Has many fine detailed engravings. Images added 24-12-2016"Ballarat Tramway Preservation Society Catalogue No. 4" on page 1.trams, tramways, trackwork, hadfield's, special work, cast steel -
Bendigo Historical Society Inc.
Photograph - CASTLEMAINE GAS COMPANY COLLECTION: PHOTO GOLD RUSH HOTEL, 24/01/1990
Tie in Outside Gold Rush Hotel Bridge and Cemetery Lane Thought to be 10'' Cast 270mm. - 24/01/1990Polaroidorganisation, industry, gas and fuel -
Bendigo Historical Society Inc.
Photograph - CASTLEMAINE GAS COMPANY COLLECTION: PHOTO 200 HP S7 OUTLET, 09/04/1991
200 HP S7 100 Outlet Note no Tee no Valve - Iso LP Cast iron DNR Tie in Point - Eaglehawk Road Kiosk - 09/04/1991Polaroidorganisation, industry, gas and fuel -
Ballarat Tramway Museum
Photograph - ESCo cable or switch pillar, Robert Green, c1970
Photograph - Black and white of an Electric Supply Co. pillar or switch box, cast iron, with the company on the side and on the base "The British Insulated Wire Co. Ltd Prescot England". This type of item was used to terminate and interconnect feeder cables in both Ballarat and Bendigo.Yields information about the ESCo switch or cable pillars.Black and white photograph on plain paperIn ink on rear "R Green photo" and "See composite caption" which has been crossed out.tramways, tramcars, esco, electrical switching, electrical equipment, british insulated wire company -
Bendigo Historical Society Inc.
Photograph - Charing Cross and Pall Mall
View of Charing Cross and Pall Mall Bendigo, featuring the Alexandra fountain still under construction. The fountain was jointly funded by the Bendigo Juvenile Industrial Exhibition in 1879, a 500 pound donation by George Lansell and a 700 pound grant from the Sandhurst City Council. The fountain was designed by William Vahland and was opened 5/7/1881. The fountain is 28 feet tall and sits in a 2 feet deep pond that is 50 feet in diameter. It was built with 22 tons of Harcourt granite, cast iron and painted stone.8531 A4 B&W photograph of Charing Cross and Pall Mall, Bendigo, in the late 1800s (prior to automobiles); taken from the City Family Hotel. Photograph shows work underway on the Alexandra Fountain at Charing Cross. Photo shows three trams, pedestrians and some horse drawn vehicles. Pall mall shows Post Office, Shamrock hotel and TAFE towers.charing cross, post office -
Bendigo Historical Society Inc.
Photograph - 247 View St, Bendigo
Cast Iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore was melted in a blast furnace, mixed with alloys and then poured into molds usually made of sand. The alloys needed a minimum of 2% carbon.A black and white photograph by Alan Doney of the building at 247 View St in Bendigo. The photo shows detail of the wrought iron on the verandah. alan doney, bendigo, wrought iron -
Bendigo Historical Society Inc.
Photograph - 257 View St, Bendigo
Cast Iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore, was melted in a blast furnace, mixed with alloys and then poured into moulds usually made of sand. The alloys needed a minimum of 2% carbon.A black and white photograph by Alan Doney of the building at 257 View St in Bendigo. The photo shows detail of the wrought iron on the verandah. alan doney, bendigo, wrought iron -
Bendigo Historical Society Inc.
Photograph - 22 Valentine St, Bendigo
Cast Iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore, was melted in a blast furnace, mixed with alloys and then poured into molds usually made of sand. The alloys needed a minimum of 2% carbon.A black and white photograph by Alan Doney of the building at 22 Valentine St in Bendigo. The photo shows detail of the wrought iron on the verandah. alan doney, bendigo, wrought iron -
Bendigo Historical Society Inc.
Photograph - 288 View St, Bendigo
Cast iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron",iron ore, was melted in a blast furnace, mixed with alloys and then poured into moulds usually made of sand. The alloys needed a minimum of 2% carbon. A black and white photograph by Alan Doney of 288 View St in Bendigo. The photo shows detail of the wrought iron on the fence. alan doney, bendigo, wrought iron -
Bendigo Historical Society Inc.
Photograph - 159 Forest St, Bendigo
Cast Iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore, was melted in a blast furnace, mixed with alloys and then poured into moulds usually made of sand. The alloys needed a minimum of 2% carbon.A black and white photograph by Alan Doney of 159 Forest St in Bendigo. The photo shows detail of the wrought iron on the verandah. alan doney, bendigo, wrought iron -
Bendigo Historical Society Inc.
Photograph - Corner McKenzie Short
Cast iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore, was melted in a blast furnace, mixed with alloys and then poured into moulds usually made of sand. The alloys needed a minimum of 2% carbon.Black and White photos by A Doney of House on corner of Mc Kenzie and Short Street Bendigo showing lace ironwork on the balustrade.Photo A Doneyiron lace work, a doney, historical home bendigo -
Bendigo Historical Society Inc.
Photograph - Forest next Wesley Church
Cast iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore, was melted in a blast furnace, mixed with alloys and poured into molds made of sand. The alloys needed a minimum of 2% carbon.Black and White Photo by A Doney Bendigo of balustrade in Forest Street next to Wesley ChurchA. Doney Bendigoa doney, forest street -
Bendigo Historical Society Inc.
Document - Cast Iron Photo List
... Cast Iron Photo List... from number one to number twenty six. Document Cast Iron Photo ...A two-page list of Photographs by A. Doney of cast iron lacework in the Bendigo area. Items listed from number one to number twenty six.alan doney, bendigo, wrought iron -
Bendigo Historical Society Inc.
Photograph - Bench Seat Iron Lacework
Cast iron lace was made in foundries in most cities. There were 42 such factories in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore was melted in a blast furnace, mixed with alloys and then poured into moulds usually made of sand. The alloys needed a minimum of 2% carbon.Black and White photos by A Doney of bench seats one showing fern detail and the other leaves and flowers.Photo A Doneyiron lace work, a doney, bench seats -
Bendigo Historical Society Inc.
Photograph - Cnr Forest Barnard Streets Bendigo
CAst iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron"' iron ore, was melted in a blast furnace, mixed with alloys and poured into moulds usually made with sand. The alloys needed a minimum of 2% carbon.Black and White photo by A Doney of Balustrade on property on the corner of Forest and Barnard Streets Bendigo.A Doney Bendigoalan doney, bendigo, wrought iron, forest street bendigo, barnard street bendigo -
Bendigo Historical Society Inc.
Photograph - Lace Iron Work
Cast iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore, was melted in a blast furnace, mixed with alloys and poured into moulds usually med from sand. The alloys needed a minimum of 2% carbon.Black and White photo by A Doney of sandblasting iron lace work on unknown property in Bendigo. Two internal photos of door and arch ways. Larger photo of balustrade with verandah pillars in backgroundA Doney Bendigoalan doney, bendigo, wrought iron -
Bendigo Historical Society Inc.
Photograph - Spastic Centre, Bendigo
Cast Iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore was melted in a blast furnace, mixed with alloys and then poured into moulds usually made of sand. The alloys needed a minimum of 2% carbon. Two black and white photographs by Alan Doney of the Spastic Centre in Don Street, Bendigo. Both photos shows detail of the wrought iron on the verandah. alan doney, bendigo, wrought iron, spastic children's society -
Bendigo Historical Society Inc.
Photograph - "Illira" Bendigo
Cast Iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore was melted in a blast furnace, mixed with alloys and then poured into molds usually made of sand. The alloys needed a minimum of 2% carbon. Three black and white photographs by Alan Doney of the residence 'Illira' at 57 Forest St, Bendigo. The first photo shows the front of the residence. The other two photos show detail of the wrought iron on the verandah. alan doney, bendigo, wrought iron, illira bendigo -
Buninyong & District Historical Society
Photograph - Original Colour Photograph, Clifton Villa, Buninyong, built c1860, 1991
"Clifton Villa", cnr Eyre and Winter Sts, Buninyong, was built c.1860 for Mr Newman. The red brick building has bluestone foundations, cast iron lacework verandah trim, high ornate gables, slate roof and unusual round brick chimneys with spiral brick decorations.Historically significant brick home built c.1860 for Mr Newman. Ornate decorations make this an unusual example of homes of the era.Colour photo of "Clifton Villa", cnr Eyre and Winter Sts, Buninyong. Built c.1860 for Mr Newman. The red brick building has bluestone foundations, cast iron lacework verandah trim, high ornate gables, slate roof and unusual round brick chimneys with spiral brick decorations."Clifton Villa 1862" Taken 1991clifton villa, eyre st, winter st, buninyong, newman -
Buninyong & District Historical Society
Photograph - Original Colour Photograph, Clifton Villa, Buninyong, built c1860, 1991
"Clifton Villa", cnr Eyre and Winter Sts, Buninyong, was built c.1860 for Mr Newman. The red brick building has bluestone foundations, cast iron lacework verandah trim, high ornate gables, slate roof and unusual round brick chimneys with spiral brick decorations.Historically significant brick home built c.1860 for Mr Newman. Ornate decorations make this an unusual example of homes of the era.Colour photo of "Clifton Villa", cnr Eyre and Winter Sts, Buninyong, viewed from Winter St. Built c.1860 for Mr Newman. The red brick building has bluestone foundations, cast iron lacework verandah trim, high ornate gables, slate roof and unusual round brick chimneys with spiral brick decorations."Clifton Villa 1862" Taken 1991clifton villa, eyre st, winter st, buninyong, newman -
Buninyong & District Historical Society
Photograph - Original B/W Photograph, Clive Brooks, Buninyong Cemetery, Monument for George Innes and his daughter, 9/4/1994
Part of series to record changes in BuninyongGrave of Buninyong Pioneer.A B/W and a colour photo, monument, polished granite, pillar on engraved plinth, urn cap, cast iron fence, for early settler George Innes and his daughter.. in Buninyong Cemetery.buninyong, cemetery, headstone, graves, innes, king of splitters, pound, buninyong defiance mine -
Buninyong & District Historical Society
Photograph - Original B/W Photograph, Clive Brooks, Buninyong Cemetery, graves of (Francis) Moss and Tresise, 9/4/1994
Part of series to record changes in BuninyongGrave of Buninyong Pioneer.A B/W and a colour photo, monument, polished granite, pillar on engraved plinth, urn cap, cast iron fence, for early settler George Innes and his daughter.. in Buninyong Cemetery.buninyong, cemetery, headstone, graves, francis moss, tresise, apples -
Kew Historical Society Inc
Photograph, Cast Members, Kew Presbyterian Church, 1925-1935
The Kew Presbyterian Church was located in Cotham Road, Kew on the corner of Highbury Grove. The Church Hall was located next door in Highbury Grove. On amalgamating with the Uniting Church the buildings became redundant and are now the Kew Chinese Baptist Church.Original photograph from the 1930s that records the kinds of social and spiritual actions of church goers in Kew.Members of the cast of a performance take a certain call at the end of a performance. The item was part of a group of photos relating to the Kew Presbyterian Church, so it may show a performance in which members of the church participated or led. The location of the performance is unclear; it might be at the Kew Recreation Centre or in the Kew Presbyterian Church Hall. Intriguingly, what look to be bunya bunya pines appear in the distance above the proscenium. The photograph was originally identified as possibly being the Kew Light Opera Company, however the photograph precedes its foundation. It is more likely to be a performance by a church group.cast photographs, theatre - melbourne -
Kew Historical Society Inc
Photograph - 'Studley House', Nolan Avenue [Kew], c. 1965
The first section of Studley House, now part of the preparatory school for Xavier College conducted by the Society of Jesus in Kew, was built in about 1857 for Parliamentarian John Hodgson, an early settler in the district, as a two-storey residence in the Classical Revival style. The name Studley House was first recorded in the Kew ratebooks in 1862, after the house was purchased in 1860 by James McEvoy, squatter. Alterations and an extension, designed by William J Ellis were undertaken in 1875. The house was again altered in 1919 during the ownership of John Wren, former bookmaker, ALP lobbyist, influential Irish-Catholic and millionaire. After 1969 the house was used by the school. (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original monochrome photograph of the view from the first floor verandah of Studley House in Nolan Avenue, Kew. The photo shows the detail of the cast iron lace work used on this section of the verandah.Annotation verso: "Lovely lacework of the balcony Studley House"dorothy rogers, studley house -- nolan avenue (kew) -
Kew Historical Society Inc
Photograph - 'Studley House', Nolan Avenue [Kew], c. 1965
The first section of Studley House, now part of the preparatory school for Xavier College conducted by the Society of Jesus in Kew, was built in about 1857 for Parliamentarian John Hodgson, an early settler in the district, as a two-storey residence in the Classical Revival style. The name Studley House was first recorded in the Kew ratebooks in 1862, after the house was purchased in 1860 by James McEvoy, squatter. Alterations and an extension, designed by William J Ellis were undertaken in 1875. The house was again altered in 1919 during the ownership of John Wren, former bookmaker, ALP lobbyist, influential Irish-Catholic and millionaire. After 1969 the house was used by the school. (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original monochrome photograph of the first floor verandah of Studley House in Nolan Avenue, Kew. The photo shows the detail of the cast iron lace work used on this section of the verandah.dorothy rogers, studley house -- nolan avenue (kew) -
Kew Historical Society Inc
Photograph - 'Studley House', Nolan Avenue [Kew], c. 1965
The first section of Studley House, now part of the preparatory school for Xavier College conducted by the Society of Jesus in Kew, was built in about 1857 for Parliamentarian John Hodgson, an early settler in the district, as a two-storey residence in the Classical Revival style. The name Studley House was first recorded in the Kew ratebooks in 1862, after the house was purchased in 1860 by James McEvoy, squatter. Alterations and an extension, designed by William J Ellis were undertaken in 1875. The house was again altered in 1919 during the ownership of John Wren, former bookmaker, ALP lobbyist, influential Irish-Catholic and millionaire. After 1969 the house was used by the school. (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original monochrome photograph of the first floor verandah of Studley House in Nolan Avenue, Kew. The photo shows the detail of the cast iron lace work used on this section of the verandah.dorothy rogers, studley house -- nolan avenue (kew)