Showing 2595 items
matching collars
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National Vietnam Veterans Museum (NVVM)
Equipment - Equipment, Army, Clothing
Pilot's khaki jumpsuit, zipped pocket with holder for two pens on lefthand sleeve, zipped two-way crotch to collar, slanted zipped pockets on each breast, three domed fasteners around waist, zipped waist pockets, two zipped pockets on both lets with sips at base of legs to make smaller. All zips are metal with leather zip pulls. Leather clip on right leg for clipboard.Label below collar - M. Pennisi 1968 Size 5 8415-66-013-1559clothing, jumpsuit -
Wodonga & District Historical Society Inc
Functional object - Leather Horse Collar
This horse collar was made and used by the family of Michael Conway who established a dairy farm of 35 acres in Wodonga in 1940. He and his wife Catherine nee Carroll settled there and raised 5 children. Before coming to Wodonga Michael carried on a bakery business at Urana. This collar was used to attach the hames, harness and chains which pulled his bakery cart. In Wodonga Michael Conway built a 2 bail dairy and milked up to 20 cows, separated the cream from the milk by hand and sold it to the local butter factory of Holdensen and Nielsen. In later years only whole milk was sold. The farm was on the outskirts of East Wodonga. Michael Conway died on 6th January 1945. The farm was later sold for residential and industrial development and includes Conway Court.This item has a clear connection to the family of Michael Conway of Wodonga, VictoriaA handmade leather horse collar padded with straw and cloth. It has metal buckles secured by leather straps which are held in place with metal studs.michael conway wodonga, horse harnesses, dairy industry wodonga -
Whitehorse Historical Society Inc.
Clothing - Fur Collar, c1949
This fur collar is part of the Lingard Collection donated by Rod and Bev Lingard. It was made by Herbert (Bert) Lingard for his wife Sybil for whom he made nearly all of her dresses and coats..|Herbert, William Lingard was a tailor whose business 'Lingard Modes' operated in the Manchester Unity Building, Swanston Street, Melbourne, C1949. Later he worked from his home in 476 St Kilda Road Melbourne.|NP2453 shows Bert at his sewing machine.|NP2454 shows Sybil and Bert with friends Erne and Mag Simek.Brown fur collar and revere, lapin. Lined with black interfacing and edged with black bias binding.costume accessories, collar accessories -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Mixed media - Framed Badges and Lanyard, 58/32 Infantry Battalion Essendon Rifles
Unit that 5/6RVR draws its lineageFramed red cloth shoulder patches and gold coloured metal hat and collar badges and red and black woven lanyard of the 58th/ 32nd Inf Bn Essendon Rifles.These are the Titles Embroidered Sign Formation, Lanyard, Collar and Hat badges of the 58th/32 Inf. Bn. City of Essendon Regiment which was formally known as the Melbourne Rifles. Presented to the Museum by Capt. I. Rainford. 1 rvr officers mess trust, wark vc club, 58/32 battalion -
Bendigo Military Museum
Uniform - SHIRT, ARMY, Australian Defence Industries, 1989
Shirt, khaki cotton polyester, short sleeve with shoulder epaulettes. Plastic buttons. Cotton manufacturer's label back, below collar with black print information. Size stamp on inside collar. handwritten owner's label - bottom back of shirt.Cotton label information - black ink print. "ADI P/I /1989/^/size 40/R405.66.093.8019/Service No./Name/ DO NOT BOIL OR WRING./ MACHINE WASHABLE/ DRIP DRY, IRON LIGHTLY/ WITH WARM IRON" Black ink stamp on collar "SIZE 40". Bottom back shirt - black ink handwritten "320 4573 GREEN".uniform, army, shirt -
Vision Australia
Photograph - Image, Matilda Aston with fuchia necklace, 1897-1905
Tilly Aston sits in this studio portrait, her outfit obscured by the oval framing of the image. Her hair has been tied back and around her crown, as per her adulthood. A collared top with long sleeves which have a band around the cuff. She looks to have rosettes on her shoulders, a pin with 'V (crown symbol) R' under her chin, and fuchsias draped around her neck. The image could have been taken around 1897, when Queen Victoria celebrated her jubilee and various ornaments were produced to symbolise the occasion.Young adult female in studio portrait wearing collared, long sleeved dress with fuchsia necklacetilly aston, association for the blind -
Montmorency/Eltham RSL Sub Branch
Trench Art - Vase, 1941
1941 40mm 2-pounder brass anti tank gun shell case made into a vase with 5 splayed points at top the casing with the collar insignia badge on front.Insignia - Australian Commonwealth Military Forces (collar badge). Outer edge under shell - 1941 LOT 110 RM/C 2PR No1. Inner area under shell - 1941 113 11-41anti-tank, gun shell, trench art, 1941, vase -
Mont De Lancey
Functional object, Horse Collar, Unknown
The horse collar would have been used on draught horses to pull a wagon or plough on farms.A large vintage leather horse collar with leather straps and buckles at the bottom. It is padded possibly with straw and lined with felt, fur or animal hair. It was part of the horse harness used to distribute the load around the horse's neck and shoulders when pulling a plough or wagon. It often supports and pads a pair of curved wooden or metal hames to which the traces of the harness are attached.horse accessories, horses, agriculture, harnesses, horse tack -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing, Child yellow nylon dress & silk petticoat, c1960
This pretty yellow, Nylon dress with jap silk petticoat was made by Mrs Sharp c1962 for her daughter. Machine embossed white flowers decorate the dress that has long waist ties, a boat collar and puff short sleeves. A metal zipper is inserted. Nylon became a very popular easy care material c 1960 so that women in City of Moorabbin, who were accomplished dressmakers, made very pretty clothes for their families. Child's yellow nylon dress with jap silk petticoat Machine embossed white flowers decorate the dress that has long waist ties, a boat collar and puff short sleeves. A metal zipper is inserted. clothing, baby, nylon, machine pressed designs, layette, knitting,craftwork, wool, early settlers, city of moorabbin, bentleigh, ormond, moorabbin, post war settlers, world war 11 1939-40 sharp valma, -
Montmorency/Eltham RSL Sub Branch
Clothing - Shirt, Khaki, Summer Dress, Short Sleeeved
Light Khaki short sleeved shirt with badge of rank (coat-of-arms - Warrant Officer, Class I) sewn on sleeves; two breast pocketsInside collar: "SIZE 18" -
Phillip Island and District Historical Society Inc.
Sculpture - Figurehead, Late 19th Century
Saved from the ship Speke which ran aground on the coast of Phillip Island on the 22nd of February 1906. The figure head of the Speke was in the shape of woman, wearing a flowing white dress with blue cuffs and collar and carrying a large bunch of daffodils. It was originally nine feet four inches long. This sculpture went missing after the event and decades later the head only was re-discovered in Mr Thompson’s garage. It was then restored by Headmaster Kevin and the senior children of Cowes State school in 1940.The Speke was an all steel ship built in Wales in 1891. She was delivering wheat to Geelong and confused a bushfire in Cowes for navigation lights. Many local people salvaged goods from the resulting wreckage.Large wooden figure head, carved to resemble a woman. Painted aspects of hair, face, collar. Mounted on an undecorated wooden shield.phillip island, speke, kitty miller bay, figurehead, cowes state school -
Montmorency/Eltham RSL Sub Branch
Trench Art - Vase, 1941
1941 40mm 2-pounder brass anti tank gun shell case made into a vase with 5 splayed points at top the casing with the collar insignia badge on front.Insignia - Australian Commonwealth Military Forces (collar badge). Outer edge under shell - 1941 LOT 113 RM/C 2PR No2 Inner area under shell - 1941 110 11-41 No/2 MK1gun shell, anti-tank, trench art, 1941, vase -
Bendigo Historical Society Inc.
Clothing - JOHN KENNETH MARTIN COLLECTION: WW2 ARMY UNIFORM JACKET, 1939-1945
Clothing, khaki woollen WW2 army uniform jacket. Single breasted with four brown metal AMF buttons (2 cm). Two breast pockets, (16 X 18 cm) with fold over tabs. All button tabs fastened with 1.5 cm metal buttons. Long sleeves with stitched down cuffs with V shaped peak on upper side. Both sleeves lined with cream and blue striped cotton fabric. 30 cm split at centre back from hem. Button down epaulettes on each shoulder with three captain's pips and two black stripes. Cloth badges on top of each sleeve. 1. Navy and red unit colour, (3 cm X 2.5 cm). 2. Light green, brown and blue colour (5 X 5 cm) (unknown). 2.5 X 2.5 cm square metal badges on each corner at front of collar. 5.5 cm wide cloth belt with metal buckle. Belt attached on side seams at waist by leather tabs threaded through belt keepers and fastened with 1.5 cm buttons. Cap belonged to John Kenneth Martin, padre in 2nd Australian Corps AIF. Served overseas as a Chaplain from 1940-1945. Old box 314Y.Name tag stitched under collar, and inside back '' J.K.Martin''.costume, military, army uniform jacket ww2 -
Bendigo Military Museum
Uniform - SHIRT, ARMY, Australian Defence Industries, 1970
Shirt - green colour cotton fabric with long sleeves, shoulder epaulettes, two front pockets with button down flap, plastic buttons. Cotton manufacturers label, green colour below collar with black print information. Black print on inside collar. Army work dress shirt commonly called "Greens".Green cotton label information - black ink print "YAKKA PTY LTD/ VICTORIA 1970/ 6 / 8405-66-011-9883/15 1/2 x 33/ ARMY NO./ NAME". Inside collar - black ink print stamp. "S.58/15 1/2 - 33" uniform, army, workwear -
Frankston RSL Sub Branch
Stand, Tripod, Puddefoot Bowers & Simonett Limited, ca 1940
A portable, three legged stand in the form of a tripod, used by Australian and British Commonwealth military forces for mounting the standard issue signaling lamp and heliograph. The three collapsible, metal tipped, wooden legs are joined by hinge fittings to a brass collar with a threaded mount at one end (the head). The mounting thread is approximately 38mm diameter and fitted with a protective cap which can be removed for use, the cap being retained by a length of light chain. The stand is complete with a leather and webbing carrying strap attached to the head fitting of the stand with a leather sleeve at the other end which fits over the free end of the legs when folded.The brass collar and mount is stamped: "STAND LAMP OR HELIO A MKlll" the manufacturer "P.M.G. VIC" and "1941"military, tripod, ww2, world war 2, signalling, heliograph, stand -
Flagstaff Hill Maritime Museum and Village
Clothing - Surgeon's Gown, early to mid 20th century
This surgeon's gown was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) According to Berry, her mother Gladys made a lot of their clothes. She was very talented and did some lovely embroidery including lingerie for her trousseau and beautifully handmade baby clothes. Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . Its first station was in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill and purchased a share of the Nelson Street practice and Mira hospital (a 2 bed ward at the Nelson Street Practice) from Dr Les Middleton one of the Middleton Brothers, the current owners of what previously once Dr Tom Ryan’s practice. Dr Tom and his brother had worked as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He had been House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan had gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. When Dr Angus took up practice in the Dr Edward and Dr Tom Ryan’s old premises he obtained their extensive collection of historical medical equipment and materials spanning 1884-1926. A large part of this collection is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. and an ALDI sore is on the land that was once their tennis court). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served as a Surgeon Captain during WWII1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. He had an interest in people and the community They were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. White, heavy duty cotton surgeon's gown, part of the W.R. Angus Collection. Gown hasshoulder button fastening. Both cuffs are well worn and fraying, also 'L' shaped tear on front right has been machine repaired. Remnants of label on inside collar with name "ANGUS". Also Maker's label, "PUKKA", made in Melbourne.Remnants of ‘ANGUS” on inside collar. Maker’s label “It’s a PUKKA” and “PUKKA DRILLS / TAILORED BY PERO MELBOURNE / UNSHRINKABLE” Label has "SIZE 42" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, dr ryan, surgical instrument, t.s.s. largs bay, warrnambool base hospital, nhill base hospital, mira hospital, flying doctor, surgeon's gown, surgical clothing, pukka, pukka drills, tailored by pero melbourne, melbourne taylor -
Wangaratta RSL Sub Branch
Army Mess Dress, 1967
Army mess dress is the formal military evening dress worn by Army officers and senior non-commissioned officers in their respective messes or at other formal occasions. Tailor made item belonging to Lieutenant Leonard V. GREAVES 310387. Badges attached to jacket collar indicate GREAVES served with the Royal Australian Electrical and Mechanical Engineers (RAEME). This uniform serves as an example of the military dress worn by the Royal Australian Electrical and Mechanical Engineer during the late sixties.The Royal Corps of Australian Electrical and Mechanical Engineers (RAEME) is a corps of the Australian Army that has responsibility for the maintenance and recovery of all Army electrical and mechanical equipment. RAEME has members from both the Australian Regular Army and the Army Reserve. Prior to being given the title of 'Royal', the Australian Electrical and Mechanical Engineers (AEME) were raised on 1 December 1942. Some 64 years later, on 1 December 2006, the last independent RAEME Workshop was disbanded. RAEME soldiers continue in their role to provide support through attachment to other units in Tech Support Troops, Sections or Platoons.Two piece dark blue/black material suit consisting of long pants with red stripe and jacket with metal buttons and two badges attached to collaraustralian army mess dress, raeme -
Surrey Hills Historical Society Collection
Photograph, Samuel Bolton in Druid's regalia, 1950
Samuel Bolton of 244 Union Road, Surrey Hills in his 'Druid's Collar' in 1950. Samuel and his son-in-law Patrick Burns were staunch Druids. The Lodge met monthly in the Rechabite Hall in Canterbury Road. The United Ancient Order of Druids (UAOD) was founded in Victoria around 1862. An account is included in Ken James' book 'Surrey Hills Friendly Societies'. This is based on Box Hill Reporter articles and material in relevant files at PROV. Summary: The Surrey Hills Lodge was established in 1890. The trustees were Ernest W Opperman (newsagent), James H Corstorphan (grocer) and Thomas White (plasterer). Opening night was 27 November 1890 and early meetings were held in Br Corstorphan's home in Canterbury Road on Tuesday evenings. By 1891 the ledge had 80 members. Samuel (1978-1951) was a butcher who came to Surrey Hills from Euroa some time between 1926-1931. His shop was at the Mon Albert terminus. After he sold it, it became part of the supermarket on the north side of Whitehorse Road. He was married in 1879 to Elizabeth Beatrice Maker (1881-1963).A black and white photograph of a man with regalia collar around his neck.(mr) samuel bolton, union road, surrey hills, druids, rechabite hall, clothing and dress, united ancient order of druids, druid's regalia, regalia, friendly societies -
Wodonga & District Historical Society Inc
Clothing - Hamilton-Smith Broderie Anglaise Collar c. late 1800s - early 1900s
The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. This collar was made using the broderie anglaise needlework technique that incorporates embroidery, cutwork and needle lace. This technique originated in sixteenth century Europe and became popular in England in the nineteenth century. In the nineteenth and early twentieth century prior to the mass production of clothing and textiles, needlework, alongside motherhood, was the defining work of women. Hand sewing and embroidery was central in the everyday lives and domestic roles of women.This item is unique, handmade and has a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history and women’s history.A white cotton collar from the Edwardian period with broderie anglaise embroidery. hamilton-smith, hamilton-smith collection, needlework, clothing, sewing, embroidery, women, domestic, edwardian -
Kew Historical Society Inc
Clothing - Two Piece, Pink & White Striped Day Dress, 1900s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Very fine, lightweight silk two-piece pink and white striped dress comprising a long skirt and a short fitted jacket. The jacket is edged with cream lace at the collar and front. On examination, the lace, while appearing to be in a later style has been judged to be of the period.There is a small faded label on the rear collar of the dress, on which is hand printed the name of the dressmaker. The name has been variously interpreted as reading Miss Gibbens, Miss Gibbons, or Miss Gibbuis. women's clothing, day dresses, australian fashion - 1900s -
Bendigo Military Museum
Uniform - SHIRT, ARMY
Part of the "Kevin John Herdman" , No. 397661 collection. See catalogue No. 5942P for details of his service.Jungle green coloured, long sleeved, Australian Army issue, cotton shirt. Two button down epaulettes and two button down breast pockets. Six button front. Button down cuffs.On white label, in red on collar: 'HER' .shirt, uniform, army, kevin john herdman -
Bendigo Military Museum
Uniform - SHIRT, ARMY
Part of the Kevin John Herdman, No. 397661 Collection. See Cat No. 5942P for details of his service record.Khaki long sleeved polycotton Army shirt featuring epaulettes and two button down breast pockets. The shirt is closed with six buttons on cuffs.Stamped on the inside of the collar 'Size 39, 81'uniform, shirt, kevin john herdman, army -
Brighton Historical Society
Coat, circa mid-1950s to early 1960s
Raoul Couture was a high-end fashion house based in Flinders Lane from around 1955 until 1964. Established by designer Ralph Samuel, who also owned Hartnell of Melbourne (circa late 1940s-1971), Raoul was the business's premium label. The head designer was Leonard Legge, who later worked for Prue Acton. Brighton Historical Society holds a small collection of Hartnell and Raoul Couture garments, including a Gown of the Year Award-winning dress donated by Ralph Samuel.Red felted wool coat with red silk lining, fastening centre front with four large square-shaped buttons. Single vent/slit up centre back to waist. Loosely belted back with single button fastening.Label, inner collar: "raoul couture / MELB"raoul couture, melbourne designers, flinders lane, ralph samuel, leonard legge, hartnell of melbourne -
Flagstaff Hill Maritime Museum and Village
Equipment - Horse Harness, Glenn's Leather Goods, Early to mid-20th century
The early settlers of Victoria depended on horse drawn vehicles to farm, make roads and railways, deliver produce and transport people. Horse harnesses were an important requisite for all drivers and could be found wherever there were working horses. Horse Harnesses have played an essential role in different cultures throughout history. Simple, utilitarian horse harnesses made of leather straps and iron rings were being used in early China before AD 500 as well as ancient Greece and Rome allowing horses to pull chariots and ploughs. The Greeks and Romans were the first to use a "horse collar" which distributed the weight of the harness evenly across the horse's chest rather than relying on a "throat harness" that could damage a horse's throat or choke them. During the medieval period, European horse harnesses became more elaborate and decorative. Variations of different horse harnesses were also found in Native American and Middle Eastern cultures. Horse Harnesses usually have four basic components which include - 1. Communication - the bridle, bit and reins allows the driver to communicate instructions and commands to the horse, guiding its movement and direction. 2. Draft - the collar, hame straps, hames, traces and chains enables the horse to draw and pull the load efficiently by distributing the weight and transferring the pulling force to the vehicle. 3. Stopping - the breeching band, pole straps and breast strap helps to control or stabilise the horse and vehicle when moving downhill or stopping. 4. Support - the back pad, backband, belly band and back saddle keep the harness in the correct position and proper alignment. This dray harness is a plain, basic harness and reflects its working class origins. It was used by Mr. Oswald (Jack) Bourke with his horse and dray to firstly deliver drygoods from Sunbury to Melbourne in the 1930's and later (through the 1940's and 1950's up to 1961) when he worked on the garbage round for the Springvale City Council. This horse harness is a significant example of the equipment that was needed wherever horses were being used - particularly in the early years of Victoria's settlement by white settlers. Harnesses such as this example were used with drays, farming equipment, delivery carts and personal transportation.A leather and metal horse harness used with a horse and dray circa 1930's to the early 1960's. It is made up of a number of components. 1. A leather bridle with metal buckles and rings, blinkers and a metal single jointed, snaffle bit that has the initials M B stamped onto the leather. 2. A leather bridle with metal buckles and rings and a metal "straight bar" Eggbut snaffle bit. It has an elongated X design (with 4 dots) stamped onto the leather strap holders near each buckle. 3. A blue and white vinyl halter with one leather patched strap. The nose band and a chin strap are covered with woollen padding. 4. A pair of leather shaft protectors. They have lacing holes along each edge and a repeating design of small shapes (flowers, wings, crosses and arrowheads) which run along the front of each protector. 5. A leather strap with a stainless steel chain and catch and a maker's mark for "Glenn's Leather Goods, Pearcedale Victoria" stamped onto the end. 6. A wide leather strap covered with a webbing sleeve. It has two large metal rings and each end and one ring has a rope attached. 7. A leather strap comprised of three separate sections (two shorter and one longer) joined with two metal rings. The longer section has notches along its length and the shorter section at the other end has a buckle. It also had a maker's mark stamped on it but the mark is very worn and the writing is difficult to read. 8. An adjustable leather horse collar with two buckles and straps at the top opening and two "B's" stamped into the leather. The top of the collar is made from treated leather pieces stitched together and the underneath of the collar is untreated leather. It has a padded indentation running all the way around the collar for the hames to sit in. 9. Two pairs of long leather traces - each having a buckle and notched section at one end and each one is made with three lengths of leather spliced together. 10. A leather strap (with one spliced join) belonging to a horse harness with two shorter straps (each ending with a metal clip) attached to a steel D ring at one end. 11. Three assorted short leather straps - the top one has clips at each end and a buckle (for adjusting the length) in the centre, the middle strap has notches and a buckle and the bottom strap is white with notches and a buckle.Bridle with blinkers - "M B" Bridle - design showing an elongated X with a dot in each section stamped onto strap holder Shaft Protectors - stamped design of flowers, wings, crosses and arrowheads Strap with chain - "Glenn's leather goods / Pearcedale / Victoria" Leather Strap (with two metal rings) - Maker's stamp - "name indecipherable / SADDLER / ...OURNE" Collar - "B / B" Leather strap - flagstaff hill maritime museum and village, warrnambool, great ocean road, sunbury, springvale, dray, delivery dray, harness, horse harness, horse drawn vehicles, working horse, oswald (jack) bourke, bridle, horse collar, hames, shaft protectors -
Bendigo Historical Society Inc.
Uniform - GSSC School Dress
Golden Square High School in the city of Bendigo, was established in temporary accommodation at Camp Hill Primary School in central Bendigo in 1960. With the completion of the new school's buildings, it moved to Golden Square in 1962, providing for Forms 1 to 6, now known as years 7 to 12. In 1978 it became a 7–10 school and was one of the original feeder schools to Bendigo Senior High School. In 1986, a Hearing Impaired Unit was established and in 1990 it underwent a name change to become Golden Square Secondary College. The Golden Square Secondary College campus closed on 28 November 2008. It merged with Kangaroo Flat and Flora Hill secondary colleges as part of the implementation of the Bendigo Education Plan. Its buildings were demolished. (Wikipedia https://en.wikipedia.org/wiki/Golden_Square_Secondary_College) This uniform collection belonged to Anna Matthews, daughter of the donor, who attended GSSC as part of the last group enrolled before the school closed in 2008. Golden Square Secondary College school dress made from green and white cotton and polyester check fabric. There is a thin yellow line at edges of check pattern. Short set in sleeves with a cuff edged with piping. White flat collar. The dress has a front placket opening to the waist fastened with four dark green buttons. Bust darts on both sides. Front and back below the waist have two inverted pleats. On the right hand side there is an internal pocket with a zip fastener. At centre back is a decorative half belt with diagonal check. Machine hemmed.Tag below collar. Front. "PREFECT Value Based Apparel. NAME _ _ _ _ _ _ _ " Reverse "65% Polyester 35% Cotton. Washing Instructions."gssc, golden square secondary college, uniform, bendigo education plan., school dress -
Coal Creek Community Park & Museum
Lace collars
9059.1 Victorian handmade needle run lace collar 9059.2 Lace collar with two press studs 9059.3 9059.4 9059.5 Light blue crocheted silk collar and cuffs. c1920s. 9059.6 Cream silk crocheted collar 9059.7 Hand crocheted Picot collar, c.1930s 9059.8 Cream silk crocheted collar, 1920s to 1930s 9059.9 French needle run lace collar 9059.10 Black silk faille collar, c. 1920s -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Uniform - Trainee Nurse Uniform Cape
Northern District School of Nursing nurse's capeA red unlined cape with collar. Hook and eye at collar front. There are bands applied to outside shoulder of the cape on both sides and constructed with a centre back seam. The cape was worn outside the hospital when walking from accommodation. The accompanying documents are a photo of the original owner and donator of the cape, Vicki Simpkins, and a photo of the graduation group of nurses, 1972, in which Vicki is indicated.There is a white cotton label at rear inside centre collar with 'PURE WOOL' printed in blue and 'W' printed in red. A blue arrow has been added to the graduation photo above Vicki Simpkins' head. The photo of Vicki has the inscription in black pen 'To Mum and Dad with all my love Vicki xx June 1970". At base right of photo is photographer's name 'martin washington'. nurses uniform, northern district school of nursing, cape -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, bow tie white, fixed length, 20thC
... collars ...The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied bow ties are available, in which the distinctive bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable bow tie. Bow ties are worn by magicians, country doctors, lawyers, paediatricians, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. This white bow tie is a 'fixed length' type that needs to be tied by the person wearing it. MAKO SIZE 15 1/2 menswear, clothing, shirts, collars, early settlers, fashion, cheltenham, moorabbin, dairy farmers, market gardeners, bow ties, mako pty ltd -
Whitehorse Historical Society Inc.
Clothing - Collar
Collar of cream silk lace with flower pattern on each collar point.costume accessories, collar accessories, handcrafts, lacemaking -
Kew Historical Society Inc
Clothing - Black satin and lace capelet, c.1900
Western fashion in the 1890s saw women's capes become an item of fashionable choice as they fell gracefully over an expansive sleeve. Capes often had a high neck, and were frequently trimmed with jet passementerie and fur. This capelet has a fashionable dog-collar neckline which became fashionable from c.1895, lasting as a style to c.1905. The capelet was probably part of a mourning ensemble.The capelet originally belonged to Catherine Francis Ellen Gulliver (nee Wells) who was born in Ballarat in 1874. The item was passed by descent to her daughter Catherine Francis Helen Taylor (nee Gulliver) [born 1896], and then to her granddaughter, Doris Catherine Kriesfield (nee Taylor) [1922-2015]. Victorian-era capelet, designed to cover the shoulders, and ornamented with shamrocks outlined in jet passementerie. The capelet has a dog-collar neck, that is lined with leather. The original lace, forms a wide border edging the satin. The front of the capelet has large hooks and eyes.fashion design, women's clothing, outerwear, capes, capelets, fashion -- 1890s -- 1900s, mourning wear, catherine francis ellen gulliver, doris catherine kriesfield