Forest green hardback bookTextile Design and Colour. Elementary Weaves and Figured Fabrics. W Watson

Portrait of Kelso Fragrance, the Junior and Grand Champion Shorthorn Heifer, exhibited by G. Starritt in 1960. George 'Ray' Starritt OBE joined the Society in 1957, with his father founded the Kelso Park stud, originally for sheep, in 1914. Starritt became a Life Councillor of the RASV in 1977, and held the office of Vice President for 12 years before taking on the presidential seat from 1982 to 1986.Colour, landscape photograph in gilt frame with glass front, wire hungKelso Fragrance (2.9.59) / Sire, Chapelton Bright Fashion (imp.), Dam, Kelso Sweet Fragrance / Junior and Grand Champion Shorthorn Heifer, Melbourne, 1960. / Exhibited by G. Starritt & Sons, Kelso, Tatura, Vic. / 525.3933 /shorthorn, cattle, cow, heifer, starritt, g starrit, george starritt, ray starritt, livestock, blue ribbon competition, winner, grand champion

Copy of sepia photograph showing young woman standing by a pedestal. Upholstered, straight back chair to her right. Young woman wearing long dress with ornate three-quarter overdress, fringed and ruched."Jane Dunstan born Linton-29.4.1862, daughter of Nicholas- and Catherine (nee Martin)-Married at Moonta Mines 2.2.1882-Thomas Allen".jane dunstan, jane allen

Series consists of 16 colour photographs of contractors at work inside the Shire Offices. Includes photographs of CEO Rodney Roscholler and Cr Mary Grant.shire of eltham archives, series listing

Black and white photo shows the front of the Rutherglen State School No. 522 with women in long dresses and big hats. Probably for the opening of the school. The colour photograph is a post card reproduction of a painting "The Sabbath Hat" from Henry John Dobson, R.S.W. (1858-1928)Two postcards pasted onto either side of a piece of green cardboard, probably cut from an album. One photo is a black and white photograph. One is a colour reproduction of a painting.At bottom of black and white photograph: "State School, Rutherglen" On the top left corner of the colour photograph: "A Happy New Year" At bottom right corner of the colour photograph: "The Sabbath Hat" rutherglen state school, school buildings, sabbath hat painting, henry john dobson

This is a photograph of a painting by the noted artist George Webb (1861-1949). Webb was best known for his portraits of civic dignitaries in Melbourne and Adelaide but he also produced many landscapes and seascapes. Some of these feature Warrnambool landmarks as he married, in the late 1890s, Christina Lake, the step-daughter of George Rolfe who owned the property known as ‘Lyndoch’, near the mouth of the Hopkins River. Webb painted the early cottages at ‘Old Lyndoch’ using a photograph taken some time earlier. The painting was given to Dick Allan, the chauffeur in the employ of Florence Lake, Christina’s sister. Florence Lake owned and resided at Lyndoch after her parents’ death. Dick Allan’s son, living in Tasmania, acquired the painting and Les O’Callaghan obtained the photograph of the painting from him. Although this is only a photograph of an original painting, it is of some considerable importance as the painting has great historical significance and this is the only representation we have of it. The man in the photograph represents George Rolfe and the story of Rolfe and his ownership and development of the property of Lyndoch is an important one in Warrnambool’s history. The original by George Webb is also an important work of art in its own right.This is a colour photograph of a painting. The frame of the original painting can be seen at the bottom of the photograph. The photograph is in on old frame which has two wooden edgings with the outer one having an ornate gold plaster edging and an inner one with a gold velvet insert next to the glass. The ornate gold plaster has a piece missing near the top left hand corner. The photograph is set into a gold-coloured wooden frame inside the glass. The photograph is mounted onto cardboard and covered with cardboard at the back with a small piece of wood attached (from the original frame). The backing is nailed on. lyndoch, george webb, george rolfe

Series consists of 18 colour photographs of the interior and exterior of Murphy's House, a property purchased by Eltham Shire for community use.shire of eltham archives, series listing

Series consists of colour photographs, 215mm x 150mm, depicting citizens and speakers at the meeting, including CEO Rodney Roscholler.shire of eltham archives, series listing

Willis Vale: House built by Edward Maygar, Robert Whatmough lived there mid 19th century and later sold to Partington family. It was located on the Plenty River at Partington's Flat Greensborough. Land use included farming and orchards. The derelict Willis Vale house was destroyed in 1964 when a fire originating from North Plenty Gorge - Kurrak Road - was lit by two teenage boys and made its way several kilometres down to Partington's Flat Greensborough.Home of the Partington familyDigital copy of colour photograph.willis vale, partington, whatmough, maygar

Work commenced at Rocky Valley Dam site in early 1947 and proceeded until May. Resumed work in October after the winter and a camp for the accommodation of workmen was commenced at this time. Work continued in 1948 with the establishment of work facilities, including the erection of two large excavators. At the dam site the river was diverted through a temporary pipeline. Work proceeded in the summer months with the placing of concrete in the foundations and earth and rock fill for the construction of the wall. Rocky Valley and associated spillway and outlet works were completed in March, 1959. A very good representation of the type of machinery available in the 1940's used for excavation of the dam and the construction of the dam wall.Black and white photograph of Rocky Valley Dam wall under construction. There are at least three cranes plus workmen in the photo. This is taken from the Heathey's Spur side of the dam wall looking back toward Sun Valley.Hand written on back of photograph "Rocky Valley Dam Wall Excavation" in blue ink.rocky valley, dam, wall, machinery

lifeboat QUEENSCLIFFE being preservedLifeboats, history & charitable worksColour photographs of representatives of Queenscliffe's organisationsReverse - 1982-83 presentation of cheques - proceeds of Queenscliffe marketcommunity information, lifeboat preservation society, historical society, cottage by the sea

This photograph is part of series of four, the only colour photographs taken by Allan Quinn while docked in Brazil on-board the M/S Fenris. The photographs are mentioned in one of Allan Quinn's letter to his mother (Object 0150).This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Colour photograph of the ocean and deck of the M/S Fenris, looking forward to the sea. The photograph is mounted on a 7.4x9.8 white card.Date on verso: 30-12-48allan-quinn, colour-photograph, fenris, coffee

Postcard - cartoon image of a Melbourne W class tram with Australian animals on the tram, driven by a koala. Tram No. 902Demonstrates a cartoon image combining iconic image of Melbourne trams and Australian animals. Postcard colour - Cartoon postcard image W class tram - 902 - Card Number CTM 135Ktrams, tramways, w class tram, cartoon

The Address in honour of the memory of the Late Fred J. Martell given 3/4/1938, President of the Adam Lindsay Gordon Memorial Cottage was delivered by Mr A.E.C.Kerr, President of the Adam Lindsay Gordon Memorial Cottage Committee, Ballarat. The photograph of Craig's Hotel Stables' sign is included as Adam Lindsay Gordon held the leasehold of these livery stables in 1867.Mr Martell made valuable contributions to the Ballarat community as one of the Founders of the Ballarat Art Gallery, Registrar of the School of Mines and was "really [the] founder" of the Lindsay Gordon Memorial Cottage. His ashes were scattered around the Cottage.8 pages with 3 illustrations and 2 title pages. The 3 black and white illustrations are of Fred J. Martell, the Adam Lindsay Gordon Memorial Cottage and Adam Lindsay Gordon. The photograph of Craig's Stables is high gloss in colour. Nonejohn garner, doctor, john garner collection, ballarat botanic gardens, friends of ballarat botanical gardens, fred j. martell, mr a.e.c.kerr, adam lindsay gordon cottage, adam lindsay gordon memorial cottage committee, craig's royal hotel ballarat, craig's hotel livery stables, craig's hotel livery stables metal plaque, dougles sladen, poet's corner westminster abbey, bath lane, australian poet, adam lindsay gordon bust, gardens, ballarat

Series consists of 50 colour photographs taken at Youth Art Award Presentations, with Cr John Graves officiating. Photographs include shots of winners receiving certificates, artworks on display, members of the Y AA committee, a selection of prize-winning entries.shire of eltham archives, series listing

This plan of Lum Road Estate includes layout of roads, gardens, building and carparks. From 1970 until August 1971 Robin Boyd and his practice Romberg & Boyd Architects worked on designs for housing on the Lum Road Estate, Wheelers Hill. Berenice Harris, Linley Vellacott and Karl Fender drew many of the sketch plans for the project homes, while Robin Boyd drew the perspectives. This colour plan of the estate was drawn by Robin Boyd, but not signed. Frederick Romberg later annotated the drawing with details of its authorship. Colour plan of Lum road estate. Includes layout of roads, gardens, buildings and flora.Inscribed lower right on recto in black ink, 'Robin Boyd original / 12/6/86 F.R' ; Inscriber upper left on recto, grey pencil, '3400'.architecture, design, rmit design archives, domestic architecture

Lush colour photographs of the particular environments, including flora, fauna, birds etc and maps locating area.Colour illustrations, colour photographsconservation, sustainability, biodiversity, victorian alps, mallee

Series consists of 41 colour photographs recording work on extensions to the Eltham Leisure Centre as well as a number of shots of the completed building and shots taken at a function at the newly reopened centre.shire of eltham archives, series listing

Club Rooms North Park 1991 & 2000 Demolition of old rooms and photos of erection of brick rooms.15 Colour photographs of building being demolished and erected,stawell

The Australian army's system of colour patches arose from the need to solve an immediate problem. When the first Australian Imperial Force (AIF) set off for the Middle East in 1914, the only badge it wore was on headgear and jacket collars: the Australian "Rising Sun" emblem, inscribed with the words "Australian Commonwealth Military Forces" (ACMF). Nothing distinguished one regiment from another. Divisional Order No. 81(A) Administration was issued at Mena, Egypt, on 8 March 1915 to overcome the problem:After the First World War the use of colour patches continued in the Citizens Military Forces (CMF), also known as militia. The CMF were reorganised into a divisional structure similar to that of the AIF. Units were generally renamed to provide a direct numerical association with AIF units raised from the same states and districts. Through their identification with AIF units came the authority for militia units to wear the colour patches of their associated AIF units; other colour patches were approved for units outside the AIF association.Rectangular shaped glass covered Picture Frame showing colour patches and badges of the Australian Imperial Forces.THE GREAT WAR-1914/18 Distinguishing Badges and Patches of the Australian Forces.ww1, the great war, middle east 1914/18, lara r.s.l., colour patches

A colour photo of life at Queenscliffe for local fishermen, sailors and crew.Realism, historicalA colour photograph of 4 men, 2 fishing, 1 watching & 1 on the bow of a yacht moored at the wharf. Name of the yacht is not clear. Background shows the Swan Island bridge On the reverse - "NIL."wharf, bridge, sailing boat, fishermen

This book was produced by the English Woman's Weekly and given away free with a copy of that magazine. It was owned by Billie Rech, the aunt of the donor, who was a great knitter.Presented with / English / WOMAN'S / WEEKLY / RIBBED JUMPER / WITH TWO-COLOUR YOKE / 6ozs. and 1oz. of 3-ply Fingeringhandicrafts - history knitting, english woman's weekly, handicrafts - history, knitting

Dimitri Cah, a young Italian migrant, painted eighteen murals throughout the Glenara Motel while employed by the proprietors, Frnk and Nancy CreaColour postcard of one of the eighteen murals decorating the internal walls of the Glenara Motel, Lakes Entrance, Victoria. This one shows the artists stylised idea of an Aboriginal camp.Aboriginal Lifelike Sceneaboriginals, motels, arts, rsl clubs

Colour postcard of one of the eighteen murals decorating the internal walls of the Glenara Motel, Lakes Entrance, Victoria. This one shows two peacocks perched on tree branches.Glenara Motel Motel of Many Murals (on front)motels, arts

28 assorted colour photographs from Southwood Primary School

PHOTOGRAPH BY RON DOWNS, CLUNES - KEEBLES OF CLUNES WAS FORMER TELEGRAPH HOTEL, BAILEY STREET, CLUNES. ALSO KNOWN AS MANGLES OR DUNNS HOSTEL DURING WORLD WAR 2, LATER PRIVATE DWELLING. NOW IS A RESTAURANT / BED AND BREAKFAST. THIS PHOTOGRAPH WAS ON DISPLAY AT SMEATON MILL, OPEN DAY 2001.LAMINATED COLOURED COPY - PHOTOGRAPH OF KEEBLES OF CLUNES WITH OLD HORSE DRAWN DRAY IN FOREGROUND.photographs, telegraph, keebles of clunes, telegraph hotel

Full colour, 28 page on gloss paper travel souvenir guide photos, with a fold out centre fold - titled "The City on the Yarra Melbourne Australia". Features many photographs of the City of Melbourne, Phillip Island, Puffing Billy, Flinders St railway yard, Flinders St Station, Westgate bridge, the Trams of Melbourne, including some Transport Art trams. Trams: 181, 32, 497, 235, 85, 9W, 902, 22, 994, 168, 101, 225, 990 and 861?Has a price lable of $3.50 on the front cover.trams, tramways, transporting art, decorated trams, city of melbourne, travel books, souvenirs

The postcard depicts the St Peter chapel with its furnitshing and furniture gifted by suppoerters.Early photograph of the St Peter Chapel.Glossy sepia tone postcard depicting the interior of the St Peter chapel.Printed on verso: Postcard / A Real Photograph / Produced in Australiast peter chapel, seamen mission, mission to seamen, mission to seafarers, flinders street, melbourne, pulpit, prayer desk, altar, lectern, cross, credence, alm's dish