Radio Telephone: Minuted during the war. It was approved in 1944 for State Electricity Commission of Victoria use only. It was completed by the end of 1946. Used by the State Electricity Commission of Victoria at Bogong during the construction of the Kiewa Hydro Electric Scheme to connect with head office in Melbourne. It allows one conversation at a time using traffic controls in an unusual system of radio telephone providing communication. At the time it was unique in Australia and installed by the S.E.C.V. technicians. It provided an unattended shortwave radio link between two ordinary telephone switchboards, connecting any of the S.E.C.V.'s internal lines with the telephone system at Bogong and the construction camps beyond. From Bogong, radio phones connect to the outpost stations on the High Plains far above the snow-line. In operation, the service is similar to a normal telephone system but dispenses with the physical connection of wires and poles between the main terminals.Historical: This type of headphone was used by operators on the switchboards at Bogong, Mt Beauty or on one of the construction camps on the Kiewa Hydro Electric Scheme. The S.E.C.V. installed this unique system of communication to operate their branches especially at Bogong and beyond where the distance was great and often limited by the weather and terrain.Used for a transmitter radio or Radio Telephone as installed by the State Electricity Commission of Victoria 2 round ear pieces. Outside of each ear piece has the brand inscribed, 4 screws and 1 small piece of metal. The metal has 2 screws attaching the the cord that goes to the 'switchboard'. On opposite edges of the earpieces is a thick metal piece that curves up to which the curved metal headpiece is attached and therefore connecting the earpieces. Each earpiece has a cord hanging from the small metal piece of earphone. This cord joins and then continues as one to the end where there are 2 metal pins coming out of the soft cover.'C-LR ST & C of Sydney'radio telephone. ear phones. headphones. communications. state electricity commission of victoria. kiewa hydro electric scheme. bogong. switchboards.

Radio Telephone was minuted during the war. it was approved in 1944 for the State Electricity Commission of Victoria's use only. it was completed by the end of 1946. used by the State Electricity Commission of Victoria at Bogong during the construction of the Kiewa Hydro Electric Scheme to connect with head office in Melbourne. It allows one conversation at a time using traffic controls in an unusual system of radio telephone providing communication. At the time it was unique in Australia and installed by the S.E.C.V. technicians. It provided unattended shortwave radio link between two ordinary telephone switchboards, connecting any of the S.E.C.V.'s internal lines with the telephone system at Bogong and the construction camps beyond. From Bogong, radio phones connected to the outpost stations on the High Plains far above the snow-line. In operation, the service was similar to a normal telephone system but dispensed with the physical connection of wires and poles between the main terminals.Historical: This headphone set superseded headphones with two earpieces and those without a microphone. This one may have been used by operators on the switchboard at Bogong or Mt Beauty or one of the construction camps on the Kiewa Hydro Electric Scheme. The S.E.C.V. installed this unique system of communication to operate their branches especially at Bogong and beyond where the distance was great and often limited by the terrain and weather.Radio Telephone for SECV switchboard. Black plastic earpiece with microphone. Ear side circular with inscription on outer side then formed into elongated shape narrowing to the curved speaker piece at the narrow end. On top of the narrow end a long rubber cord is attached to a thick brass pin. On top of the wider end a thin stiff wire is attached to curve around the head to a blank rubber earpiece. This head piece has a piece of rectangular rubber attached at the top for comfort.'4408A IW61 / 1'radio telephone, ear phones, head phones. head set. communications, state electricity commission of victoria. kiewa hydro electric scheme. bogong. switchboards

Vol. 7, No. 2, May-Jun 2002 CONTENTS Comment The Future of the Arts 2 Conversation with Lex de Man, Mayor of Nillumbik 3 Short Story Traces of Life by Sharyn Munroe 5 Art Brut and the Aesthetic Impulse Pam Dougherty 9 Book Review: The Boyds Louise Poland 12 Record of on Individual Soul Elizabeth Cross on Peter Wegner' s portraiture 15 Theatre Review: Paradise at La Mama Christine Crowle 17 Book Review: Forests of Ash Graham Petersen 20 Australian Classical Music Elizabeth Scarlet 21 CD Reviews 22 Allister Hullet, Dili Allstors, CoCo's Lunch 22 Stripperomo at Heide 24 Poetry News and Reviews John Jenkins 25 Artin’ about 26 Wining & Dining 30 Poetry Armana Lee 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, st andrews hotel, lex de man, cultural heritage, willy wonka's ice cream gourmet food, sharyn munro, fleur de feliss florist, eltham fullife pharmacy, chris pittard, mary lou pittard, bulleen art & garden centre, pam dougherty, arts project, bibby's bahnhof cafe, montsalvat, winter in banyule, eltham wiregrass gallery, arts on burgundy, la mama theatre, folkart warrandyte, thompsons pharmacy, recherche, bundoora homestead, dynamic vegies, armana lee, heide museum of modern art, metro 5 gallery

Both photographs were taken at the same location in Collins Street just west of Swanston Street in the middle of a warm, sunny day. Both depict several motor vehicles queuing on the tram tracks inside a the safety zone while several passengers await a tram which is stuck behind these vehicles. A second queue of vehicles is between the safety zone and the kerb. The approaching W2 class trams both shows destinations Kew Depot route 47. In both photographs, decorations hang from a span wire close to the trams. One photograph shows two safety zone conductors in conversation amid several passengers, one dressed in a dust coat. One possible explanation is that traffic has been halted by the closure of Swanston Street, perhaps the annual Moomba procession in March, and will soon be cleared. Both are official M&MTB photographs.Yields information about Collins Street congestion and Melbourne c1960 Two Black and white photographs with typed explanation below and stamp on rear. Typed attached explanation reads: "Collins Street safety Zone, West side Swanston Street. Vehicles In Safety Zone." On rear: "Melbourne & Metropolitan Tramways Board P. 25/1/111" Typed attached explanation reads: "Collins Street Approaching Swanston Street. Vehicles Blocking Trams." On rear: "Melbourne & Metropolitan Tramways Board P. 25/1/111" collins street, swanston street, motor vehicles, safety zone, kew depot, route 47, span wire, decoration, moomba procession, safety zone conductors, dust coat, official m&mtb photograph

Some brief research? Notes written by Peter Ellis from the years 1881 to 1899. Mentioned is the Bendigo School of Mines Science Society and some of its meetings and the number of people who attended. Also mentioned are: The animal of Australia by Dr. MacGillivray; a paper on graptolite by Mr T L Hall, M.A., Director of Castlemaine School of Mines; Annual Report June 30 1888, Spiders, ? & Marsupials (MacGillivray/Rev Williams; Nancarrow - Slides & Cross Courses - Geological quartz of Goldfield; 27/1/1887 Meetings held during the year - some were well attended, some were not; On the 31 May the President (MacGillivray) spoke at some length on the Requirement of a Local Museum; Annual report 1900; Mining Society formed 1899 and Scientific Conversation lecturettes on Chemistry & Electricity.bendigo, history, early bendigo, peter ellis collection, the a-- of australia, dr macgillivray, t l hall ma, castlemaine school of mines, bendigo school of mines science society, rev williams, nancarrow, sandhurst district, requirements of a local museum, melb public library

Photocopies of documents from the Public Records Office files, Ballarat of letters concerning the construction of the horse tramway vehicles in Ballarat. Provided by Colin Homes. .1 - dated 1/2/1889 to G. Perry Town Clerk Ballarat, from Constable Hanigan, reporting on a conversation with Mr. Moore, confirmed by Constable Hickey about the capacity of the tramcars and the need for licenses for them and the drivers and conductors. Moore replied that the roads belonged to him? and that he could tell Perry to go to hell. .2 - Letter or note, advising Mr. Perry, from Hanigan as cab inspector, that 15 of the cars would accommodate 40 people, 18 inside, 20 outside + 2 conductors and that two would accommodate 46 adults, 20 inside, 24 on top and 2 conductors. Has notes from Perry and Hanigan on the side. Images of document added 27-08-12.trams, tramways, horse trams, city of ballaarat

Vol. 2, No. 3, Jun-Jul 1997 CONTENTS WEAVING ON A ROLL Author Jon Weaving talks about the pitfalls of success 3 DON’T PASS THE GUINNESS Poet Patrick McCauley turns over a new leaf 6 AIMING FOR THE TOP Prue Acton chases a dream 9 CULTURAL TOURISM Selling a way of life 12 CONVERSATION WITH BOB SMITH An artist shares some thoughts on the why and how of painting 14 REPRIEVE FOR A GATE Some traditions refuse to die 16 STALKING THE STRANGER Short story by Chris Stonehouse 18 THEATRE IN AUTUMN Melbourne theatre is alive and well 21 TO A WOLF THE KILL Anne Delaney reviews Jon Weaving's first novel 23 EXHIBITION REVIEWS Richard Besley, Neophytes, The Eye of the Storm, Soft But True 24, 26, 27, & 30 CD REVIEWS 28 NEW SOURCE OF POWER Tony Trembath lights up a town hall 29 WHO’S DOING WHAT 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, food for all seasons, prue acton, jon weaving, michelle lonsdale, sandon mcleod, patrickk mccauley, malcolm riddle, cultural tourism, valley of the arts tourism association inc., robert peter smith, danny chable, farm gate, spirit of eltham, chris stonehouse, eltham bookshop, carolyn pickett, anne delaney, richard besley, mike parr, anita furey, aboriginal art, indigenous art, julie le bon, jackie stojanova, ranee lee, daniel chabble, tony trembath, john kauffman, westerfolds park envirofest, were street cafe, helen o'grady children's drama academy, nillumbik art collection

Transcription of conversation with Alma and Kelly Helm by Richard Carter (Past President of Ringwood Historical Society) and Larraine Haslam on 18 July 2008 detailing family history. Certificates of title of land between Oban Road and Mullum Mullum Creek. Six and a half acres sold to the Helm Family in 1917. Includes Certificate of Title Vol 5311 Fol 1062052 Carolyn Mary Glynn dated 27 April 1927. Certificate of Title Vol 4023 Fol 804560 Robert Beckett dated 19th January 1917. Plans of Subdivision including Oban Road, Barnsdale Way, Loughies Track, 1997. Certificate of Title Vol 4029 Fol 805702 Ellen Elizabeth Helm dated 8th February 1917. Transfer of Land (2093031) payment to James William Dartnell by Alma Mary Helm and Elsie May Helm of Oban Road, Ringwood North - 13th August, 1947.

Theodore Ballerstedt originally purchased the Fortuna site from the Crown in 1857. The firstimprovements at Fortuna were undertaken by the Ballerstedt family and consisted of a small mill and house. At the peak of the mining era (c.1860s) Fortuna was central to the deep alluvial gold mining operations of Bendigo. In 1871 Theodore Ballerstedt sold the house, mine and associated works to George Lansell 'The Quartz King'. During his time at Fortuna, Lansell owned 13 mines and directed a further 73 in Bendigo. The primary building on the site is the Fortuna Villa. With the wealth Lansell generated from gold mining he funded the continuous expansion of the Villa and surrounding grounds. The Villa is built in a number of architectural styles, namely Victorian Italianate and Victorian Free Classical, with Federation influences. The surrounding landscape featured up to seven decorative lakes in the early 1870s, including one larger lake which still remains today. The former lakes were originally used as disposal points for tailings produced in the gold processing activities at the site. Heritage investigations note that the uniqueness of Fortuna lies in the mixture of architectural styles of the Villa. The relationship between mining and domestic areas and the. close proximity of the two is considered rare to Australian domestic building of that time.Fortuna - Photos (Photo-copies) of Furnished Rooms This item contains the following 12 documents: 11217.76a Black and White photo of the Gymnasium, a man standing between the horizontal bars and another behind sitting on the exercise bench 11217.76b Black and White photo of a living room with chairs and small table 11217.76c Black and White photo of the conservatory with pot plants 11217.76d Black and White photo of a music room with piano, chairs and a coffee table 11217.76e Black and White photo of a bedroom with sofa, chair and iron framed bed 11217.76f Black and White photo of the games room complete with Billiard Table 11217.76g Black and White photo of the living room, the walls adorned with painting and photographs 11217.76h Black and White photo of the family bedroom, with a child's bed and a large four-poseter with curtains 11217.76i Black and White photo of possibly the function or ballroom 11217.76j Black and White photo of a small room or elcove for quiet conversations 11217.76k Black and White photo of the staircase and statue 11217.76l Black and White photo of the conservatorynon-fictionbendigo, fortuna, george lansell, fortuna furnishings

For almost 40 years, Michael Walsh has been working alongside Indigenous people: documenting language, music and other traditional knowledge, acting on behalf of claimants to land in the Northern Territory, and making crucial contributions to the revitalisation of Aboriginal languages in NSW. This volume, with contributions from his colleagues and students, celebrates his abiding interest in and commitment to Indigenous society with papers in two broad themes. ?Language, identity and country? addresses the often complex relations between Aboriginal social groups and countries, and linguistic identity. In ?Language, identity and social action? authors discuss the role that language plays in maintaining social identities in the realms of conversation, story-telling, music, language games, and in education. ?Language and Social Identity in Australian Indigenous Communities? will be of interest to students of linguistics, Indigenous studies, anthropology, and sociology. Contents: 1. Introduction /? Rod Gardner ... [et al.] 2. Michael Walsh : a personal reflection /? Ros Fraser 3. Place and property at Yintjingga/?Port Stewart under Aboriginal Law and Queensland Law /? Bruce Rigsby and Diane Hafner 4. Linguistic identities in the eastern Western Desert : the Tindale evidence /? Peter Sutton Juwaliny : dialectal variation and ethnolinguistic identity in the Great Sandy Desert /? Sally Dixon 6. Who were the 'Yukul'? and who are they now? /? Brett Baker 7. Colonisation and Aboriginal concepts of land tenure in the Darwin region /? Mark Harvey 8. Aboriginal languages and social groups in the Canberra region : interpreting the historical documentation /? Harold Koch 9. The Kuringgai puzzle : languages and dialects on the NSW Mid Coast /? Jim Wafer and Amanda Lissarrague 10. Dawes' Law generalised : cluster simplification in the coastal dialect of the Sydney language /? David Nash 11. Space, time and environment in Kala Lagaw Ya /? Lesley Stirling 12. Turn management in Garrwa mixed-language conversations /? Ilana Mushin and Rod Gardner 13. Laughter is the best medicine : roles for prosody in a Murriny Patha conversational narrative /? Joe Blythe 14. Collaborative narration and cross-speaker repetition in Umpila and Kuuku Ya'u /? Clair Hill 15. Co-narration of a Koko-Bera story : giants in Cape York Peninsula /? Paul BlackMaps, b&w photographs, charts, word listslanguage and identity, language maintenance, language and culture, language and country

One of a collection of books by local writer Alan Marshall held at EDHS. This one is of "anecdotes and yarns" as described by Marshall before its publication in July 1981 in the Canberra Times. Alan Marshall's Australia, the Australia of "I Can Jump Puddles" has vanished. No longer do we have time to sit on the sliprail and exchange yarns, to drive buggies down long, quiet dusty roads, or to watch the king-hit merchant operating in some small hotel. Even the Cu-nims hold no terrors for a Boeing 427! And yet - Alan Marshall's Australia lives for all those who read this book. Meet Lance Skuthorpe who tethered an old bull in Bourke Street and offered £5 to anyone who could ride it for half a minute and Binjarrpooma, the Arnhem Land terror. Accompany Alan in his horse-drawn caravan or buggy to country sales, pubs and stations and listen with him to great bush eccentrics, lairs and yarn spinners. Go further back and remember Conversation Lollies, the cigarette cards you collected and the school yard games. Can you recall how to test an axe blade, choose a pocket knife, or the penetrating power of Goanna Oil? But this book is more than a nostalgic journey into the past ; it is history for the young and a timely reminder for us all - it is our roots. - Front end papers viii, 165 p. : ill. ; Two copiesISBN 0908090390alan marshall, prose, short stories, ancedotes, australia, tales, yarms

Murray Valley Hunt Club’s formation stemmed from a conversation between Messrs Ken Crawford, then of "Nooroona", Holbrook, NSW and Des Martin of "Aherlo", Wodonga where they discussed bringing hunting to the people of the district around Wodonga and Albury in 1946. After participating in events and activities in New South Wales with other clubs, the Murray Valley Hunt Club began Point-to-Point racing on "Aherlo" in 1957 at “Aherlo”, the property of Des Martin located on the outskirts of Wodonga in the Huon Creek Valley. Des Martin was the only gentleman rider with permission to ride against professional jockeys within the metropolitan area in any type of jumping race in Victoria, a distinction not since achieved by any other amateur. Des also played a major role in Australia entering an equestrian team in the Melbourne Olympics in 1956 and served as a steward at that event. The Hunt was officially formed with a steering committee of Messrs Crawford, J T Sullivan (Chairman of the North Eastern District Racing Association), Mr Des Martin, Harold Boon and John Hamilton-Smith. Miss Z Cox was appointed Honorary Secretary and Mr J C B Mckenzie McHarg Legal Officer. In 1960 the Hunt Club meets moved to Wodonga Racecourse then in 1967 wet conditions called for a move to Chiltern and in 1968 they successfully applied to re-open the Old Rutherglen Racecourse in 1969. Des Martin died on 12 April 1995. This photograph is significant because it captures key people responsible for the founding of the Murray Valley Hunt Club.A black and white photo of key identities at the opening of the Murray Valley Hunt ClubA. McIntosh , Des Martin (Master) and Harold Boon (Whip), at the Opening Meet of the Murray Valley Hunt Club.murray valley hunt club, des martin, harold boon

Collection of Personal Papers regarding a house built using former PMTT tramcars. Comprises: 1 - Auction notice - folded A3 light card, "Moonta 18 School Road Ferny Creek" - giving details of the property, agents, floor plan and auction date of 19/11/1983. Agents R. Woodard and D&S Ham (2 copies held) 2 - Newspaper clipping from the Progress Press with a sketch and article - "Home built from trams" 3 -"Fares please for tram treat" - Herald Sun, 24/9/1983. 4 -Auction notice - 21/11/1983 - property passed in. 5 - hand written note, with plan of the trams and location map - not dated 6 - set of six hand written notes recording conversations with various people regarding a house in Ferny Creek with trams, including the Public Trustee 1976 and 1977. 7 - Auction notice for "Charrawalla" - School Road, Ferny Creek dated 7/5/1977 from The Age. Not all items numbered, See also Reg Item 1356, 1833 and 1518 for related items.trams, tramways, mmtb, pmtt, ferny creek, tramcars, melbourne, houses, sale of land

"The fist references the Black Lives Matter movement and also represents the strength of Indigenous peoples all over the world and symbolises solidarity and justice for everyone affected by systematic racism. Bunjil (wedge-tailed eagle) is flying high on the building. He is the creator spirit for Wurundjeri people who looks over us and protects us. Bunjil represents healing and power to our people. The blue circles and lines represent revival and waterways; in particular, they depict the Birrarung (Yarra River), which is very significant for the Wurundjeri people. Our people are known as the Manna Gum people. The leaves in the artwork highlight Wurundjeri people and their Country. These leaves also represent the cleansing of negative spirits. The Manna Gum leaf is also an important symbolic offering in our traditional Welcome to Country ceremony. Leaves are offered to visitors as they are granted safe passage through our land. They are made welcome to everything from the tops of the trees to the roots of the earth. We ask that they take care of the land, plants and animals and to respect the protocols and rules of the Traditional Owners whilst on our Country."In 2020 Council declared its support for the global Black Lives Matter (BLM) movement. In consultation with Yarra City Council's Yana Ngargna advisory group a motion was prepared and passed unanimously by all Councillors. A number of actions were generated from this decision; one of which was for Council to commission a large-scale mural that aligned with the movement. Emerging artist Ky-ya Nicholson-Ward, a proud Wurundjeri, Dja Dja Wurrung, Nguarai Illam-Wurrung, German and Irish woman, created the mural installed on a building in Peel Street Park, Collingwood. Selected by Council's Yana Ngargna, Black Lives Matter Working Group the artwork identifies the cultural importance of the local area to the Wurundjeri Woi Wurrung people as the Traditional Owners. With a strong focus on Aboriginal identity the mural outlines the local context of the Black Lives Matter movement, which is connected to racism, policing of Aboriginal and Torres Strait Islander peoples and associated deaths in custody. The artwork acknowledges the ongoing challenges faced by Aboriginal community members and their struggle to survive white systems, policies and institutions. Ky-ya's mural tells the story of Aboriginal resilience, strength and self-determination; and will support the process of healing. It is a celebration of the local Aboriginal and Torres Strait Islander community; the significant Aboriginal history of Fitzroy, Collingwood and surrounds; and community's continuing cultural connection to the area. Importantly, this artwork provides a platform to educate a broader audience about the local context of the Black Lives Matter movement and Aboriginal deaths in custody. The mural will activate this site, enliven the area, promote inclusion, incite conversation and contribute to the creative capital of this locale. A welcoming environment for Aboriginal and non-Aboriginal communities.Aboriginal Lives Matter Ky-ya Nicholson WardOn a black background a hand fist (strength, solidarity and justice) is placed at the centre of the building; Bunjil (wedge-tailed eagle) is depicted flying high on the building; blue circles and lines represent revival and waterways (Birrarung-Yarra River) and the leaves in the artwork highlight Wurundjeri people (cleansing of spirit and welcome to Country)The artist name 'Ky-ya Nicholson Ward' painted in white, low right of the wall facing into Peel Street Park. black lives matter (blm) movement, wurundjeri woi wurrung, bunjil, identity, birrarung, country

The poster includes a cartoon by Arthur Jordan, with a conversation between an ailing man and a good man after baths visits. There are several reviews dating from 1906 to 1908 extolling the healing powers of the baths' waters. In February 1877 a Baths Company (1050 shares) was formed in the town of Warrnambool for the establishment of the baths at the south end of Gillies Street. The baths were filled with sea water from Lady Bay, originally pumped by a windmill situated near the current Surf Lifesaving Club and carried by iron pipes to the Public Baths; later the water was pumped by gas motor. Hot and cold fresh water baths were advertised. The gentlemen’s bath was 100 feet long and 50 feet wide, of graduating depth. A second bath, solely for ladies, was 60 feet long by 30 feet wide. Hot Sea-water Baths were also part of the institution, and were sought after for their ‘wonderful curative powers’, and ‘incomparable’ as a ‘tonic for the feeble’. In June 1881 the Hot Sea Baths were opened, and both hot and cold water baths were supplied at reasonable charges. Patrons came from near and far to receive the benefits. The manager of the Baths was J. Kirkpatrick. The Baths Company struggled for several years without success so in 1883 the baths were sold to the Borough Council for 1250 pounds. The original shareholders received nothing for their outlay; the overdraught was over the sale price. In May 1884 the Council announced that an estimated they has spent 1000 pounds in improving the baths since purchasing them and were now returning an income of 11 per cent. The poster promotes the healing powers of the hot sea water baths that were in use in Warrnambool in the late 19th century through to the early 20th century. The baths were a place for fitness, health and social activity, an example of the recreational activities during this period.Poster, black and white, mounted on card. It shows advertising Warrnambool Sea-water Baths and Hot Sea-water Baths. There are several references promoting the health benefits of baths, dating from 1906-1908. The cartoon was sketched by Arthur Jordan. The poster was printed by The Thompson Printing Co. Warrnambool. Handwritten inscription on the lower edge.Handwritten "10,000 mailed by post through Victoria"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, warrnambool salt baths, warrnambool therapudic baths, arthur jordan, baths company, sea water baths, hot sea water, swimming, healing powers, warrnambool baths, advertisement, thompson printing co. warrnambool

"Grace Blake’s conversations with older members of the Club have elicited the following information during July 2014: • Don Christie recalls the machine being acquired by (or donated to) SMRC in the 1960s. SMRC later donated it to APRC. • Bob Duncan remembers it being at APRC. • Max Shaw joined the club in 1946 but doesn’t recall it at all. • Peter Watson recalls collecting the rowing machine from the old APRC club house before its demolition (c. 1995). The AP-SMRC machine carries a ‘maker’s plate’ with the name Moore... Moore Crane and Engineering Company Pty Ltd was a subsidiary of Malcolm Moore Industries Ltd whose manufacturing engineering works were located on Williamstown Road, Port Melbourne from 1927. The founder established the main business in 1921 and retired in 1953.21 The business was delisted from the Australian Stock Exchange in 1976. Grace Blake advises that some of the earlier SMRC members were plumbers and therefore worked in trades connected with engineering. She reports that Peter Watson recalls some of his contemporaries completing their engineering apprenticeships at Malcolm Moore Industries Ltd in the 1970s. There are still many unanswered questions concerning the history and provenance of the rowing machine at the time of writing this report, but the connection with a local engineering works is certainly fascinating. Questions to explore in the future include: Did Moore manufacture the machine, or import it (and perhaps assemble it) under licence? Was this machine a ‘one-off’ or did Moore make / distribute others within Australia? When, why and how did SMRC acquire the machine? Why did SMRC decide not to retain it, but to pass it over to APRC? And how did APRC use it?" 2014 Significance Assessment, pp38-40. "The ‘Moore’ Rowing Machine at the Albert Park – South Melbourne Rowing Club (AP- SMRC) is a rare example in Australia of the Kerns patent design from 1900. This machine may not, however, be that old in construction or use. The AP-SMRC machine is almost intact, appearing to lack only the leather straps for fastening the rower’s feet to the foot-rests. Spalding manufactured the design in the USA in the early decades of the 20th century, but the metal elements in its models are traditionally black. The bright red paint on the AP-SMRC machine suggests something different. The AP-SMRC machine carries a maker’s plate that associates it directly with a local engineering business, Malcolm Moore Industries Ltd of Williamstown Road, Port Melbourne. Club members recall the machine being at the South Melbourne Rowing Club in the 1960s, and being transferred at a later date to the Albert Park Rowing Club. The machine has not been used since the founding of the amalgamated AP-SMRC and requires careful conservation. The ‘Moore’ rowing machine is of national research significance as a rare survivor, in Australia, of the well-regarded Kerns patent design that was popularised by Spalding in the northern hemisphere. The English River and Rowing Museum website quotes a testimonial from an AG Spalding & Bros’ Mail Order Catalogue: ‘This machine was described by ‘an experienced oarsman’ ... “to be the most perfect rowing machine ever produced”. A feature was the adjustment of the resistance so “the weaker sex can use the machine”’. Its historic significance lies in its rarity (and perhaps uniqueness) as an aid to the training of rowers at two successful clubs on Albert Park Lake. Additional historic significance lies in the connection that the rowing machine represents between local rowing clubs and a major local manufacturing engineer. The ‘Moore’ rowing machine bridges the realms of innovation and application, of industry and recreation, of land-based and aquatic sports, and of two neighbouring rowing clubs on the Albert Park Lake." 2014 Significance Assessment, p43"A rowing machine that appears to be built to the Kerns patent design from 1900 but may not be that old in construction or use. The machine is heavy and includes parts made from cast iron. The cast iron components are painted in a distinctive bright red. The wooden seat moves on timber slides. Resistance is created by spring mechanisms at the ends of two frame elements that connect with two wooden ‘oars’, and by the central chain-driven system that co-ordinates with the rower’s movements. The machine carries a maker’s plate with the single word ‘Moore’ in an oval design, using white letters against a navy background, fastened to the base board and close to the foot-rests." 2014 Significance Assessment, p38Moorerowing, apsm rowing club, significance assessment, malcolm moore industries ltd, kerns, 1900, sculling machine, albert park rowing club, south melbourne rowing club, albert park lake, rowing machine, ergo

This outfit from Sydney-based wearables label Iordanes Spyridon Gogos (ISG), was designed by Founder and Creative Director Jordan Gogos in collaboration with Akira Isogawa and other creative partners. The shoes are by Julia Baldini. The outfit comes from the ISG x Akira 2023 Afterpay Australian Fashion Week (AAFW) collection show presented at Carriageworks, Sydney 16 May 2023. Jordan Gogos is one of Australia's most innovative multidisciplinary artists. Preferring to describe his current designs as 'non normative', 'wearables for the imaginative' Gogos' work and practices have been influential in changing the conversation around clothing design, production and presentation by embedding co-collaboration, sustainability, diversity, and inclusivity in all aspects of his label. Born and raised in Tokyo, Japan before immigrating to Australia in 1987, Akira Isogawa is regarded as one of Australia's most innovative and successful fashion designers. In a career spanning over 25 years, Akira is perhaps best known for his contemporary interpretations of traditional Japanese clothing, and the quality of his craftsmanship. Isogawa has worked on a range of creative collaboration projects over the course of his career and was named Australian Designer of the Year at the Australian Fashion Industries Awards in 1999. The ISG x Akira collection show presented at AAFW resulted in a collection of 40 looks featuring digitally printed, compressed and patchworked garments with applique, embroidery, beading and origami. Made from deadstock and archival fabrics, accessorised with unique headpieces and footwear designs, the looks were presented in a theatrical collection show amid a colourful runway piled high with upcycled textile artworks and trojan horses signifying Gogo's Greek heritage, signed by Akira in red calligraphy. The models included people with diverse gender identities and body shape and size. - Kristina StankovskiOutfit consisting of a dress, underskirt and shoes (pair). The underskirt is made of tulle, while the dress is origami style with black, red, white, gold, green, yellow and orange fabric. The dress has two sets of press studs under each shoulder strap. Shoes are lace up boots with black, white and yellow patchwork fabric, with rubber soles and vinyl lining. This record includes seventeen pieces of test/sample fabric. 9013.1 Dress 9013.2 Underskirt 9013.3 Boots & White laces 9013.4 Fabric samplesjordan gogos, iordanes spyridon gogos, akira isogawa, 2023 afterpay australian fashion week, design, fashion, art, sustainability, innovation, trojan horse

This outfit from Sydney-based wearables label Iordanes Spyridon Gogos (ISG), was designed by Founder and Creative Director Jordan Gogos in collaboration with Akira Isogawa and other creative partners. The shoes are by Julia Baldini. The outfit comes from the ISG x Akira 2023 Afterpay Australian Fashion Week (AAFW) collection show presented at Carriageworks, Sydney 16 May 2023. Jordan Gogos is one of Australia's most innovative multidisciplinary artists. Preferring to describe his current designs as 'non normative', 'wearables for the imaginative' Gogos' work and practices have been influential in changing the conversation around clothing design, production and presentation by embedding co-collaboration, sustainability, diversity, and inclusivity in all aspects of his label. Born and raised in Tokyo, Japan before immigrating to Australia in 1987, Akira Isogawa is regarded as one of Australia's most innovative and successful fashion designers. In a career spanning over 25 years, Akira is perhaps best known for his contemporary interpretations of traditional Japanese clothing, and the quality of his craftsmanship. Isogawa has worked on a range of creative collaboration projects over the course of his career and was named Australian Designer of the Year at the Australian Fashion Industries Awards in 1999. The ISG x Akira collection show presented at AAFW resulted in a collection of 40 looks featuring digitally printed, compressed and patchworked garments with applique, embroidery, beading and origami. Made from deadstock and archival fabrics, accessorised with unique headpieces and footwear designs, the looks were presented in a theatrical collection show amid a colourful runway piled high with upcycled textile artworks and trojan horses signifying Gogo's Greek heritage, signed by Akira in red calligraphy. The models included people with diverse gender identities and body shape and size. - Kristina StankovskiOutfit consisting of a headpiece, top, skirt and shoes (pair). The fabric of the hat, top and skirt has been quilted and stitched together, and is of grey, white, black and yellow hues. The top has two sets of ties which fasten at the back of the waist. The skirt and top feature gold medallions which show a trojan horse and lettering. The shoes are lace up boots and include hues of fluro pink and yellow, as well as white, black and grey. The boots are lined with black vinyl. As part of this collection, this record includes six quilted squares of material created as test patch/samples of fabric used to create the outfit, and two test gold medallions. 9014.1 Headpiece 9014.2 Top 9014.3 Skirt 9014.4 Boots 9014.6 Six fabric sample squares 9014.6 Two gold medallions[printed on gold medallions] IORDANES SPYRIDON GOGOSjordan gogos, iordanes spyridon gogos, akira isogawa, 2023 afterpay australian fashion week, design, fashion, art, sustainability, innovation, trojan horse

Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p175 It’s Saturday morning and thousands of people are visiting St Andrews Market at the corner of Heidelberg-Kinglake Road and Proctor Street. It’s hard to find a park. Cars are banked up along the narrow road and crammed in a nearby parking area. Yet, at the market, people look relaxed and happy amongst the yellow box gums on the site where the Wurundjeri people used to gather. Stone artefacts unearthed there by Koorie researcher, Isabel Ellender, indicate the site was once a Wurundjeri meeting place, according to Aboriginal Affairs Victoria. Acoustic sounds mingle with quiet conversations. A guitarist blows a mouth organ while his bare toes tickle chimes. A tiny busker, perhaps five years old, plays a violin while sounds of a harp emerge from the hall. One stallholder, selling delicious-looking pastries, chats to another in Spanish, then to me in broad Australian. ‘I was born in Fitzroy but my mother came from Mexico and my dad from Serbia,’ she smiles. A New Zealander fell in love with Mongolia and now imports their hand-made embroidered clothes and Yurts (tents) and runs adventure tours. A young woman visited Morocco and when friends admired the shoes she bought, she decided to import them and sell them at the market. Oxfam sells Fair Trade toys and clothes and displays a petition to Make Poverty History. Other stalls sell Himalayan salt, jewellery made from seeds from northern Australia, glass paper-weights from China as well as locally grown vegetables, flowers and organic freshly baked bread. A woman sits in a state of bliss under the hands of a masseur. Another offers Reiki or spiritual healing. A juggler tosses devil sticks – ‘not really about the devil,’ he smiles. This skill was practised thousands of years ago in Egypt and South America he says. At the Chai Tent people lounge on cushions in leisurely conversation. The idea for the market was first mooted among friends over a meal at the home of famous jazz and gospel singer Judy Jacques.2 Jacques remembers a discussion with several local artists including Marlene Pugh, Eric Beach, Les Kossatz, Ray Newell and Peter Wallace. ‘We decided we wanted a meeting place, where all the different factions of locals could meet on common ground, sell their goodies and get to know one another,’ Jacques recalls. They chose the site opposite another meeting place, St Andrews Pub. A week later Jacques rode her horse around the district and encouraged her neighbours to come along to the site to buy or sell. On February 23, 1973, about 20 stallholders arrived with tables. They traded ‘second-hand clothes, vegetables, meat, cheese, eggs, chickens, goats, scones, tea, garden pots and peacock feathers’. Now around 2000 people visit each Saturday. People usually linger until dusk. The market – with around 150 stalls of wares from a wide variety of cultures – stands alongside Montsalvat as the most popular tourist attraction in Nillumbik. By the 1990s St Andrews Market was in danger of being loved to death, as the site was becoming seriously degraded. The market was spreading in all directions and the degradation with it. A local council arborist’s report in 1994 noted exposed tree roots from erosion and compaction. The Department of Sustainability and Environment threatened to close the market if the degradation was not rectified. After many months of research, discussions and lobbying by a few residents, the council formed a Committee of Management, with an Advisory Committee, and introduced an Environment Levy. The State Government, the council and the market, funded terracing of the site to stop erosion, and retain moisture and nutrients. Vehicles were excluded from some sensitive areas and other crucial zones reserved for re-vegetation. Volunteers planted more than 3000 locally grown indigenous species. The old Yellow Box trees fully recovered and are expected to give shade for many years to come.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, didgeridoo, jesse tree, st andrews market, swiss hang drum

This photograph was taken at Samaria Farm on Sunday the 5th of September when Wooragee Landcare Group took a bus trip to the Tatong area (near Benalla) to look at land use on small farms. The day trip was organised to observe land use on small farms as well as a social event for the Group. Samaria Farm at the time was a nine-hectare property located in northeast Victoria, near Mount Samaria, 130 km Northeast of Melbourne. The photograph features several pigs believed to be the breed called Large Black. The Large Black Pig breed is a traditional, heritage breed that was first imported to Australia from the UK in the early 1900's. It is believed to have originated from the Old English Hog of the 16th and 17th Centuries. The first reference to them in the Australian Pure Bred Pig Herd Book was in 1912. They are a black pig with lop ears and were prized for their superior milking and mothering abilities and soon became popular with early Dairy Farmers who fed them whey from separated milk as part of their butter making process. They proved economical to keep and, being excellent grazing pigs, were also used to pick up windfall fruit in orchards. Their black colouring also enabled them to withstand the hot Australian summers and avoid sunburn which combined with their hardiness and docile temperament made them highly suitable for free-range pork production, however Large Black pigs tend to get very fat and were not suitable for intensive farming so were often crossed with other breeds for pork production. They are now quite rare as a pure breed having been on the edge of extinction for some time. They were rescued in the early 1990s by a rare breeds farmer in the Yarra Ranges. These days they are also the focus of a small conversation effort with six registered breeders currently in Australia. For biosecurity reasons there are no imports of live pigs or pig semen permitted into Australia. This photograph shows a group of people attending one of the events that Wooragee Landcare Group has organized within the educational framework of promoting best land management practices for all types of land uses and ensuring sustainability, in addition to encouraging community interaction via social events. The Large Black pig breed is significant because of their role in early Victorian farming. They are now quite rare as a pure breed having been on the edge of extinction for some time. These days they are the focus of a small conversation effort with six registered breeders currently in Australia. For biosecurity reasons there are no imports of live pigs or pig semen permitted into Australia. Wooragee Landcare Group is important to local community landcare and environmental management practices.Colour rectangular photograph printed on paperObverse: WAN NA EONA2N2. ANN+ 3 4240/ (No. 17) 370samaria farm, wooragee landcare, wooragee landcare group, tatong, benalla, black pigs, large black, traditional breed, heritage breed, pigs, lop ears, free range pork production, early victorian farming

In 2016 the Welcome to Eltham community project started to welcome Syrian refugees into the community and made Welcome Butterflies to say welcome to them. In addition to the physical book, EDHS also holds several hundred digital images pertaining to the development of the Welcome to Eltham campaign, photographs, artworks and graphic designs, which resulted in the publication of this book. EDHS also holds further material from the period 2016 to 2017 associated with the Welcome to Eltham campaign group. Contents: 1. Welcome Book Welcome Book includes selected page extracts and images as published December 2016 Contents: • Greetings to our Country P2 • Offering P8 • Your neighbours P10 • Rotary P39 • Eltham Baptist Church P44 • Eltham Farmers Market stall holders P48 • The Eltham community P54 • Surrounding communities P60 • Our Lady Help of Christians Primary School P64 • Nillumbik Greens P66 • Our Lady Help of Christians Church Eltham P68 • Catholic Care Eltham P70 • St Vincent’s P71 • Montmorency South Primary School P72 • Victoria Police P73 • Catholic Ladies College P74 • Warrandyte P76 • Eltham Toy Library P78 • Eltham-Montmorency Uniting Church P82 • Gingerbread P84 • Scouts P86 • Eltham businesses P89 • Surrounding communities P96 • The Seed P101 2. Administration 1. Welcome to Eltham Infant Plan, Purpose and Scope (Aug. 2016) 2. Circle of Friends; A draft proposal from Welcome to Eltham, 26 August 2016 3. Welcome to Eltham; a resident support group for refugees settling in Eltham (Sep. 2016) 4. Welcome to Eltham; Purpose and Scope (Sep. 2016) 5. Welcome to Eltham Plan (Sep. 2016); 10 pages typed of tasks broken into four categories, 10 pages 6. Welcome to Eltham Team/Volunteer organisation structure, volunteers’ skills assessment and role assignments, strategies, 11 pages 7. Briefing Document: Refugees being welcomed in Eltham, 2 Oct. 2016; 5 pages 8. Public Engagement Plan, 2 Oct. 2016; 2 pages 9. Welcome to Eltham 2016 Review, Values and Structure, 2017 10. Welcome to Eltham Incorporated Financial Report July 2016 – June 2017; 3 pages 11. Letter: Nina Kelabora and Welcome to Eltham Team to Bolton Street Fruit Market re offer to provide fresh fruit, 30 Jun. 2017 12. Welcome to Eltham Incorporated Annual Report 2016–2017; Oct. 2017; 4 pages 13. Certificate: Jagajaga Community Australia Day Award 2018 to Nina Kelabora, signed Jenny Macklin MP, Federal Member for Jagajaga 14. Certificate: Jagajaga Community Australia Day Award 2018 to Welcome to Eltham, signed Jenny Macklin MP, Federal Member for Jagajaga 15. Letter: Simon Le Plastrier, Principal, Eltham College to Nina Kelabora, 20 April 2018 offering congratulations for the work achieved by Welcome to Eltham group 16. Photo: River pebble covered in spray paint of multiple colours. The rock was used to hold down templates for painting butterflies on the footpaths near Andrew park as a counter to protesters assembling for the ‘Battle for Eltham’ demonstration on 5 November 2016 17. Photo: Welcome to Eltham team member, Gillian Essex 18. Photo: Welcome to Eltham team member, Kirsten Bate 19. Photo: Welcome to Eltham team member, Lara McKinley 20. Photo: Welcome to Eltham team member, Nina Kelabora 21. Photo: Welcome to Eltham team member, Sarah Hooten 22. Incorporation • AGM-minutes-2017 • Certificate of Incorporation • Mission and Values • Ordinary Business of the AGM 2017 • Welcome to Eltham Rules 23. Advocacy • Eltham Butterfly Effect Corflute panel design 5 November 2016 Rally • MemeFest PowerPoint presentation 23 November 2016 • Oxfam PowerPoint presentation 16 June 2017 • Eltham Rotary PowerPoint presentation 1 June 2017 • Welcome to Eltham Gift Card artwork 3. Artwork • Logo: Welcome to Eltham • 12 artworks by children of the Eltham Child Care Co-Operative (ECCC) o Me at the Immigration Museum by Ethan B. o Immigration Museum by Edie o Me with my family and lots of hearts by Charlotte o My suitcase like the refugees we learnt about with Bec by Jarvis o Me at the football with my friends by Harley o My suitcase if I had to leave the country by Ellen o Me at the park near the library by Chloe o Books at the library by Addison o Ethan’s grandfather who died in the war and this is him in his grave by Ethan o A nursery by Annabel o The age care home we visit by Ari o This is my mum the Ranger by Mia • Butterfly Effect, Ona Henderson 2016, inscribed “Dedicated to Nina, in appreciation of your butterfly effect for ‘Welcome to Eltham’; reproduced p1 • Ona and Sid gifting her artwork for use by the campaign; reproduced p1 • Duat and Iuk, Mandy Nicholson, Wurundjeri woman; reproduced p3 • These hands welcome you to Australia, Mungo, Warrandyte resident; reproduced p9 • The Library by Rose; reproduced p15 • Welcome to Eltham from Maia; reproduced p19 • Billy, Warrandyte resident; reproduced p20 • Through my window, Janet Boddy; reproduced p23 • Eryn and Lachie, Eltham residents; reproduced p25 • Eva, Eltham resident; reproduced p29 • This is the community hall across from my house by Cinta; reproduced p30 • Welcome, Brenda, Eltham resident; reproduced p34 • Flying over Kerry Crescent, Kerry, Eltham resident; reproduced p38 • A dragon called 'fat' from Joe, 6; reproduced p42 • A rainbow-heart-welcome from Trixie, 8; reproduced p42 • A lovely message from Sarah; reproduced p53 • Monique; reproduced p56 • Tom; reproduced p56 • Josh; reproduced p56 • Chloe; reproduced p56 • Jack; reproduced p57 • Mia; reproduced p57 • Ann Curry, Montmorency resident; reproduced p60 • From Mia: "Keep your head up high and be confident. I'm sure that you will soon find that Eltham is a very nice place and I hope you can have a happy life."; reproduced p77 • Amy; reproduced p79 • Ben; reproduced p80 • Welcome, Kayla, Warrandyte resident; reproduced p94 • Lucas; reproduced p98 • Ale; reproduced p98 • Grace; reproduced p99 • Hugo; reproduced p99 4. Australian-Syrian Charity • ASC – Certificate of Appreciation; Awarded from Australian-Syrian Charity presented to Welcome to Eltham Group by Rev. Fr. Samir Haddad, ASC president, 30 Sep. 2016 including two images of Father Samir and WTE organiser, Nina Kelabora 5. Butterflies • 148 images of handcrafted butterflies and artwork of butterflies edited for reproduction throughout the Welcome to Eltham book and for use on other placards, gift cards and promotional materials including the original source photographs (232 total) • 128 other images of butterflies submitted or photographed installed at various locations around Eltham • 11 images of metal butterfly artworks created by Linda MacAulay and Tim Read showing the works during creation at Bend of Isles and at initial install at the roundabout on Main Road at Luck Street then at the final install to greet the new arrivals and residents alike at St Vincents Aged Care Services (since demolished). 6. Eltham and Surrounds Residents and Local Businesses • 195 photos (157 published in book) submitted by local residents and businesses with people holding Welcome to Eltham placards including: Eltham Farmer’s Market, Eltham Baptist Church, CatholicCare Eltham, Nillumbik Greens, Hurstbridge Wattle Festival, Our Lady Help of Christians Eltham, Our Lady Help of Christians Primary School, Montmorency South Primary School, Warrandyte Primary School, Bronnie Hattam, Mayor, Nillumbik Shire Council, Vicki Ward, MP for Eltham, Jenny Macklin, Member for Jagajaga, Bend of Isles, Eltham Toy Library, Eltham Library, Eltham-Montmorency Uniting Church, Catholic Ladies College (CLC), First Eltham North Scouts, Warrandyte Primary School, Ona Henderson and many individuals and businesses. 7. Events • Alistair Knox Park, 12 August 2016 • Syrian Community Dinner, 30 September 2016 • Pop up Picnic, Eltham North Adventure Playground, 1 October 2016 • Alistair Knox Park, 7 October 2016 • At Our Lady of Help of Christians, 7 October 2016 • Andrew Park Butterfly Effect v Battle for Eltham, 5 November 2016 • City Rally, 5 November 2016 • Eltham Library Children’s Garden, 12 November 2016 • Eltham Festival, 13 November 2016 • Welcome Book Fundraiser, St Margaret’s Church, 11 December 2016 • Nillumbik International Women’s Day Dinner 9 March 2017 • Bush Dance, 17 June 2017 • Eltham Police Morning Tea, 29 July 2017 8. House warmers • Approximately 40 images of gift care items donated (food, drink, blankets, etc) intended as housewarming hampers 9. Media Media Releases • Eltham elders take to social media to welcome refuges, video goes viral; Wednesday 28 October 2016 • Eltham locals use their bodies to say WELCOME to refugees; 1 October 2016 • Community group welcomes Minister’s decision so refugees can call Eltham home; 5 October 2016 • Locals answer far-right “Battle for Eltham” with butterflies: thousand of them; 5 November 2016 Newspaper articles • Group fosters goodwill; organisation works to assist refugees; Brittany Shanahan; Diamond Valley Leader, Wednesday, August 17, 2016, p3 • Refugees are welcome (Gillian); Care is for the elderly alone (Fred); Plenty of positives in plan (Kirstin); Open your hearts and doors (Alison); Flood of families a worry (Cath), Conversations, Diamond Valley Leader, Wednesday, August 17, 2016, p11 • Support refugee housing; Diamond Valley Leader, Pamela Nash via Facebook, Janet R. Body, Eltham, Glenise Michaelson, Montmorency; Letters (online), 5 October 2016 • Refugees find a haven, and, Groups to fundraise for arrivals; Wednesday, October 12, 2016, p5 • Site for resettlement of refugees on a flood plane (Jacquie Bellchambers); Accommodating young families from a foreign culture in an established western culture retirement home will only lead to both parties feeling …. (Margit Alm); Great news for our community … (Nean Tatnal); Conversations, Diamond Valley Leader, Wednesday, October 12, 2016, p19 • Refugee scrap looms; daughter of Eltham aged-care resident upset as extreme group hijacks debate; Brittany Shanahan. Diamond Valley Leader, Wednesday, October 26, 2016, p1 • Many ready to welcome refugees into community (Megan Anne) and others; Conversations, Diamond Valley Leader, Wednesday, October 26, 2016, p20 • On a wing and a prayer; Chris Vedelago, Tammy Mills and Mark Hawthorne; Sunday Age, November 6, 2016, p3. – It was billed as the “Battle for Eltham”, but in te end the butterflies carried the day. • Rally hits trade; Diamond Valley Leader, Wednesday, November 9, 2016, p1 • Protests bad for business; Brittany Shanahan; Diamond Valley Leader, Wednesday, November 9, 2016, p8 • Police earn praise for keeping protest calm; Re: Battle for Eltham rally (Maree Quinlan) and others; Conversations, Diamond Valley Leader, Wednesday, November 9, 2016, p14 • Butterflies to counter anti-Muslim protest; Bianca Hall and Marissa Calligeros, The Age, November 5, 2016 • Rally created challenges but it’s time to move on; Re: Battle for Eltham rally (Local Area Commander Acting Inspector Danielle Leemon) and others; Conversations, Diamond Valley Leader, Wednesday, November 16, 2016, p19 • Praise for warm welcome (Linda Jajawi) and others also photo “Officers from Eltham police station welcomed newly arrived refugees to the community”; Conversations, Diamond Valley Leader, Wednesday, August 9, 2017, p15 • Refugees welcomed; Diamond Valley Leader, n.d. 2017, p12 • Refugee plan riles; Retirement centre residents voice concerns; Brittany Shanahan, Diamond Valley Leader; n.d. 2016 Facebook Responses • Responses top frequent Facebook comments regarding the housing of refugees in aged care at Eltham 10. Placards and Promotional Flyers • Selection of placard images and Welcome to Eltham Gift Card artwork 11. St Vincents • Two hand drawn sketches showing plan views of proposed front and rear units at St Vincents to be used by refugees 12. Videos • Feisties; several local seniors read online comments made by objectors and offer their own opinions; 00.02.28 • Tour of unit at St Vincents, 31 July 2016; 00.00.44 • Drone view of people creating Welcome sign at Eltham North Adventure Playground, 14 September 2016; 00.00.14 • Launching of the butterflies (campaign); Nina Kelabora releases the first butterfly into the wild; 00.00.24 • Gillian Essex, Welcome to Eltham, discussing counter strategy to protest demonstration (Battle for Eltham) scheduled for later in the day; 5 November 2016; 00.01.45 • Glenise Michaelson, Eltham local for 69 years discussing counter strategy to protest demonstration (Battle for Eltham) scheduled for later in the day; 5 November 2016; 00.01.30 • The Butterfly Effect, counter strategy to protesters 5 November 2016 Battle for Eltham rally; 00.02.24 with ten associated photos of the seniors involved; 31 October 2016 • Butterfly art ninjas 1 (15 secs), 2 (26 secs) and 3 (14 secs), showing the butterflies remaining in existence on the paths around Andrew Park, 16 November 2016 • Butterfly capture and release with Nina Kelabora– butterflies around Andrew Park relocated to the Children’s garden at Eltham Library, 17 November 2016; 00.00.28eltham (vic.), welcome to eltham (vic.), syrian refugees, refugees, social life and customs, butterflies, welcome butterflies, nina kelabora collection

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased these 1890s shoes around 1990 and recalled wearing them to approximately three events before she donated them to BHS in 2019. Di enjoyed the novelty and conversation they would inspire due to their unusual appearance by modern standards. The shoes are indicative of Di's playful approach to clothing and life. The decorative preserved mink pelt with head featured on the vamps of these shoes is typical of Victorian era interest in and prevalent use of preserved animals for decorative purposes in clothing, millinery and household adornment. This fashion reflected social positioning of oneself as being affluent, educated and worldly. Following the death of Queen Victoria's husband Prince Albert in 1861, the Queen's approach to mourning his death influenced social conventions for the public, with the wearing of black becoming a significant aspect of Victorian fashions. The shoes were made by Kendal Milne & Co, a large department store on Deansgate, Manchester. It has traded under various names and owners since it opened in 1832; it traded as Kendal Milne & Co from 1862-1919, and continued to be known by this name for many years after. The store is currently owned by the House of Fraser department store chain and is known as House of Fraser Manchester.Black silk linear quilted uppers of single piece construction with feature centre front vamp seam. Horsehair wadding can be seen along the side of the forefoot where the upper is coming away from the leather soles. Approx 4.5 cm plain black silk covered heel with leather top piece missing from right shoe. Both shoes feature the head of a small preserved mink with glass eyes. The toppling of the vamp features a decorative strip of mink fur. Inside of both shoes is a gold printed manufacturers label on the black silk insole.Manufacturers label - Made expressly for Kendall Milne and Co, Manchester.victoriana, mink pelt, taxidermy, 1890s, fur, di reidie, vintage clothing

Media Release 29 January 2016 Advocate of Racism to burn at Eureka Dawn A cardboard effigy of Senator Pauline Hanson, will burn at the Ballarat Eureka Stockade Memorial next Eureka Dawn 3 December. For eight years now effigy burning has become an integral and flamboyant part of the annual 3 December Eureka remembrance, part of the Reclaim the Radical Spirit of the Eureka Rebellion program organised by Dr Joe Toscano, medical practitioner, broadcaster on Melbourne community radio 3CR and Australia's best known anarchist. Colour photographs of the burning of a cardboard effigy of Pauline Hanson at dawn on Eureka Day, 03 December 2016. Pauline Hanson was chosen as the effigy to be burnt by the Anarchist Media Alliance at Eureka Dawn because she was an advocate of racism. eureka stockade, anniversary, joe toscano, reclaim the radical spirit of the eureka rebellion, graeme dunstam, pauline hanson, effigy burning, pauline hanson effigy