Cream viyella baby gown, smocked at front and at waist. Edged with cream cotton lace at neck and wrists. Decorative feather stitch on bodice, handmade button holes pearl buttons, 'jap' silk bodice lining, french seams throughoutcostume, infants'

Purchased from an opportunity shop, this dress is a stage costume bearing the label of Bonn & Mackenzie, a prominent UK costume designer from the 1950s to the 1970s. The dress appears to have been worn by June Bronhill (1929-2005), a prominent Australian opera singer and actress, whose name is handwritten on the label. Born June Mary Gough, she began using the stage name of Bronhill in 1952 in honour of her NSW home town of Broken Hill as a form of thanks to the local community who had helped raise money to send her overseas for professional training as a singer. Bronhill trained in London and gained early exposure with the English National Opera. She went on to star in many theatrical productions in Australia and the UK. She moved back to Australia permanently in 1976, and in 1980 was cast in her first television role as Mrs Crawford in the Australian version of 'Are You Being Served?'.Full-length short-sleeved dress of white cotton, lace and nylon, featuring elaborately ruffled sleeves and vertical stripes of lace on the skirt and bodice. The dress is open at the back, fastening with hooks and cotton ties to facilitate quick costume changes.Label, white cotton with red text: "BONN & MACKENZIE LTD. / TEMPLE BAR 1393". Handwritten underneath in black pen: "JUNE BRONHILL".june bronhill, bonn & mackenzie, theatre costume

Hand sewn by Mrs Marjorie McKeown (nee Ford) who most likely also wore this garment. This item is an example of the fine needlework skills of women in the first half of the 20th century.A silk shirt front with silk collar and decorated with pearl buttons down the front. It has lace insertions on either side of the pearl buttons. The back of this garment is made of plain cotton and has narrow cotton laces which tie around the front. costume-female

White Cotton Nightgown. Lace insertions & pintucks on bodice and sleeves. Squared neckline. Owens Family.stawell clothing material

Style of christening gown used during 1900'sLong white cotton gown, handmade. White cotton lace trim at neck. Handmade lace insertions in bodice, drawstring at waist. Skirt: four panels of six pin tucks and three rows of insertions, bottom frill 8.5 cm handmade lace.costume, infants'

Handmade.White cotton nightdress with lace collar and cuffsnightdresses, nightwear

White cotton petticoat. Half lace skirt.petticoats, underwear

Made by Esther Johnson (Mrs Cooper) for trousseau which was never worn as the groom died in action in WW1. Circa 1914. "Melrose" Queens Road no longer exists.Ladies white cotton with lace trim combination underwear with trapdoor. Blue ribbon threaded around the neckline. combinations, underwear

160cm wooden doll made from two clothes pegs painted and dressed in cotton and lace. Dolly pegs.handcrafts, country crafts

Lace-up 'jumpers' or jerkins were widely worn until the early years of the 20th century when they were repalced by woollen jumpers. They made a comeback in the early 1970s among some players who preferred them because they were harder for opposition players to grip than conventional woollen jumpers. This one was worn by Roger Merrett in the 1984 premiership win over Hawthorn. Lace-up jerkins were banned by the VFL in 1986 after Melbourne player Robbie Flower injured a finger in the lacing of an opponent's jerkinLace-up cotton jerkinVFL and Nubrik embroidered badges on front, white cotton "25" on back of jerkin

Displayed at History House. Item cleaned and starched by Anne Grant in 1993.White cotton and lace. Delicate stitch and cut-out work at hem and bottom third of gown and bodice. Capped sleeves.

Large 75cm tall plastic doll with curly blonde hair. Her eyes close when she is laid on her back. She is dressed in a cream muslin dress with vertical inserts of white braid. It is also trimmed with wide cream cotton lace on the bodice and hem and burgundy insert on the bodice. A burgundy sash is around her waist. Underneath the dress is a cream cotton pintucked petticoat trimmed with various cream laces and cream cotton bloomers trimmed with cotton lace and white satin bows. She is wearing black socks and brown canvas shoes with plastic soles. There is also a cream muslin bonnet, heavily trimmed to match her dress with a burgundy bow and a white muslin bow.toys, dolls, plastic

Fine cotton camisole with round neckline edged with 2 cm cotton lace. Sleeveless, edged with lace. Lace insert 10 cm deep at centre front shaped into a double shape over the bust line and across the shoulders at the back. It has had elastic in casing at waistline but this has now perished.costume, female, underwear

Found uncatalogued in our collectionCreamy white lace jabot of two gathered layers into an oval shape with centre of five lace flowers down the front. The lace is gathered to a central strip of net with a label with '1662' on it. At neck is a brooch pin sewn on. The cotton lace is edged with a sewn on narrow scalloped edge. Flower pattern is daffodils and leaves.1662costume, female

White cotton runner. Inserted lace and edged with applied lace.household textiles, table runners, lace

Displayed in History House. Laundered and starched by Anne Grant in 1993.White cotton and lace gown with long sleeves, lacework at waist, bib, collar, cuffs and hem, as well as embroidery edging the lacework.

This garment provides a good example of the mode of dress that young girls (4yo) wore in the Kiewa Valley circa 1920's early 1940'sHistorically this blouse details the fashion of this era. The simplicity of the cut of the blouse is offset by cotton lace and anglais stitching and piping. piercing colours for youngsters was not in vogue and home made clothing was a greater necessity in the Kiewa ValleyBlouse white cotton/linen for girl. Front opening with four button holes, no buttons. Blouse has set in sleeves, top flares out over hips size approx four(will fit 4 year old), long sleeves with broderie anglais cotton lace on edge of cuffs, piping where sleeves join bodicelace, garment, blouse, broderie, anglais

Trousseau of Mrs. A. Mitchell (1877)White cotton camisole with lace and insertion on collar and sleeves. Gathered waist.camisoles, underwear

Doilies are small ornamental mats, as of cotton, embroidery, lace, paper or plastic, often placed under cakes, sandwiches etc, on a plate. They were also used as a protection for ornaments placed on furniture to protect it from scratches.Large white cotton oval shaped doiley, with stitched edging. Applique flower cut outs.It has embroidered leaves.doileys, furniture accessories, table linen, soft furnishings

Underwear & 1 item of nightwear belonging to Mary Monica Fleck Turner (Smith). Turner Collection.Items of clothing belonging to an early Kilmore family making up part of the Turner Collection.Eight camisoles, one underskirt, one bottom half negligee, one nightgown case. Generally in very good condition. TEX-0055.1 Underskirt, cotton & lace with blue satin ribbon. TEX-0055.3 Embroidered nightgown case TEX-0055.4 Camisole, lace & cotton, circular design on front, cap sleeves, prev. repair L front, cap sleeves with rust stains L sleeve. TEX-0055.5 Camisole, lawn & lace, white ribbon threaded through neckline, small holes throughout. TEX-0055.6 Camisole, white broderie anglaise, narrow fabric shoulder straps, drawstring neckline. Small holes throughout. TEX-0055.7 Camisole, cotton & lace, twisted gold ribbon at neckline, small holesthroughout. TEX-0055.8 Camisole, broderie anglaise, wide lace shoulder straps, blue ribbon at neckline, drawstring waist. 2 buttons missing, tear to lace mid upper back. TEX-0055.9 Camisole, white cotton, embroidered, pink ribbon through neckline, pintucks & drawstring at waist, 3 buttons missing. TEX-0055.10 Camisole, muslin, softlace shoulder straps, blue ribbon at neckline, hook & eye at waist, buttons missing. TEX-0055.11 Camisole, cotton & lace, pink ribbon at neckline, some holes/tears, 2 missing buttons, previous repair under R arm.TEX-0055.11 - Label outside R bodice edge 'Melbourne/Robertson & Moffatt Pty Ltd/Bourke Street'.underwear, nightwear, turner collection, smith

This petticoat came from the estate of Ena Heazlewood and was donated to the Warrnambool and District Historical Society by Ena’s daughter. It appears to have been home-made. Mary Josephine (Ena) Todd was born in Warrnambool in 1920 and worked as a hairdresser at Josephine’s Salon in Warrnambool. In 1942 she married a Warrnambool man, Jack Heazlewood, a stoker on the H.M.A.S. Sydney at the time. They later lived in Sydney. A petticoat such as this one would have been stiffened with starch and worn under a ball dress (or a stage costume) in the mid 20th century. This petticoat is of interest as an example of a skirt worn underneath a ballroom dress or a stage costume in the mid 20th century. It also has some provenance as it come from the estate of Ena Heazlewood, a former Warrnambool resident.This item is a white cotton petticoat with a flap opening at the front waist enclosed by two white buttons. The petticoat is gathered at the waist to make a wide flared skirt and has alternating panels of plain white cotton and broderie anglaise material. There is a flounce at the end stitched with cotton-covered rope at the top and the bottom of the flounce. The bottom of the petticoat has a cotton lace trim. vintage clothing, todd & heazlewood families, warrnambool, history of warrnambool

St Omer Church was built from 13th to 16th century in Omer, France. Omer airfield is not far from Ypres and was an airfield used by the RFC and RAF.Square multi coloured embroidered cloth. Flower, flower buds, leaves, stems on cream silk. Cotton lace border on all sides. Blue nylon ribbon bows attached at each corner. Centre - black lead sketch of St Omer Church. The item is framed in a dark wooden frame and has a dark green mounting board behind the silk." St Omer" embroidered in metal thread under the picture of the church.souvenir, embroidery, textile, ww1

Cardboard or plastic horse shoe shape wrapped in white satin ribbon. The face of the horse shoe is covered in pleated two - edged cotton lace 3 cm wide. A small silk flower, with stamen at the centre trims the lower edge of the horse shoe. A silk ribbon bow sits at the top of the horse shoe, with a 17 cm long wrist loop.wedding, accessories, wedding horse shoe

William Gray was the President of the Whitehorse Historical Society during the 1980s and this was the property of his wife Beryl GrayDoyly. Oval, 38cm x 27cm, Needle Lace. Inner ground surrounding the flowers, is on French Argentinian ground or mesh with cotton handmade lace.manchester, table linen