Showing 173 items
matching dark green glass
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Heidelberg Golf Club
Photograph - Framed Photograph, Gavin Duncan - Captain - 2011-2014, 2011
Gavin Duncan, Heidelberg Golf Club Captain, 2011-2014 and 2001-2004 One of a set of framed portraits of Club Captains. Framed colour portrait, timber frame with dark green mount under non-reflective glass.Gavin Duncan - Captain - 2011-2014hgc captains, gavin duncan -
Heidelberg Golf Club
Photograph - Framed Photograph, John Van Der Pol - Captain - 2005-2007, 2005
John Van Der Pol, Heidelberg Golf Club Captain, 2005-2007One of a set of framed portraits of Club Captains. Framed colour portrait, timber frame with dark green mount under non-reflective glass.John Van Der Pol - Captain - 2005-2007hgc captains, john van der pol -
Heidelberg Golf Club
Photograph - Framed Photograph, Roger Greene - Captain - 2008, 2008
Roger Greene, Heidelberg Golf Club Captain, 2008. Roger was also HGC President 2005-2006.One of a set of framed portraits of Club Captains. Framed colour portrait, timber frame with dark green mount under non-reflective glass.Roger Greene - Captain - 2008hgc captains, roger greene -
Heidelberg Golf Club
Photograph - Framed Photograph, Graham Nicks - Captain - 2009, 2009
Graham Nicks, Heidelberg Golf Club Captain, 2009One of a set of framed portraits of Club Captains. Framed colour portrait, timber frame with dark green mount under non-reflective glass.Graham Nicks - Captain - 2009hgc captains, graham nicks -
Heidelberg Golf Club
Photograph - Framed Photograph, Bruce Meikle - Captain - 2010, 2010
Bruce Meikle, Heidelberg Golf Club Captain, 2010One of a set of framed portraits of Club Captains. Framed colour portrait, timber frame with dark green mount under non-reflective glass.Bruce Meikle - Captain - 2010hgc captains, bruce meikle -
Parks Victoria - Mount Buffalo Chalet
Billiard table
The Billiard Room and South wing were completed in 1914, built by recommendation of the Lesee John Newton and the Government Tourist Officer and Supervising officer of the Government Chalet, James Boyce... "Boyce was present at the Chalet on 14 March to witness the completion of the new wing's foundations ...when he returned in June he found the wing approaching completion and that '... the billiard table was expected to reach the Chalet during the week'. The table possibly came second-hand from the Oriental Hotel, Bright. When visiting in March, Boyce had heard from a Mr Tewksbury 'that he is disposing of those at the Oriental Hotel so that if the Public Works Department is going to provide the table for the Chalet it might be possible to pick one up cheap from the Hotel'. It's reasonable that the Chalet did acquire one of the second-hand tables in 1914 and, and changed over to a new model in the 1930s. Three billiard tables remain in the Chalet Billiard Room today; one full sized table and two smaller tables, one perhaps a pool table. The full-sized table was made by the well-known billiard table manufacturers Alcock, Thomson & Taylor, who adopted this name when they merged their billiard businesses in January 1930. Henry Upton Alcock had initially established the business in Fitzroy in the mid-1850's and the table at the Chalet resembles the 'Squatter's Favourite' model that Alcock first produced in the nineteenth century from Australian timbers. this style of table was installed in Melbourne's Parliament buildings, several prestigious clubs as well as hotels and houses."(Pg 13-14. Historica)Listed in Appendix A.1 Furnishings. - Billiard Room. Draft Inventory of significant Collection Items. (Pg 162 Historica, 2011)1. Full size billiard table made of dark wood with eight turned legs. Green blaize covered table surface. 2.Wooden triangle to enclose balls. 3.balls(16) .4 Wooden backed bristle brush with VR stamp. 5. Billiard scorer with Alcock & Taylor, Pty, Ltd. 6. framed billiard rules. 7. Pool balls & cue rest. .8Plus 1x revised rules of pool framed behind glass.(stored in area 23) 1 x original cue rest.Alcock, Thomson & Taylor. -
Ballarat Heritage Services
Photograph - Digital photograph, Brenda & Jack Ford, Eureka Diorama entrance, 14/12/1993
The signage that detailed the events surrounding the Eureka Stockade diaroma was affixed to the hut wall beside the entrance to the interior diorama. In the first photograph, you can see the dark, bare timber colour of the slab wood that held the signage plus (on the left side) one of the numerous holes in the slab walls. This made the display very cold and draughty in its interior. Once inside, you were confronted with an earthen, gravel and leafy floor, which became muddy, after rain, as it was on the day this photograph was taken. The diorama was held in a glass and cement display case. with no lights on. It was dark inside the hut so the diorama was not easy to see unless you inserted a coin into a metal pay-box. Then lights would turn on and a recording of shouting and gunfire (representing the battle noise) would play. The Photographer remembers the whole experience to be short and underwhelming. Once outside the diorama’s slab hut, you could walk across to a partial representation of the stockade’s fortifications, complete with two wagon wheels. This space was also graveled to distinguish it from the rest of the green-lawn park. digital photographeureka stockade, diorama, jack ford, brenda ford, eureka stockade memorial -
Ballarat Heritage Services
Photograph - Digital photograph, Brenda & Jack Ford, Eureka Diorama exit, 14/12/1993
The signage that detailed the events surrounding the Eureka Stockade diaroma was affixed to the hut wall beside the entrance to the interior diorama. In the first photograph, you can see the dark, bare timber colour of the slab wood that held the signage plus (on the left side) one of the numerous holes in the slab walls. This made the display very cold and draughty in its interior. Once inside, you were confronted with an earthen, gravel and leafy floor, which became muddy, after rain, as it was on the day this photograph was taken. The diorama was held in a glass and cement display case. with no lights on. It was dark inside the hut so the diorama was not easy to see unless you inserted a coin into a metal pay-box. Then lights would turn on and a recording of shouting and gunfire (representing the battle noise) would play. The Photographer remembers the whole experience to be short and underwhelming. Once outside the diorama’s slab hut, you could walk across to a partial representation of the stockade’s fortifications, complete with two wagon wheels. This space was also graveled to distinguish it from the rest of the green-lawn park.digital photographeureka, diorama, 1993, jack ford, brenda ford, eureka monument, memorial -
Wodonga & District Historical Society Inc
Functional object - Vase, c1910
The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This item is from the Haeusler collection. It is a stoneware, urn-shaped vase. The mark "V210" underneath the vase identifies it as an Antique Majolica Green Glazed Victorian Mantle Vase. Majolica is an earthenware pottery decorated with a clear lead glaze. It became very popular during the Victorian era. This item is from the Hauseler Collection which documents social life of early settlers in the Wodonga community.A stoneware, urn-shaped vase. It has a waisted square foot, urn shaped body, trumpet neck and two curved side handles. It is decorated with scrolling leaves on the body and leaves on the foot, glazed with a monochrome dark green glaze.Underneath Base V210household items, decorative arts, ceramics, haeusler collection -
Bendigo Military Museum
Certificate - CERTIFICATE WW1, FRAMED, Post WW1
... Timber frame, mid brown with glass front, dark green mount... with glass front, dark green mount. Discharge Certificate for ANTHONY ...ANTHONY NEWMAN No 3243 enlisted in the AIF on 28.10.1914 age 22 years 5 months in the 1st reinforcements 2nd FAB AIF as a Gunner. Embarked for Egypt 22.12.1914, embarked for Gallipoli 30.4.1915, transferred to 3rd FAB 6.9.1915. Hospitalised with Jaundice serious enough to be transferred to Malta then England, returned to unit 10.3.1916. Transferred to 12th FAB 26.3.1916 then to 4th Div AHQ 31.3.1916. Embarked for France 2.6.1916, discharged from the AIF 10.5.1919 medically unfit.Timber frame, mid brown with glass front, dark green mount. Discharge Certificate for ANTHONY NEWMAN printed in black & red colour on cream coloured paper, features the Royal coat of arms mounted on 2 columns all in red ink. Illustrated in black is Britannia holding a Union Jack flag & facing 2 soldiers who are presenting arms. At the bottom is a scroll with the recipients name written in black ink. Block print label mounted within dark green mount, centre lower edge. Within the red scroll border: “Anthony Newman Australian Imperial Force Served with honour & was disabled in the Great War. Honourably discharged on 10.5.1919 George R I” Label centre lower edge: ANTHONY NEWMAN Regt No 3243 2nd FAB Enlisted 23.10.194 Discharged 10.5.1919 medically unfit. Donated by R Fair. Stamped at the bottom: V22526 documents - certificates, newman, disabled -
Bendigo Military Museum
Certificate - CERTIFICATE WW1, FRAMED, c.1919 Certificate
... Timber frame, mid brown with glass front. Dark green mount... with glass front. Dark green mount. In Memoriam Certificate decorated ...Refer Cat No 172, 173 for service details.Timber frame, mid brown with glass front. Dark green mount. In Memoriam Certificate decorated in grey, silver print, flowers & leaves, red & blue crossed flags. Red paper common seal of the Shire of East London at lower right. Oval shaped black & white photo, portrait of a soldier in uniform inserted in a frame within the certificate at lower left. Some of the print appears to be hard printed.“Bmdr A.J Dalziel 3rd Div Trench Mortar Battery. Died in France 24th Feb 1916. Aged 24 years. Signed by Shire of East London, President & Councillors”documents-certificates, frame accessories, shire seat loddon, dalziel -
Bendigo Military Museum
Print - PRINT, FRAMED
... with decorated edge, mid brown colour stain - glass front. Mount - dark... colour stain - glass front. Mount - dark green coloured cardboard ...Framed print of an original oil painting by Allan Waite FRAS, AWI - 1997 of The battle of Long Tan 18th Aug 1966, Print of painting - coloured scene of "The Battle of Long Tan" depicting various infantry and artillary during the battle. Frame - timber with decorated edge, mid brown colour stain - glass front. Mount - dark green coloured cardboard.Black print below print ÄLLAN WAITE, FRAS, AWI, 1997/ THE BATTLE OF LONG TAN/ 1st AUGUST 1966/ Print Number ...... of 150. Blue print below print copy of signature "Allan Waite".illustrations-prints, framed print, battle, vietnam -
Bendigo Military Museum
Photograph - PHOTOGRAPHS, FRAMED, unknown
Labels below photographs. Left) "Lt. S. De Araugo/As a Company Sergeant Major he was Mentioned in Despatches" Top right "Pte W. Howard No.763, A Coy, 14th Batt AIF/ Pte F. Poliness No.114, A Coy, 14th Batt AIF/ Pte S. De Araugo No. 49. A Coy, 14th Batt AIF/ All from Bendigo District they volunteered to go in an attack with/Albert Jacka V.C., M.C. and Bar No,465, D Coy 14th Batt. AIF on/Gallipoli in May 1915. In this attack Jacka won the first Australian VC./ In WW1 Howard was wounded 3 times in the attack. He survived and/ in 1917 as a Corporal he was taken P.O.W. at Bullecourt. Bottom right: "S.E. De Araugo and A. Jacka both as Sergeants./ Place and time unknown. Donated by Mrs Kathleen Williams, Bendigo." Photograph - framed. Photograph- collection of 3 black and white photograph. Left - portrait of a soldier in uniform. Top right - group photograph full portrait of 3 soldiers in uniform. Bottom right - 2 soldiers sitting on a bench. Berlow each photograph - names and description of soldiers in black print on white background.` Frame - timber with decorative moulding, bown stain finish. Mount in dark green with second inner mount with dark brown edge. Glass front and cardboard/paper backing. photography, framed photographs, accessories, ww1 -
Rutherglen Historical Society
Image, Thalma Studios, 1912 (Approximate)
Associated with Rutherglen Premiers football teamPhotograph of Rutherglen Football team, circa 1912, mounted & framed, glass cracked down centre. Group with cup, members of team in club colours. Black & white photograph on dark green card mount, carved timber frame, painted green.On bottom of mount: "Thalmas / Opp. P.O. /Rutherglen". On cup in photo: "Rutherglen Premiers".football, rutherglen premiers -
Bendigo Military Museum
Memorabilia - MONTAGE WW1, FRAMED, Post WW1
Original owners: John GRYLLS Reg No 418, Unit: 4th Light Horse, WWI John Frederic GRYLLS Reg No 51033, Unit: RAAF, WWII John Grylls No 418 enlisted on 19.8.1914 in the 4th LH Regt AIF age 28 years 8 months. He enlisted with the rank of Sergeant having had 3 years prior service in the LH. Embarked for Egypt 19.10.1914, embark for Gallipoli 20.5.1915, to hospital 12.12.1915 with Mumps, rejoin unit 22.12.1915, embark for France 25.3.1916, transfer to 1st Anzac Cyclist Batt 12.5.1916, promoted to CSM 13.5.1916, promoted to RSM 7.4.1917, hospital 9.7.1917 with Scabies, rejoin unit 31.7.1917, embark for Australia 24.9.1918, disembark Colombo with Lobar Pnuemonia, embark for Australia 10.1.1919, discharged from the AIF 30.3.1919.Fawn wooden frame with white cardboard backing, glass front & rear white hanging cord. Sepia photo of WO Class 2 John GRYLLS with his medals, badges & Certificate of Discharge. All mounted on dark green background & border.Bottom RHS of Montage: “Warrant Officer Class I John Grylls - 418 1st ANZAC Cycle Battalion Australian Commonwealth Military Forces” montage, framed, 418 -
Bendigo Military Museum
Certificate - SHIRE CERTIFICATE WW2, FRAMED, C.1946
Refer Cat No 3911 re Millington.The Call To Arms 1939 certificate presented to L G MILLINGTON by citizens of Axedale & Districts. Photo of King George between Union Jack & Australian flags at top. Cream background with various badges, green leaf border, mounted on dark green border. Tan wooden frame, glass front, white cardboard backing & wire hanging strap. Bottom RHS signatures by: Chairman, Hon Secretary on 28.6.1946 In black texta on backing: B HOPGOODcertificate, shire, axedale -
Glenelg Shire Council Cultural Collection
Artwork, other - Painting, Neville Touzeau, Eclipse 3, 1972
UnknownAbstract composition of 24 circles, evenly spaced across image. In orange, yellow, brown, green, blue and white, with each alternate circle taking on aspects of the colours beside it. Set in dark blue background. Mounted in dark green matt. In wooden frame with glass glazing.Front: (no inscriptions) Back: "Eclipse 3" Neville Touzeau $40 '72 Touzeau 276 (lower right)(blue pen) Touzeau (black felt pen) Flight IV 50 Touzeau (blue pen, scribbled out in blue felt pen) -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Bossiaea cordigera (Wiry Bossiaea), n.d
Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Drawings of a plant stem with detailed views of flowers and leaves. Upper left is a top view of a yellow and red flower, labled "b1". Below this is a study of two heart-shaped, dark green leaves ("c"). In centre is a setm view with many-leafed stems coming from the central stem (approximately 8-10 leaves per stem) ("a"). Three flowers on long thin stalks come from these leafed stems. One bud and two seed pods are also shown sprouting from the stems. On right are two flower views - one side view and one back view. Numbers are in pencil and are also printed on white paper and glued to surface of the paper. The work is mounted in a double matt (off-white on yellow) and framed under glass in a wooden frame with gold paint.Front: Bossiaea cordigea (lower left) (pencil) Written in hand unlike the artist's over an erased pencil title. CEW (signature, lower left of image) (purple pencil) Back: 52 (upper left) (pen) -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Swainsona phacoides (Dwarf Swainson Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Stem view and details of a flowering plant in colour pencil. On left a stem view depicts stem with two off shoot branches of leaves and pea flowers on a long stem. The leaves are dark green, flat, long and gradually tapered with paler central vein. Flowers are purple with white partially blended striations. On right (t-b): front view of pea flower; side view with partial stem; rear view with sepals; leaf views with rear, front and side depicted in detail; side view of whithered flower. Numbered in pencil and typed letters on white paper affixed to surface of image. Mounted in double matt (pale grey on mauve), framed under glass in wooden gold and green frame.Front: Swainson phacoides (Dwarf Swainson Pea) (lower left) (pencil). CEW (lower centre in image) (maroon pencil). Back: 71 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema -
Glenelg Shire Council Cultural Collection
Print, Nancy Malseed, Bird Trip, 1973
UnknownThree separate images of birds. Top image is six large abstract birds with 12 birds in background (upper centre). Centre panel contains 3 birds in flight, brown against a grey background. Lower panel contains 3 walking birds, black and white against a brown background. Mounted in a dark green matt, in a black wooden frame with glass glazing.Front: 3/20 Etching and roll-up (lower left) "Bird Trip (centre) N. M. Malseed (lower right) (pencil) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Leucopogon woodsii (Nodding/Broom Beard-heath), 1971
Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of cutting and flower and foliage details of plant with brown stem, green foliage, pale green buds and white (star-shaped) flowers. Eight drawings including one pink and green seed pod, one flower detail (side view, bell-shaped), one cutting with foliage and flowers, one stem detail with leaves or buds, one flower detail (above view, star-shaped), one flower bud (side view) and one dark green and one green-brown leaf details. The work is mounted in a double matt (grey on white) in framed under glass in a gold and green-grey frame.Front: CEW/71 (signature, lower left in image) (orange pencil) Leucopogon woodsii (lower centre) (pencil) 12/5/71 (lower left, erased) 42 (lower right, erased) Back: 9 (upper left) (pen)cema, botanical, collin woolcock -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Olearia asterotricha (Rough Daisy-bush). Olearia ramulosa (Twiggy Daisy-bush), 1984
Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of cuttings and flower details of two plant species. Six drawings include single cutting of Olearia asteroticha with brown stems, bright green long leaves and blue (daisy-like) flowers with purple and yellow centre, a single cutting of O. ramulosa with green-brown stem, dark green long leaves and white (daisy-like) flowers with pink and yellow centres, one small flower detail (left), one white flower detail (centre) and two leaf details (right). The work is mounted in a double matt (off-white on pale blue), framed under glass in a gold and grey-green frame.Front: Olearia asterotricha (Rough Daisy-bush) " ramulosa (Twiggy " " ) (lower left) (pencil) CEW/84 (lower left in image, next to stem) (maroon pencil) Back: 42 (upper left) (pen) -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Leptorhynchos Squamatus (Scaly Buttons), Leptorhynchos Tenuifolius (Wiry Buttons), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Two drawings of two different plants. On left is a stem with woody central stem, densly foliaged elongated leaves with dark green top and pale underside. Three long-stemmed flowers are at top of plant, with yellow petals on grey multiple sepals. At centre of image is a flower detail of this plant. Drawing at right is a plant with fine, long leves and small, button-like yellow flowers with grey multiple sepals. To the far right are two details of these flowers. Mounted in double matt (grey on peach), framed in gold wooden frame under glass.Front: Leptorhynchos squamatus (Scaly Buttons), Leptorhynchos tenuifolius (Wiry Buttons) (lower left) (pencil). CE Woolcock (lower right, signature) (pencil). Back: 18 (upper left) (pen)cema, botanical, collin woolcock -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Monotoca Scoparia (Prickly Broom-Heath), 1982
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Drawings of stem, leaf and flower details. At left is stem with small, long dark green leaves with small white flowers. At top centre is detail of a white flower from a top view and to right is flower view from bottom view. Below this (l-r), t-b) are: side flower view, leaf top view, stem detail with leaves and buds, bottom leaf view. At bottom left is detail of two buds. Mounted in double matt (white on sage), frammed under glass in gold detailed wooden frame.Front: Monotoca scoparia (lower left) (pencil). CEW/82 (centre left in image) (brown pencil). Back: 1 (upper left) (pen) -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Dillwynia Cinnerascens (Grey Parrot-Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibition CEMA 1989.Detail of plant stem on left and on right details of pea flowers and stem views. Stem view on right is a long stem with many fine green leaves (long and thin). At top of stem is a cluster of range pea-flowers and buds. On right of page (t-b): view of pea-flower from top, showing orange petals and dark pink and magenta colouration at centre; side view of emergent bud; stem detail with leaves; side views of full bloom flower; rear view of flower. All views are numbered in both pencil and on typed paper affixed to surface of image. Mounted in double matt (white on faun) framed under glass in wooden frame with gold detail.Front: Dillwynia cinerascens (lower left) (pencil). CEW (lower left, in image) (purple pencil). Back: 41 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema -
Glenelg Shire Council Cultural Collection
Painting, Alan Wilson, Crumpets, 1991
Exhibition, CEMA 1991.View of beach with crumpets in foreground and hills and cliffs in background. Scene sweeps up to the right of image. Sea is breaking over several boulders along shoreline. Far out to sea the water's colour is dark green and indigo, arond a rocky island. Sky is pale blue with violet clouds near horizon line and white wispy clouds above. Mounted in a double matt (white on violet) and framed under glass in decorative wooden frame with gold decoration and paint.Front: (no inscriptions) Back: Alan Wilson. "Crumpets". Hollands framing sticker (lower centre). Oils-on canvas on ply. 1991. (lower right) (pen) 1991 (lower centre) (pencil). -
Glenelg Shire Council Cultural Collection
Print - Print - Play in swing in carnival tent, Gabrie, Sigitas, 1973
Print Council of Australia Members' Print Commission, 1973Image of a carnival enclosure - one continuous tent wall with an open back. No roof. Front entrance is indicated by a partition to one side of the tent, edged in brown, opening in an inverted 'v'. Inside the tent is a swing with a seat and chains aloft in swinging motion. A black rope lies on the ground. Five black poles hold up the tent walls, secured by green cords to black pegs in the ground/ Mounted in dark cream matt and in a wooden frame with glass glazing.Front: 30/60 (lower left) "Play in swing in carny tent" (centre) Sigi Gabrie 73 (lower right) (pencil) Back: Sigi Gabrie "Play - in wing in carny tent" (1973) Silk screen and Litho (top left) (Typed table) -
Glenelg Shire Council Cultural Collection
Painting, High Tide, 2003
Portland Library Exhibition, 2005Abstract painting with predominantly green, rose and yellow colours. Mounted in cream double matt, in dark wood frame with glass glazing.bruce vinall, warrnambool artist, watercolour, abstract -
Glenelg Shire Council Cultural Collection
Painting - Painting - [Moonlight Trees], Pro Hart, untitled [Moonlight Trees], 1967
Included in the 1999 "Salvage" Exhibition at CEMA Arts CentreThe painting depicts numerous leaf-less trees in the moonlight. The trees are painted in shades of brown, black and cream with the main focus on those in the centre foreground. The surrounding trees are completed in darker shades and are hazy and out of focus. The glow of the moon is depicted in white which dissipates into the dark blue/green sky. In contrast to this, a burnt orange is used as the background for the trees. The work has a gold and black frame with no mount or glass.Front: 67 PRO HART (black and gold paint, lower corners) Back: PRO HART "UN-NAMED" (1967) Donated by the Artist (typed label) White Sticker: 2 (in a circle) -
Glenelg Shire Council Cultural Collection
Painting, Phillip Petrie, Langley's Bridge, 1990
Depiction of a bridge over a creek edged with trees. On left are the branches of a tree with grey-green leaves. The creek fills the lower centre area of the image, painted in pale blue, grey, highlights of white and darker areas of dark blue. The wooden rail bridge curves in an even arch in centre of image. On right is a bank rising from the creek, with large tree with pale grey-green foliage and a tree with darker olive foliage. The background shows what could be hills and the sky is very pale blue. Mounted in a double matt (white on orange), framed under glass in wooden frame with gold details.Front: Phillip Petrie 90 (lower left) (grey paint). Back: "Langley's Bridge" watercolour. 570 x 420 mm $150.00