Showing 398 items
matching domestic work
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City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Haberdashery, tray-covers x 3, c1900
... that lived and worked in Moorabbin Shire brighton moorabbin linen ...These 3 hand-embroidered and crocheted tray-covers are an example of the dressmaking and craftwork skills of the women of the pioneer settlers families in Moorabbin Shire c1900Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families. Danish heritage is an example of the many nationalities that lived and worked in Moorabbin Shire 3 large cotton tray-covers with hand-embroidery and crochet-work.brighton, moorabbin, linen, pioneers, haberdashery, market gardeners, dressmakers, craft work, early settlers, pedersen-green carole, green carole, denmark, scandinavia -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Haberdashery. supper cloth, early 20thC
This hand-embroidered supper cloth is an example of the dressmaking and craftwork skills of the women of the pioneer settlers families in Moorabbin Shire c1900Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families. Danish heritage is an example of the many nationalities that lived and worked in Moorabbin Shire. A linen supper cloth with hand-embroidered Chinese lanterns and a crocheted edgebrighton, moorabbin, linen, pioneers, haberdashery, market gardeners, dressmakers, craft work, early settlers, pedersen-green carole, green carole, denmark, scandinavian -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Haberdashery, napkins damask, early 20thC
Damask is a reversible figured fabric of silk, wool, linen, cotton, or synthetic fibres, with a pattern formed by weaving. Damasks are woven with one warp yarn and one weft yarn, usually with the pattern in warp-faced satin weave and the ground in weft-faced or sateen weave. Damasks derive their name from the city of Damascus - in Middle Ages it was a large city active both in trading, as part of the silk road, and manufacture. By the fourteenth century damasks were being woven on draw looms in Italy. Modern damasks are woven on computerized Jacquard looms. Damask weaves appear most commonly in table linens and furnishing fabrics, but also in clothing. The Damask weave is used extensively throughout the fashion industry due to its versatility and high quality finish.6 white damask, dinner napkins with varied patterensbrighton, moorabbin, linen, pioneers, haberdashery, market gardeners, dressmakers, craft work, early settlers -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Haberdashery, napkins hand-embroidered, early 20thC
These 3 hand-embroidered cotton napkins are an example of the dressmaking skills of the women of the pioneer settlers families in Moorabbin Shire early 20thC Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families 3 hand-embroidered cotton dinner napkinsclothing, brighton, moorabbin, linen, pioneers, haberdashery, dendy henry, market gardeners, dressmakers, craft work -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Kitchen equipment, sad iron, c1880
Sad-irons or "solid" irons were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash.. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The handle was removed from the cool iron and re- attached to remove the hot iron from the fire. The cool iron was replaced on the fire or stove to heat again. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer.These sad irons remind us of the difficult circumstances experienced in their daily routines by the pioneers and early settlers of Moorabbin Shire. The family of Miss M Curtis were early settlers in Moorabbin Shire. Sad-iron, domestic, flat, cast iron, Silvester's Patent, No 6, Salter, England, c. 1890-1900s A sad iron made from cast iron was heated over a fire or on a stove and used for pressing clothing and table wareSILVESTER'S/ PATENT/ SALTERS / No 6 with the pretzel & a arrow going through the centresad iron, kitchen equipment, pioneers, early settlers, market gardeners, sewing, craftwork, clothing, moorabbin, brighton, bentleigh, fireplaces, stoves -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Kitchen Equipment, flat iron with trivet stand, c1880
Sad-irons or "solid" irons were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash.. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The handle was removed from the cool iron and re- attached to remove the hot iron from the fire. The cool iron was replaced on the fire or stove to heat again. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer. These sad irons remind us of the difficult circumstances experienced in their daily routines by the pioneers and early settlers of Moorabbin Shire The family of Miss M Curtis were early settlers in Moorabbin Shire. A) A heavy cast iron, flat iron with B) horseshoe shaped trivet stand c1880 The trivet can be attached to a table by an adjustable clamp.A) 5 on tip of ironsad iron, kitchen equipment, pioneers, early settlers, market gardeners, sewing, craftwork, clothing, moorabbin, brighton, bentleigh, fireplaces, stoves -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Kitchen equipment, spirit-fuelled sad iron, c1920
Sad-irons or "solid" irons were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash.. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The handle was removed from the cool iron and re- attached to remove the hot iron from the fire. The cool iron was replaced on the fire or stove to heat again. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer. Late in the 19thC designers experimented with heat retaining fillings for these irons. William Coleman began selling Kerosene lanterns in 1900 in Kingfisher, Oklahoma, USA. He moved to Wichita, Kansas in 1902 and the company became world wide. The company also produced a range of cooking stoves and domestic irons. This spirit- fuelled flat iron was very popular in 1920s - 30s These sad irons remind us of the difficult circumstances experienced in their daily routines by the pioneers and early settlers of Moorabbin Shire The family of Miss M Curtis were early settlers in Moorabbin ShireA) spirit- fuelled, sad iron with chrome plated sole c1920, and metal trivet The iron is blue enamel with a white speckled body, with a hemispherical tank for the Coleman 'Lighting Petrol' that provided the heat for smoothing the material B) Coleman Fuel measuring can and funnellMetal Trivet/stand " COLEMAN" ; Petrol can " COLEMAN" / MEASURING CAN / for INSTANT LIGHTING IRON/ with printed instructionssad iron, kitchen equipment, coleman william, kansas, oklahoma, pioneers, early settlers, market gardeners, sewing, craftwork, clothing, moorabbin, brighton, bentleigh, fireplaces, stoves, petrol fuelled irons, spirit flat irons, coleman lamp stove co. ltd. -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Education, Braille playing cards, 20thC
Braille is a system of touch reading and writing for blind persons in which raised dots represent the letters of the alphabet Braille is read by moving the hand or hands from left to right along each line. Residents of Moorabbin Shire used these cards at social gatherings. In the early 1800s Charles Barbier, who served in Napoleon Bonaparte’s French army, developed a unique system known as “night writing” so soldiers could communicate safely - without lamps- during the night. Louis Braille, born Coupvray, France 1809 lost his sight at a very young age, 1819 he was enrolled at the National Institute of the Blind in Paris.and began to modify Charles Barbier’s “night writing” code in an effort to create an efficient written communication system for fellow blind individuals. . He spent the better part of the next nine years developing and refining the system of raised dots that has come to be known by his name, Braille. The code was now based on cells with only 6-dots instead of 12 ..Braille died in 1852 but his code spread around the world France 1854, USA 1860 , and blind individuals from all over the world benefit from Braille’s work daily. Today, braille code is transcribed in many different languages worldwide.Blind individuals from all over the world benefit from Braille’s work daily and these cards were used by residents of Moorabbin ShireCardboard pack of ordinary playing cards with braille imprints left top of each card. Pack is incompleteFront: PLAYING / CARDS / for the BLIND / To be obtained from the / NATIONAL INSTITUTE / FOR THE BLIND / Great Portland Street / LONDON W1. Hand written : O'Dean Lounge braille louis, barbier charles, visually impaired, braille playing cards, braille, library, braille sheet music, braille ketboards -
Flagstaff Hill Maritime Museum and Village
Equipment - Spring Balance Scale, George Salter & Co, 1920s
Scales such as the subject item were used to measure commercial quantities, possibly grains and farm produce for quite large amounts of product, also in a domestic situation. Bags of grain or other dry goods would have been hooked up and weighed. Salter has been a name long associated with weights and measures. The firm began life in the late 1760s in the village of Bilston, England when Richard Salter, a spring maker, began making the first spring scales in Britain. He called these scales "pocket steelyards", though they work on a different principle from steelyard balances. By 1825 his nephew George had taken over the company, which became known as George Salter & Co. George later established a manufacturing site in the town of West Bromwich, about 4 miles (7 km) from Bilston. West Bromwich Albion football club was formed from workers at this works site. From here the company produced a wide variety of scales including the UK's first bathroom scales. Other items were added to the range, including irons, mincers, potato chippers, coin-operated machines and the first typewriters made in the UK. The business thrived throughout the 1900s, and by 1950 it employed over 2000 people, still in the same area and owned by the same family.Salter is a British housewares brand developing products that span a wide range of core product categories, including scales, electrical, cookware. It is a market leader in kitchen and bathroom scales and one of the UK’s oldest consumer brands. Established in 1760, Salter has been developing precision products for over 260 years. It was acquired by Manchester-based consumer goods giant Ultimate Products in 2021 after they had previously licensed the brand for cookware and kitchen electrical since 2011.Scale, Salter's improved spring balance, warranted. Brass and iron. Weighs 0 to 25LBS. Long rectangular brass instrument with ring attached to top and hook attached below. Centre of rectangle has long vertical slot with short, horizontal bar that slides down the slot when an object is suspended from the hook, showing its weight on the numbered scale beside the slot.Marked ""SALTER'S IMPROVED SPRING BALANCE" "Number 2". Weighs 0 to 25LBS. flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, salter balance scale, weight measuring scale, weighing dry goods, domestic object, kitchen scale, measure, weigh, measure ingredients, food preparation -
Flagstaff Hill Maritime Museum and Village
Equipment - Spring Balance Scale, George Salter & Co, 1930s
Scales such as the subject item were used in a domestic situation. Salter has been a name long associated with weights and measures especially in the home kitchen. The firm began life in the late 1760s in the village of Bilston, England when Richard Salter, a spring maker, began making the first spring scales in Britain. He called these scales "pocket steelyards", though they work on a different principle from steelyard balances. By 1825 his nephew George had taken over the company, which became known as George Salter & Co. George later established a manufacturing site in the town of West Bromwich, about 4 miles (7 km) from Bilston. West Bromwich Albion football club was formed from workers at this works site. From here the company produced a wide variety of scales including the UK's first bathroom scales. Other items were added to the range, including irons, mincers, potato chippers, coin-operated machines and the first typewriters made in the UK. The business thrived throughout the 1900s, and by 1950 it employed over 2000 people, still in the same area and owned by the same family.Salter is a British housewares brand developing products that span a wide range of core product categories, including scales, electrical, cookware. It is a market leader in kitchen and bathroom scales and one of the UK’s oldest consumer brands. Established in 1760, Salter has been developing precision products for over 260 years. It was acquired by Manchester-based consumer goods giant Ultimate Products in 2021 after they had previously licensed the brand for cookware and kitchen electrical since 2011."Scale Salter's Spring Balance brass cylinder with ring at one end and a hook at the otherSalter trademark stamped on front. Made in England stamped on back. Weighs 0 to 4LBS showing ¼lb increments.flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, salter balance scale, weight measuring scale, weighing dry goods, domestic object, kitchen scale -
Bendigo Historical Society Inc.
Domestic Object - MERLE HOULDEN COLLECTION : MILK JUG COVER, 1930's-1950's
White crochet cotton, filigree crochet milk jug cover. The word "MILK" is worked into the centre of the design, with a milk-jug worked above and below the word. The cover is star shaped, with three yellow glass beads attached at each of the eight points. A diamond shaped pattern is worked into each of the eight points.Made by Merle's Grandmother-- Geuerdomestic equipment, food storage & preservation, milk jug cover -
Bendigo Historical Society Inc.
Tool - BENDIGO ELECTRONIC COMPANY SCALEBUOY, 1940 - 1950
Invented by a member of the Abbott family of Bendigo, scalebuoys came in various sizes and had a variety of uses such as the mining industry to prevent scale build up in boilers, automotive for car radiators and domestic for water purification. Its essential part is a sealed glass bulb containing a small amount of mercury and a combination of gases.This particular variety was made to be connected to a water tap with a screw attachment and a small outlet pipe. Scalebuoy sent to Alan Cowling from work colleague, Pat Curran in Tasmania. Pat Curran was working as the CEO of a retirement village and found the scalebuoys in the equipment there. Noting the Bendigo manufacturing logo, he decided to send it to Alan. The original owner of the scalebuoys is unknown.sciences, instruments - general, scalebuoy -
Port Melbourne Historical & Preservation Society
Photograph - Partial demolition, old bakery building, corner Liardet and Princes Streets, Port Melbourne, Pat Grainger, 2003
Colour photograph of the partial demolition for rebuilding work to the old Bakery building, corner Liardet and Princes Streets, Port Melbournebuilt environment - domestic -
Churchill Island Heritage Farm
Domestic object - Meat Safe, c. 1890s
Meat safes were used to keep meat and vegetables cooler before the availability of ice and then kerosene or electric refrigerators. The safe would be placed on a bench in a cool place. Water would be placed in a small container on each leg to stop ants getting into the safe there would be another water container at the top also to stop the ants. Pieces of damp hessian would then be hung over each side. As the wind hits the hessian it causes the water to evaporate and the items inside the safe to stay cooler. This meant that the items inside the safe would last a day or two longer. Meat safes were being used throughout the time period showcased by the displays at Churchill Island and this expands understanding of how refrigeration worked prior to electricity.painted pale yellow metal meat safe with square grid hold pattern for air flow. No internal shelves. Broken hanger hook. Catch no longer works. Re-painted from dark green. Raw galvanised base. Four feet, knobs top and bottom attached to rod at four corners. Pressed dome top.meat safe, early refrigeration, food preservation, evaporation techniques, farming -
Coal Creek Community Park & Museum
Bottle, glass, c. 1885
150 years of experience and commitment. Norwegians have been producing and exporting cod liver oil for more than 1000 years. But it was not before 1645 it was reported that cod liver oil could be used to prevent and cure disease. At the end of the 18th century the first scientific article was published to support this. In the middle of the 19th century, the pharmacist Peter Möller observed that people along the west coast of Norway consuming cod liver oil regularly were rarely ill. He dedicated himself to finding out how this healthy liquid could be produced with better taste and pureness at a lower price. He developed a method of using steam to extract the oil from fresh cod livers. Based on this technological advance, the company Peter Möller was founded in 1854 in Lofoten on Norway’s arctic coast, where you find pure, cold, clean seas and high quality raw material. Peter Joachim Möller (1793-1869) At first Möller’s Cod Liver Oil was believed to be a good source of vitamin D and A, and the health benefits were associated with these vitamins. Peter Möller believed, however, that there were other significant benefits from fatty acids and other ingredients in the cod liver oil – both known and unknown. Peter Möller was dedicated to understanding more about these benefits. His dedication and commitment is clear in Möller's vision to improve people’s health by delivering the highest quality omega 3 products. Timeline 1793 Peter Möller is born in Røros, Norway 26 April. 1819 Peter Möller travels to Christiania (Oslo) and is employed by the pharmacist Frantz Peckel at the Svane chemist. He is employed on condition that he passes his pharmaceutical exam within one year. 1822 Graduated as a pharmacist with a unanimous first grade and with the award of the Professor's special satisfaction. 1842 Together with professors A. Holst and Chr. Boeck, Peter Möller participates in the commission which develops the first Norwegian Pharmacopoeia. 1853 Peter announces his method to cod liver oil works along the coast. He equips cod liver oil factories with new equipment in Lofoten, Ålesund and Kristiansund. The facility outside Ålesund is the most important for testing the method. 1854 The Peter Möller company is established as production has started at the three factories. Sales are lower than anticipated even though the quality is considerably better with the new method. The consumers of cod liver oil had been used to the fact that “good medicine must taste bad” and would not believe that the new and better quality was as healthy. Therefore, the following years are used to introduce consumers to the product, and also to convert more producers to the new method. 1869 Peter Möller dies. There are 70 cod liver oil steamers which use his steam rendering method, and 5000 barrels are produced every year. Möller’s company increases the quality by better routines for quality controls. 1870 Severin A Heyerdal, Möller’s son-in-law, assumes the leadership of the firm after Peter's death. He continues the work by improving the quality of the cod liver oil. The goal was to make it as pure and unaltered as in the liver. At this time, Möller had already started selling its product in the USA. In 1870, WH Schieffelin & Co. ("The oldest drughouse in America") was engaged by Peter Möller in the USA. 1881 Frantz Peckel Möller assumes the leadership of the Peter Möller company. He saw it as his duty to further the work on cod liver oil, and through a combination of solid scientific education and an eminent sense of the great mercantile possibilities, he made Möller’s cod liver oil the number one in the world market. 1914 The first world war leads to Möller’s bottled cod liver oil being shut out of the export market. However, domestic sales are good. 1924 The subsidiary Møystad Möller & Co. is established for bulk exports and the Association of Medicinal Cod liver oil Exporters is established in Bergen in 1925. 1925/26 The green bottles are introduced. Medicinal cod liver oil exports remain almost constant, while total Norwegian cod liver oil exports increase. 1938 The factory on the Løren grounds in Oslo, Norway is built. The factory is in the same place today. Peter Möller’s Pharmaceutical Laboratorium A/S is also established to separate out the scientific business. Investment is made in a new facility for refining and bottling veterinary cod liver oil, and increased production of industrial cod liver oil. 1940 The outbreak of the 2nd world war sees exports fall dramatically, while cod liver oil’s significance as a dietary supplement receives increased attention. Domestic sales increase strongly. 1945 After the war, medicinal cod liver oil retains its high status as an important dietary supplement in the “rebuilding" of the country. Cod liver oil becomes an ”emergency product in ravaged areas where the supply situation is difficult. Competition from other countries such as the USA, England and Iceland increases, and Norway no longer dominates the market. 1983 Möller’s cod liver oil in capsule form is launched and palatable cod liver oil is launched. 1990 Peter Möller A/S merges with Orkla Borregaard A/S (now ORKLA) 2005 Peter Möller merges with CollettPharma. The new company is called MöllerCollett. 2007 Merger between MöllerCollet and DanskDroge. The new company is called Axellus. Oval in section with a thin neck, mauve tinted clear glass bottle with text embossed on side.On side : 'P.MOLLER', 'OL JECOR', 'GADOR VER', 'CHRISTIANIA'.cod liver oil, norway, peter moller, christiana, oslo -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Domestic object - Safety pins used by Dr Mitchell Henry O'Sullivan, c. 1930-1960
These type of safety pins were commonly used in hospitals between 1930- 1960. Pins such as these were advertised for sale as "Hospital and Sick Room Sundries" and were generally supplied in boxes of 12 dozen (144). The pins were supplied in sizes ranging from 0 to 6 - the pins catalogued here are sizes 4,5, and 6. Dr Mitchell Henry O'Sullivan worked in the Victorian country town of Casterton as a general practitioner from 1919 until his death in 1977. He also practiced obstetrics. His son, Dr David More O'Sullivan donated his obstetric bag and its contents to the College in 1999. The bag and contents are a unique time capsule of the type of instruments and pharmaceuticals used in the inter-war period.Three nickel plated safety pins (.1 - .3) of differing sizes. .1 is size 4, .2 is size 5, and .3 is size 6. -
Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: EMBROIDERED AND LACE TRIMMED PILLOW CASES, Late 1800-1900's
Textiles. Large pieces of linen, 119 cm x 96 cm edged with a border, 8.5 cm deep of cotton lace, matching rthe lace of the bed-spread. This lace has a corded effect, outlining 'finger shapes' of floral pattern, alternating with an open chain stitch, looped effect. Like the bed-spread, the pillow case is embroidered with the initials in satin stitch and some cut work embroidery. A smaller rectangle of linen fabric is stitched to the back of the fabric, to hold a pillow in place,. Measuring 81 cms x 48 cms. This envelope is tied with three ties of cotton tape. It could be presumed that these pillow slips would be a decorative feature of the bed linen. As on the bed-spread, lavishly embroidered initials may be the initials of Caterina (Ina) Lamaro, who married Giovanni (Jack) Favaloro, or Caterina (Kitty) Lopes, who married Salvatore (Salve) Favaloro.textiles, domestic, two embroidered and lace pillow cases -
Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: LINEN TABLECLOTH OR TABLE CENTRE WITH CROCHET TRIM, 1920-30's
Textiles. Cream linen fabric, with a selvidge edge on each side. Three bands of drawn thread work at each end-a centre band 2.5 cm wide, and stitched to form a decorative pattern, and two bands, 1 cm wide-one on either side of the wider band. These are edged with a spoke stitch, which draws the thread into little ''bar shapes" - 3 to each centimetre. A 4.5 cm wide band of fillet crochet and a 20 cm long fringe, edges each end.textiles, domestic, linen tablecloth or table centre -
Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: PIECE OF SILK FABRIC WITH LACE AND EMBROIDERED INSERT, 1920-30's
Textiles. This is a beautiful remnant of fine cream silk fabric, with a 3.5 cm deep band of cotton lace, woven with a floral design, stitched around the lower edge. A triangular shape above the lower edge, is formed by the insertion of a piece of 2 cm wide cotton lace, also with a floral design, folded and machine stitched as an insertion. The same lace is also inserted in a 9.5 cm high "frame" over an embroidered panel 7.5 cms x 6 cms wide, and featuring a delicate circular embroidered and cut-work floral design. (Perhaps this remnant of beautiful fabric was cut from the lower edge of a camisole, or a babies gown).textiles, domestic, piece of silk fabric with lace -
Bendigo Historical Society Inc.
Domestic Object - JAMES LERK COLLECTION: BENDIGO POTTERY WICKER COVERED STONEWARE
Pottery brown demi-john, covered in basket weave cane. Basket weave covers entire object, with top visible with cork (broken off) visible. Donor comment: the wicker covering was applied by the pottery's blind workers, they being very efficient at their task. These workers were believed to have been paid piece work. Two gallon capacity Bendigo Pottery product.domestic equipment, containers, bendigo pottery demi-john -
Bendigo Historical Society Inc.
Domestic Object - JAMES LERK COLLECTION: BROWN POTTERY DEMI-JOHN, WICKER COVER
Bendigo Pottery brown demi-john, covered in basket weave cane. Basket weave covers sides of object only. Donor comment: the wicker covering was applied by the pottery's blind workers, they being very efficient at their task. These workers were believed to have been paid piece work. One gallon capacity. Missing. Unable to be located at History House. 27/08/23 -
Bendigo Historical Society Inc.
Textile - LACE NET CURTAIN
Textiles, beige lace net curtain,Rows of embroidered blue flowers and green leaves worked in net. Machine made lace net has geometric pattern of squares of diminishing sizes.6 cm border on each side of open square pattern with scalloped edges. Rod pocket casing along top. Bottom of curtain is finished with 5 cm fringing of 2 cm twisted card.textiles, domestic, curtaining -
Bendigo Historical Society Inc.
Textile - CUSHION COVER
Textiles, yellow cotton cushion cover. One side overlayed by tapestry weave fabric. Drawn thread work has created an all over 12 X 12 pattern of 3 cm squares. Each square has an embroidered wheel spoke pattern of yellow embroidery cotton. Machine made. Unfinished.textiles, domestic, cushion cover -
Bendigo Historical Society Inc.
Textile - PINK COTTON LINGERIE BAG
Textiles, pink cotton lingerie or stocking bag with fold over envelope style flap at back over opening. Front has overlay of cream coloured tapestry fabric with pulled thread work embroidered with pink cross stitch and line patterns. Three decorative 2 cm pink satin ribbon bows in three corners. Fourth ribbon detached (stored in bag). 4 cm gathered cream lace edging on four sides.textiles, domestic, pink cotton lingerie bag -
Bendigo Historical Society Inc.
Textile - LINGERIE BAG
Textiles, lingerie or stocking bag. Cream coloured tapestry fabric on both sides. All over pulled thread work to form lattice pattern. All over cross stitch pattern on lattice with cream coloured thread. Cream coloured 5 cm gathered lace edging on four sides. 12 cm opening on one side. Lined with pink cotton fabric. Hand made.textiles, domestic, lingerie bag. -
Bendigo Historical Society Inc.
Textile - GRAYDON COLLECTION: TAPESTRY PIECE, 1870-1890
Textiles. Rectangular shaped tapestry piece dipping to V shape at lower edge. Piece is covered with bead work in floral pattern of white, grey, gold and green. Bright green lining piece of shantung fabric has been pinned to the tapestry piece. Work is unfinished.textiles, domestic, tapestry piece. -
Bendigo Historical Society Inc.
Textile - FLOUR BAG COLLECTION: ROBERT HARPER AND COMPANY, 1900-1950
Textiles. Calico flour bag printed on one side in red and blue''EMPIRE SELF RAISING FLOUR 25 lbs nett weight. Contains phosphate Baking Powder. Robert Harper & Company Incorporated Victoria, Australia''. In the background is a lighthouse with three beams of light extending from each side. Printed on the light beams- ''LIGHT BREAD, LIGHT PASTRY, LIGHT PUDDINGS, LIGHT LABOUR, LIGHT HEARTS, LIGHT HOMES''. Robert Harper (1842-1919), businessman and politician, was born in Scotland. He migrated to Melbourne with his family in August 1856. He worked for J.F.McKenzie & Co., roasting and grinding millers. In 1865 he established Robert Harper & Co., trading in tea, coffee and spices from the East Indies and later in oatmeal and flour.textiles, domestic, robert harper & co flour bag -
National Vietnam Veterans Museum (NVVM)
Book, Schulzinger, Robert D, A Time for War: the United States and Vietnam, 1941-1975, 1997
Simply put, this book is a masterpiece which explicates as no other work has done the crucial historical event of our generation. Schulzinger has extended his breadth to cover all aspects of the Vietnam war. The military/strategic angle, the experience of soldiers on the ground, the home front and the domestic political fallout. Neither does he slight the North and South Vietnamese sides. He has provided in one volume the complete picture of the war.Simply put, this book is a masterpiece which explicates as no other work has done the crucial historical event of our generation. Schulzinger has extended his breadth to cover all aspects of the Vietnam war. The military/strategic angle, the experience of soldiers on the ground, the home front and the domestic political fallout. Neither does he slight the North and South Vietnamese sides. He has provided in one volume the complete picture of the war.united states - foreign relations - vietnam, indochinese war, 1946-1954, vietnamese conflict, 1961-1975 -
Clunes Museum
Domestic object - MANCHESTER
.1 Two handmade runners with lace border, cotton lining hand stitched yellow diamonds on netting material .2 Two round doilies knitted with crochet scalloped edges, off white .3 Rectangular doily, knitted with spider web edge, beigeNilknitting, crochet work, embroidery, table linen -
Tatura Irrigation & Wartime Camps Museum
Domestic object - Knitting/sewing bag, Palestine German Families, 1940's
made and used by internee at camp 3.Brown wooden frame that is similar in shape to that of a coin purse. The bag opens by pulling apart the top two wooden rails to reveal the inside of the calico coloured material the bag is made of.knitting bag, sewing bag, camp 3 hand work