Ceramic shard with blue and white design with a glazed finish

Ceramic shard with blue and white design with a glazed finish

Ceramic shard with blue and white design with a glazed finish

Ceramic shard with blue and white design with a glazed finish

Ceramic shard with brown and white design with a glazed finish

Ceramic shard with blue and white design with a glazed finish

Ceramic shard with blue and white design with a glazed finish

Ceramic shard with blue and white design with a glazed finish

Ceramic shard with blue and white design with a glazed finish

Ceramic shard with blue and white design with a glazed finish

Ceramic shard with blue and white design with a glazed finish

Four pieces of ceramic shards with white glazed finish pottery, ceramic, archaeology

Two pieces of ceramic shards with white glazed finish pottery, ceramic, archaeology

Three pieces of ceramic shards with cream glaze finish pottery, ceramic, archaeology

Three pieces of ceramic shards with brown glaze finish pottery, ceramic, archaeology

Robert MAIR Robert (Bob) Mair (1943- ) Born New Zealand A potter who trained at the Sturt Pottery in Mittagong under Les Blakebrough and later set up a pottery at Clifton Pugh’s Dunmoochin estate at Cottles Bridge near Melbourne. He then worked with John Olsen for two years from 1969-1970, with Mair throwing and Olsen hand-decorating the pots. During the 1970s, Bob Mair worked in goldfield production pottery in Ballarat with Robert Pitman before moving to Clarendon in the Adelaide Hills in South Australia in 1982. In the late 1880s and 1990s Robert Mair is working at Sturt Pottery timeline again in the late 1980s/1990s as a visiting potter under Campbell Hegan. In the early 2000s, he and partner Janie Kerr set up a pottery at Braemar in the Southern Highlands of NSW. They then moved, first to Sutton Forest where they took up a residency at Hillview, the former summer residence of the governors of NSW, then to Wingham in the Mid North Coast region of NSW. Mair’s work may be marked with an impressed ‘RM’, an impressed tricuspid symbol or both. In Clarendon, he continued to use the tricuspud symbol with an impressed ‘Old Clarendon Pottery Adelaide’ stamp. A Ballarat mark has not been identified, but simse this lidded pot was found in Ballarat it could be a cross in a circle?Lidded ceramic container with blue bamboo like design on the outside.australian studio pottery, ceramics, bamboo

Ceramic shard with white glazed finish and a blue decorative design. blue decorative patternpottery, ceramic, archaeology

Ceramic shard with white glazed finish and a blue decorative design. blue decorative patternpottery, ceramic, archaeology

Ceramic shard with white glazed finish and a blue decorative design. blue decorative patternpottery, ceramic, archaeology

Ceramic shard with white glazed finish and a blue decorative design. blue decorative patternpottery, ceramic, archaeology

Ceramic shard with white glazed finish and a blue decorative design. blue decorative patternpottery, ceramic, archaeology

Ceramic shard with white glazed finish and a blue decorative design. blue decorative patternpottery, ceramic, archaeology

Ceramic shard with white glazed finish and a blue pictorial design. blue pictorial designpottery, ceramic, archaeology

Ceramic shard with white glazed finish and a black floral design.black floral designpottery, ceramic, archaeology

Ceramic shard with white glazed finish and an embossed floral designEmbossed floral designpottery, ceramic, archaeology

Ceramic shard with brown matt finish applied in a sponge style. pottery, ceramic, archaeology

Ceramic shard with white glazed finish and a blue decorative design. blue decorative patternpottery, ceramic, archaeology

Ceramic shard with white glazed finish and a blue decorative design. blue decorative patternpottery, ceramic, archaeology

Ceramic shard with brown matt finish applied in a sponge style. pottery, ceramic, archaeology

Ceramic shard with brown matt finish applied in a sponge style. pottery, ceramic, archaeology