Bottle clear glass with cork stopper 'Faulding Eucalyptus' flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Aulsebrook collection: Eucalyptus Industry Script for and article on the Eucalyptus Industry and Hartland Farm history -5 pages, typed, -Script for 4 reels, and article on pages 4 and 5

Small brochure advertising Hartland's Eucalyptus factory and historic farm.bendigo, business, hartland's eucalyptus factory

Oil painting on tin scroll showing a river scene with Eucalyptus trees.artwork, oil painting, on tin

This bottle is an example of a container used for eucalyptus oil in the first half of the 20th century.A clear glass flat-sided bottle which probably had a cork stopper.in rectangle - LIFEGUARD BRAND EUCALYPTUS OIL on base - indecipherable markingseucalyptus-oil-lifeguard-brand bottle container

Eucalyptus green coloured ledger book containing finance information 1960 - 20005 Money Column Analysis

Seven photographs of the Sandner Eucalyptus Distillery/Factory, in Uley Street, North BendigoAlec Sandner

10 slides labelled "Compaction" Appears to be sports ground near Burnley Campus.Not dated. May-Oct. 1 labelled "Terralift." 5 of pairs of seedlings labelled, "Eucalyptus maculata," "Eucalyptus ficifolia," "Lophostemon confertus" and "Agonis flexuosa."compaction, arboriculture, terralift

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show candid pictures taken by previous residents of the Island. Black and white photograph showing an old barn partially shrouded by a large eucalyptus tree.Catalogue number on reverse in pencil. Four different styles of handwriting on the reverse of the photograph. All in pencil. 'Note the old square (?) water tank.' 'Near old barn. Note eucalypt - one koala was here. c.1940' '69' '44'churchill island, photograph

Joseph Bosisto was a Yorkshireman who had qualified as a Pharmacist in Leeds and London. He arrived in Adelaide in 1848 at the age of 21. In 1851 he moved to Victoria in search of gold, but instead opened a pharmacy in Richmond, where he built a laboratory to investigate the chemical and medicinal properties of Australian plants. As a result of the collaboration with von Meuller the essential oil industry of Australia began in 1852, when Bosisto commenced operations in a small, rudely constructed still at Dandenong Creek, Victoria, using the leaves of a form of E. radiata (then known as E. amygdalina) which grew profusely in the district. Bosisto soon built other distilleries at Emerald, Menzies Creek and Macclesfield. World War II soldiers packed it in their mess kits to keep foot fungus in the tropics at bay. Small clear glass Eucalyptus Oil bottle with metal screw lid and large label on front.Front Label - War Time Pack Back - This bottle remains property of J Bosisto &Co Pty Ltd Richmond Victoria Bottom-F1196bottle eucalyptus-oil bosisto-joseph

From the inscription "V.G. 259" it would appear that this copy was made by the Victorian Government. It is a photo of Wonderland Peak.The photo shows a rocky range rising behind eucalyptus trees. There is a fallen log in the left foreground."Wonderland Peak, The Grampians, Victoria" inscribed on top left, and "V.G. 259" inscibed on lower left, of copy 1. These have been cropped out on copy 2.scenery, wonderland range

Bendigo Advertiser "The way we were" from 1999. Oil shop: Hampson's eucalyptus distillery.newspaper, bendigo advertiser, the way we were

Advertising document ' Evergreen Eucalyptus Oil' History and Uses. Document outlines history of eucalyptus oil distillation, Baron von Mueller's suggestion that J. Bosisto investigate the essential oils of eucalypts on a commercial basis. The potential uses of oil are outlined. Produced by Chemical Refining Company Pty. Ltd. Williamstown, Victoria.business, retail, eucalyptus oil, eucalyptus oil, refining

Brendan Michael COOPER (13/5/1968 - ) Born Papua New Guinea Arrived Australia 1974. Bachelor of Visual Arts (Fine Arts) with distinction in 2016 Established printmaker and sculptor predominantly concerned with the urban and natural environment, who works with conceptual art and sacred geometry. 2018 completed an honours in Fine Arts with distinction at RMIT, and started a Masters Fine Arts at RMIT in 2019. Three limited edition prints Aluminum etching over eucalyptus transfer on 350 gsm archival Wild Letter Printing Paper brendan cooper, artwork, printmaking

W.D.Chapman had a keen interest in botany and was particularly interested in Eucalyptus species. He was first to discover the tree which now bears his name on his numerous visits to the Kiewa power station which is situated near the Bogong High Plains. He was a Commissioner and later the Chairman of the State Electricity Commission of Victoria, the organisation in charge of building the Kiewa Hydro Scheme. The tree is a cross between two eucalypts. The trees are unique as they cannot procreate. There were two 'Bogong Gum' trees. One at Cranky Charlies and one on the way up to the High Plains passed by the Ryder family on their way up.This plaque was beside the Falls Creek Road and indicated the location of the 'Bogong Gum' tree. The tree was burnt in the 2003 bush fires but survived only to be killed in the 2006 bush fires. There were two 'Bogong Gum' trees. One at Cranky Charlies and one on the way up to the High Plains passed by the Ryder family on their way up. Heavy bronze plaque embossed with inscription. On the back is a large rectangular steel piece bent at the bottom to form a 'U' shape. One end of the 'u' is attached to the plaque and the other end has two holes for bolts enabling the plaque to be attached near the tree. One bolt is in a hole."Type tree from which was first described the species / Bogong Gum / (Eucalyptus Chapmaniana, Cameron) / The species was identified by the / late Brigadier W. D. Chapman M.C.E., / D. Eng., M.I.E. Aust., M.I.C.E. Lond. Commissioner / of the State Electricity Commission / of Victoria from May 1944 to May 1955, / in his honour it was named."plaque; state electricity commission of victoria; w.d.chapman; eucalyptus; bogong gum tree; falls creek road

Bendigo advertiser "The way we were" from Wednesday, February 2, 2005. A growing concern: eucalyptus was a big industry in Bendigo in the late 1940s early 1950s. This picture of eucy cutter Jimmy Fairborn, in front, and truck owner Eric Finch, with a load of eucalyptus on its way to the distillery, was taken in Union Street, West Bendigo.. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Square art quilt with tones of brown and cream.reverse side: Pamela Fitzsimons 2004 / SILK + WOOL DYED WITH EUCALYPTUS LEAVES / HAND STITCHED WITH SILK THREADhandicrafts quilting textile, national wool museum, fitzsimons, ms pamela, geelong, victoria, handicrafts, quilting, textile

Created for and entered in the 2008 ‘Expressions: The Wool Quilt Prize’- “The quilts connect us to our past and to our future, by interpreting Australian themes and telling our stories.”- Judy Hooworth, Quilter and Judge of the Prize. Donated to the National Wool Museum after the conclusion of the exhibition.Eucalyptus dyed woolen blanket base with salvaged fabrics hand sewn to create a patchwork effect. The eucalyptus dye has been used to create different tones of brown and red throughout the design with further dyeing used to create leaf imprints on the fabrics. A running stitch has been used to quilt the wagga, the stitching is imperfect, in places tied on the surface of the wagga.On reverse: INDIA FLINT RED BLANKET WAGGAexpressions: the wool quilt prize, quilt, india flint, wagga

The 'Tree of Knowledge' was planted on Arbor Day 1896 by Mrs Elizabeth Downing who lived on the farm that was originally the Mount Helen Site. When the site was purchased in 1966 the architects and planners inspected the site and decided 'The Big Tree' must remain as a central landmark in preparing the layout of the campus.Photograph of the 'Tree of Knowledge', a Tasmanian Blue Gum (Eucalyptus glubulus labillo), located at the Mount Helen Campus of Federation University. The tree is registered by the National Trust,federation university, federation university australia, feduni, university of ballarat, mount helen, tree of knowledge, big tree, blue gum, mount helen campus

The 'Tree of Knowledge' was planted on Arbor Day 1896 by Mrs Elizabeth Downing who lived on the farm that was originally the Mount Helen Site. When the site was purchased in 1966 the architects and planners inspected the site and decided 'The Big Tree' must remain as a central landmark in preparing the layout of the campus.Photograph of the 'Tree of Knowledge', a Tasmanian Blue Gum (Eucalyptus glubulus labillo), located at the Mount Helen Campus of Federation University. The tree is registered by the National Trust,federation university, feduni, university of ballarat, mount helen, tree of knowledge, big tree, blue gum

Bee-hives in front of a shed in the Cherrypool area. The second (transparency) copy is No. 242 in the slide box.The photo shows bee-hives in front of a shed in a cleared area surrounded by eucalyptus trees. The faint outline of high mountains can bee seen in the background.misc industries, bee-keeping, scenery, cherrypool

The 'Tree of Knowledge' was planted on Arbor Day 1896 by Mrs Elizabeth Downing who lived on the farm that was originally the Mount Helen Site. When the site was purchased in 1966 the architects and planners inspected the site and decided 'The Big Tree' must remain as a central landmark in preparing the layout of the campus.Photograph of the 'Tree of Knowledge', a Tasmanian Blue Gum (Eucalyptus glubulus labillo), located at the Mount Helen Campus of Federation University. The tree is registered by the National Trust,federation university, federation university australia, feduni, university of ballarat, mount helen, tree of knowledge, big tree, blue gum, mount helen campus

The Fashion & Design collections of Kew Historical Society include a number of art or household textiles manufactured or created in the United Kingdom as well as in Australia. As other cultures opened to Australian travellers in the 20th century, members began collecting and donating textiles produced in a number of other countries.Embroidered doily in the shape of Australia commemorating the ‘Royal Visit 1954’. The multicoloured embroidered images used on the include koalas and eucalyptus flowers on a cream fringed ground. doilies - patriotic, doilies - symbolic, soft furnishings, royal visits

This gum leaf painting is one of a pair displayed on foil in the same frame. It is typical of many paintings by the self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, a well-known Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.An oil painting on gum leaf by the well-known Australian artist Alfred William Eustace. He was a self-taught artist during the 19th and early 20th century and a prominent resident of Chiltern. Oil painting on gum leaf by Alfred William Eustace. A scene of a log cabin on Black Dog Creek Road, Chiltern, with Skeleton Hill in the background. The canvas is a juvenile Red Box (Eucalyptus polyanthemos) leaf. It is one of a pair of Eustace gum leaf paintings mounted on gold foil, under glass in a brown frame. Inscription on back. Labels on back: Rehoused by The Centre for Cultural Materials/ Conservation, University of Melbourne "Oil on Gum Leaf"/ by Alfred William Eustace/ Donor:- Cam & Connie Boadle/ Wales U.K. Crescent/ MUSEUM/ GRADE/ 24 OCT 1998/ CONSERVATION BOARD ALBURY/ PICTURE FRAMERS/ Shop 15 & 16/ AMP Lane,/ Albury, 2640/ Ph: 02 6021 7088black dog creek, chiltern, alfred eustace, skeleton hill, gum leaf, painting, eustace