Showing 1520 items
matching exports
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Bendigo Historical Society Inc.
Book - JAMES LERK COLLECTION: BOOK. SUMMARY OF IMPORTS, EXPORTS, TRANSHIPMENTS &C
Book. Summary OF Imports, Exports, Transhipments &c. 1883. -
National Wool Museum
Stencil - A
This stencil was used as a wool classification stamp for the transportation of wool bales. A single A means the wool was classified as basic wool.Wool bale export stencil with a circle bordering the letter A.Awool transportation, wool exportation, wool sales -
National Wool Museum
Stencil - PB G LXB
This stencil was used as a wool classification stamp for the transportation of wool bales. Classification stamps like these had to be approved by a Wool Classier and described the quality of wool inside the bale.Wool bale export stencil - PB G LXBPB G LXBwool transportation, wool sales, wool export -
National Wool Museum
Stencil - COLIBAN PARK Z
This stencil was used as a sheep station identification stamp for the transportation of wool bales. Coliban Park is a homestead located in Elphinstone, Mount Alexander Shire, Victoria. The wool bale marked COLIBAN PARK Z would have been produced at Coliban Park.Wool bale export stencil - COLIBAN PARK ZCOLIBAN PARK Zwool - transportation, wool sales -
National Wool Museum
Stencil
This stencil was used as a symbol stamp for the transportation of wool bales.Mitsubishi logo shaped wool bale export stencilwool - transportation, wool sales -
National Wool Museum
Depot Stencil
This stencil was used as a depot identification stamp for the transportation of wool bales. Wool bales marked with C00 BOMBAY would have been transported to India by sea.Wool bale export stencil - C00 BOMBAY BALE NO.C00 BOMBAY BALE NO.wool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Stencil - B MER FLC
This stencil was used as a wool classification stamp for the transportation of wool bales. Classification stamps like these had to be approved by a Wool Classier and described the quality of wool inside the bale.Wool bale export stencil - B MER FLCB MER FLCwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Stencil
This stencil was used as a symbol stamp for the transportation of wool bales.Five point star shaped wool bale export stencilwool - transportation, wool sales -
National Wool Museum
Stencil
This stencil was used as a symbol stamp for the transportation of wool bales.Six point star shaped wool bale export stencilwool - transportation, wool sales -
National Wool Museum
Stencil - ORDNANCE STORES VICTORIA BARRACKS
This stencil was used as a location stamp for the transportation of wool bales. Ordnance Stores is the British Army system of cataloguing parts. Victoria Barracks was the administrative headquarters for the Australian Army, located in Southbank, Victoria. Wool bales marked ORDNANCE STORES VICTORIA BARRACKS would have been transported to the the Ordnance Stores within the Victoria Barracks.Wool bale export stencil - ORDNANCE STORES VICTORIA BARRACKSORDNANCE STORES VICTORIA BARRACKSwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Textile - Blanket, 1960s
Collector says: Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized checked blanket in corn, beige and green 'Mareeno' /Pure Australian Wool/Export Quality/Made in Australiawool, blanket, blanket fever, mareeno -
Bendigo Military Museum
Souvenir - COLOUR PATCH VIETNAM, 1960’s
Patch is re the local beer in South Vietnam, souvenired by Anthony Robert Cornelius. Refer 1874.2 for his service history.33 Biere Export novelty colour patch, non military issue."Vung Tau"food technology-brewing, advertising, vietnamese, 33 -
Kew Historical Society Inc
Functional object, Yamato Shokai Ltd, Refillable Metal Hand Warmer, 1946-1960
The Japanese company Yamato Shokai Ltd was founded in 1923 in the city of Osaka. Destroyed during air raids in 1945, the factory was rebuilt in 1946. They manufactured the Peacock brand pocket-warmer and sold it internationally. Steel hand warmer in velvet pouch made in Japan for the export market.PEACOCKpocket warmers, hand warmers, personal accessories, peacock hand warmer -
Port Fairy Historical Society Museum and Archives
Painting - painting, Watercolour, Elsbee?, The Barque Sydney Griffiths, c.1850
... exports ...This painting of the barque Sydney Griffiths and two smaller ships, ‘the brothers’ and Essington’ graced the offices of Powling solicitors for 3 generations. This painting illustrates the scene of the first export of wool from Belfast to England.Depicts a significant moment in time when the first shipment of wool from the port was being loaded for London.A watercolour painting on paper and linen in a gold and Black frame showing the Barque "Sydney Griffiths" sailing before Griffith island, also shown "Essington" and "The Brothers" John Griffiths House and other buildings on shoreThe Barque "Sydney Griffiths" Capt. Cowtan leaving Port Fairy for London, February 8th 1851. "Essington" "Brothers"local history, illustrations, powlings, watercolours, exports, essington, sydney griffiths, shipping, the brothers, wool export, capt cowtan -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Protests against live sheep transport, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: Livesheep export/ protest (blue pen, centre)port of portland archives -
National Wool Museum
Stencil - SCAN 60
This stencil was used as a symbol stamp for the transportation of wool bales.Diamond shaped wool bale export stencil with SCAN 60 in center of the diamond.SCAN 60wool - transportation, wool sales -
National Wool Museum
Depot Stencil
This stencil was used as a depot identification stamp for the transportation of wool bales. Wool bales marked with SUB DEPOT ABBASSIA EGYPT would have been transported to Egypt by sea.Wool bale export stencil - NO 2. SUB DEPOT ABBASSIA EGYPT BALE NO.NO 2. SUB DEPOT ABBASSIA EGYPT BALE NO.wool - transportation, wool sales, wool class, wool classers -
Port Melbourne Historical & Preservation Society
Photograph - Sketch, loading wheat for export to England, Australia Sketcher, 26 Feb 1881
Photo of Sketch - loading wheat for export to England. Australian Sketcher. 26-02-1881piers and wharves - waterside workers -
National Wool Museum
Stencil
This stencil was used as a wool classification stamp for the transportation of wool bales.Wool bale export stencil with an Australian symbol bordering the number 34 with wool underneath. 34 WOOLexport, wool sales export - wool wool - transportation -
Glenelg Shire Council Cultural Collection
Document - Export List, 1939-1973
Vanda Savill, Bower Bird Museum, Heywood 'Dear Friends' servesport of portland -
National Wool Museum
Book - Book of Newspaper Cuttings, Book I, 1932 - 1934
... Exports ...First in a set of two books containing newspaper cuttings relating to the wool industry, which include topics such as wages, cost of living, shearing tallies, court cases, exports, horse riding, taxation, union matters, wool price, wool classing and women in industry. Bound brown covered book containing newspaper articles. Spine [printed]: NEWSPAPER CUTTINGS – BOOK I.wool, wool industry, wages, cost of living, shearing, legal cases, exports, horses, tax, union, women at work, newspaper articles -
Tatura Irrigation & Wartime Camps Museum
Butter Stamp
Used at Tatura Butter Factory.Wooden stamp in shape of rolling pin with Australia imprinted on it. Used to stamp large packs of export butter.Australiatatura butter factory, butter stamps -
Glenelg Shire Council Cultural Collection
Photograph, Ford cars prepared for shipping, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland -
Whitehorse Historical Society Inc.
Article, Warwick aims for clean sweep, 1991
Invention of 'Aussie Clean Sweep', tennis court groomer designed by Warwick Tozer being exported to the United States.Invention of 'Aussie Clean Sweep', tennis court groomer designed by Warwick Tozer being exported to the United States.Invention of 'Aussie Clean Sweep', tennis court groomer designed by Warwick Tozer being exported to the United States.tozer, warwick, aussie clean sweep, tennis courts -
National Wool Museum
Depot Stencil
This stencil was used as a depot identification stamp for the transportation of wool bales. Wool bales marked with DEPOT SIDINGS KASR.EL NIL RARRACKS CAIRO EGYPT would have been transported to Egypt by sea.Wool bale export stencil - 0/0. ORDNANCE DEPOT SIDINGS KASR.EL NIL RARRACKS CAIRO EGYPT0/0. ORDNANCE DEPOT SIDINGS KASR.EL NIL RARRACKS CAIRO EGYPT BALE Nowool - transportation, wool sales, wool class, wool classers -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - protest against live sheep transport, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: Anti Livesheep export protest (blue pen, upper left and centre)port of portland archives, protest, livestock transport, live transport, sheep, police -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Ford cars prepared for shipping, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives, cargo, cars, auto, transport -
National Wool Museum
Wool Classifier Stencil
This stencil was used as a wool classification stamp for the transportation of wool bales. Classification stamps like these had to be approved by a Wool Classer and described the quality of wool inside the bale. The top line describes the classed line and breed group – AAA is the main line for any breed group, meaning that the wool is of high quality. FX, MX, SUP and SBK are the breed groups – FX is Fine Crossbreed and MX is Medium Crossbreed, SUP is Superfine Merino and SBK is Comeback.Wool bale export stencil - 56 WOOL AAA FX MX 1st COM WH SUP E CBK56 WOOL AAA FX MX 1st COM WH SUP E CBKwool transportation, wool export, wool class, wool sales -
Glenelg Shire Council Cultural Collection
Photograph, Friesian cattle being unloaded, n.d
Port of Portland Authority archives.Front: (no inscriptions) Back: (no inscriptions)port of portland, cattle, export -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/03/1996 12:00:00 AM
Black and white photograph showing wine maker Andrew Smith of Wyanga Winery in the laboratory testing a Shiraz for export, Lakes Entrance Victoriabusinesses, restaurant, commerce