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Tatura Irrigation & Wartime Camps Museum
Photograph, POW Camp 13 - Tents
Painted by Klober at Camp 13.Photograph of watercolour depicting tents, army huts and 11 gum trees.Klober ? 41klober, gus pohlig, camp 13 art, watercolour paintings, pow camp 13, internment camp tents, internment camp accommodation -
Duldig Studio museum + sculpture garden
Ceramic, Karl Duldig, Gumnut Bowl by Karl Duldig c.1948, c. 1948
Karl Duldig’s ceramic bowl is a particularly interesting example of Karl’s ability to creatively respond to a new environment with a fresh visual repertoire, in this case, the flowering Eucalyptus in a design reminiscent of traditional European folk art. The bowl is an excellent example of the utilitarian and decorative studio pottery produced by Karl and his wife Slawa Horowitz-Duldig between 1944 and 1960. Clay was an important medium for Karl. When he was forced to flee Austria for Switzerland, working with clay became a convenient medium; and he continued to expand his use of clay in Singapore. In Australia his work in clay extended from domestic hand-made pottery to public sculptures and architectural reliefs. In 1944 Duldig purchased a kiln, which was installed in the garage of the family’s St. Kilda flat, soon after a pottery wheel was acquired. It was the beginning of a cottage industry that supplemented the family income during the war years and beyond. Duldig initially sold his decorative ceramic wares through a local florist in St. Kilda, and subsequently through shops such as the Chez Nous French Art Shop (Howey Place) and Light and Shade (Royal Arcade), and the Primrose Pottery shop in Collins Street. The Primrose Pottery shop was an extremely important commercial outlet, and hub, for emerging artists, potters and designers from 1929 until 1974. Its proprietors Edith and Betty MacMillan worked closely with their suppliers, commissioning and taking items on consignment. In the post war period important Melbourne studio potters such as Allan Lowe, Arthur Boyd, John Perceval and Neil Douglas exhibited and sold domestic wares in the Primrose Pottery shop. The Duldigs studio pottery provides a counterpoint to the ceramics produced at Arthur Merric Boyd Pottery in Murrumbeena, which was established in 1944 by Arthur Boyd, John Perceval and Peter Herbst. The emphasis on painterly decoration was important and the AMB potters also produced simple household wares decorated with Australian flora and wildlife, for example Neil Douglas also made small bowls decorated with the fairy wrens, lyrebirds, gumnuts and eucalypts. Ann Carew 2016The Duldig Studio’s collection of ceramics has national aesthetic and historic significance. It contains a representative sample of works of art in ceramics created by Karl Duldig during his lifetime, including small sculptures, as well as functional and novelty items for the tourist market during the 1956 Melbourne Olympic Games. The artist’s working methods and the development of his practice are comprehensively demonstrated in the collection. This in-situ collection demonstrates the philosophy of the Vienna Secession and its inheritors that handcrafted, simple functional domestic wares might enrich both the lives of the maker and the user. This bowl is part of a collection of ceramics that has national historic significance in providing a rich illustration of an immigrant and artistic experience, and touching on the themes of settlement adaptation of artistic practice. The collection is also associated with places of cultural and historical significance in Melbourne such as the Primrose Pottery Shop, and the story of Australian studio ceramics in the post-war years. Ann Carew 2016Cream earthenware bowl with flowering gum motif and sponged green background.Duldig in script incised under. -
Federation University Art Collection
Bookplate, ‘Ex Libris Edwin Jewell’
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition.The book plate depicts framed gum trees by water with hills in the backgroundFred Kluxbookplate, printmaking, australian bookplate design awards, keith wingrove memorial trust -
Ballarat Heritage Services
Ceramic - Ceramics, Ceramic Canister by NPCP
Photograph of a hand thrown glazed stoneware canister with 'Gum Leaf' design. ceramics, gumleaf decoration, studio pottery, australian studio pottery -
Melton City Libraries
Photograph, Old Gum Toolern Creek, Unknown
Old Gum Toolern Creek from North side, Main Road. landscapes of significance -
Federation University Historical Collection
Photograph - Photograph - Colour, Federation University Student Residences, 2019, 02/05/2019
Colour photograph of the Federation University Student Residences behind gum trees.federation university student residences, mount helen campus -
Federation University Historical Collection
Photograph - Photograph - Colour, Clare Gervasoni, Federation University Student Residences, 2019, 02/05/2019
Colour photograph of the Federation University Student Residences behind gum trees.federation university student residences, mount helen campus -
Bendigo Historical Society Inc.
Functional object - WOODEN POLICEMAN'S TRUNCHEON
Wooden Policeman's truncheon, red gum, piece chipped out of handle.essential services, police -
Bendigo Historical Society Inc.
Photograph - 'MARYDALE' AXEDALE COLLECTION: PHOTOGRAPH VIEW OF PROPERTY
Photograph.View of ''Marydale'' Axedale property through the curved arch of a gum tree.axedale, history, marydale property -
Bendigo Historical Society Inc.
Slide - KURTING, Dec 1968
Slide. Kurting. A gum tree laying on the ground after being bulldozed.slide, bendigo, kurting., kurting. -
Bendigo Military Museum
Certificate - CERTIFICATE, WW2, Education Department Victoria, c1944
Certificate issued by " EDUCATION DEPARTMENT/ VICTORIA" Title "YOUNG WORKERS" "PATRIOTIC GUILD" Issued to "ELAINE GUNNELL/ EAGLEHAWK/ 210" on "19th July 1944". Certificate - light weight cardboard, with dark brown print on stylised scroll and illustrated in colour with gum leaves and gum nuts in background, lower foreground, two school pupils. Education Dept, Victoria crest at top.Certificate inscription - black (typed) ink "ELAINE GUNNELL/ EAGLEHAWK/ 210/ 19th JULY, 1944" Handwritten signature by Headmaster in black ink "H A ? LIEGNOR" certificate, ww2, education department of victoria -
Marysville & District Historical Society
Postcard (item) - Colour postcard, Nucolorvue Productions Pty. Ltd, Greetings from MARYSVILLE, Pre 2009
A postcard that was produced by Nucolorvue Productions Pty. Ltd. as a souvenir of Marysville in Victoria.A postcard that was produced by Nucolorvue Productions Pty. Ltd. as a souvenir of Marysville in Victoria.THE AUSTRALIAN KOALA This harmless, quaint creature is/ one of Australia's most well-/ known animals. NU-COLOR-VUE/ OF/ AUSTRALIA BA208/ RP110 POST CARD NUCOLORVUE PRODUCTIONS PTY. LTD./ (03) 560 1788 PRINTED IN AUSTRALIAkoala, marysville, victoria, nucolorvue productions, postcard, souvenir -
Robin Boyd Foundation
Slide, Robin Boyd, 1964
In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. A shop within the Gum department store, Moscow, RussiaMade in Australia / 15 / AUG 64Mrussia, slide -
University of Melbourne, Burnley Campus Archives
Photograph - Colour prints, John Rayner, Trees, 1978
(1) Eucalyptus cladocalyx, Sugar Gum (2) Cedrus deodara, Himalayan Cedareucalyptus, cedars, trees -
Hume City Civic Collection
Photograph, 1990s
The fire damaged building is the former Diggers Rest Hotel which was ruined by fire in the 1990s. It was the last standing and operating hotel along the Calder Highway between the towns of Keilor and Gisborne. A coloured photograph of a fire gutted building along a roadside with gum trees in the background. -
Federation University Art Collection
Work on paper - Artwork - Bookplate, Ex Libris Jackie Yowell
honeyeater with gum leaves and flowers in oval liner framework with raindrops and plants external.Irena Sibleybookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Bookplate, Fred Klix, ‘Ex Libris Edwin Jewell’
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition.A goana and sheep are depicted in the foreground of a country scene of gum trees and distant hills.Fred Klix in the bottom right hand cornerbookplate, printmaking, australian bookplate design award, keith wingrove memorial trust, fred klix -
Churchill Island Heritage Farm
Photograph of volunteer in tree to capture koala, <1975
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show conservation efforts from the Churchill Island precinct.Black and White photograph showing volunteer in a gum tree attempting to capture a koala.Catalogue number in pencil on reverse. "3"?"w" on top-right reverse in pencilchurchill island, koala, conservation -
Churchill Island Heritage Farm
Photograph - Photograph of pasture surrounded by trees
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the present. Black and white photograph with white border of a small paddock circled by gum trees.Catalogue number written on reverse in pencilchurchill island -
Harcourt Valley Heritage & Tourist Centre
Cannie Ridge Pottery, mid 1970s
CANNIE RIDGE POTTERY OPENED SEPT 1976 BY ALLAN & MARY LETTS, AND SON GARY AND JENNY, APPROX 16 EMPLOYEES PRODUCED MEMORABILIA FOR THE POPE'S VISIT IN 1988 AND HOUSEHOLD ITEMS INCLUDING WINE BARRELS, GOBLETS, CASSEROLES, TEAPOTS, JUGS, PLATES AND EVEN DINNER SETS EACH bearing the distinctive Eucalyptus patterns.Products of a now-closed ceramic pottery located in Harcourt.BLUE GLAZED 5 SIZED CANNISTERS GUM LEAF MOTIF WITH BLUE LIDSCANNIE RIDGE STAMP ON BOTTOM -
Mt Dandenong & District Historical Society Inc.
Photograph, Five Ways and Jeeves properties c1920, c1920
South view Five Ways centre, 1920s Store, Post Office, Mountjoy. Raspberry crop in foreground.Black and white photograph showing three buildings, gum trees and a raspberry crop.fiveways, guest house, kalorama, jeeves, post office, mountjoy -
Clunes Museum
Book, RIGBY LIMITED, ADELAIDE, GHOST TOWNS OF VICTORIA
AS IN THE UNITED STAES, GHOST TOWNS ARE ONE OF THE SELDOM VISITED, YET ENDURING FEATURES OF OUR LANDSCAPE...SMALL BOOK - COLOURED IMAGE ON FRONT COVER IS OF STONE RUINS AND A GUM TREEnon-fictionAS IN THE UNITED STAES, GHOST TOWNS ARE ONE OF THE SELDOM VISITED, YET ENDURING FEATURES OF OUR LANDSCAPE...clunes victoria, ghost town -
Bendigo Historical Society Inc.
Postcard - ''GUM BABIES AT KOALA PARK, SYDNEY'' 1938, 1938
Gum Babies At Koala Park, Sydney 1938. Notes on visit. (no recepient /sender) -
Bendigo Historical Society Inc.
Document - Dai Gum San Concept Plans - Chinese Tourist Village Bendigo Victoria, 1980s
During the first goldrush of the 1850s, Chinese miners referred to the Bendigo region (then Sandhurst) as Dai Gum San 大金山 - literally 'Big Gold Mountain'. The Golden Dragon Museum is situated in the city of Bendigo, Victoria, Australia. The museum is dedicated to the culture and history of Chinese Australians, particularly in the region. Built on the historical site of one of Bendigo's Chinatowns, the museum's precinct also includes Chinese Gardens and a temple to Kuan Yin. Through the museum accreditation program, it was the first accredited museum in Victoria and opened in 1991. These plans are the original plans before the the Golden Dragon Museum was built on its current site.Dai Gum San Concept Plans - Chinese Tourist Village Bendigo Victoria - 4 Sheets in colour by Stephenson and Turner Victoria Architects and Planners Sheet 1 Concept Plan and Developed Site Plan Sheet 2 Arts and Crafts Buildings Sheet 3 Restaurant, Historical Museum and Temple Complex Sheet 4 Motelhistory, bendigo, eaglehawk, chinese, chinese museum, dai gum san -
Chiltern Athenaeum Trust
Photograph - Gum Leaf, Alfred Eustace
This colour photograph of a gum leaf painting shows one of the many landscapes done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by Alfred Eustace. Landscape featuring a deep creek surrounded by thick bushland displayed against dark brown backing paper which has a gilt oval surround to highlight the painting. Under glass, in a gold and dark brown metal frame.Sticker on back: 189. (the original registration number)alfred eustace, gum leaf painting, landscape -
Kiewa Valley Historical Society
Photo - large - Group of 6 skiers
Skiing became a popular sport during the 1940s as access improved to the Bogong High Plains The Kiewa Hydro Electric Scheme was constructed on the Bogong High Plains during the 1940s and 1950s. This group of men (possibly workers on the Scheme) are back country skiing during the 1940s prior to the development of Falls Creek and downhill skiing.Large photo of a group of six male skiers with snow gums and faded mountains in the background.skiers on the bogong high plains -
Numurkah & District Historical Society
Postcard
Black & White photo depicting rural scene of gum trees titled "the lover's walk" -
Wangaratta Art Gallery
Sculpture, Hans Knorr, Sais, c. 1980
Rural City of Wangaratta Collection. Purchased through Wangaratta Arts Council.A wooden sculpture made from red gum that features many sides of varying shape.wangaratta art gallery, hans knorr, sculpture, red gum, wood -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1898
The Jinker tracks were vitally important during the early years of European settlement. The first routes were known as bridle paths as they were only wide enough to allow the passage of a horse or a person on foot.Photo shows man with pack horse - large gum tree on right side of photoaccess routes, vehicle track, jinker track -
Phillip Island and District Historical Society Inc.
Photograph, Bryant West, 1959
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of young Manna Gums planted on Ventnor Reserve in 1959 by Dandenong Boy Scouts.local history, photography, photographs, ventnor reserve, manna gums, john jenner, bryant west