Showing 176 items
matching high cliffs
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Glenelg Shire Council Cultural Collection
Document - Playbill - Heywood High School's production of Gilbert and Sullivan's 'The Yeomen of the Guard', 'Observer' Print Portland, 'The Yeomen of the Guard', n.d
Programme for Heywood High School's production of Gilbert and Sullivan's 'The Yeomen of the Guard'. Green card covers, black printheywood high school -
Glenelg Shire Council Cultural Collection
Programme - Souvenir Programme - Back to Portland High School, c. 1982
Souvenir programme from Back to Portland High School, March 27 - 28, 1982, celebrating 25 years. White, heavy glossy paper, black and white photos of PHS in 1957 and 1982, on front, Portland Higher Elementary School chemistry class 1928 and Portland High School chemistry room 1982, on back. -
Glenelg Shire Council Cultural Collection
Photograph - Compact Disk, 1920-1970
Compact disk of images of Portland and District 1920s-1970s. 54 images including Harbour, Foreshore, High School, Street scenes, ships, trains, harbour opening parade, mounted police 1949, construction of bridge over Surrey River 1954, etc. CD in clear plastic case.compact disk, photography, photography, portland photography -
Glenelg Shire Council Cultural Collection
Flyer - Flyer - Maretimo, n.d
Two yellow foolscap size flyers, with black print and image of 'Maretimo' advertising stone carvings with high tea in the gardens at 'Maretimo' 2nd April ? year -
Glenelg Shire Council Cultural Collection
Certificate - Certificate - Independent Order of Rechabites, c. 1916
The IOR was a friendly society founded in England in 1835. It was part of the temperance movement. The name of the Order was inspired by the Rechabites, who feature in the 35th Chapter of Jeremiah. The founders of the Order were concerned that many friendly societies met in public houses and their members were therefore vulnerable to the temptations of alcohol. The Order spread around the world. There were branches in New Zealand, Australia, the United States and India. Branches were known as 'tents' and presided over by High Chief Rulers, who were assisted by Inside and Outside Guardians, a Levite of the Tent and a group of Elders. Before joining the Order, a prospective member had to sign a pledge that they and their family would abstain from alcohol.Certificate, issued by Independent Order of Rechabites (IOR) to Greta Thomas - patriotic pledge to abstain from alcohol. Cardboard, coloured front, picture of Kitchener of Khartoum, banner Patriotic Pledge, flagsior, temperance, reta thomas, friendly society, rechabites -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - portrait of a woman, n.d
Head and shoulders black and white photo, mounted on white card; woman with hair pulled back severely from face, dress buttoned high to neck, brooch at top.Front: 'Arnest & Kent. PHOTOS, COLAC' - printed in dark red, beneath photo Back: 'Aunt Mary Gray' - hand printed, blue biroportrait photography, female portrait, bust -
Glenelg Shire Council Cultural Collection
Booklet - Prospectus, 'Observer' Print, Portland, c. 1963
12 Page, Portland High School Prospectus, for 1964. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Gaol, n.d
The Gaol at Portland was in operation as early as 1852. It was reproclaimed in the Government Gazette, along with several other prisons in the colony, in October 1877. In 1892, it was proclaimed a Police Gaol, under the provisions of the Gaols Act 1890. The Police Gaol was closed by proclamation in March 1893.Black and white photo of gaol at Portland, two sides visible. High stone walls, roof of building visible behind walls. Large stone pillars either side of wooden entrance. Dilapidated wooden fence, cow grazing in foreground.Front: 'THE FIRST JAIL IN VICTORIA, PORTLAND' - white print on bottom edge of photoportland gaol, jail, incarceration, prison -
Glenelg Shire Council Cultural Collection
Souvenir - Glass, 1989
Souvenir glass. Gold printing 'Narrawong 1889-1989', gold image of seagulls and waves. Measures 11 cm high x top diameter: 6.4cm x bottom: 4.5cm -
Glenelg Shire Council Cultural Collection
Souvenir - Plastic Drink Bottle - Hi Fert High Analysis Fertilizers, Bottle of Australia, n.d
Hi Fert High Analysis Fertilizers green plastic drink bottle, white lid. Hi Fert logo front and back. Measurements 25cm high x top 4.5cm x bottom 7cmFront: Sid: metric scale 100-400mls, embossed Back: Base: Bottles of Australia - logo) Made in Australia ) embossed -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland High School, 1950s
Black and white photo. Portland High School. People seated on chairs in quadrangle, facing classrooms. Australian flag flying from flagpole. House flags hanging from edge of classroomsBack: 'F45' in pencilportland high school, glenelg schools, flags, event -
Glenelg Shire Council Cultural Collection
Souvenir - Plastic drinking cup, Skiff Welmaid, n.d
Plastic glass, black image of cartoon 'water creature'. Black lettering. Measurements 9cm high x Diameter top: 5.9cm x Bottom 4.3cmFront: 'Glenelg Hopkins Waterwatch' Back: Base - '170ml SKIFF WELMAID 02 95670571 -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Higher Elementary School, c. 1923
Portland Higher Elementary School, with an enrolment of 30 students, was established in 1912 as part of the Palmer Street Primary School. Senior education continued on this site until 1945 when Portland High School was finally established with 192 students. By the time new buildings were built in Julia Street in 1957 and ready to move into, there were already 480 students enrolled. The school continued to grow until 1969 when the enrolment was 800 students.Black and white photo. Higher Elementary School Portland, possibly 1923. Group of students posed outside brick building ?Palmer St; girl in front row holding sign with 'H.E.S. PORTLAND FORMS C. D. E.'Front: 'H.E.S. Poss. 1923' - biro, top left mount. 'G.V. BOLTON PHOTO ARTIST' - embossed bottom right mount' Back: 'POSSIBLY 1933 VIVIAN' handwritten, blue biro and names of people in photo - blue birosecondary school, portland high school -
Glenelg Shire Council Cultural Collection
Souvenir - Badge, Stokes, n.d
Brass badge, circular with lapel pin, enamelled, red, blue and yellow, Portland High School Ex-students Association -
Glenelg Shire Council Cultural Collection
Souvenir - Pennant - Mitchell Portland High School team, n.d
Pennant / small flag on wooden stick. Red fabric, white lighthouse and ''MITCHELL' PHS house team -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - View of a football team, n.d
Black and white photo postcard. View of a football team and officials, sitting/standing on a grassed area, shrubs behind. Long white shorts, high necked guernseys.Back: Blue round stamp: 'PRINTED BY - E. ANDREWS PORTLAND' -
Glenelg Shire Council Cultural Collection
Booklet - Portland High School song book, c. 1954
Portland High School Song Book. Fawn card covers, black print, 43 pages of songs, several blank pages at back, some with hand written songsFront: 'Christine McEachern, IIIC PHS' - hand written, blue biro, top right corner -
Glenelg Shire Council Cultural Collection
Souvenir - Glass, n.d
Glass, gold rim. Portland High School logo, gold embossed. Measurements 11.2cm x Diameter top 6.2cm x bottom 4.5cmFront: 'PORTLAND HIGH SCHOOL' 1945 - 1992' - gold embossed beneath logo -
Glenelg Shire Council Cultural Collection
Domestic object - Bottle - Skeyhill Hamilton and Portland Lemonade, n.d
7 fluid ounce lemonade bottle, embossed ' 'J.P. SKEYHILL HAMILTON AND PORTLAND' 'LEMONADE' Bottle measurements 22.8cm high x Diameter top 2.7 x bottom 6.5embossed ' 'J.P. SKEYHILL HAMILTON AND PORTLAND' 'LEMONADE' -
Glenelg Shire Council Cultural Collection
Souvenir - Wine Glass * Rec Com, n.d
Large wine glass, REC COM LOGO, white embossed. Measurements 20.5 high x Diameter 7.5cm -
Flagstaff Hill Maritime Museum and Village
Painting - Oil painting, W. Langley-Taylor, Cape Schank [Schanck], Late 19th to early 20th century
This painting is one of a pair of large paintings by W. Langley-Taylor in our collection. Currently, no further information has been found about the artist but research is ongoing. The subjects of these paintings are seascapes of notable areas of the coast on each side of Port Phillip Bay, south of Melbourne, Victoria. The subject of this painting is Cape Schanck, Victoria, which is on the east side of Port Phillip Bay. It includes the Cape Schanck Lighthouse and its Flagstaff. The Cape Schanck Lighthouse was built in 1859 and is the second of Victoria’s coastal lights. It is 21 metres tall and made from limestone. Unusually, its stairway is made from stone rather than wrought iron. Gilded tours are available to explain its use and significance to visitors. The lighthouse keepers at Cape Schanck kept records of the ships that sailed past them along Bass Strait; ship’s names, direction, time and date and so on. The details would also be passed on to shipping agencies, Harbour Masters and newspapers, which published Arrivals and Departures into and out of shipping ports such as Port Phillip Bay and the Port of Melbourne. INSCRIPTIONS “Mrs M Irby” (and on the Eagle Rock, Warrnambool, painting “980/Regency”) The inscription “Mrs M Irby” is on the back of both paintings but the significance of the inscription has not yet been discovered. Perhaps she was connected with the ship or shipping company “Irby”. A ship named “Irby”, built in Merseyside, Liverpool in 1881 by R & J Evans, Birkenhead. It was a four-masted iron ship built for the White Star Line. Henry Wilson Hewitt bought her in 1882, then later she was owned by Chadwick & Pritchard. In 1888 she was registered under the Irby Ship Co. Ltd. (trading as J. Joyce) in Liverpool. In 1912 Galgate Co. Ltd owned her. She traded between London, England and Australia, and is recorded as being in Melbourne and Hobart. In 1919 the Irby was destroyed by a mine when on her way to England. Or perhaps her name and the inscription in pencil “980/Regency” on the Eagle Rock Warrnambool, painting could be a delivery address for the paintings, perhaps an apartment in a hotel. NOTE: The artist’s spelling of the title “Cape Schank, Vic.” is incorrect. The location in this painting is named Cape Schanck. This painting is significant geographically for its representation of the coastal scenery of Victoria, Australia. It is also significant as one of a pair of paintings of seascape, one at sites each side of Port Phillip Bay. The painting is significant historically as an example of late 19th and early 20th methods and materials used to construct a painting’s frame. Painting oil on board in a dark wooden frame, portrait orientation. Seascape of coast with cliffs, lighthouse and flagstaff, flying birds, high waves breaking onto rocks, blue sky with clouds. The title is painted on lower left corner and the Victorian artist, W. Langley-Taylor, has signed his name on lower right. The inscription on back is handwritten script in red crayon or thick red pencil. The board is held in place inside the timber frame with small, dark metal tacks around all sides. Metal eyes join the wire to the frame. Small round, dark metal nail heads are dispersed around the frame and there is a change of colour on both the board and the wood of the frame. Painted on front “W.LANGLEY-TAYLOR.” and “CAPE SCHANK, VIC.” [NOTE: correct spelling is Schanck] Handwritten on back “Mrs. M. Irby” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, painting, oil painting, cape schanck painting, w. langley-taylor, wall decoration, seascape of victoria's coast, art, mrs m irby, victoria's coast, pair of paintings -
Flagstaff Hill Maritime Museum and Village
Painting - Oil painting, W. Langley-Taylor, Eagle Rock, Warrnambool, Vic, Late 19th to early 20th century
This painting is one of a pair of large paintings by W. Langley-Taylor in our collection. Currently, no further information has been found about the artist but research is ongoing. The subjects of these paintings are seascapes of notable areas of the coast on each side of Port Phillip Bay, south of Melbourne, Victoria. This painting is of Eagle Rock, Warrnambool, which is on the west of Port Phillip Bay. Eagle Rock is located about 400 metres west of Thunder Point, near Shelly Beach. The painting includes the rocky cliff formations looking east towards the Warrnambool Breakwater. The walk from the Thunder Point car park westwards to Shelly Beach has been popular over the decades with residents as well as tourists. Many photographs include the rock, with varying backgrounds depending on the angle of the camera. It is a popular dive site for locals and visitors, in calm weather! The site can be approached by boat from the open sea in favourable conditions, and there is plenty of native marine to be seen in this marine sanctuary. This part of Warrnambool’s rugged coastline is unprotected from the Southern Ocean with its wild icy winds and high seas. The painting’s crashing waves and the northerly direction of the smoke on the steamship sailing north show the effect of the southerly wind. INSCRIPTIONS “Mrs M Irby” and “980/Regency” The significance of the inscription “Mrs M Irby”, on the back of each of the two paintings, has not yet been discovered. Perhaps she was connected with the ship or shipping company “Irby”. A ship named “Irby”, built in Merseyside, Liverpool in 1881 by R & J Evans, Birkenhead. It was a four-masted iron ship built for the White Star Line. Henry Wilson Hewitt bought her in 1882, then later she was owned by Chadwick & Pritchard. In 1888 she was registered under the Irby Ship Co. Ltd. (trading as J. Joyce) in Liverpool. In 1912 Galgate Co. Ltd owned her. She traded between London, England and Australia, and is recorded as being in Melbourne and Hobart. In 1919 the Irby was destroyed by a mine when on her way to England. Or perhaps her name and the inscription in pencil “980/Regency” on the Eagle Rock Warrnambool, painting could be a delivery address for the paintings, perhaps an apartment in a hotel. This painting is significant geographically for its representation of the coastal scenery of Victoria, Australia. It is also significant as one of a pair of paintings of seascape, one at sites each side of Port Phillip Bay. The painting is significant historically as an example of late 19th and early 20th methods and materials used to construct a painting’s frame. Painting oil on board in a dark wooden frame, portrait orientation. Seascape of rock formation and cliffs, two yachts, a two-masted steamboat with red funnel and smoke, flying birds, high waves breaking onto rocks, blue sky with clouds, some tinted pink.. The title is painted on lower left corner and the artist, W. Langley-Taylor, has signed his name on lower right. The inscription on the back is a handwritten script in red crayon or thick red pencil. The board is held in place inside the timber frame with small, dark metal tacks around all sides. Metal eyes join the wire to the frame. Small round, dark metal nail heads are dispersed around the frame and there is a change of colour on both the board and the wood of the frame. Painted on front “W.LANGLEY-TAYLOR.” and “EAGLE ROCK, WARRNAMBOOL, VIC.” Handwritten on back “Mrs. M. Irby” and “980 [underlined] Regency”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, eagle rock warrnambool, w. langley-taylor, oil painting, wall decoration, seascape of victoria's coast, mrs m irby, art, seascape, pair of paintings -
Flagstaff Hill Maritime Museum and Village
Ceramic - Tile, circa 1878
This Minton floor tile is from the wreck of the LOCH ARD along with other examples of this manufacture recovered from the wreck site and form part of the collection at Flagstaff Hill. The iron-hulled clipper ship from the Loch Line was heading for Port Phillip from London when it ran into the cliffs of Mutton Bird Island near Port Campbell and was wrecked on June 1st, 1878. The LOCH ARD was laden with high-value cargo including luxury goods intended for display at the Melbourne International Exhibition in 1880. One notable survivor from the ship’s freight manifest was the well-packed Minton porcelain peacock, a two-metre-high ceramic masterpiece of vivid glazed colours. The almost total loss of life and property from the LOCH ARD registered as a shocking tragedy for the Colony of Victoria, at a time when social confidence and economic optimism were otherwise high. The wealth generated from Gold and Wool was increasingly being spent on grandiose private residences and imposing public buildings. The demand for quality furnishings and fittings was therefore strong. Among the products consigned to burgeoning colonial markets by the Milton Pottery at Stoke upon Trent, were their new range of colourfully patterned but very durable floor tiles – ideal for the high-traffic spaces in the large civic buildings then being constructed in Australia and America. These new floor tiles were “encaustic”, meaning that their designs and colours were encased “within” the depth of the tile. Rather than their decorative patterns being glazed onto the surface of the tile, their inlaid designs were created during the manufacturing process, as “coloured slips” (or liquid clay) were poured into a deep pre-moulded casting. When fired, the resulting tile was colour-fast and design-fast. A brief history of the Loch Ard (1873-1878): - The sailing ship Loch Ard was one of the famous Loch Line ships that sailed from England to Australia. Barclay, Curdle and Co. built the three-masted iron vessel in Glasgow in 1873. It had sailed three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of recently married, 29-year-old Captain Gibbs. It was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, and a heavier load of railway irons, cement, lead and copper. Other cargo included items intended for display in the Melbourne International Exhibition of 1880. The Loch Ard had been sailing for three months and was close to its destination on June 1, 1878. Captain Gibbs had expected to see land at about 3 am but the Loch Ard ran into a fog that greatly reduced visibility and there was no sign of land or the Cape Otway lighthouse. The fog lifted at 4 am and the sheer cliffs of Victoria's west coast were much closer to them than Captain Gibbs expected. He tried to manage the vessel but failed and the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. The top deck loosened from the hull, and the masts and rigging crashed down, knocking passengers and crew overboard. The lifeboat was launched by Tom Pearce but crashed into the side of Loch Ard and capsized. He clung onto its overturned hull and sheltered under it. He drifted out to sea and the tide brought him back to what is now called Loch Ard Gorge. He swam to shore and found a cave for shelter. A passenger, Eva Carmichael, had raced onto the deck to find out what was happening and was confronted by towering cliffs above the ship. She was soon swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He swam out and dragged her to the shelter of the cave. He revived her with a bottle of brandy from a case that had washed up on the beach. Tom scaled a cliff in search of help and followed some horse hoof prints. He came from two men from Glenample Station, three and a half miles away. He told the men of the tragedy and then returned to the gorge while the two men rode back to the station to get help. They reached Loch Ard Gorge and took the two shipwreck survivors to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome and was presented with a medal and some money. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck, it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The Minton floor tile is significant for its hard-wearing yet attractive design. The shipwreck of the LOCH ARD is of State significance. Victorian Heritage Register S417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best-known shipwrecks in Victoria’s history. A square Minton floor tile with a black and apricot pattern against a chocolate brown background. There is a large chip missing. This decorative floor tile was recovered from the shipwreck of the LOCH ARD. On the back, or base, of the tile is inscribed the number “46” and the letters “Minton & Co Patent Stoke upon Trent”.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, encaustic tile, melbourne international exhibition, floor tile, minton floor tile -
Flagstaff Hill Maritime Museum and Village
Ceramic - Tile, circa 1878
This Minton floor tile is from the wreck of the LOCH ARD. Other examples of this manufacture have been recovered from the wreck site and form part of the collection at Flagstaff Hill. The iron-hulled clipper ship from the Loch Line was heading for Port Phillip from London when it ran into the cliffs of Mutton Bird Island near Port Campbell and was wrecked on the early morning of June 1, 1878. The LOCH ARD was laden with high-value cargo including luxury goods intended for display at the Melbourne International Exhibition in 1880. One notable survivor from the ship’s freight manifest was the well-packed Minton porcelain peacock, a two-metre-high ceramic masterpiece of vivid glazed colours. The almost total loss of life and property from the LOCH ARD registered as a shocking tragedy for the Colony of Victoria, at a time when social confidence and economic optimism were otherwise high. The wealth generated from gold and wool was increasingly being spent on magnificent private residences and imposing public buildings. The demand for quality furnishings and fittings was therefore strong. Among the products consigned to burgeoning colonial markets by the Milton Pottery at Stoke upon Trent were their new range of colourfully patterned but very durable floor tiles – ideal for the high-traffic spaces in the large civic buildings then being constructed in Australia and America. These new floor tiles were “encaustic”, meaning that their designs and colours were encased within the depth of the tile. Rather than their decorative patterns being glazed onto the surface of the tile, their inlaid designs were created during the manufacturing process, as “coloured slips” (or liquid clay) that were poured into a deep pre-moulded casting. When fired, the resulting tile was colour-fast and design-fast.The Minton encaustic floor tile is significant for its method of manufacture which makes it durable as well as decorative. The shipwreck of the LOCH ARD is of State significance. Victorian Heritage Register S417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best-known shipwrecks in Victoria’s history.A square Minton floor tile with a black and beige pattern against a white base. This encaustic floor tile was recovered from the shipwreck of the LOCH ARD. On the back, or base, of the tile is inscribed the number “46” and the letters “Minton & Co Patent Stoke upon Trent”.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, minton floor tile, encaustic tile, melbourne international exhibition, floor tile -
Flagstaff Hill Maritime Museum and Village
Ceramic - Floor Tile, circa 1878
This Minton floor tile is from the wreck of the Loch Ard and is currently on display in the Great Circle Gallery at Flagstaff Hill. The iron hulled clipper ship from the Loch Line was heading for Port Phillip from London, when it ran into the cliffs of Mutton Bird Island near Port Campbell. The Loch Ard was laden with a high value cargo including luxury goods intended for display at the Melbourne International Exhibition in 1880. One notable survivor from the ship’s freight manifest was the well packed Minton porcelain peacock, a two meter high ceramic masterpiece of vivid glazed colours. (This is also on display in the Great Circle Gallery). The almost total loss of life and property from the Loch Ard registered as a shocking tragedy for the Colony of Victoria, at a time when social confidence and economic optimism were otherwise high. Wealth generated from Gold and Wool was increasingly being spent on grandiose private residences and imposing public buildings. The demand for quality furnishings and fittings was therefore strong. Among the products consigned to burgeoning colonial markets by the Milton pottery at Stoke upon Trent, were their new range of colourfully patterned but very durable floor tiles ideal for the high-traffic spaces in the large civic buildings then being constructed in Australia and America. These new floor tiles were “encaustic”, meaning that their designs and colours were encased “within” the depth of the tile. Rather than their decorative patterns being glazed onto the surface of the tile, their inlaid designs were created during the manufacturing process, as “coloured slips” (or liquid clay) were poured into a deep pre-molded casting. When fired, the resulting tile was colours-fast and design-fast. The Minton floor tile is significant for its hard-wearing yet attractive design. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulations of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collections of objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history. A square Minton floor tile with a dark brown, beige and white pattern. The tile has a piece broken off along one side and some chipping along the edges. This ‘encaustic’ floor tile was recovered from the shipwreck of the LOCH ARD. Branded "... MINTON&CO Patent ..."flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, minton floor tile, encaustic tile, melbourne international exhibition, floor tile -
Marysville & District Historical Society
Postcard (item) - Black and white postcard, Valentine Publishing Co. Pty. Ltd, Cathedral Range, From Mount Gordon, Marysville. V. 24, 1923-1963
An early black and white photograph of the Cathedral Range taken from Mount Gordon near Marysville in Victoria.An early black and white photograph of the Cathedral Range taken from Mount Gordon near Marysville in Victoria. The Cathedral Range sweeps up from the Acheron Valley and is a distinctive regional landmark of high craggy peaks and sandstone cliffs. The park is notable for its spectacular walking trails and challenging rock climbs. This postcard was published by the Valentine Publishing Co. Pty. Ltd. as a souvenir of Marysville.VALENTINE'S/ POST CARD/ A GENUINE PHOTOGRAPHcathedral range, mount gordon, marysville, victoria, postcard, valentine publishing co, souvenir, acheron valley -
Flagstaff Hill Maritime Museum and Village
Ceramic - Floor Tile, circa 1878
This Minton floor tile is from the wreck of the Loch Ard. The iron-hulled clipper ship from the Loch Line was heading for Port Phillip from London, when it ran into the cliffs of Mutton Bird Island near Port Campbell. The Loch Ard was laden with high-value cargo including luxury goods intended for display at the Melbourne International Exhibition in 1880. One notable survivor from the ship’s freight manifest was the well-packed Minton porcelain peacock, a two-meter high ceramic masterpiece of vivid glazed colours. (This is also on display in the Great Circle Gallery). The almost total loss of life and property from the Loch Ard registered as a shocking tragedy for the Colony of Victoria, at a time when social confidence and economic optimism were otherwise high. The wealth generated from Gold and Wool was increasingly being spent on grandiose private residences and imposing public buildings. The demand for quality furnishings and fittings was therefore strong. Among the products consigned to burgeoning colonial markets by the Milton Pottery at Stoke upon Trent, were their new range of colourfully patterned but very durable floor tiles ideal for the high-traffic spaces in the large civic buildings then being constructed in Australia and America. These floor tiles were “encaustic”, meaning that their designs and colours were encased “within” the depth of the tile. Rather than their decorative patterns being glazed onto the surface of the tile, their inlaid designs were created during the manufacturing process, as “coloured slips” (or liquid clay) were poured into a deep pre-moulded casting. When fired, the resulting tile was colour-fast and design-fast. The Minton floor tile is significant for its hard-wearing yet attractive design. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulations of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collections of objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history. A square Minton floor tile with a white background, and beige, dark blue, light blue and black geometric pattern as well as leaves in the design. The tile has corner broken off and some chipping along the edges. The reverse has five rows of five evenly spaced holes. The back of the tile has inscriptions. Made by Minton & Co. at Stoke upon Trent. This encaustic floor tile was recovered from the shipwreck of the LOCH ARD. Branded "... MINTON&CO / PATENT / STOKE UPON TRENT"flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, minton floor tile, encaustic tile, melbourne international exhibition, floor tile, minton tile, minton & co., stoke upon trent -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - woodchips at the Port of Portland, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives, woodchips, port of portland, harbour -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Henty Beach, Aug-89
Port of Portland Authority ArchivesBack: 'Yacht Club / Henty Beach Slip and infill August 1989 (v. high tides)port of portland archives, portland harbour, henty beach -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Cape Grant Quarry, 30/06/1955
Port of Portland Authority ArchivesBack: Purple PHT stampport of portland archives, cape grant quarry