Information from the donor by email gives: Norma Pryde is identified as the girl in the second row on the far right. Her parents Norman & Hilda Pryde lived at 50 Broughton Road, Surrey Hills. The home was named 'Strathaven' after the town in Scotland where Norman's father came from. Norman & Hilda were married in 1923. Norma was born in 1924. Norman worked for Moran & Cato so the family moved around a lot for his work and is thought to have rented out the house from time to time. During some time in the 1920s they were listed on electoral rolls in Nyah West and then in 1942 they were listed in Hamilton. When the war ended they came back to Melbourne and in the late 1940s built a home at Blackburn. Norma married John Cleak in 1947 in Camberwell. This photo is representative of the large classes that were common in the interwar period.An original B&W postcard photo of a class taken outside against a brick wall. There are 34 boys in 2 rows. The back row of 20 boys would have been standing on a bench and in the front row the 14 boys are seated on the ground. The girls are standing in 2 rows - 14 girls in the second back row and 16 girls in the second front row. A total of 64 students. There does not appear to be a standard uniform.Front: In blue ballpoint: An arrow + ME Rear: In grey lead pencil on the LHS: "Miss N Pryde / Kitchener Rd / Croydon / Vic"; a stamp in purple ink on the RHS: "SUZANNE ET CIE PTY. LTD. / 357 COLLINS STREET / MELBOURNE." In addition a diagonal blue squiggle.surrey hills, norma pryde, norma cleak, jenny pomeray, surrey hills state school 2778, education, 1930-1939, 1935

Black and white photographWritten on backing sheet, "James Handforth, father of Katherine, wife of Louis Herry, formerly of Walhalla and Cheshire, England". From the Place of Many Eagles book, "Louis was born in Purdu, France, in 1855, and came to Ringwood from Walhalla in 1887 and erected a weatherboard house and shop opposite the Club Hotel, using a Miner's Right to secure the land. When he arrived, Louis was a married man with three children, Leopold (1882), Marie (1884), John (1886). He had married Kate Handforth at Walhalla in 1879. In later years Elizabeth, Minellia, Louis and Denise were born. Kate's father was known as the midwife of the Gippsiand township because he had once been a fourth year medical student in England, but earnt a living as a goldbuyer in Victoria. Marie Herry would grow up remembering her grandfather calling sometimes at Ringwood; he would bring the children jubilee Mixture to eat and he carried a revolver in his pocket. Often he would play the violin while Marie would stepdance on the kitchen table."

These slides have been made by Alex Gunn and Sons, a 20th century lantern and slide maker based in Melbourne. The slides were produced for Val Morgan and Sons, a cinema advertising slide maker. Val (Valentine) Morgan (1867-1952) established a business in 1894 and by 1914 was making slides for cinemas. By 1921 the business was a company producing slides for movie houses and by the 1930s was the largest business of its type in Victoria. The company also produced the Morgans Street Directory for over 50 years in the 20th century. The company was sold in 1987. It is believed that these slides were shown in the Capitol Theatre in Warrnambool as the advertisements feature a local business, Fletts Plumbing. Most of the slides advertise Metters and Everhot bathroom and kitchen appliances, obtainable from the Warrnambool firm, going under the various trade names of Flett Brothers, F. Flett and Co and Fletts of 147 Lava Street (with ‘Lava’ spelt as ‘Laver’ in one ad). John Flett, boat and bridge builder, settled in Warrnamool in 1868 and it was his son William who first established a tinsmith and plumbing business in Warrnambool in the 1880s in a shop in Timor Street. His sons, Frederick and Charles, continued on the business after the father’s death in a Lava Street site until its demise in the 1950s. These items are of great interest as examples of cinema advertising slides used in cinemas in the mid 20th century and perhaps in the 1930s. The items have local significance as the slides feature advertisements for the business of the Flett family who were local plumbers and fitters. The slides are also of local interest as they are believed to have been used in the Capitol Theatre in Kepler Street, still operating today. These are eleven glass slides produced for cinema advertising in the mid 20th century. Three of the slides are blank and eight contain coloured images and printing advertising the products of kitchen and bathroom items and the local Warrnambool supplier. Four of the slides have thicker glass and four have paper labelling on the top and bottom edges. The slides are held in a cardboard box without a lid.Val Morgan & Sons Pty Ltd Reg. Office 64 Elizabeth Street Melbourne Please screen at least 12 SECONDS Gunn Slide flett family, plumbers, warrnambool, val morgan & sons cinema slides

The postcard shows the kitchen at 'Emu Bottom' which is almost the same as when the homestead was built in the 1930s when George Evans acquired the land and built the homestead.Images like the one on the postcard provide visual information relating to past domestic living and life.A non-digital coloured photograph in post card format with a crinkled edge, of a lady in a kitchen cooking over a Firestone. A large dresser is to her right and had a display of china plates and bowls on the open shelves.kitchens, emu bottom, george evans, sunbury

A set (11) of postcards from historic photographs produced by John Hoskin, trading as Great Southern Card Publishing, Australia. .01 - J Kitchen & Sons factory in 1939 .02 - J Kitchen & Sons factory 1939 also showing Port Melbourne Football Ground .03 - Strathaird - 1934 - departing Station Pier .04 - British Aircraft Carriers at Station Pier from 23 to 31 January 1946 .05 - USA warships at Princes Pier 26July to 6 August 1925 .06 - Railway Pier c 1890 .07 -Wanganella - 1946 at Station Pier .08 - Uraba minesweeper at Station Pier 1946 .09 - Oronsay and Ormonde at Station Pier c 1951/52 .10 - Empress of Britain and Reliance at Station Pier 6 April 1938 transport - shipping, piers and wharves, industry, manufacturing, piers and wharves - station pier, piers and wharves - princes pier, piers and wharves - railway pier, j kitchen & sons pty ltd, wanganella, strathaird, oronsay, ormonde, uralba, hms implacable, hms glory, hms indefatigable

Hilary Bennet Mason (born 25/12/1911 in North Melbourne; died 16/3/2008) married Olive Marjory Muridge (B 20/7/1915; D 26/9/2001) on 30 September 1940. They has one daughter, born in 1947. Hilary had a number of occupations in his lifetime. His daughter referred to him as a tram conductor. The family lived at 7 Charles Street, Surrey Hills from c1960, having purchased it from William Stanton (Stan) Philp, a baker, and his wife Eileen. The title originally extended over 2 plots. The Philps sub-divided the land and built a new house for themselves at No 9. No 7 Charles Street had a well under the kitchen window; the house was extended in 1971/72; it was sold after Hilary Mason died in 2011. [REF: Personal communication from the donor; Alan Holt property register and online research.] The handwritten timeline refers to the area having been "called Irish Town as Catholic's were in the majority." Most of the writing is that of Hilary Mason, although some blanks have been filled in by another (unknown) hand. There is also an entry by John Whitford, who moved into a new home on the corner of Charles and Arthur Streets in 1982. The last entry is dated June 1996, when Hilary Mason would have been c 85 years old. Comment in relation to this catalogue entry: "One of the occupation that Mr Mason had was a Radio shop in Bridge Road, Richmond, called Mason's Radio. I worked for Mason's Radio in January 1963 to December 1964. Mr. Mason was a true gentleman, very kind and treated me like a son. Regards M.Zammit." (Maurice Zammit email; 9 March 2025)This is a unique piece of social history reflecting the closeness of this small suburban street.A standard lined exercise book, brand is HEADLINE, which contains a mixture of handwritten entries and pasted in and loose ephemeral items. These include house advertising flyers, newspaper clippings of a general nature and death notices, tickets, etc. The handwritten notes mostly pertain to a timeline of residents and their comings and goings to and from Charles Street in Surrey Hills, but also include some reflections on social history. Memories of other residents of the street are recorded. There are also some personal diary notes.Front cover: "begun october 1987 / History of / Charles street / Surrey Hills / History of Charles st. 1989 / 1996 / 1995 / 1993 1991 1990 / History 1987" in biro and marking pen in blue, red, brown and green. Back cover: "History / of / Surrey / Hills [1987 /1990 /1993 / 1995 / 1996] / History of / Charles street / Surrey Hills 1991" handwritten in black, blue, green, red and pink biro and marking pen.charles street, edna holzer, jack wright, john whitford, diana whitford, amanda whitford, melissa whitford, june kavanagh, aub sherlock, hilary bennet mason, olive marjory mason, noni hallier, elvis greenwood, bob peacock, ken warren, chris holford, enid holford, keith ellis, gina ellis, nita jacobsen, christine craig, peter craig, gary austin, deb austin, ian pearson, chris jacobsen, jack titansaw, peter burton, william (bill) philp, george cook, lee burton, mary pearson, bill sloan, carmel sloan, fielding's foundary, antonio panzera, annunziata panzera, nancy panzera, dr eric allan, merelyn maher, charles lyons, doug sloan, coral meehan, peter haase, steve creati

"John Alexander Brown", No 372. Enlisted 14.8.14 in 9th Light Horse Reg. C. Squad. Embarked 11.2.15. Gallipoli 16.5.15. Discharged 23.9.19 at rank of Sergeant. WIA 26.8.15 in left arm and discharged from hospital 25.10.15. Transfer to PRO CORP 5.12.16. Hospitalised with pneumonia 25.7.17. promoted to Sgt 24.2.18.1. Sepia photo of John Alexander Brown in full uniform standing in a formal pose looking into the camera. Image in an oval circle on portrait photo. 2. Brown folded cardboard cover for photo with a woman's head pressed into the front cover.Scribbled on back "Cousin, Alex Brown, from Woodstock on Loddon, Married to L. Chambers (or L. Hambers).john alexander brown, ww1, photograph, baxter mc

This photo has been in the Hegarty famly collection since the twenties. It shows a group of workers from the Cardbox Department of J Kitchen & Sons Pty Ltd, of Ingles Street, Port Melbourne. These workers made boxes for soap by hand, i.e. presentation boxes for Christmas gifts. There are three sets of sisters in this photo: Lily and Alma Eddy, who travelled from Coburg; Mabel and Florrie McPherson and Alice and Myrtle Mott, all of Cruikshank Street. Mrs Myrtle Mott Bennett of Box Hill, was able to identify Millie Robinson (front row, 2nd from left) of Graham Street, Alice Mott (back row, 3rd from left). She is 2nd from left in front row. After all these years, it was hard to remember who was who! Alice Mott started working at Kitchen's at 14 year old, and her younger sister Myrtle started there at 15 years, having worked for a year at Swallows. Myrtle was to spend 15 years there prior to her marriage in 1939, and received a gold watch for long service She feels that working at Kichens was a bit more prestigious than Swallows. John and Jim Bradley were the foremen and were real gentlemen!Copy of photo of twelve young workers from cardboard department of J Kitchen & Sons, Ingles Street. Also an attachment (.02) written by Barbara Gardiner which lists all the people in the photo.business and traders - soaps/candles, john bradley, jim bradley, j kitchen & sons pty ltd, myrtle bennett nee mott, alice mott, millie robinson, florrie mcpherson, mabel mcpherson, lily eddy, alma eddy, hegarty family

John and Emma Propert emigrated from England in 1877 and settled in New South Wales . Several of their 11 children became talented inventors, designing items ranging from kitchen utensils to coaches and later pop-up caravans. One of the most successful was Charles, who designed and built kitchenware over many decades. His earliest invention was irrigation equipment including patenting the common backyard rose sprinkler. Propert became a household name when he began making a wide range of kitchen implements for decades including flour sifters and chip cutters. By the 1970s Propert was Australia’s leading brand of kitchen and bathroom scales. By far the most successful product was a ball-driven egg beater, trademarked as the Ezy Whisk or Swift Whisk. In the days before electric beaters, the Ezy Whisk and Swift Whisk were market leaders and were exported world-wide. Charles Propert and his son Bertram manufactured more than a quarter of a million egg beaters a year in the early 1950s which explains why so many are still in use today.These items are significant because they were widely used throughout Australia in the 1950s by a major Australian manufacturer.Two Propert's kitchen appliances - a stainless steel Whistling Egg Timer and a Swift Whisk BeaterOn Egg Beater : A PROPERT PRODUCT MADE IN AUSTRALIA PATENT BALL DRIVE SWIFT WHIP STAINLESS STEELkitchen utensils, propert kitchen appliances

Jackson Boilers Ltd., brass founders, electro platers and sheet metal works made this tube water boiler. It was a fitting in the vessel Reginald M, a small cargo ship built at Port Adelaide in 1922 and named after her builder and first owner, John Murch. The Reginald M was launched at Largs Bay, South Australia, in 1922 to carry cargo around South Australia that included guano, barley, wool, horses, cattle, timber, explosives, potatoes, shell grit, and gypsum. It passed through numerous owners over the years and primarily maintained its purpose as a cargo vessel. In 1975, the decommissioned Reginald M was purchased by Flagstaff Hill Maritime Museum as an attraction. Although restoration efforts were undertaken and maintained for the craft above the water line, deterioration occurred below the surface and resulted in the ship being unsafe for visitors to board. It was broken up and removed from Flagstaff Hill in 2018, but items such as the historical boiler remain in Flagstaff Hill’s Collection. JACKSON BOILERS LTD.: - In 1911, Henry Jackson was the Managing Director at Jackson Boilers Ltd. He had gained around 30 years’ experience as a tin plate worker, plumber and gas fitter at Ilkey in 1881, then at Leeds by 1901. By 1921, he had changed employment from Jackson Boilers to Managing Director of Patent Water Boilers. During World War I, Jackson Boilers Ltd of Leeds performed war work like many other manufacturers at that time. The firm made cases for the explosive picric acid and electroplated fuse hole plugs. In 1918, the firm employed 15 males and 19 females. Jacksons Boilers became very successful throughout the first half of the twentieth century with showrooms and sales offices in Scotland, the Midlands and Southern England. It also had an office in Dublin, Ireland. In the post-war 1920s, the firm’s production included instantaneous water boilers and coffee machines for cafes, restaurants and canteens. Jackson Boilers also began to supply shipping lines with catering water boilers for their ships. The firm applied for a USA patent for the tube boiler in 1930, for the design which appears to have been invented in 1926. A 1971 advertisement adds the credentials, Members of the Catering Equipment Manufacturers’ Association. The tube water boiler was designed specifically for use in a ship's restaurant or dining area and patented by Jackson Boilers Ltd. of Leeds. The boiler is significant as a patented design, illustrating the evolution of maritime, commercial and domestic water boilers that have led to many innervations and improvements in today's boilers that are used in heating and in producing hot water for domestic and catering use. It is also significant as it is one of the earlier boilers the Jackson company made in the early 1920s before they applied for a US patent on their revised design in 1926.Water boiler, free standing Jackson's Tube boiler. A tall metal cylindrical stand with a metal sphere on top and several pipe fittings on the sides. A brass tap with a lever handle is connected to the front. A plaque with maker's details is attached under the tap. Details are also impressed into the cylinder above the tap.Jackson Boilers Leeds Ltd. "JACKSON'S PATENT" . Other details indecipherable. flagstaff hill maritime museum and village, flagstaff hill maritime museum, flagstaff hill, maritime museum, maritime village, warrnambool, great ocean road, leeds, jackson boilers ltd, jackson boilers, henry jackson, brass founders, electro platers, sheet metal works, patent water boilers, leeds manufacturer, tube water boiler, domestic boiler, tube domestic boiler, tube boiler, water heaters, water boilers, self-feeding water boilers, sheet metal work instantaneous water heaters, engineering, allied trades, metal workers, metal trade, food machinery, hospitality equipment, ship equipment, ship water boiler, ship heater, catering boilers, café boiler, restaurant boiler, canteen boiler, catering equipment manufacturers’ association, cema, kitchen equipment, kitchen appliance, war work, world war i, wwi, picric acid, picric acid cases, fuse hole plugs, electro plated fuse hole plugs, reginald m, cargo ship, port adelaide, 1922, john murch

Miss Appleby, matron of St. John's Home for Boys and Girls, demonstrating the meat and cheese slicer in the kitchen at "Shrublands" 1989. Black and white photograph.canterbury, balwyn road, "shrublands", st.john's home for boys and girls, kitchens, kitchen equipment, stoves, appleby> miss

The Albinson family moved to 159 Pickles St in 1936 and remained there until 1955 (returning to Williamstown). Phyllis's grandmother (Nan) -Violet lived opposite at 89 Cruikshank St. Father John Goddard Albinson worked at Kitchens. Phyllis told her story "Port Melbourne's Child" in catalogue number 2109. Albinson family. Three generations in Nan's yard. Aunt Norienne, Dad (John), Marie seated and Phyllispeople, domestic life, built environment - domestic

The Albinson family moved to 159 Pickles St in 1936 and remained there until 1955 (returning to Williamstown). Phyllis's grandmother (Nan) -Violet lived opposite at 89 Cruikshank St. Father John Goddard Albinson worked at Kitchens. Phyllis told her story "Port Melbourne's Child" in catalogue number 2109. John Goddard Albinson (age 23) with daughter Phyllis aged 3 months in 1936people, domestic life, built environment - domestic

The Albinson family moved to 159 Pickles St in 1936 and remained there until 1955 (returning to Williamstown). Phyllis's grandmother (Nan) -Violet lived opposite at 89 Cruikshank St. Father John Goddard Albinson worked at Kitchens. Phyllis told her story "Port Melbourne's Child" in catalogue number 2109. Phyllis Albinson (Kelly) at age 3 riding tricycle in her yardpeople, domestic life, built environment - domestic

The Albinson family moved to 159 Pickles St in 1936 and remained there until 1955 (returning to Williamstown). Phyllis's grandmother (Nan) -Violet lived opposite at 89 Cruikshank St. Father John Goddard Albinson worked at Kitchens. Phyllis told her story "Port Melbourne's Child" in catalogue number 2109. Phyllis Albinson aged about 4 wearing her Nan's best hat people, domestic life, built environment - domestic

This majestic peacock embodies the technical achievement, skill and ingenuity of artisans during the 19th century. It is now known as the 'Loch Ard Peacock' and was designed and modelled in 1873 by Paul Comolera (1818-1897) and fired in one piece at the Minton factory at Stoke-on-Trent in the United Kingdom in 1875. The peacock has been portrayed in symbolic motifs and has figured heavily in folktales and fables since antiquity, and many cultures around the world see it as a symbol of beauty, rebirth and power. Wealthy Victorians loved majolica, and the large peacock would have been the ultimate home accessory as a conservatory ornament – combining their desire for nature, the exotic and vibrant colours. The peacock model was listed in catalogues by Minton & Co. for a retail price of 35 guineas or sold as a pair for 90 guineas. Minton & Co. was founded in 1793 by Thomas Minton (1765–1836) and became a famous pottery and porcelain manufacturer. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms and life-size renditions of birds and animals that won him admiration in public and artistic circles. He was employed by Minton & Co. from 1873 to 1880, and the life-sized peacock became his best-known work. Comolera kept a live peacock loaned from the nearby Duke of Sutherland's Trentham Hall Estate in his studio to create a life-size model of fine buff earthenware model, which was then hand painted in brilliantly coloured green and blue glazes to mimic the peafowl’s dazzling plumage. There are no surviving production records, but according to documents in the Minton Archive, nine peacocks were made by Comolera. However, today, some historians now believe that twelve were fired at the Minton factory; research is ongoing. These peacocks were so admired that Minton & Co. used them as exhibition showpieces at International Exhibitions in London, Paris, and the United States of America, ensuring the company had a worldwide reputation. So, when Melbourne hosted an International Exposition in 1880, Minton & Co. sent out ceramics and tiles, and in particular, this peacock was intended to be part of their exhibit in the British Court in the Exhibition Building, built in the Carlton Gardens. The early dispatch date (1878) indicates that the company may have intended to exhibit their wares, including the peacock, at the 1879 Sydney International Exhibition, but the company did not take up this option. The ship that Minton & Co. used to bring the peacock and their other wares to the Australian colonies was the ill-fated Loch Ard, which sunk after striking Mutton Bird Island near Port Campbell, Victoria, in calm foggy weather in June 1878 on the final leg of the ship's journey to Melbourne. The loss of 52 lives made it one of Victoria’s worst shipwrecks. Therefore, this peacock never made it to the grand exposition in Melbourne, as Minton & Co. had planned. Charles McGillivray dragged this peacock, still in its original packing case, onto the beach in the gorge just two days after the Loch Ard went down. The peacock was rescued unscathed apart from a chip on its beak (only repaired in 1988). After a disagreement with a Melbourne Customs Officer, Joseph Daish, McGillivray stopped his salvage operations, leaving the peacock on the beach. The second salvagers were James Miller and Thomas Keys. Miller was a member of the firm Howarth, Miller and Matthews, Geelong, who had brought the salvage rights to the Loch Ard wreck on 10 June. When Miller and Keys arrived at the wreck site, a storm had washed many of the salvaged goods, including this peacoc,k back into the sea. The two men found the peacock in its case ‘bobbing along in the water’ and pulled it back to the beach. To ensure the peacock wasn't washed out to sea again, Miller and Keys hauled the packing case containing the peacock up the gorge's cliff face to the top, ready to be transported. In an interview in 1928, Keys claimed that at the time of the rescue, the head had broken from the body. This account was proven to be true in 1988, following the birds' display in Brisbane. This peacock began its life in Australia, not in the grandeur of an International Exhibition as intended, but in the hallway of a simple domestic house in Geelong. It appears Minton & Co. did not attempt to buy this peacock back. Florence Miller, daughter of James Miller (Loch Ard salvage rights holder), later remarked that the only item of real value rescued from the wreck had been the peacock and that this had been kept by her father in the family home at Malvern for many years and became a treasured family possession. As such, this 'Loch Ard peacock' was almost forgotten and mistaken with other Minton peacocks around the world. Miss Florence Miller tried to sell the peacock due to financial difficulties in the 1930s but was unsuccessful. While attempting to sell her Loch Ard relic, it was displayed in the window of the old Argus newspaper office, which was at 76 Collins Street, Melbourne; the Argus had relocated to the corner of Elizabeth and La Trobe Streets in 1926. Between 1935 and 1939, the old Argus building was occupied by the Joshua N. McClelland Print Room, which sold not only paintings and prints but also antiques and authentic replicas, as well as hosting exhibitions. Miss Florence Miller loaned her peacock for display at the Victorian Historical Exhibition held in the National Gallery on 1st June 1935, the 57th anniversary of the Loch Ard wreck. As a result, the peacock attracted public attention in books, newspapers and magazine articles that told the story of its survival from a shipwreck. Miss Florence Miller was keen to sell the peacock, even writing overseas to Captain Blain on November 30th, 1938, about the possibility of a sale, but this became no longer possible due to the outbreak of war. Recent information points to the Loch Ard peacock being owned by John S R Heath before its sale to Frank Ridley-Lee in May 1941. Research is ongoing, but it seems likely that John Samuel Robert Heath, a leading Melbourne dentist with a practice in Collins Street, and his wife, a dental mechanic, had purchased Miss Miller’s Loch Ard peacock before its sale in 1941. They were lovers of fine arts, music, wine and food. The peacock in the window of the old Argus building could have attracted their attention as they had already purchased the old stone Presbyterian Church on Warrigal Road, Oakleigh, in 1933 and had converted its interior. The home, renamed The Studio, even included Melbourne’s first all-electric kitchen. The peacock was perfect for display in the Studio’s entrance. A magazine article published after the conversion was completed included photographs of the interior. The picture of the ‘portico’ had a caption below that stated, “Some of her [Mrs Heath’s] finest pottery was salvaged from the Loch Ard Wreck”. In 2025, Heath’s two remaining sons remember running around in the entrance with the peacock standing there, oblivious to its value. Heath was an accomplished artist, studying under Max Meldrum. He painted and exhibited his works at The Studio and in a public exhibition, and he was a finalist eight times in the coveted Archibald Prize portrait competition, including the submission of his self-portrait that is now part of his grandson’s collection. The next owner of the Loch Ard Peacock was Frank Ridley-Lee. He displayed it at his home in Ivanhoe after buying it at an auction in May 1941. The peacock remained in the hands of the Ridley-Lee family until it was offered for sale by auction in 1975 as part of an art collection belonging to Mrs Ridley-Lee's estate. The peacock was not sold at this time, as the reserve price of $4500 was not met. This news was passed on to the board of the newly created Flagstaff Hill Maritime Village. Urgent efforts were made to collect the necessary money through fundraising by the Warrnambool City Council and public donations. The Fletcher Jones Company and the Victorian Government contributed half the cost. On 9 September 1975, the Loch Ard peacock was purchased by Flagstaff Hill Maritime Village, and it found a new home at the maritime museum. Since then, it has only left Warrnambool twice. Firstly, in 1980, at the centenary celebrations of the Royal Exhibition Building in Melbourne, and secondly, in 1988, the peacock was given pride of place at the entrance to the Victorian Pavilion at the Brisbane World Expo, acknowledging that this Minton Majolica peacock is the most significant shipwreck object in Australia. The Minton majolica peacock is considered of historical social and aesthetic significance to Victoria and is one of only a few 'objects' registered on the Victorian Heritage Register (H 2132), as it is a most notable and rare object associated with the Minton factory of the 1870s and works by the celebrated sculptor Paul Comolera along with the wreck of the Loch Ard on the Victorian coastline. This Minton peacock is historically significant for its rarity; it was one of only 9-12 known to exist. The shipwreck of the Loch Ard is also of significance for Victoria and is registered on the Victorian Heritage Register Ref (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's early social and historical themes. The collection is historically significant is that it is associated, unfortunately with the worst and best-known shipwreck in Victoria's history. The peacock, resplendent in polychrome glaze, stands perched on a rocky plinth decorated with vines, leaves, flowers, blackberries and wild mushrooms. The peacock’s breast is cobalt blue; the wings and legs are in naturalistic colours. The tail is a mass of feathers coloured in green, ochre blue and brown — a fantastic display of artistry and Minton expertise. Inscribed at the base :P Comolera, and a Minton & Co. design number: 2045.flagstaff hill, warrnambool, maritime museum, shipwreck coast, loch ard, loch ard gorge, peacock, paul comolera, victorian heritage register, minton peacock, minton & co., stoke upon trent, bird figures, mintons, ceramics, international expositions, majolica, naturalistic, staffordshire, john samuel robert heath, peacock statue, loch ard peacock, majorca peacock

Birthday, engagement, wedding, silver wedding cards to Isobel & John McNamara. Description of wedding.Green Flip back-Olympic-Sketch Book-with 21st birthday cards, engagement cards, wedding day cards, kitchen tea cards, wedding day gift cards, telegrams, silver wedding anniversary, baby boy card, Mother's Day, for Isobel CaldwellOlympic, Flip back. Sketch bookscrapbook, heather mcnamara, isobel calwell, wedding

Ann Dale (nee Lees) was given this frame by her younger brother Thomas Chamberlain Lees, who was eighteen at that time. Thomas was the youngest son and seventh child of Lees and Sarah (nee Chamberlain) Lees. Ann loved her little brother’s artistic talents, which are demonstrated in this frame he designed and carefully carved for her. Thomas had cleverly finished the back with timber pieces around the images, and a section of a 1904 calendar. His “GOOD LUCK” is below the image of Ann, her husband Ellis Dale and their five children, c 1900. Sadly, Thomas died in 1911, aged 25. Ellis Dale’s father, William, was a quarryman who sailed from Yorkshire to Australia in 1852. He later bought land for Dale’s Quarries on the edge of Warrnambool in the area of Dale and Aberline roads. From the age of about eleven, Ellis and his brother worked in the quarry beside their father. In 1890 Ellis Dale married Ann Lees. Ann had lived nearby at Wangoom with her parents, Lees and Sarah Lees, who had had her photograph taken when she was a little girl, wearing her black dress. Ellis built a bluestone cottage for himself and Ann on his father’s land in Dales Road. He later added weatherboard rooms, and they named their finished home “Latrigg”. Early in their marriage Ellis recycled some empty dynamite boxes from their quarry to build a cupboard with drawers for Ann’s flat irons and other ironing equipment. The cupboard was used by future generations until recently, when Ann’s granddaughter, Betty Stone, donated it as part of the Chamberlain Dale Lees Collection. It is now in the kitchen of the Port Medical Office. Chamberlain Dale Lees family – local Colonial Pioneers Centre: Ellis Dale and Ann (nee Lees) and their five children - c 1900. Sons lvor William, Robert Ellis, Alfred John, and daughters - Elsie Mary Dale, and Daisy Elvena Dale. Top Left: Ann Lees - c 1868, (the little girl in the black dress) Top Right: William Dale Jnr. and Ellis Dale - c 1871 Lower Left: Ellis Dale and Ann (nee Lees), married 22 Jan. 1890 Lower Right: William Dale Jnr. and Agnes (nee Gillies), married 1883 Oval Photographs: unidentified but presumed to be family members [NB Spelling of Ann Dale – The spelling of Ann’s name has been confirmed by Betty Stone as being “Ann” (Not Anne), by phone conversation with Flagstaff Hill Maritime Village, K P 14th April 2014] (Note: For additional information please refer to Betty Stone’s book “Pioneers and Places - A History of three Warrnambool Pioneering Families” ie. Chamberlain, Dale and Lees Families)This item is associated with the families of Chamberlain, Dale and Lees. These families are listed in the "Pioneers' Register" for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The handmade frame is a unique example of clever craftsmanship and carving skills used by early pioneers with limited access to materials.Family photographs, nine, set into carved, solid wood frame, stained and lacquered. Carving includes leaves, flowers, a horseshoe and a ribbon with the words "GOOD LUCK" Photographs are of the Lees family of Wangoom, from the 'Chamberlain Dale Lees Collection’ Made by Thomas Lees for his sister, Ann. The little girl with black boots on is Betty Stone's grandmother. The back of the frame has a London calendar dated 1904.Words in carved ribbon "GOOD LUCK" Calendar for the year 1904flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, chamberlain, dale, lees, stone, betty stone, warrnambool pioneers, thomas lees, wangoom, ann dale, ellis dale, flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, chamberlain, dale, lees, stone, betty stone, warrnambool pioneers, thomas lees, wangoom, ann dale, ellis dale, thomas chamberlain lees, handmade photograph frame, carved photograph frame, dynamite