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matching john oliver
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Federation University Historical Collection
Certificate, Education Department, Victoria, Victorian Education Department Certificates, 1916-1928
... hill victor j. hill olive hillings john a. hobill frances k ...Ballarat Technical Art School was a division of the Ballarat School of Mines.373 certificates in 2 boxes. Most appear to be related to subjects undertaken at the Ballarat Technical Art School. Director of education stamped signature Frank Tate.Stamped Ballarat School of Mines No.10 Stamped signature "Frank Tate"ann duke, plain needlework, victor greenhalgh, frank tate, ballarat technical art school, arnold j. allen, florence allen, m.a. ansen, dressmaking, modelling human figure from cast, ruby e. allison, drawing fro memory, nancy b. angwin, maude arberry, douglas w. arch, muriel j. arch, eileen bailey, annie c. baker, percy j. baker, general design, light metal work, bessie m. barbery, commerical arithmetic, decorative needlework, bert bernaldo, drawing from a flat example, lorna m. mccallum, brush drawing, stanley g.a. barnett, millinery, mavis g. beacham, theodore k. beckwith, isabel j. bell, kelva e. bellingham, leslie bennett, olive van berkel, elizabeth e. berry, beatrice m. blake, thomas g. blake, catherine m. bowers, nancy w. bowe, clarice v. branagh, harold r. brown, architecture, modelling the head from life, henry bull, light metalwork, ivan d. brown, thyra j. brown, henry j. bull, leila m. burford, embossed leathwork, lettering, drawing fro dressmakers, irene m. burke, josephine m. callery, modelling, mona r. callow, herbert cameron, lillias cameron, william e. carlyon, doris l. carter, ruth e. catt, hiram e. chamberlain, stephen chambers, jack d. chand, jack d. chard, clara v. clegg, beryl e. coad, john c. collins, keith m. collins, robert g. collins, kathleen m. conway, athol b. cornish, ballantyne cottier, douglas s. cotton, lilith s. christmas, perspective, doreen coughlan, ivy g. crompton, phyllis culliver, joan m. cuthbertson, alan r. cutter, john l. daniel, arthur dansey, katherine d'arcy, dorothy f. darling, myrtle f. darling, reginal a. davey, gwladys h. davies, annie dellaca, henry a. deller, ivy f. denovan, joyce doepel, bessie donacaster, charles o. dowie, horace b. dowsing, walter dunstan, mary dwyer, allan r. egglestone, melville g. ellingsen, hugh o. elliott, beryl r. ellis, cecil f. engish, allan e. evans, matson l. eves, olive j. fairlie, robert j. falla, mavis felstead, lena featherston, albert c. ferguson, alma ferguson, hilda m. ferguson, john f. ferguson, beatrice m. field, clarice f. fisher, philip h. fleischer, building construction, olive p. francis, agnes fraser, essie gale, gilbert foster, pearle fricke, effie gascoigne, enid m. gates, clarice gear, james a. geary, sylvia f. greenhalgh, evelyn f. geddes, thomas j. gibson, wavie b. gilbert, edna m. gilmer, nancy govan, eula h. gower, doris e. gray, lesley j. gower, henry n. graham, victor e. greenhalgh, melva e. gribble, human anatomy, roy k. griggs, jack gullan, robert gullan, alma m. gunn, dorothy j. hallan, lucy hamilton, james hammer, dorothy e. hamond, christopher j. hanlon, catherin hardess, lily haymes, gladys hedges, irene h. hewitt, john hill, victor j. hill, olive hillings, john a. hobill, frances k. holmes, gertrude m. hopkins, alice horan, marjorie hudson, linda m. hughes, lydia hughes, winifred humphreys, commercial english, agnes a. humphries, colin hunt, kathleen hutchinson, francis n. king, jean king, hilda knox, john kopke, isabel a. kopke, hazel jackson, freda jacobi, agnes james, william r. james, alexander johnson, edward j. jones, eleanor w.h. jones, nellie kau, thomas kean, francis kelly, roy k. kelly, thomas g. kierce, theo e. leonard, esther f. leviston, bessie lockett, norman h. long, ena mackay, gwenda e. mann, robert v. maddison, herbert w. malin, dorothy m. marriott, john c. mcarthur, james p. mcculloch, doris mcdougall, cyril mcgibbony, thelma mcgibbony, jean mcgregor, kenneth mciver, constance m. mckenzie, elsie j. mckissock, alexander k.mcleod, grace b. mclean, john f.w. mclean, rebecca mcphan, vera meeny, edna merritt, dougald miller, florence h. mingst, agnes m. monteith, doreen j. montgomery, jean e. montgomery, robert w.p. montgomery, margaret b. moore, harry e. morrish, james mow, gwendoline r. neagle, gerald r. newson, robert j. nicol, helen f. nicholl, george m. norton, edward s. oliver, mavis e. oliver, hector h, osborne, henry parker, norma e. parr, doris m. patterson, elsie pearce, celia pearlman, leslie pearlman, edna pearson, william j. perriman, eulalie perry, ernest b. pinney, charles e. peverill, clarence r. pittock, raymond b. pitts, phyllis polson, cynthia b. power, bessie puzey, john m. punshon, evelyn a.v. ramsay, robert i ramsay, william a. rattray, drawing for builders and artisans, george h. reed, fred reeves, mavis i. regelhuth, george r. renkin, annie e. reynolds, lizzie rice, eileen l. richards, henry c. riegelhuth, gladys m. riley, charles a. rimmington, amy robson, ernest w. robson, florence a. rogers, dorothy rppney, kathleen rooney, hugh n. ross, stella m. rowe, agnes w. ryan, rosaling e. sage, cora sandberg, eric c. sanders, douglas f. scott, sylvia e. selkirk, dorine a. shearer, gladys sheldon, emily e. simper, veri slattery, florence c. smith, hilda m. spencer, rose spiers, mopna g. spiller, alma m. stapleton, joyce w. stark, marcus m. stone, commercial correspondence, beatrice m. stuart, ena v. sullivan, margaret a. sydes, rita tainsh, norman b. tamlyn, arthur w. thane, alma m. thomas, david e. thomas, william h. thompson, william m. thomas, edgatr j.t. tippett, sidnet tippett, gladys tongway, mavis toop, hugh d. trainor, annie e. treloar, john h. treloar, eilleen trumain, linda f. treewk, percival a. trompf, percy trompf, jean tunbridge, ruth e. tunbridge, allan j. twaits, irene m. utting, elizabeth van beek, william a. wade, agnes a. walker, james a. walker, vera v. aller, john walsh, marjorie walters, rex warrillow, edith watson, bernice e. webb, constance i weeks, ina m. westcott, pearl whan, violet wheeler, myrtle d. whitfield, annie whitl, richard l. whitla, charles f. whitla, grace a. wilcock, murray a. wilkie, andrew w. william, arthur williams, baden p. williams, david d. williams, grace f. williams, maude h. williams, mavis m. williams, james williamson, ivy wilson, hector g wilson, frederick w.r. wilson, david s. wood -
Federation University Historical Collection
Book - Scrapbook, Scrap Book Compiled by William Robertson, c1911
Maroon covered minute book that has had handwritten minutes pasted overs with clippings collected by William Robertson. The minutes appear to be of the Budding Rose Juvenile Temple IOGS held in hte Piggoret Public Hall and/or Piggoreet Presbyterian Church Clippings include: Origins of man (Jubilee of Darwin's Theory) Fight Against Evolution (E. Grant Conklin) Neanderthal Man and Grimaldi Man Our First Immigrant Had Human Head, But MOuth Like a Mnkey Darwinism Mutton BurdsThe Missing Link: Supposed Discovery. Man who walked on all-fours Channel tunnel Ernest Haeckel and his work Mr McCabe's Lecture Taungs Skull Jumbo's Trunk Man hand written notes by Roberston are evident, including Heredity, Classification, Fossil Men, Broken Hill Skull (South Africa) budding rose juvenile temple, piggoreet public hall, piggoreet presbyterian church, charlotte leaske, james robertson, nellie robertson, richard webb, bella laidler, john christie, e. prolonseau, charles christie, andrew jamieson, david sinclair, sam webb, origin of man, darwin's theory, darwinism, embyology, origin of creation, sir oliver lodge, missing link, heredity, fossils, pedigree of birds, fourth dimension, joseph mccabe, huxley's reserves, animal intellegence -
Federation University Historical Collection
Booklet, 'Echoes of the Past': Ballarat School of Mines Past Student's Association, 1932, 1936, 1938, 1932-1938
Three booklets of the Ballarat School of Mines Past Student's Association. past students, reunions, alumni, a.f. heseltine, norman buley, john adam, william baragwanath, howard beanland, john bickett, guido brelaz, frank brind, lloyd brind, edwin brophy, alfred caldecoat, cyril callister, george callister, peter chatham, john dulfer, andrew elder, robert elsworth, israel flegeltaub, robert kneeshaw, harry kum yuen, james kydd, thomas lakeland, william lakeland, alan ludbrook, harold martell, samuel mayo, frankmoss, herbert moss, james pound, carl schache, eric steane, john sutherland, reville tinworth, gilbert tippett, fred treloar, fred barrow, allan bernaldo, albert davies, arthur davies, lionel davies, alan cutter, jesse hopewood, donald johnston, harold jolly, j. la gerche, fredeick longhurst, gladstone proctor, geoffrey richards, edwin robinson, l.s.smith, percy trompf, harold wakeling, albert williams, frederick allsop, victor millington, l.b. evans, arthur burdekin, harry caddy, donald cameron, william fleay, maxwell gaunt, alan gilpin, robert goodyear, leslie grut, francis horsfall, lionel lambert, olive pye, george rumpfe, ernest siemering, herbert siemering, charles vale, william williams, eric embling, oliver jager, reginald warnock, graham hopwood, assay laboratory, ballarat junior technical school, gladstone procter, f.g. procter -
Federation University Historical Collection
Magazine, Hedges & Bell Ltd, Quadrangle: Magazine of the Ballarat Technical School, 1966, 1966
The Ballarat Junior Technical School was a division of the Ballarat School of Mines.Cream and black soft covered magazine of 28 pages. non-fictionThe Ballarat Junior Technical School was a division of the Ballarat School of Mines. ballarat school of mines, ballarat junior technical school, ballarat technical school, r.r. watson, r.l. whitla, b. bogicevic, s. barclay, d.b. james, m.j. zeegers, a.c. benson, john benn, t. dower, p. pittard, warwick reeder, peter gray, maurice anderson, immy gertners, forti sanos, ross mcrae, raymond hsu, john anthony spiers (obituary), lyall haw, lyle bridges, digger bridges, peter carrigg, enyo zelemcich, karl abolins, gary billman, james brown, wayne oliver, charles haulin, alan jones, gary garnett, robert ruiden, gilbert bani, cristopher dower, bruce edward, ken irwin, malcome chapman, ray woolard, neil davies, kerry mahar, kerry brihn, daryl mclean, graeme jackson, graeme copeman, john simkin, neil trevena, jimmy gertners, n. mrnczkowski, john anthony spiers, obituary, walter bampton, n. blomeley -
Flagstaff Hill Maritime Museum and Village
Book, Why Should Their Honour Fade
Why Should Their Honour Fade The history of John and Charles Mills Author: Olive Mills Publisher: The Hawthorn Press Label on spine with typed text R.A.994.57 MIL warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, olive mills, why should their honour fade -
Federation University Historical Collection
Magazine, J.A. Hoskin & Son, SMB Students magazine 1934, 1934
List of Full Course Students' 1934, Editorial, Obituary - Mr Sutherland's Wife and Mr W.H. Steane, Personal Column, Personal Column, The "Head" - An Appreciation, The Late Dean - W. F. Tucker, A Tribute - J. M. Bickett, An Attitude to War, Some Impressions by a New Comer to New Guinea, Fumes from the Lab, Arts & Crafts Gossip, Sport, Commercial Notes, The Junior TecsYellow soft covered magazine of 70 pages, including advertisements. Artworks * Example of color printing - By students of the printing class SMB * The President - By LC * Editor - By G. Leviston * Skipper Heck - By Nornie Gude * Goldie - By Nornie Gude * Interior of Art School Main Entrance - By Lorna Bailey * V.G - By Nornie Gude * Miss K. - By Nornie Gude * Caught in a slack moment - By Evelyn Shaw * You can't kid me - By Evelyn Shaw * B.B. - By Nornie Gude * Ferret. L - By LC * "Solemn Lorna" smileth - By Evelyn Shaw * View of Junior Technical School from Grant Street - By J.Hopwood * Complete fiddle with a paint brush - By Evelyn Shaw * Mr J with his finished product - By Evelyn Shaw * Our Cartoonist - By Nornie Gude * A modern Pygmalion - By Evelyn Shaw * Del - By Reg Warnock * I think your wife dropped this - By Gilda Gude * Mrs Mac - By LC * "Eavesdropping again !" Said Adam as his wife fell out of the tree. - By Dorothy Woolcock * Harvey - By LC * Here is the spot for a village - By Colin S. Hunt * Here is the village for a spot - By Colin S. Hunt * Miss McTaggart - By Reg Warnock * Molly - By J.Hopwood * John A Very Bootiful - By J. Hopwood * Neet - By Nornie Gude * Grace - By Nornie Gude * Jean - By Lorna Bailey * Jean. G - By Lorna Bailey * Nancy Mac - By Lorna Bailey * Clara - By Jesse Skelton, Lorna Bailey and J. Hewitt * Waxy - By J. Hopwood * Nancy. D - By Nornie Gude * Edna - By Nornie Gude * Bena - By Lorna Bailey * Bowes - By J. Hopwood * Headlights - By Reg Warnock * Voge - By Reg Warnock * Mum - By J. Hopwood * The big hold-up - By J.Hopwood Signed on front by Hester Darbysmb, student's magazine, james allan, lorna bailey, e. brimacombe, betty brown, enid causon, jean coates, joan collins, g. cornish, g. crawley, ethel crossthwaite, coralie cubbin, marcellene dixon, ailsa freeman, gilda gude, nornie gude, j. hewitt, j. hopwood, joan james, n. jelbart, valma jensen, marjorie john, g. leviston, a. loughton, ruth mellor, ron morrison, g.c. netherway, allan nye, norma oxbrow, a. paganetti, george palmer, maud paterson, hazel robinson, mona rogerson, betty saunders, evelyn shaw, jessie skelton, pat salter, olive scott, g.c. whitworth, dorothy woolcock, j. wright, sylvia wyres, kath windsor, reg warnock, mr f.g. procter, dr j.r. pound -
Federation University Historical Collection
Book - Book - Prospectus, Working Men's College, Melbourne, Prospectus, 1899 twelfth edition, 1899
Used at School of Mines Ballarat. The Working Men’s College was founded in 1881 by a prominent grazier and philanthropist, The Hon. Francis Ormond, who donated £5000 towards the establishment of the college. The Council of the Melbourne Trades Hall then matched Ormond's initial donation by rallying its members. On 4 June 1887, the college opened in its purpose-built building on the corners of Bowen Street and La Trobe Street in Melbourne, with a gala ceremony. It became the third official provider of higher education in the new Colony of Victoria (the Melbourne Athenaeum was founded in 1839 and the University of Melbourne in 1853). The college was the predecessor to the current-day Royal Melbourne Institute of Technology (RMIT University). Adjoining the college in the 1890s were the Supreme Court of Victoria (later the Melbourne Magistrates' Court) and the Melbourne Gaol - both which are now part of RMIT today. A list of Scholarship Governors and Life Governors is included. The former have donated 250 Pounds Sterling and upwards, the later have donated 20 Pounds and over but less than 250 Pounds Sterling. The Patron of The Working Men's College was His Excellency The Right Honourable Lord Brassey. The President of the Council was Professor W C Kernot. Orange soft covered book with assorted photographs and advertisements.working mans college, melbourne, prospectus, w.c. kernot, c.s. paterson, f.h. bromley, j. nixon, b. douglass, w.e. murphy, james smith, thos smith, robert hayes, j.l. bagley, w.h. embling, john hancock, rev. j. reid, d. mcivor, a.j.arnot, c.e. oliver, e. findley, fred.a. campbell, r l jellery, president, council of 1898, hon francis ormond, philanthropist, 5000 pounds, melbourne trades hall, matched donation, patron, right hon. lord brassey, royal melbourne institute of technology, rmit, rmit university -
Federation University Historical Collection
Book - Ledger, Ballarat Technical Arts School Student Fees Ledger, 1907-1914, 1907-1914
The Ballarat Technical Art School opened in 1907 as a division of the Ballarat School of Mines.Ledger with brown and blue marbled paper cover and brown tape spine. Some names are listed under keywords.ballarat technical art school, h.w. malin, lilliam moyle, queens college, .doris walker, emily turnbull, viola jackson, c.w. sergeant, hilda wardell, hettie gilbert, alice benoit, ella morrow, d.g. johnston, p. brokenshire, edna tweedie, millicent white, dorisn walker, isla gray, mollie brophy, annie speak, c.v. clegg, agnes w. reid, nin z. woinarski, bessie yates, bessie landles, jean mcdonald, harold herbert, harold h. herbert, lizzie develin, florrie sides, fletcher j. crane, catherine ronald, gertrude owen, m.d. hamilton, clara v. clegg, leslie sim, ida barker, charlotte turner, florrie barnes, james n. boyce, leo coburn, carrie peters, mabel chapman, fred mcintyre, elsie rich, henry c. hart, g. bannerman, jack meadows, preston white, lyn hamilton, a. murray, lillian moyle, nina davies, maggie kittelty, m. snell, samuel mee, agnes carley, ida delina, katherine dillon, nellie mccubbin, lila lynch, e. owen, g. owen, d. owen, alice m. coltman, ruby bawden, elsie joy, ellen j. norton, herbert rich, g. medwell, maria loader, agnes gibb, quennie young, a.e. kennedy, o. geddes, ruby l. smith, roy proctor, elsie naples, w.b.g. mcdonald, cecil brittain, elsie fawcett, g. calvert, albert coates, catherine hogan, may vercoe, daisy saunders, dora furness, matilda johnson, gordon steele, c.w. sargeant, e. cornell, irene hewitt, wilie finn, clare clegg, jessie mccallum, c.f. white, e. kilsall, kate morris, ella garrett, winnie trompf, ellie mckissock, oswald gedded, doris walker, elsie tipping, rose smith, daisy lewellin, eliza frank, una e. fitts, may wasley, grace medwell, mollie laffey, a. duck, pearl sergent, e. penny, r. bieske, f. pattendon, e.g. bailymay booth, nelliw evans, gertie evans, e. baker, c. brittain, ralph leyland, e. tipping, mary sheehan, may chenery, j. bickart, e. perry, m. bessemeres, george richardson, f. mcintyre, h. fern, d. little, o. tolputt, arthur toop, p. lakeland, charles j. rawlings, jack hooly, thomas pattenden, elsie finch, ernest murfett, gordone steele, frank power, n.j. coote, william ewart, patrick ryan, david walker, john perry, vera lindsay, robert cooper, violet leadbeater, maggie skelton, clara mann, laura ritchie, james m. johnston, ida brown, ethel butcher, michael glenane, f.j. branigan, keith booth, henry elliot, reg cutter, stan westcott, frank king, lottie finch, ladies art association, pauline lakeland, cyril thermeyer, albert berryman, stanley lindsay, joseph bickart, alf berryman, leo hewitt, hilda tweedie, vera carroll, lionel davies, isabel kiel, alex dickens, henry elliott, mollie buley, meg moore, harrie fern, eileen conway, minnie buchanan, thomas price, edward stewart, joy lugg, olive grainger, m. heinz, d. gooch, p. moon, g. bailey, charles bray, daisy dickman, george calvert, florence sides, tom hannah, eileen blake, ethel benoit, ruby oaff, chrissie ware, harrie wilson, muriel cornel, phoebe wilkinson, fanny kay, john norcott, stewart o'loughlan, m. featherstone, f. tweedie, a. corbould, d. allanby, f. buchanan, l. cody, v. fisher, r. murphy, hilda jamieson, bessie eason, phyllis palmer, lila hall, vera hall, anie walton, ruby stevens, dorotthy davison, ethel hancock, anas ross, lizzie williams, lional davies, leslie page, frank page, lilian bell, may henry, doreen mclean, dorothy dobson, helen mcintosh, charles fraser, murial cornell, j.b. sutcliffe, dorothy dawson, emma mavin, agnes lumsden, virginia kerr, emily figgis, beryl craddock, winnie treloar, gladstone procter, f.w. procter, effie baker -
Federation University Historical Collection
Book - Ledger, Ballarat Technical Art School and Ballarat School of Mines Rough Cash Book, 1896-1901, 1896-1901
The Ballarat Technical Art School was a division of the Ballarat School of MinesA hard covered ledger with marbled cover and brown tape spine. It includes students names. A selection of names can be found in the keywords.ballarat technical art school, frank young, r. hager, g.w. kelly\drawing, carpentry, smelting, treatment, assay, w. wilson yong, treatment of pyrites, g.m. vare, alfred seely, t. trengrove, w. pearce, c.v. day, john heinz, m. ditchburn, d. ditchburn, w. baragwanath, g. cornell, chemistry, w. wardle, j.j. carroll, julia carroll, h. murphy, d.m. lenehan, joh caley, h. fleahy, alfred gordon, effie dulfer, b. lloyd, p. papenhager, h.j. waller, k. malcolm, esther daniel, john watson, harry leggo, r. john allan, basil reid, e. wasley, w. richard, edgar lamb, rita webb, sophia mccartney, arnold cowdell, thomas glover, m. hamburger, r. allan, r.w. holmes, a. dobbie, a. slade, w. pepper, r. gilpin, w.a. gossman, james a. bass, w.t. bass, thomas lynch, stanley batten, murial hart, essie herbert, david o. nightingale, george p. hayes, j.a. powell, w. amor, c.f. wilson, bertram g. wheal, thomas wade, h. woodward, v. symons, robert j. allan, thomas woolcock, john w. williams, r. shand, william caldwell, charles lyons, ruby webb, a. trehowan, nicholas white, thomas commons, otto rieglhuth, james kidd, james bass, justus angwin, john munro, james ronaldson, a.b. osborne, g.j. boudry, john sprague, leslie c. langsford, john don, waller e. hearman, j.c. pickford, edwinn penn, w.g. price, thomas mann, william brokenshire, john blayney, arthur mccooey, samuel walmsley, matilda lees, e.w. campbell, ernest wiliams, william john pearce, w.l. bailleu, thomas proctor, daisy ditchburn, maurice hamburger, james dando, nelson humphrey, james pyke, james c. pickford, john coad, george richard pratt, ferguson boyce, ernest whettle, william lamb, john cawley, christina watson, ivor davies, percy la gerche, norman gaunt, william bolte, leonard p. seal, alex young, george penny, w. caircross, harold frew, robert allan, james h. holst, george green, herbert semmens, john ronaldson, william robinson, james paterson, walter douglas, louisa roberts, james swenson, austin woods, herbert hillman, william cairncross, harry blyth, john craford, william h. callister, clare gartery, daisy batten, j. attenborough, herbert o'neilk, j.f. lynch, fred holst, a. doepel, horace giles, john perry, samuel morrow, thomas hawthorn, george britnall, alan j. acton, jessie cantwell, franci a. horsfall, william stubbs, john sutherland, percy russell, richard walsh, oliver jager, garfield bolton, thomas vincent, james holst, j.a. hill, william charles hughes, a. vale, james lonie, karl moore -
Federation University Historical Collection
Booklet, Technical Education 1970 Centenary, 1970
Technical education in Australia virtually began at Ballarat in 1870. In the intervening century technical schools and colleges have contributed immeasurably to the life of our people and to the development of our nation.40 page booklet with brown cover with education department coat of arms. it celebrates 100 years of technical education in Victoria, with the establishment of the Ballarat School of Mines in 1870. Includes images of John L. Kelpert, A. Ronald Shannon, Oliver E. Nilsson, Ernest P. Eltham, F.H. Brooks, and Donald Clark. technical education centenary, education department, e.t. jackson, donald clark, ernest p. eltham, oliver e. nilsson, a. ronald shannon, john l. kepert, l.h. thompson, j.a. rafferty, f.h. brooks, w.a. crellin, j.m. burke, l.j. watts, r.j. middleton, r.a. armitage, r.g. ritchie, centenary, lindsay thompson -
Federation University Historical Collection
Photograph - Colour, Group of twenty-nine third year Librarianship students 1987, 1987
A group of twenty-nine third year Ballarat College of Advanced Education Librarianship students Terri Boydle Ayse Blackley Lynda Bernard Naomi Lane Heather Marshall Robyn Coldwell Tracey Olive Stephen Bird Pat Westland Arlene Blockley Verica Vasic Alison Roberts Helen Simpson Sally Wood Margaret Howell Cheryl Walker JohnTriposteris John Kariuki Wayne Parry Andrea Sigley Liz Fawcett Lauren Marten Ray Cotsell (Lecturer) Fiona Henshaw Anthea Taylor Lorena Romero Gehan Massood Coral Douglas Sue Steele A formal group of twenty nine persons, five males, indoors location, third year BA Librarianship students 1987Handwritten in pen 3rd Year B A (Lib) 1987. List of all the studentslibrary, librarianship, ballarat college of advanced education, ray cotsell, terri boydle, ayse blackley, lynda bernard, naomi lane, heather marshall, robyn coldwell, tracey olive, stephen bird, pat westland, arlene blockley, verica vasic, alison roberts, helen simpson, sally wood, margaret howell, cheryl walker, johntriposteris, john kariuki, wayne parry, andrea sigley, liz fawcett, lauren marten, ray cotsell (lecturer), fiona henshaw, anthea taylor, lorena romero, gehan massood, coral douglas, sue steele -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, B&W Box Family descendants c 1930, 20thC
William Box was born in 1834 in Withyham , Sussex England and married Elizabeth Avis Box in 1854. They sailed to Australia in 1855 aboard the SS Omega. At first they rented and then purchased land on Jasper Road East Brighton ( now McKinnon / Ormond) that was part of the Henry Dendy Special Survey 1841. An early settlers’ Cottage on the site became their home and they farmed the land while raising 13 children. The Cottage was extended as required. In 1984 that early settler cottage was found in a dilapidated state by Laurie Lewis, in his Timber Yard in Jasper Rd Ormond.. The Moorabbin City Council, Federal Government, Mr Lewis and CMHS members reconstructed the Cottage in 1985 . Box Cottage Museum, a reconstruction of an early settler hut, is named after the Box family who resided there 1865 -1913 . William Box who with his wife Elizabeth and 13 children lived and farmed on the block of land in Jasper Road, East Brighton ( now McKinnon / Ormond) that was part of the Henry Dendy Special Survey 1841 Inscribed in Album : “ The early photos in this album were found by Mr (Laurie) Lewis when he was demolishing the Old Box Cottage. He gave them to Mrs Avis Box Eldridge who in turn gave them to me. They were not identified. I believe they rightly belong in the Cottage. I have attempted to identify them and present them in a way they can be preserved as a historical record of the era.” A B Leigh A black and white photograph of descendants of the William Box Family who lived at Box Cottage.box george, box mary, box william, box – tippett elizabeth honor, box alonzo, box mary louisa, dendy henry, were j b, dendy's special survey 1841, brighton, moorabbin, bentleigh, mckinnon, ormond, market gardeners, dairy farms, early settlers, pioneers, jasper road, gurr jabez, gurr eliza, pay henry, pay anna, ward willam, box henry, ward elizabeth emma, box john, sheldrake martha, rushall eleanor, box caroline, box elizabeth avis, box harold, box olive camera, box fredrick, eagle keith, box –cumming, ida, cumming william, box – jackson dorothy, eagle nancy, box – eagle thelma, cumming william, box maude, jackson margaret , box- eldrige avis, -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1910
This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, olive green glass, handmade. Tall slim, Gallon style liquor bottle. Applied double collar lip; square upper with flared lower. Neck is slightly bulged and there is a mould seam where shoulder joins base. Body tapers inward to base. Uneven base with deep push-up centre with small pontil mark. Scratches and imperfections in glass. Also encrustations on surface. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1910
This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, olive green glass, handmade. Tall slim Gallon style liquor bottle. Applied double collar lip; square upper and flared lower. Mouth has remnants of tape and wire seal. Mould seam around shoulder. Body tapers slightly inward to the base. Push-up base has pontil mark and is embossed in large letters. Base is uneven. Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, Mid-to-late 1800s
This olive green bottle was handmade by a glassblower and is the typical shape of a ‘gallon’ type liquor bottle, which has the capacity of one-sixth of an imperial gallon, about 750ml. It was made around the mid-to-late 1800s. The bottle was recovered from an unnamed shipwreck in the coastal water of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing into a long metal pipe or reed with a blob of molten glass at the end of it. The shape of the glass would be blown out to fit into the shape of the mould. Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another tool to finish the base. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be added to the top to form the mouth and lip of the bottle. The seal was usually a cork, often held in place with tape. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal water in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle, dark olive green glass, tall thin Gallon type. Lip is straight, deep, with thin horizontal lines in glass. Neck has gradual flare, body has side seams, heel has uneven thickness, and base is concave, without pontil mark. No inscriptions. Glass has imperfections. Handmade in mould. Body has score marks and is worn down one side. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, handmade, mouth blown, pontil mark, blown bottle, liquor bottle, 19th century bottle, collectable, olive glass, green glass, mould, 1800s bottle -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, Mid-to-late 1800s
This olive green bottle was handmade by a glassblower and is the typical shape of a ‘gallon’ type liquor bottle, which has the capacity of one-sixth of an imperial gallon, about 750ml. It was made around the mid-to-late 1800s. The bottle was recovered from an unnamed shipwreck in the coastal water of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing into a long metal pipe or reed with a blob of molten glass at the end of it. The shape of the glass would be blown out to fit into the shape of the mould. Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another tool to finish the base. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be added to the top to form the mouth and lip of the bottle. The seal was usually a cork, often held in place with tape. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal water in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle, dark olive green glass, tall thin Gallon type. Lip is double; rounded upper, flared lower. Neck is slightly bulbous. Body has shoulder seam, then tapers inwards to base. Concave base with small pontil mark. No inscriptions. Handmade in mould. Body has sediment inside, top to bottom. Glass is worn down one side. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, handmade, mouth blown, pontil mark, blown bottle, liquor bottle, 19th century bottle, collectable, olive glass, green glass, mould, 1800s bottle, bulbous neck -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, Mid-to-late 1800s
This olive green bottle was handmade by a glassblower and is the typical shape of a ‘gallon’ type liquor bottle, which has the capacity of one-sixth of an imperial gallon, about 750ml. It was made around the mid-to-late 1800s. The bottle was recovered from an unnamed shipwreck in the coastal water of Victoria. It is part of the John Chance Collection. The elongated bubbles in the glass are likely from the glass being blown into a mould. Glassblowers made bottles like this one by blowing into a long metal pipe or reed with a blob of molten glass at the end of it. The shape of the glass would be blown out to fit into the shape of the mould. Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another tool to finish the base. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be added to the top to form the mouth and lip of the bottle. The seal was usually a cork, often held in place with tape. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal water in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle, dark olive green glass, tall thin Gallon type. Mouth is applied roughly, lip is straight and narrow. Body has no visible seams; tapers gently inwards to base. Concave base is deep and has a pontil mark. No inscriptions. Handmade bottle has elongated air bubbles and imperfections in glass.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, handmade, mouth blown, pontil mark, blown bottle, liquor bottle, 19th century bottle, collectable, olive glass, green glass, mould, 1800s bottle -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, Mid-to-late 1800s
This olive green bottle was handmade by a glassblower and is the typical shape of a ‘gallon’ type liquor bottle, which has the capacity of one-sixth of an imperial gallon, about 750ml. It was made around the mid-to-late 1800s. The bottle was recovered from an unnamed shipwreck in the coastal water of Victoria. It is part of the John Chance Collection. This bottle has a pontil mark in the centre of the base and four pontil marks around the heel. It also has tape around its mouth and lip, adding a little more interest to its history. Glassblowers made bottles like this one by blowing into a long metal pipe or reed with a blob of molten glass at the end of it. The shape of the glass would be blown out to fit into the shape of the mould. Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another tool to finish the base. The tool that the glassblower or his assistant used to steady the bottle left four marks in the heel of the bottle. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be added to the top to form the mouth and lip of the bottle. The seal was usually a cork, often held in place with tape. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. This bottle is a little more significant than other similar bottles in our collection because it has multiple pontil marks, four around the heel of the base as well as one in the centre of the base. These marks were left by the tool or tools used to hold or steady the bottle as the maker completed the process. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal water in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle, dark olive green glass, tall thin Gallon type. Applied mouth with remnants of tape around lip. Lip is straight and narrow. Low shoulder seam; glass above seam has more shine than below seam. Body tapers gently inwards to base. Rim of heel has four equidistant pontil marks. Base is concave with central pontil mark. No inscriptions. Handmade bottle. Sediment inside bottle on one side, top to bottom. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, handmade, mouth blown, pontil mark, blown bottle, liquor bottle, 19th century bottle, collectable, olive glass, green glass, mould, 1800s bottle, multiple pontil marks -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s-1870s
This teal coloured bottle (blue-green, non-olive) has been handmade from about the 1840s-1870s. The bottle, possibly used to store soda or mineral water, was found in the coastal waters of Victoria about 100 years from when it was made. It is part of the John Chance Collection. The teal, or blue-green, colour of this bottle’s glass is reasonably rare. The colour is probably the result of a combination of cobalt (blue), iron (yellow-orange) and chromium (green) that may have been in the raw silica, or perhaps added to the glass sand before making the glass. Glassblowers made bottles like this one by blowing air through a long pipe into the molten glass blob at the end of the pipe. The glass was blown out to fit into the shape of the cylindrical dip mould. Once it hardened, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck while carefully using a tool to hold the base. A ponty tool was used to complete the shape of the base. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be wrapped around the top of the neck and shaped to finish the lip of the bottle, sometimes using a tool to do this. The seal was usually a cork, often held in place with wax or wire with tape over it to seal the aerated drink inside. The gutter between the upper and lower lip was used to anchor the seal. This style of handmade bottles would often have horizontal bubbles in the applied finish, caused by twisting the glass, and vertical bubbles and diagonal lines in the neck and body from it being blown, and a mark in the base where the ponty tool had been attached. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of handmade, mid-19th century bottles imported for use in Colonial Victoria in the mid-to-late 1800s. The bottle is significant for its rarity, as its teal, blue-green colour is unusual. It is a valuable addition to our collection of 1800s handmade bottles. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle; unusual dark teal (blue-green, non-olive) opaque glass, medium size, cork-top style. Handmade with applied double-collar lip with straight side upper and a ring lower. The edge of the mouth is uneven. Neck is slightly bulbous. Body has shoulder seam, then tapers inwards to base, shallow base. Heel is uneven width. Base is shallow with glass of different density. Bubbles in the body and an elongated bubble at base of neck. Sediment inside bottle. Chip in lip. Scratched surface.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, 19th century bottle, collectable, bottle, green glass, blue-green glass, teal glass, non-olive green glass, dip mould, soda bottle -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, c. 1840s - 1870s
This green glass bottle has been handmade from about the 1840s to 1870s. The bottle, possibly used to store ale or soda or mineral water, was found in the coastal waters of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe into the molten glass blob at the end of the pipe. The glass was blown out to fit into the shape of the cylindrical dip mould. Once it hardened, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck while carefully using a tool to hold the base. The base may have been part of the dip mould, otherwise, a 'ponty' tool would have been used to flatten the base. A tool would have been used to cut off the bottle from the blowpipe and a piece of soft glass would be added to the mouth to then formed into the double collar lip. Bottles like this would usually be sealed with a cork, which may have been held in place with wax or wire and tape. Although this bottle is not linked to a particular shipwreck, it is recognised as a historically significant example of handmade, 1840s to 1870s beverage bottles imported for use in Colonial Victoria. The bottle is also significant for its association with John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several shipwrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, olive glass, matt surface with opalescence in places, cork-top style. Applied double lip; straight upper, flared lower. Slightly bulbous neck, high shoulder seam, body tapers inwards towards base and has rippled surface in areas. Uneven heel thickness, concave base. Bubbles, rippled surface and circular blow marks in glass. Label remnants on the surface. Internal sediment top to bottom along one side.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, collectable, bottle, dip mould, soda bottle, ale bottle, beverage bottle, green glass bottle -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, c. 1840s - 1870s
This olive green glass bottle has been handmade from about the 1840s to 1870s. The bottle, possibly used to store ale or soda or mineral water, was found in the coastal waters of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe into the molten glass blob at the end of the pipe. The glass was blown out to fit into the shape of the cylindrical dip mould. Once it hardened, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck while carefully using a tool to hold the base. The base may have been part of the dip mould, otherwise, a 'ponty' tool would have been used to flatten the base. A tool would have been used to cut off the bottle from the blowpipe and a piece of soft glass would be added to the mouth to then formed into the flared collar. Bottles like this would usually be sealed with a cork, which may have been held in place with wax or wire and tape. Although this bottle is not linked to a particular shipwreck, it is recognised as a historically significant example of handmade, 1840s to 1870s beverage bottles imported for use in Colonial Victoria. The bottle is also significant for its association with John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several shipwrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, olive glass, cork-top style. Applied flared lip, slightly bulbous neck with horizontal lines in glass. Shoulder has seam, body tapers inwards towards base. Heel is thick, with concave base, wide inverted pontil, uneven base. Glass has some bubbles, blow lines and imperfections. Sediment inside bottle along one side. Surface of glass is scratched.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, collectable, bottle, dip mould, soda bottle, ale bottle, beverage bottle, olive green glass -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, c. 1840s - 1870s
This olive green glass bottle has been handmade from about the 1840s to 1870s. The bottle, possibly used to store or soda or mineral water, was found in the coastal waters of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe into the molten glass blob at the end of the pipe. The glass was blown out to fit into the shape of the cylindrical dip mould. Once it hardened, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck while carefully using a tool to hold the base. A 'ponty' tool would have been used to form the push-up base. The mouth of the bottle was cut off from the blowpipe and a piece of soft glass would be added to the mouth to then form the double collar. Bottles like this would usually be sealed with a cork, perhaps with tape or and anchored wired over it to keep it in place. Although this bottle is not linked to a particular shipwreck, it is recognised as a historically significant example of handmade, 1840s to 1870s beverage bottles imported for use in Colonial Victoria. The bottle is also significant for its association with John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several shipwrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, olive green glass. Applied double lip; deep upper, ring lower. Slightly bulbous neck with crease lines n glass. Shoulder seam. Body tapers inwards towards base. Concave base, inward pontil mark, uneven base. Sediment inside bottle.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, collectable, bottle, dip mould, soda bottle, beverage bottle, green glass, olive glass, double collar -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, c. 1840s - 1870s
This olive green glass bottle has been handmade from about the 1840s to 1870s. The bottle, possibly used to store or soda or mineral water, was found in the coastal waters of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe into the molten glass blob at the end of the pipe. The glass was blown out to fit into the shape of the cylindrical dip mould. Once it hardened, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck while carefully using a tool to hold the base. A 'ponty' tool would have been used to form the push-up base. The mouth of the bottle was cut off from the blowpipe and a piece of soft glass would be added to the mouth to then form the collar. Bottles like this would usually be sealed with a cork.Although this bottle is not linked to a particular shipwreck, it is recognised as a historically significant example of handmade, 1840s to 1870s beverage bottles imported for use in Colonial Victoria. The bottle is also significant for its association with John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several shipwrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, olive glass. Applied straight lip with bumps and bubbles. Shoulder seam. Body tapers inwards towards base. Heel has uneven thickness. Concave push--up base. Some imperfections, blow lines and scratches in glass. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, collectable, bottle, dip mould, soda bottle, beverage bottle, green glass, olive glass -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s-1870s
This broken, handmade black glass bottle was made around the mid 1800s. The bottle was found in the coastal waters of Victoria about 100 years from when it was made. It is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to be made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body was blown, the glass blower continued blowing free-form (without the mould) to form the shoulder and neck, then the base was pushed up with a pontil tool, and the finish for the mouth was added. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck usually looking smoother and shinier. A horizontal line can often be seen around the shoulder where the mould of the body meets the free-blown shoulder. A lump or mark in the centre of the base, called a 'ponty' mark (named after the pontil tool), is also common on this type of bottle. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. (Similar bottles were recovered from the 'Loch Ard' shipwreck, lost in 1898.) The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle, thick black glass (dark olive) with matt surface. Mouth has been broken off, leaving sharp edges. Short neck, wide shoulders, body tapers slightly inwards towards base. Wide uneven heel and deep concave base with a fold line in glass. No visible seams.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, bottle, black glass, antique bottle, handmade, mouth blown, blown bottle, liquor bottle, ale bottle, 19th century bottle -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, c. 1840s - 1870s
This olive green glass bottle has been handmade from about the 1840s to 1870s. The bottle, possibly used to store ale or soda or mineral water, was found in the coastal waters of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe into the molten glass blob at the end of the pipe. The glass was blown out to fit into the shape of the cylindrical dip mould. Once it hardened, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck while carefully using a tool to hold the base. The base was made using a 'ponty' tool to push it up, giving a concave finish with a central 'ponty' mark. A tool would have been used to cut off the bottle from the blowpipe and a piece of soft glass would be added to the mouth to then shape the band collar. Bottles like this would usually be sealed with a cork, which may have been held in place with wax or wire and tape. Although this bottle is not linked to a particular shipwreck, it is recognised as a historically significant example of handmade, 1840s to 1870s beverage bottles imported for use in Colonial Victoria. The bottle is also significant for its association with John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several shipwrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, olive glass, cork top style. Roughly applied tooled lip with band, smooth body outline tapering intwards towards base. Concave base, small pontil mark, uneven base. Glass has rippled, circular blow lines. Sedimint inside bottle.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, collectable, dip mould, soda bottle, beverage bottle, olive green glass -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: SCHOOL PHOTO
Bendigo Advertiser ''the way we were'' from 2002. School photo: pupils of Strathfieldsaye Primary school in 1942. Front row: John Holland, Brian Mannes, Eddie Cooper, George Morris, Bobbie Robinson, Lyle Makeham, Tommy Langstaff and Stan Somerville. Second row: Joyce Osborne, Marj Somerville, Marie Turner, Marj Cooper, Minnie Cooper, Dorothy Cooper, Jean Magee, Cletus Mannes and Joy Robinson. Third row: Verna Magee, Inez Somerville, Hazel Somerville, Thelma Loader, Madge Magee, Eileen Mannes, Moira Rafferty and Olive Gould. Back row: Ken Gould, Vin Turner, Cliff Magee, Tommy McCleen and Geoff Somerville. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Bendigo Historical Society Inc.
Document - BENDIGO ART GALLERY, BENDIGO ART SOCIETY, 10 October, 1926
Bendigo Art Gallery, Bendigo Art Society. President: Hon. R H S Abbot, M.L.C., F.R.S.A. Eleventh Exhibition, in the Bendigo Art Gallery, View Street. October 10th to 31st, 1926. Hon. Treas.: C E Bulley. Catalogue Price 6d. The President, Officers, and Committee of the Bendigo Art Society express their pleasure in presenting the representative collection embodied in this Exhibition. Mr John Shirlow, the noted etcher has been good enough to get together a fine showing of works from eminent artists, who have kindly exhibited with a disire to help the Society and to encourage the local artists. The patronage and help of our citizens is earnestly solicited. Fee, for exhibiting or ordinary membership, only 5/- per annum. Should you care to join, the executive officers will only be too pleased to give any information and to receive subscriptions. Joint Hon. Secs.: J Hudspeth, V E Greenhalgh. Fine Art Section. Arists names: Elma Roach, Ida F Knox, H J Honeybone, Edith H Moore, M A Hope, Lady Barrett, G E Parker, D Hinchcliffe, Aileen R Dent, J Hudspeth, J Florence MacGregor, Madge Freeman, C E Bulley, Merle Bulley, Ethel f Crook, L M Sheridan, C G Dunlop, Ena Smith, William H oliver, E Phillips Fox, Ethel Carrick, H Septimus Power, David Davies, Norman Davies, Norman W Penrose, Margaret McCloud, Josephine Van Damme, M E Coverdale, Marion Jones,R W Bugg, L Rowe, Lucy C Newell, Claire Colgan, Charles G Stewart, Alice Newell, V E Greenhalgh, Violet Hambly. Display of Hand-Painted China: H W Tilley, M Jacobs, W McKie, A E Collier, Hilda Veale, Elma Curnow, Jean Cahill, Frank Vaughan. Collection of Australian Art: W D Knox, Esther Paterson, Dora L Wilson, A M E Bale, E F Hooton, John Rowell, Horah Gurdon, Louis McCubbin. Section A (Outdoor Study, any subject, any medium.) Members only: C G Duinlop, J Florence MacGregor, Merle Bulley, William H Oliver, Norman W Penrose. Section B Student's Section. Drawing or Design. Pupils of Schools: Stanley R Millott, Joyce Ranson, Ronald William Forbes, Dorothy Clemens, Lilian J White, Ruby A I Welch, Nancy R Hudspeth, J Honey Church, J G Graham, Ivo Steel. Section C Student's Section. Applied Art. Pupols of Art Schools: Florrie Spencer, Joyce Ranson, Ronald W Forbes, Dorothy Clemens, Lilian J White, Ruby A I Welch, Nancy R Hudspeth, Jean Honeychurch, Annie I Paterson, Isabel Blake, Beatrice Lee, Garnet Capper, Gwen Osborne, Dorothy Olds, Marjorie Crossman, Doris Shaw, Phyllis Paul, Amy Bolton. Section D Plant Form From Nature (Pulils of Schools in Bedigo Inspectorate), North Bendigo: Alan Styles, Ronald Wright, Agnes R Styles, Jean Woodman. Creek View S.S. Beryl Butcher, Grace Gerguson, Ruth Cheatley, Elmore S.S.: George Read, Hazel Farnsworth, Lorna Washington, Keith Gow, Jean Oliver, Robbie Dick. Wanalta S.S. Mary Brown, Dorothy Nelson, Isobel Roberts, Kenneth McKenzie, Frank Brown. Barnedown S.S.: Elsie Read, George Cahill, Maud Nicholas, Leonard Robbins, Benjamin Robbins. Gravel Hill S.S.: Gladys Bamford, Jean Wright, Jean Hosking, Nancy Honeychurch, Norman McLean, Norman Guy, Agnes Stilwell. Violet St S.S.: Alma Worth, G McConville, Harry Elliot. Various Schools: Wm. Hyslop, Ruby Robertson, Hilda Parkinson, Maud O'Connor, Archie L Walker, Hedley Leggo, Jan O Hoy, Edith Cheatley, John Tatchell, Jean Barell, Keith Ashcroft, John Mueller, J Howe, Eric Cohen, Alice Glover, Ivy Morphett, Allen V Horne, Yin On, R W Moon. 2 Copies of catalogue. Black print, 12 pages made up of 3 sheets of paper with 2 staples in centre.Boltons Print, Bendigoevent, exhibition, bendigo art society, bendigo art gallery, bendigo art society. president: hon. r h s abbot, m.l.c., f.r.s.a. eleventh exhibition, in the bendigo art gallery, view street. october 10th to 31st, 1926. hon. treas.: c e bulley. catalogue price 6d. the president, officers, and committee of the bendigo art society express their pleasure in presenting the representative collection embodied in this exhibition. mr john shirlow, the noted etcher has been good enough to ger together a fine showing of works from eminent artists, who have kindly exhibited with a disire to help the society and to encourage the local artists. the patronage and help of our citizens is earnestly solicited. fee, for exhibiting or ordinary membership, only 5/- per annum. should you care to join, the executive officers will only be too pleased to give any information and to receive subscriptions. joint hon. secs.: j hudspeth, v e greenhalgh. fine art section. arists names: elma roach, ida f knox, h j honeybone, edith h moore, m a hope, lady barrett, g e parker, d hinchcliffe, aileen r dent, j hudspeth, j florence macgregor, madge freeman, c e bulley, merle bulley, ethel f crook, l m sheridan, c g dunlop, ena smith, william h oliver, e phillips fox, ethel carrick, h septimus power, david davies, norman davies, norman w penrose, margaret mccloud, josephine van damme, m e coverdale, marion jones, r w bugg, l rowe, lucy c newell, claire colgan, charles g stewart, alice newell, v e greenhalgh, violet hambly. display of hand-painted china: h w tilley, m jacobs, w mckie, a e collier, hilda veale, elma curnow, jean cahill, frank vaughan. collection of australian art: w d knox, esther paterson, dora l wilson, a m e bale, e f hooton, john rowell, horah gurdon, louis mccubbin. section a (outdoor study, any subject, any medium.) members only: c g duinlop, j florence macgregor, merle bulley, william h oliver, norman w penrose. section b student's section. drawing or design. pupils of schools: stanley r millott, joyce ranson, ronald william forbes, dorothy clemens, lilian j white, ruby a i welch, nancy r hudspeth, j honey church, j g graham, ivo steel. section c student's section. applied art. pupols of art schools: florrie spencer, joyce ranson, ronald w forbes, dorothy clemens, lilian j white, ruby a i welch, nancy r hudspeth, jean honeychurch, annie i paterson, isabel blake, beatrice lee, garnet capper, gwen osborne, dorothy olds, marjorie crossman, doris shaw, phyllis paul, amy bolton. section d plant form from nature (pulils of schools in bedigo inspectorate), north bendigo: alan styles, ronald wright, agnes r styles, jean woodman. creek view s.s. beryl butcher, grace gerguson, ruth cheatley, elmore s.s.: george read, hazel farnsworth, lorna washington, keith gow, jean oliver, robbie dick. wanalta s.s. mary brown, dorothy nelson, isobel roberts, kenneth mckenzie, frank brown. barnedown s.s.: elsie read, george cahill, maud nicholas, leonard robbins, benjamin robbins. gravel hill s.s.: gladys bamford, jean wright, jean hosking, nancy honeychurch, norman mclean, norman guy, agnes stilwell. violet st s.s.: alma worth, g mcconville, harry elliot. various schools: wm. hyslop, ruby robertson, hilda parkinson, maud o'connor, archie l walker, hedley leggo, jan o hoy, edith cheatley, john tatchell, jean barell, keith ashcroft, john mueller, j howe, eric cohen, alice glover, ivy morphett, allen v horne, yin on, r w moon. 2 copies of catalogue. black print, 12 pages made up of 3 sheets of paper with 2 staples in centre. -
Bendigo Historical Society Inc.
Photograph - GOLDEN SQUARE STATE SCHOOL COLLECTION: BENDIGO COMPETITIONS 1931, 1931
Black and white photograph mounted on card, Golden Square State School Choir, Bendigo Competitions 1931, with list of names on back. Fourth row from left: David Luke, Peter White, Claude Charlton, ? Plumridge, ? Porter, ? Trebolco, Alec Smart, Oliver McGuire. Third row: Alfred Boland, Jean Bynon, Pearl Jones, Mavis Strugnell, Margaret Marion, Marjorie Holland, ? Elliot, Jean Turnbull, Hilda Plant. Second row: Alfred Goudge, ? Coombs, Dorothy Johns, Lois Wilson, Carmel Royal, Joyce Rolf, Phylis Trebilco, Nellie Johns, Sadie Hester. front row: Belle Mmouney, Muriel Moore, Joyce French, Miss Hamilton (Pianist), Mr. Newman (teacher), Mavis Abbott, Jean Hawkins, Ruby Exon.Kalmabendigo, education, golden square primary school -
Bendigo Historical Society Inc.
Document - CONNELLY, TATCHELL, DUNLOP COLLECTION: DOCUMENT
... - Document Mrs Haynes Cuthbert Hamilton & Wynne Mr Toy John Holmes ...Four receipts. (1) Receipt dated 12 July 1889, signed H & W 14/7/89 for Mrs Haynes proportion of costs. Green Stamp Duty attached. (2) Receipt dated 6 Oct 1888, signed by John Holmes for £8 received from Connelly & Tatchell. Green Stamp Duty attached. (3) Receipt signed by D. Oliver, dated 12 Oct 1888 for cheque. (4) Receipt signed by George Lewis dated 9 Oct 1888 for £1.11.6.business, legal, connelly & tatchell, connelly & tatchell collection - document, mrs haynes, cuthbert hamilton & wynne, mr toy, john holmes, keam, d oliver, g lewis, mitchell, harris -
Bendigo Historical Society Inc.
Document - CONNELLY, TATCHELL, DUNLOP COLLECTION: DOCUMENT
Printed Lien on Crops dated 1 November 1904, Mr. John Hurley to G. H. Watson. George Harold Watson may sell the wheat and oats delivered to the Gredgwin siding and retain the expenses of sale and the money due to him on this security fromn the proceeds of sale. Olive coloured Victoria One Penny Stamp Duty attached.business, legal, connelly & tatchell, connelly & tatchell collection - document, lien on crops, john hurley, george harold watson, jonathan raisbeck, h hosken, connelly tatchell & dunlop, a g dunlop