Showing 211 items
matching lace machines
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Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: TROUSSEAU NIGHT GOWN, 1914
Handmade ivory coloured cotton full length night gown. Front has yoke of diagonal pieces of lace with cut work and floral patterns, squares, embroidered flowers with horizontal lace pieces across shoulders. The top edge of the skirt has an edge of lace with square shapes and centre flowers of cut work across the front and back. The back has five 1cm tucks on either side of centre that extend 5cm below the lace edge. The high front neckline is square and the high back neckline is rounded. The neckline is edged with cotton broderie lace and insert lace with cream coloured satin ribbon threaded through. Below the decorative lace strip at the front is a section of fine pintucking 12cm on either side of centre and 9cm below lace strip. The night dress has a front opening extending 31cm from the throat. It has a placket with two button holes 10cm and 20cm from the throat. Two buttons on other side. No fastening at throat. French side seams. Long set-in sleeves with two rows of lace and three rows of pintucks extending from shoulder down top of sleeve to wrist. A piece of insert lace at wrist. A frilled cuff of broderie lace widening from 9cm at inside seam to 12cm at outside edge, machine stitched.costume, female underwear, nightgown -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: MID LIGHT BLUE SLEEVELESS DRESS BY ZANKO:PART OF ENSEMBLE WITH 11400.523, 1950s
Sleeveless mid blue below the knee length dress of rayon fabric. Shallow scooped front neckline. Wide shoulders extend over top of arm. Front of bodice in two parts. Top yoke is attached to 12cm midriff section. Midriff section has wide section with two side sections. Front yoke section is attached to midriff section with two small pleats under bust on either side of centre. Across the centre seam of yoke and midriff is a decorative strip of light blue lace of open floral pattern. The back of the bodice is of two pieces with centre seam attached at the waist with vertical darts on either side of centre. Back opening with 50cm metal zipper beginning 9.5cm below the rounded back neckline. Skirt is made of two pieces joined at front and back centre. Front centre panel 16cm with centre seam. From side of centre panel, the skirt is box pleated (4cm). Six box pleats on either side attached to waist of bodice. Pleats continue to back centre seam. Decorative piping attached around waistline. Machine stitched. Unlined. Faced at neck and sleeves with same fabric. Part of ensemble with 11400.523.Created by ZANKO of Melbournecostume, female daywear, dress -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: MID BLUE JACKET BY ZANKO: PART OF ENSEMBLE WITH 11400.522
Mid blue waist length long sleeved jacket to be worn over 11400.522 11cm fold over collar that extends to waistline with crossover front and scalloped lapels. Right over left crossover (3.5cm) fastened with one fabric covered 2.4cm button with centre circle and narrow edge. Lapels have decorative cut out lace motifs attached – match lace across midriff of dress. Ten motifs evenly spaced around collar. Front pieces have vertical darts from hem under bust. Back of bodice has two pieces with centre seam. Vertical dart on either side of the centre seam. Unlined. Machine made. Kimono sleeves. Three quarter length. Gusset under each arm 12 x 13cm. Part of ensemble with 11400.522.Created by ZANKO of Melbournecostume, female daywear, coat -
Bendigo Historical Society Inc.
Clothing - INFANT BOY'S DRESS, 1883- 1885
White child's dress of heavy cotton lace. Sleeveless bodice with arm holes edged with 3cm ungathered broderie type lace. High round neckline with 5cm lace flat collar. Back opening to waist with 5 x 1cm white buttons. LHS is seamed with buttons attached. RHS edge has button holes pushed through edge of lace. 5mm cotton tape is threaded through seam at neck line to form ties at the back. Skirt is made up of two layers of fabric gathered onto the bodice. Underneath layer is 25 cm deep - 12 cm plain fabric from waist with 13 cm edge of broderie type lace with scalloped edges. Top layer of 13cm of broderie type lace with scalloped edges. Unlined. Machine stitched. Skirt pieces are single pieces of lace fabric with seam at centre back.costume, children's, infant boy's dress -
Bendigo Historical Society Inc.
Clothing - INFANT BOY'S DRESS, 1883 - 1885
Heavy white cotton lace dress. High round neckline with cotton drawstring ties. 6cm lace collar with scalloped edged. 7cm cap lace sleeves with fine scalloped edges. Casing at the waist with cotton ties to back. Back opening from neck line to 9cm below waist. Cotton tie at neckline at back. Two x 1cm white buttons spaced at 6cm and 12cm below neck. Hemmed edges of lace form the edges of the back opening. Two machine stitched button holes on RHS with 4.5cm layer of lace covering the button holes. LHS of opening is plain. Lace skirt made of single piece of lace fabric gathered at the waist. Seam at centre back. Skirt 31 cm. Scalloped edges dipping to V shapes. 5mm cotton ties at waist and neck go through metal ties. Machine stitched.costume, children's, infant boy's dress -
Bendigo Historical Society Inc.
Clothing - HELEN MUSK COLLECTION: BLACK SILK TOP
Black long-sleeved ladies’ silk blouse. High round neckline at front with V shaped lace insert from throat to bust line. Stand up lace and net collar. Top edge of collar is trimmed with pink ribbon piping and gathered cream coloured lace. There are three strips of brown tape attached vertically to the collar at each shoulder and front RHS of collar to hold plastic strips to support the collar in upright position. One piece of plastic still in place. On either side of centre front are vertical panels of pintucks with knife pleats on either side facing inwards. There are three small pink decorative buttons (1 cm) below the throat and another group of three buttons 10 cm below the first group. The top has a back opening fastened with 10 press studs. The back has two vertical panels of pintucks and knife pleats. The long sleeves have cuffs at the wrist (5 cm) with U-shaped split on upper side. Each cuff has three decorative pink buttons on one side of the U-shaped split. The lower edge of each cuff is trimmed with black lace (5 - 6 cm) that falls over the wrist. Machine stitched.costume, female evening, black silk top -
Bendigo Historical Society Inc.
Clothing - HELEN MUSK COLLECTION: CREAM WEDDING DRESS
Full length cream synthetic fabric wedding dress with long sleeves and a train. Front and back have a yoke of lace. Three quarter length sleeves are made of the same lace with roulette trim at hem. Inner and outer edges of sleeves ruched for 3 cm. High round neck at back. V neckline at front. Front of bodice has two side darts and two under bust darts. Bodice at waist line has three decorative scallops at front and back. Synthetic fabric of bodice has woven fabric backing. Side opening on left hand side is fastened with nine press studs. Full length skirt of lighter weight opaque synthetic fabric has centre seams at front and back. Fabric is cut on the bias to form a 360? full circle skirt with a train at centre back. An additional section of fabric is attached at either side to complete the circle. At centre back of the skirt is an inverted pleat to create fullness for the train. Hemline is edged with lace with four rows of tucks above the hem, 1 cm apart. Separate petticoat of heavier woven synthetic fabric attached at waist. Petticoat cut on the bias to create 360? full circle skirt with inverted pleat at centre back to create fullness. Narrow turned over hem. Petticoat skirt dips to a V shape at centre front and back seams. Machine stitched.costume, female ceremonial, wedding dress -
Bendigo Historical Society Inc.
Document - Y.M.C.A., Y'S WORKBOX, DISPLAY & DEMONSTRATION OF HAND CRAFTS, 27 October 1985
Event, Bendigo Y.M.C.A., Y's Workbox, Display & Demonstration of Hand Crafts, at The Y.M.C.A. Stadium, Mundy Street, Bendigo, Sunday October 27, 1985, 10am - 5pm. Admission: Adults $2.00 , Children 50c, Devonshire Teas $1.20. Crafts include: Plate Decorations, Wood Carving, Tatting, Bonsai, Filet Crochet, Patchwork, Jigsaws, Model Ships in Bottles, Knitting from Fleece, Soft Toys, Silversmithing, Christmas Decorations, Floral Art, Wood Turning, Pickled People, Padded Baskets, Machine Embroidery, Applique, Knitting, Overlocking, Latchhook Rugs, Make-Up (TV & Films), Bobbin Lace, Printing, Golden North Centre.event, exhibition, bendigo y.m.c.a. -
Bendigo Historical Society Inc.
Document - Y.M.C.A. Y'S WORKBOX, DISPLAY & DEMONSTRATION OF UNUSUAL CRAFTS, 28 October 1984
Events, Y.M.C.A., Y's Workbox, Display & Demonstration of Unusual Crafts, Sunday October 28. 1984, at the YMCA Stadium, Mundy Street, Bendigo, 10am-5pm.Crafts including; Bobbin Lace, Marquetry,Tatting, Leadlighting,Vietnamese Wood Carving, Decoupage,Model Vintage Cars,& Tanks,Embroidery,Pen Etching,Material Mats, Ribbon Flowers,Wooden ''Dummies'',Machine Embroidery, Candlewicking on Calico,Wooden Dolls, Porcelain Dolls, & many more. C.Marrone.C.Marroneevent, exhibition, bendigo y.m.c.a. -
Ithacan Historical Society
Photograph, Embroidered Blouse
The blouse was made in Greece about 1945. The method used to create this fine embroidery was to copy a design from a cross stitch embroidery book guided by fine white tapestry threads tacked onto the yolk; when the design was finished, the embroiderer would pull out each fine white tapestry thread until only the embroidery remained around the yolk of the blouse.Throughout the centuries and up until the 1970s-80s, the women of Ithaca spun, wove, embroidered and knitted. Mothers prepared their daughters' 'glory boxes' trousseau (prikia), weaving bedspreads, rag mats (koureloudes) for everyday use, finer wool rugs for formal use, as well as linen sheets, pillowcases, blankets, towels and tablecloths. Linen was also woven to make the mattress that the young brides would take to their future homes. Mothers also wove and embroidered the fabric for their daughters' underwear and petticoats, nightgowns, etc. Sewing of the garments was also done by hand. The girls embroidered handicrafts using various stitches, they crocheted lace, netted pillows and even linen carpets. The handicrafts were usually embroidered by hand in cross-stitch using linen and cotton fabric. At the time there were merchants who travelled to the villages to sell machine made goods for the trousseaus, but most of the dowries consisted of the beautifully crafted work of the women. In the 30's the SINGER Company came to Ithaca and taught the girls sewing on the machine. A handwoven silk blouse. Colour - ecru. Hand embroidered, hand sewn, very fine white tapestry was tacked round the yolk; a gusset was sewn under each short puff sleeve at the armpit; two-tone hand made silk thread cords were passed through the hollow border of the sleeves and neckline. -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CREAM LINEN BODICE, 1880 -90's
Clothing. Very fine, cream linen bodice, with two vertical lace inserts either side of front opening, and three angled inserts from each side seam to the vertical insert. All inserts 2 cms wide. Short cap type sleeves are edged with the same lace, and band of this lace also outlines the wide square neckline. An insert between these bands has a fine, ribbon threaded through, which would act as a draw string. There is a 2.5 cm x 3 cm tab of linen at the centre back, but, no markings are evident. Three .9 cm pearl buttons, with three corresponding machine stitched button holes fasten the front. A cotton tape drawstring, and elastic are encased at the waistline giving the lower edge a peplum effect.costume, female, cream linen bodice -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: INFANTS NIGHTDRESS OR CHRISTENING GOWN, Late 1800's early 1900's
Clothing. High lace-edged round neckline - lace 1.3 cm deep. Long sleeves-gathered at the shoulder, and edged at the wrist with a 4.5 cm deep, gathered broderie anglais, featuring a shamrock, and flower design. The bodice has a centre front panel of lace. 9 cm wide at the neckline, tapering to 4 cm wide at the high waistline. This panel is edged with a 4 cm wide scalloped edge at the broiderie anglais trim. Three rows of pintucks, give a finish to the filigree braid, and the gathered broiderie frill. The long skirt is gathered at the lower bodice, and is 70 cms long. The lower 20.5 cms at the hemline has alternate bands of three pintucks, a 4 cm panel of flowers and cutwork broiderie, three pintucks, 4 cm panel panel of broiderie, three pintucks and a 4 cms deep machine stitched hem. Bodice has a back opening, with only one 1 cm diameter covered button evident, a cotton tape passes through a casing, and ties at the back waistline.costume, female, infants nightdress. -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: FINE LINEN PETTICOAT- LACE TRIMMED
Clothing. Extremely fine linen petticoat, rounded neckline with a blue satin ribbon insertion, threaded through a lace insertion. This ribbon is now badly aged and shedding and splitting. A plackett at the centre back conceals six tiny 9mm covered buttons, and machine (?) stitched button holes. The neckline is outlined with three bands of cotton lace - the first band is 4.5 cm wide, and has a 'shamrock' leaf design. The middle band is 1.5 cm wide, and has a 'twisted' design, which holds the blue ribbon insertion. The outer row is 2.5 cm wide and has a scalloped edging.costume, female, lace trimmed fine linen petticoat -
Bendigo Historical Society Inc.
Clothing - SILVER SILK AND LACE TRIMMED BODICE, 1860's-70's
Silver silk, with a jacquard woven floral pattern. Long sleeves have pleated tops, forming a leg-o-mutton sleeve, which gathers in at the elbows, to a narrow fitted sleeve to the wrist. A 4cm wide band of cream satin embroidered and corded lace. Cream cording and lace trims the cuffs, the shoulder/arm hole seam, and two bands on each side of the V shaped cross-over bodice. Metal press-studs fasten the cross over bodice at the waistline. Cream satin with embroidered lace overlay forms a 5cm wide stand-up collar and a centre front panel at neckline. Twelve metal hooks and eyes fasteners fasten the grey cotton front lining of the bodice. The cotton lining of the bodice is part machine, and part hand stitched. Relocated to Clothing Box 176 10.2.2022costume, female, silver silk and lace trimmed bodice. -
Bendigo Historical Society Inc.
Clothing - ELAINE BISHOP COLLECTION: INFANT'S GOWN, 1890-1910
Clothing. Infant's white cotton gown with long sleeves. Round neckline with casing for cotton tape ties to back. Stand up lace trim (2cm) around neckline. Back opening (20cm). Lace at wrists and end of waist ties (.8cm). Gathered from neckline back and front. Front is gathered into broderie lace band (24cm X 3cm) at waist. Two fabric ties attached at sides of eaist band (64cm). French seams. Machine stitched. Old box 230.costume, children's, infant's gown -
Bendigo Historical Society Inc.
Clothing - ELAINE BISHOP COLLECTION: INFANT'S GOWN, 1890-1910
Clothing. Infant's white cotton gown with long sleeves. Round neck with casing for cotton tape ties. Stand up 1cm lace trim. Back opening (20cm). Lace trim (.8cm) at wrists and ends of waist ties. Gathered from neck at back and front. Front is gathered into broiderie lace band (17cm X 3 cm) at waist. Two fabric ties attached at sides of waist band (68cm) to tie at back. French seams. Machine stitched. Old box 230.costume, children's, infant's gown -
Bendigo Historical Society Inc.
Clothing - ELAINE BISHOP COLLECTION:HALF SLIP FULL LENGTH PETTICOAT, 1890-1910
Clothing. White cotton half slip floor length petticoat. Drawstring waist six darts across centre front waist. Back opening (21cm). two layers from 58 cm below waist. Outer layer of horizontal strips of broiderie lace and two rows of three pintucks. Scalloped edge at bottom of petticoat. Second layer of white cotton fabric. French seams. Machine stitched. Old box 230.Stamp inside waist band, ''P Lyon''costume, female, half slip floor length petticoat -
Bendigo Historical Society Inc.
Clothing - ELAINE BISHOP COLLECTION: INFANT'S VEST, 1890-1910
Clothing. Cream coloured cotton infant's vest. Cut in one piece. Back opening. No seams. Square neckline at front. Shoulders joined with piece of 1.5cm lace. Neckline trimmed with 3cm piece of lace. Arm holes and shoulders trimmed with 1cm lace. !cm gussett under each arm hole. Crossover at back opening has no fastenings. Selvedge edge around bottom of vest. Machine stitching. Old box 230.costume, children's, infant's vest -
Bendigo Historical Society Inc.
Textile - LINEN AND LACE TRAY CLOTH/HAND TOWEL, Mid 1900's - 2000's
... wide cotton lace edging - edging is a braid type, commercially... a 10 cm band of machine - made cotton lace, in a floral design ...Rectangular shaped tray cloth/hand towel, edged in 1.25 cm wide cotton lace edging - edging is a braid type, commercially made edging. One end has a 10 cm band of machine - made cotton lace, in a floral design. Lace has been attached to the linen fabric in a zig - zag machine stitch. Cream in colour.manchester, table linen, tray cloth/hand towel -
Bendigo Historical Society Inc.
Textile - SIDE TABLE CLOTH, Mid 1900's - 2000's
Cream linen fabric, rectangular in shape. One log edge is finished with a 16 cm wide band of lace. This lace has been.machine made, and attached to the linen with a zig-zag machine stitch. The woven pattern in the lace is geometric in style. The other three sides are edged with 1.5 cm wide, woven lace in a scalloped design. Long-edge lace is 15.5 cms wide.manchester, table linen, side-table cloth -
Bendigo Historical Society Inc.
Clothing - WHITE LINEN LACE TRIMMED CAMISOLE
Wide neckline, rounded at the back, and a deep V shaped front. Short sleeves, edged with a one cm band of scalloped edge lace. This edging also trims the back neckline. Front neckline is trimmed with six cm deep scalloped edge, broiderie anglaise, featuring an embroidered floral design, and cutwork. A casing at the waistline, one cm wide, appears to contain elastic, which is now perished. Machine stitched side seams, which are slightly to the back, rather than at the sides.costume, female, white linen lace trimmed camisole -
Bendigo Historical Society Inc.
Clothing - FINE COTTON AND LACE ROUND NECK CAMISOLE.- A BEAUTIFUL GARMENT, Late 1800's - early 1900'
Deep round neck, front and back. Sleeveless. Armholes edged wit a two cm band of lace, featuring a diamond shaped geometric design. Lace is spoke stitched to the garment, and has a scalloped edge finish. Two bands of the lace edge - one 2.5cm wide, and one three cm wide. Where they are stitched together, a drawstring of stranded cotton enables the neckline to be gathered in. The lace is spoke-stitched to the fabric, and inserts in circular loops (2) and oval inserts (3) decorate the back across the bustling. One circular shape and two oval shapes decorate the back across the shoulders. Fine, machine stitched, french seams at side seams. Right side seam has a nine cm opening in the seam to the hemline, with a metal hook and hand stitched loop to fasten.costume, female, cotton and lace round neck camisole -
Bendigo Historical Society Inc.
Clothing - WHITE COTTON LACE TRIMMED DRAWERS, 1890's- 1910
Two 2cm cotton fabric covered buttons close the waistband of the drawers, at the centre front. A 33cm wide gathered panel at the centre front, fastens to the waistband with two 1.5cm plastic buttons-(possibly replacement for original buttons). This gathered panel may suggest that these drawers were worn during a pregnancy. The 75cm long legs are trimmed with two bands of floral embroidered, and cutwork lace-eight cm deep lace. waistband is 6.5cm deep. Machine stitched, no seams.costume, female, white cotton, lace trimmed drawers -
Bendigo Historical Society Inc.
Clothing - FINE WHITE COTTON, SPLIT DRAWERS, 1850's-1900's
Fine white cotton, with a drawstring in a 1.5xcm deep casing around the waistline. Completely opened at centre front, through crotch, and up the centre back to within 14cm of the waistline. One dart on either side of front, and two darts on either side of back. Machine stitched. A 2.5cm wide cotton lace is inset into a zig zag pattern around each leg. In each V shape a 1.5cm lace insert in a fan,under the V shapes are inserted needle woven bows, shape is inserted. Seven extremely fine pin tucks border the edge of the legs, which have a three cm wide lace edging. Split drawers were worn in the era when women wore corsets. The split front and back allowed women to go to the toilet, as the corsets could not be removed to allow for an act of nature.Accompanying note - No date. The bloomers belonged to Miss Antoinette Catling of Bendigo and were part of her trousseaux. They would be 80+ years old. The linen bed jacket (11400.930) would be about the same age.costume, female, fine white cotton split drawers -
Clunes Museum
Domestic object - LACE MAKER
... lace making machine... coloured lace doyleys with square linen damask machine sewn ...Includes; .1 Lace Maker .2 3 x samples of lace .3.Bill of Sale dated 7 March 1916 payment received with thanks C.H Coombe .4 Price list of Torchon Lace Co.229 Collins Street, Melbourne, Victoria, Australia .5The Torchon Lace Making Booklet, 12th edition, copyright 1904 .6 Letter (undated) offering The complete lacemaking outfit .7 Document with customer reviews .8 Booklet "The Torchon Lace Maker (illustrated) Copy right 1904 All rights Reserved .9 30 x cardboard lace making patterns No. 20 Torchon Edging, Diamond Point Edging, Net Ground, 2 x Round Point Edging, Edging No. 11, Diamond Antique Edging, Jewel Insertion, Smyrna Edging, Rose Ground, Edging No. 24, Insertion No. 22, No.5 Twisted Hole Ground with "Spider". Spider insertion, Copenhagen Lace, Plain Hole Ground, Ornamental Ground Pin Check, Block Lace, Spider Lace, No. 18 Medici Lace, ZigZag Lace, Wide Antique Lace, Diamond Antique Edging, Block Lace, Jewel Insertion, Edging No. 24, Spider Lace, Zig-Zag Lace, Medici Lace, No. 21 Maltese Lace. .10 .35 x bobbins (8 with cotton) .11 2 x cream coloured lace doyleys with square linen damask machine sewn into the centre of the doyley. .12 Large wooden cotton reel with cream coloured lacemaking thread .1 White sticker, "63" printed in black placed on Lace Maker .12 Eagley imprinted into one end of the reellace making machine, christina mckenzie lawrence -
National Wool Museum
Book, How to Know Textiles
"How to Know Textiles" - Cassie Paine Small, 1932.textile fibres weaving machine knitting yarn production cotton silk, lace, dyeing, cloth - woollen, cloth - worsted, rayon, textile fibres, weaving, machine knitting, yarn production, cotton, silk -
Whitehorse Historical Society Inc.
Clothing - Lace Blouse, 1930's to 1950's
... White machine made guipure lace blouse. Extended short... Mitcham melbourne costume female White machine made guipure lace ...White machine made guipure lace blouse. Extended short sleeves, opening down front with five pearl buttons. Stand up collar.costume, female -
Whitehorse Historical Society Inc.
Accessory - Lace collar, 1880's
See attachedA Victorian Battenberg Lace collar in two tones of ecru. It is mounted on to pink polished cotton with paper backing. Tape is machine made with infilling by handcostume, female, handcrafts, lacemaking -
Whitehorse Historical Society Inc.
Textile - Length of lace edging
Machine embroidery on netmanchester, trimmings -
Whitehorse Historical Society Inc.
Clothing - Stockings, Machine knitted stockings, 1850-1880
... and calf feature a lace pattern. Machine knitted stockings Clothing ...Victorian 1850-1880 machine knitted stockingsMachine knitted stockings made of white cotton. The heels, toes and the top of the stockings are a plain knitted rib. The rest of the foot, ankle and calf feature a lace pattern. no markingsclothing accessory, knitting machine